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Here Comes The Sun

LP (Item 11143) MPS/BASF, 1973 — Condition: Very Good
Also available
Monty Alexander — Here Comes The Sun ... CD 9.99

Beautiful sounds from pianist Monty Alexander – and a record that really has him finding his own groove! Monty had recorded often in the 60s, and usually mixed his Caribbean roots with a bit of American soul jazz – but it really took the MPS label to help him find a spot to set himself free and really open up with his own sort of voice! Alexander soars with a sense of joy and imagination right from the very first note – getting help from Eugene Wright on bass, Duffy Jackson on drums, and the great Montego Joe on congas – in a mode that's maybe Monty's contribution to finding a Caribbean sound in jazz piano the way that work of Randy Weston and Dollar Brand were towards a more African-oriented heritage. The colors and phrasing of Alexander's touch on the keys is already pretty darn unique, and the rhythmic impulses send things home even more – on titles that include a great funky remake of "Here Comes The Sun" – plus "Where Is Love", "Montevideo", "Brown Skin Girl", and "So What".  © 1996-2020, Dusty Groove, Inc.
(US pressing. Cover has some wear and a cutout hole.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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