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Geneva Connection

LP (Item 11198) Geneva, 1974 — Condition: Near Mint-
Originally: 19.99
A very very cool record – an unusual take on the music to The Connection – that hip early 60s play that featured a more famous version of the soundtrack on Blue Note Records! This version's much more obscure – part of a "localization" that occurred when the play would travel from town to town – and it features a Detroit-based recording, headed by keyboardist Johnny Griffith – who also recorded famously for Motown and RCA! Griffith's playing electric piano here, which really changes the vibe of the music – and the players are supposedly a host of Motown studio musicians – playing jazz here, but with a nice funky soul undercurrent. The group has two guitars, which really kicks in nicely with the rhythms under the horns – and titles include "Wiggling", "Music Forever", "Time To Smile", "O.D. (Over Dose)", "Jim Dunn's Dilemma", and "Who Killed Cock Robin?".  © 1996-2023, Dusty Groove, Inc.
(Recent reissue on Mad About, with obi.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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