This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Beautifully-recorded material by the great Wes Montgomery – some fairly open-ended tracks recorded for French radio in the 60s – with guest work from tenorist Johnny Griffin on a number of tunes! The core group here is great enough on its own – as Wes' guitar is backed by superb ... CD
Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time! If you only know the later, famous ... CD
So much guitar – but never too much, given that Wes was the real master of sound and space, even at this early point in his career! The album's one that tries to break Montgomery from some of his smaller combo albums for Riverside, and pair him with a few bigger names – Hank Jones on ... CD
Includes the songs "Lolita", "Yesterdays", "Delilah (Take 4)", "Polka Dots And Moonbeams", "Double Deal", "Body And Soul (Take 7)", "Delirium", "Besame Mucho (Take 3)", "One For My Baby (And One More For The ... CD
Includes the songs "Blues For Marvin", "Midnight Symphony", "On The Sunny Side Of The Street", "If I Could Be With You (One Hour Tonight)", "Sweet Georgia Brown", "Jammin' The Blues", "Oh, Lady Be Good", "I Can't Get ... CD
Lee Konitz on alto – in various small group settings accompanied by Henri Renaud on piano, Jimmy Gourley on guitar, Percy Heath on bass, and others. 18 tracks total. CD
Amazing early work from Sonny Rollins – the first of his tremendous Blue Note albums – and a record that really shows him taking off at the time! The record captures Rollins at a key turning point – emerging from his firey bop years, moving into a much more complicated, ... CD
Notable sidemen include Julius Watkins on French horn, Les Spann on guitar and flute, Phil Woods and Sahib Shihab on saxophones, Melba Liston on trombones, and Clark Terry on trumpet. CD
Genius, pure genius! Like all of Wayne Shorter's Blue Note sessions from the mid 60s, this album's a beautiful blend of hard bop ideas with a modern spiritual soulful consciousness – as important in its own way as Coltrane's work of the time – an incredible precursor for sounds from ... CD
A righteous cover, a righteous title, and a righteous little session that features one long song that spans the entire length of the album! "Black Unity" may well be Pharoah Sanders' freest expression on record to date – but it's also still got all the hallmarks of his best moments ... CD