One of the coolest, grooviest albums you'll ever hear from the legendary percussionist Airto – a set that mixes his own Brazilian roots with the electric genius of 70s CTI – all with stunning results! Airto's in the lead – and blows some beautiful wood flute lines alongside percussion – but the album also features killer contributions from Joe Farrell on soprano sax, Hubert Laws on flute, Keith Jarrett on piano, and Chick Corea on Fender Rhodes – as well as a hip bit of vocals from Flora Purim as well! There's some added horns at parts – but the arrangements are relatively spare and subtle – so that most tracks have a core organic quality, very similar to Airto's work on Buddah/Cobblestone, but given a bit more of a CTI twist. Most tunes are quite long and free-flowing – and titles include "Lucky Southern", "Flora's Song", "Creek (Arroio)", and "Return To Forever". © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.