Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

When Do We Get Paid

LP (Item 111221) Brenda/Luaka Bop, 1975 — Condition: New Copy
(reissue)
List Price: 22.99
A lost gospel treasure from this obscure Mississippi group – cut in the mid 70s, but with a stripped-down sound that's completely timeless overall! The Staples Jr Singers certainly have picked up some of the more righteous currents of mainstream soul and funk at the time – echoed both in their tremendous phrasing on the lyrics, and on some of the album's used of raw guitar licks next to their words – but the stripped-down vibe gives the record a feel that's almost more 60s deep soul overall – as befits their southern roots, and the album's issue on a small indie label! There's also maybe a bit less "church" on the record than the usual gospel outing of the time – more overall messages about love, unity, and feeling – which also gives the whole thing a very transcendent quality. Titles include "On My Journey Home", "When Do We Get Paid", "I'm Looking For A Man", "I Know You're Going To Miss Me", "Trouble Of The World", "I Got A New Home", and "I Feel Good".  © 1996-2022, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Luaka Bop, 2022. New Copy
Pastor Wiley Champion is a gospel singer with a hell of a voice – the sort that could have instantly made him a huge soul singer, if he ever chose to leave his faith – but which is maybe even more powerful here directed towards a spiritual sort of setting! The album's a very lean ... LP, Vinyl record album
Luaka Bop, 1970s. New Copy Gatefold
Maybe the coolest record ever put out by the Luaka Bop label – and that's really saying a lot, given all the amazing albums they've given us over the years! The set's a perfect musical tonic for the times – a set of underground singles from the 70s, most of which fall in a space ... LP, Vinyl record album

Harlem Gospel Travelers

Look Up (blue vinyl pressing)
Colemine, 2022. New Copy
A young contemporary trio, but one who work with a very classic vibe – a style that's maybe even more so than most of the vintage gospel albums you might find in the racks! The group's harmonies are wonderful – balanced with the force of the lead and the strength of the trio like some ... LP, Vinyl record album
Stax/Craft, Early 70s. New Copy 3LP Gatefold
An overdue look at a very cool record label – the short-lived Gospel Truth imprint, which was an outlet for the more spiritual side of Stax Records in the early 70s! The music is gospel, but often has plenty of the best Memphis soul elements of more popular Stax/Volt work of the time – ... LP, Vinyl record album
Savoy/Honest Jons (UK), Late 50s/Early 60s. New Copy 2LP Gatefold
An insanely fantastic look at the strong legacy of gospel music from Savoy Records – a company who were initially a powerhouse in the fields of jazz and R&B, but who moved into the gospel world and dominated that market for decades! Savoy is a bit like Chess Records – a company who ... LP, Vinyl record album

Elizabeth King

I Got a Love
Bible & Tire, 2022. New Copy
There's a great criss-crossing of modes going on here – the best sort of classic and contemporary meeting of modes that we love from the Bible & Tire label – all set as the perfect backdrop for the vocals of Memphis legend Elizabeth King! Instrumentation is by the Sacred Soul Sound ... LP, Vinyl record album

Johnny Ray Daniels

Whatever You Need
Bible & Tire, 2022. New Copy
Soulful, spiritual sounds from North Carolina legend Johnny Ray Daniels – an artist who started out in soul, but soon found gospel more to his liking – then went on to create a decades-long legacy of wonderful music like this! The album's contemporary, but given a very old school ... LP, Vinyl record album
D-Vine/Bible & Tire, 1970s. New Copy
A stunning overview of work from the small D-Vine Spirituals label in Memphis – a really homegrown imprint who were as important to the sound of the city's spiritual music as Stax Records was to soul in the 60s! In fact, the vibe here is often more 60s than 70s – maybe a testament to ... LP, Vinyl record album

Dedicated Men Of Zion

The Devil Don't Like It
Bible & Tire, 2022. New Copy
A really fantastic album from the Dedicated Men Of Zion – a contemporary gospel group, but one who work here with small combo backings that take us back to some of our favorite records of the early 70s – a tremendous blend of spiritual message and very down-to-earth arrangements! The ... LP, Vinyl record album
D-Vine/Bible & Tire, 1970s. New Copy
A stunning overview of work from the small D-Vine Spirituals label in Memphis – a really homegrown imprint who were as important to the sound of the city's spiritual music as Stax Records was to soul in the 60s! In fact, the vibe here is often more 60s than 70s – maybe a testament to ... LP, Vinyl record album
JCR/Bible & Tire, Early 70s. New Copy
Rare gospel gems that go way past the usual – tracks recorded for the small JCR label in Memphis during the 70s, but done with a stripped-down vibe that's much more like postwar gospel overall! Most of the acts here are pretty darn obscure – groups that were inspired by the spirit and ... LP, Vinyl record album
Epic/Get On Down, 1974. New Copy (reissue)
An insanely wonderful album! Shuggie Otis is the son of Johnny Otis – the LA R&B maestro who was moving heavily into funk at the end of the 60s – and he has this tripped out, super-dope guitar style that he played to strong effect on Johnny's albums of the late 60s and early 70s, ... LP, Vinyl record album
 



⇑ Top