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Here Comes The Sun

LP (Item 11143) MPS/BASF, 1973 — Condition: Near Mint-

Beautiful sounds from pianist Monty Alexander – and a record that really has him finding his own groove! Monty had recorded often in the 60s, and usually mixed his Caribbean roots with a bit of American soul jazz – but it really took the MPS label to help him find a spot to set himself free and really open up with his own sort of voice! Alexander soars with a sense of joy and imagination right from the very first note – getting help from Eugene Wright on bass, Duffy Jackson on drums, and the great Montego Joe on congas – in a mode that's maybe Monty's contribution to finding a Caribbean sound in jazz piano the way that work of Randy Weston and Dollar Brand were towards a more African-oriented heritage. The colors and phrasing of Alexander's touch on the keys is already pretty darn unique, and the rhythmic impulses send things home even more – on titles that include a great funky remake of "Here Comes The Sun" – plus "Where Is Love", "Montevideo", "Brown Skin Girl", and "So What".  © 1996-2019, Dusty Groove, Inc.
(US pressing.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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