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Pathways To Unknown Worlds

LP (Item 1157) ABC, 1974 — Condition: Near Mint-
Gatefold

The final album issued by Impulse Records in their short-lived, ill-fated partnership with Sun Ra – and maybe the most far-reaching of the bunch! The album features three long tracks – all of them relatively open and unbridled – put together with less of a song structure than some of the group's other Impulse albums, at a level that's also quite far from some of their more spiritual modes of the early 70s too! Percussion figures strongly, but in a loose way – with less of the rhythmic pulse or exotic modes of the group's roots – and the real strength of the set lies in the reeds at many moments – handled by Eloe Omoe, Danny Ray Thompson, Marshal Allen, and John Gilmore – all given this strong focus by the incredible bass of Ronnie Boykins. Ra himself creates these fantastic sounds on an other-worldly keyboard – most likely some offbeat 70s electric organ with effects – and titles include "Pathways to Unknown Worlds", "Extension Out", and "Cosmo-Media".  © 1996-2021, Dusty Groove, Inc.
(Green label stereo/quad pressing. Cover has light ringwear and some edge wear.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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