Really creative work from Anthony Braxton – a 70s gem that has the reedman working in two different settings – both of them great! The first half of the record reunites Braxton with the electronics of Richard Teitelbaum – working here on some very cool moog, mixed with percussion – all in the best dark sounds of the Time Zones recording from the pair. Leo Smith is also in the group on trumpet – adding in a sense of space that's really wonderful – and Braxton himself works a variety of clarinets with really rich sounds – as the trio takes off on "Composition 36". The rest of the record shows that great old school side of Braxton – that crucial knowledge of the American jazz songbook that he only showed the world this strongly in the mid 70s – and which sparkles here as one of the best examples of that love! The remaining tracks feature Anthony on alto and Dave Holland on bass – working out some really special magic on "The Song Is You", "You Go To My Head", and "Embraceable You". (Cover has light wear.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.