Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Max Greger Big Box (Greger In The Night/Sax Appeal/Trumpets/Sunshine Starshine/In The Mood For Hits/bonus tracks) (4CD set)

CD (Item 116347) Universal (Germany), Late 60s/Early 70s — Condition: New Copy
4CD
$45.99 ...

CD

List Price: 49.99
A huge collection of work from German saxophonist Max Greger – a player who got his start in more serious jazz settings, but also recorded a fair bit in a swinging crossover mode – mixing his lead horn with some lively larger arrangements – all of which had great appeal to listeners in the age of the Economic Miracle! There's a warmth and optimism to these tunes that played very well at the start of the 70s, and which holds on strongly all these many years later – not standard jazz, but jazzy instrumental crossover music – delivered with superb arrangements and production throughout! Much of this work never saw release on our side of the Atlantic – and the massive set features 103 tracks in all – the full albums Greger In The Night, Max Greger Live, Sax Appeal, Sunshine Starshine, Trumpets Trumpets Trumpets, and In The Mood For Hits, which is in two different versions – plus bonus tracks too!  © 1996-2022, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


George Duke

Best Of The MPS Years
MPS (Germany), Early 70s. New Copy
Incredible work from keyboardist George Duke – a killer collection of his earliest recordings for the MPS label – all of them great! Although Duke's probably best known for his smoother, more soul-based sides for Columbia, he got his biggest start on the MPS label in the early 70s ... CD

Theo Croker

Love Quantum
Sony, 2022. New Copy
Maybe the moodiest record we've ever heard from trumpeter Theo Croker – a set that blends together his earthy Afrofuturist experiments with other electric horn-based modes – maybe currents of 70s Miles or Jon Hassell, but served up in much more soul-based territory overall! Many cuts ... CD

Cyrus Chestnut

My Father's Hands
High Note, 2022. New Copy
A hell of a pianist, working in a hell of a trio – Cyrus Chestnut on keys, with backing from Peter Washington on bass and Lewis Nash on drums – all players who can relax into a groove and really do their own thing! Years back, Chestnut was a rising star on the major label scene – ... CD

Herbie Hancock

Sextant
Columbia/Legacy, 1973. New Copy
An incredible record – and virtually the blueprint for countless other keyboard records to come! At the height of his 70s powers, Herbie really takes off into space with this set – moving away from more commercial music, and hitting a groove that's totally righteous, totally electric, ... CD

Marquis Hill

New Gospel Revisited
Edition, 2022. New Copy
The musical vision of Marquis Hill just keeps on getting more and more vivid with each new album – and even here, on a live date with a title that evokes a previous record, the trumpeter is clearly pushing forth to some great territory with his music! We've loved the warm, majestic sounds ... CD

Mary Halvorson

Amaryllis
Nonesuch, 2022. New Copy
A record that has the fantastic guitar of Mary Halvorson amidst so many other sounds and shapes – delivered by a lineup that features Patricia Brennan on vibes, Jacob Garchik on trombone, and Adam O'Farrill on trumpets – all players who already shape the sound in these fantastically ... CD

Masabumi Kikuchi

Poo-Sun (SHMCD pressing)
Philips/Universal (Japan), 1970. New Copy
Masabumi Kikuchi plays some really great electric piano here – often using the album with loud, bold tones that lie somewhere between Joe Zawinul's work with Cannonball Adderley and Miles Davis! The album's an extremely sweet electric side from the Japanese keyboardist – and it also ... CD

Takeru Muraoka

Takeru (SHMCD pressing)
Philips/Universal (Japan), 1970. New Copy
A really landmark album from the Japanese scene at the start of the 70s – one of the key records in which musicians like Takeru Muraoka were helping to discover something new and unique – a fantastic hybrid of modal jazz, freer solo moments, and some nice electric touches on keyboards ... CD
Philips/Universal (Japan), 1973. New Copy
One of the most soulful sessions we've ever heard from Japanese pianist Masabumi Kikuchi – a brilliant quintet outing that features some really great work on tenor and soprano sax! Kikuchi's piano is usually enough to grab our attention, but the album's got a great added bonus in the ... CD

Hidefumi Toki with Mikio Masuda

Sky View (SHMCD pressing)
Frasco/Universal (Japan), 1976. New Copy
Hidefumi Toki is easily one of our favorite Japanese players from the 70s – an excellent alto saxophonist who always comes across with a sense of soul that's even deeper than his instrument! Toki has a way of putting together a session that's totally great – relaxed and open, with a ... CD
Express/Universal (Japan), 1969. New Copy
The debut album of the legendary pianist Masahiko Sato – a musician who's got a way with a piano that's unlike anyone else we can think of – almost creating these sinister moments at times, which are balanced by occasional moments of warmth, amidst a very groundbreaking sense of freedom! ... CD
Philips/Universal (Japan), 1970. New Copy
A key example of why the Japanese scene was so great at the start of the 70s – really mindblowing work from keyboardist Masabumi Kikuchi, and every bit as wonderful as some of our favorite American sides from the time! Kikuchi acoustic piano with a warmly soulful sensitivity – ... CD
 



⇑ Top