Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Miles Davis At Fillmore

LP (Item 11123) Columbia, 1970 — Condition: Very Good+
2LP Gatefold
Four sides of long improvised grooves from Miles Davis – a set that's quite similar to the classic studio album Bitches Brew, but which captures the sound in more open live setting! Each track on each side is named "Wednesday Miles", "Thursday Miles", and so on – after the night it was recorded – and is one of the few documents of the Miles electric group that features Chick Corea on keyboards, Steve Grossman on saxes, Dave Holland on bass, Jack DeJohnette on drums, and Airto on percussion. The work is more inside than some of the Davis Japanese sessions of the time, but no less revolutionary – really opening up in some wonderful ways – with lots of spacious modal riffing over some heavy vamps. Groovy and quite free at the same time, but not nearly as out as the later electric recordings!  © 1996-2022, Dusty Groove, Inc.
(Original pressing. Cover has a small split on the top seam and some surface wear.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Columbia/Mobile Fidelity, 1961. Sealed
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a ... LP, Vinyl record album

Miles Davis

Amandla
Warner, 1989. Near Mint-
With sidemen that include Marcus Miller, Kenny Garrett, George Duke, Joey DeFrancesco, Omar Hakim, Joe Sample, Paulinho Da Costa. Titles include "Cobra", "Big Time", "Hannibal", "Jo Jo", "Amandla", "Jilli", and "Mr Pastorious". LP, Vinyl record album

Miles Davis

You're Under Arrest
Columbia, 1984. Near Mint- Gatefold
Sweet studio Miles Davis from the 80s – a record that takes the 70s electric experiments and fuses them into a sound that's got a lot more R&B influence than before! The style is a bit poppy at times, but never in a way that's too slick – and often, Davis is using his muted trumpet ... LP, Vinyl record album
Prestige, Mid 50s/1965. Near Mint-
A mid 60s LP that compiles key tracks from early Miles Davis albums for Prestige – titles that include Worlkin, Relaxin, Steamin, and Cookin – all of which feature Miles playing with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones! Titles are truly all numbers that went ... LP, Vinyl record album

Miles Davis

Many Miles Of Davis
Charlie Parker, Late 40s. Very Good+
Early bop sides, not led by Miles as you might imagine from this package, but featuring him. We're not entirely certain of the origin of these recordings, but they are at least contemporaneous with the Savoy sides Miles was cutting with Bird, and according to the notes, feature Charlie Parker, ... LP, Vinyl record album

Miles Davis

Sorcerer
Columbia, 1967. Near Mint-
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" ... LP, Vinyl record album

Miles Davis

Porgy & Bess
Columbia, 1958. Near Mint-
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through ... LP, Vinyl record album

Miles Davis

Milestones
Columbia, 1958. Very Good
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... LP, Vinyl record album
Prestige, 1955. Very Good
One of the nicest moments from Milt Jackson in the 50s – an open-ended blowing session cut with Miles Davis, in a mode that's even better than Jackson's work for Savoy at the time! The style is very much in the key Davis mode on Prestige – with Jackie McLean in the group on alto sax, ... LP, Vinyl record album

Miles Davis

Bitches Brew
Columbia, 1969. Very Good 2LP Gatefold
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album

Charles Mingus

Mingus Ah Um
Columbia, 1959. Very Good+
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of ... LP, Vinyl record album

Thelonious Monk

Monk.
Columbia, 1964. Very Good
Beautiful Columbia work from Thelonious Monk – a record that has as much warmth and charm as it does visionary modernist moments! A number of the tunes are standards, not Monk compositions – and they're done here with a sense of depth and joy of exploration that's really wonderful ... LP, Vinyl record album
 



⇑ Top