This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
After years of staying free of comparisons with Charlie Parker, Sonny Stitt steps confidently into a set of compositions by the late, great one – sounding really wonderful in his own interpretations of these classics! The album's got the same simple and focused still as Stitt's best work on ... CD
Jimmy Hamilton on clarinet, Jimmy Wood and Oscar Pettiford on bass, Osie Johnson and Sam Woodyard on drums, Barry Galbraith on electric guitar, Sidney Gross on rhythm guitar, Earl Grant and Kenny Kersey on piano, and Clark Terry on trumpet. CD
A brilliant example of why Eddie Bert was one of the hippest trombonists of the 50s – a player who could bridge the worlds of Stan Kenton and Charles Mingus, and always come up with a sound that was one of the freshest on his instrument! The bulk of the CD features small combo work Bert ... CD
Some of the earliest work as a leader from Paul Horn – the inventive reed player who really sparkled in Chico Hamilton's group of the mid 50s, then went on to make some even more compelling records on his own! The first album in the set is House Of Horn – recorded for Dot Records in ... CD
A really classic set from drummer Jo Jones – really more of a small group Count Basie outing – given that Basie himself guests on piano, and other players here include Freddie Green on guitar, Lucky Thompson on tenor, Emmet Berry on trumpet, and Bennie Green on trombone! The style is ... CD
Long, lean, and later work by Coleman Hawkins – recorded in a beautifully stripped-down and free setting at the Village Gate! The tracks are all pushing the 10 minute mark – and feature Hawk soloing in that open, exploratory way he was using during the time – a mix of older ... CD
The complete Capitol recordings of pianist Claude Williamson – a great west coast talent who flourished most strongly on his mid 50s sessions! Williamson was a key figure in the Lighthouse jazz scene of the time – a player who worked nearly every day of the week, and developed an ... CD
A whopping array of material recorded by Shorty Rogers during his most fruitful years – arguably some of the best large group west coast work ever recorded, and certainly the kind of material that set the standard for many years to come! The 2CD set is overflowing with great bits from early ... CD
The earliest work on record from pianist Paul Bley – the Canadian modernist who'd become much better known for his more experimental work in later years, but who's heard here on two straighter trio sessions! The first 7 tracks on the CD are from a rare 10" album that Bley cut with Art ... CD