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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pivotal album for Mose Allison – and one of the first records to ever feature his voice, even if only on one track! During the 50s, Allison was mostly known for his work as a bop-styled pianist – on records by Stan Getz and others – but at the end of the decade, he really ... LP, Vinyl record album
An important set that documents a nice patch of King's early vocalese jazz sides – pivotal vocal jazz recordings that were not only enormously popular with listeners around the country, but which also did a heck of a lot in the way of advancing the way that male singers handled lead vocals on ... LP, Vinyl record album
An early, rootsy Mose Allison sides, mostly instrumental, bluesy piano trio numbers, but Mose busts out with some vocals on an early version of his signature tune "Parchman Farm" and "Lost Mind", and a spot of trumpet on "Trouble In Mind" . He's joined by Addison ... LP, Vinyl record album
Seminal work from one of the hippest jazz singers ever – a session that showed the world that Eddie Jefferson was firmly back in business during the 60s! The set's got a really rollicking feel, and a bit more influence from soul than the bop of Eddie's roots – with elements of gospel ... LP, Vinyl record album
A mature side by Bobby Darin - featuring him taking on some of the biggest Broadway tunes of his generation – and doing a pretty darn good job as well! Arrangements are by Shorty Rogers and Perry Botkin, both of whom bring a hip flair to the proceedings – a sound that's usually a fair ... LP, Vinyl record album
Great Atlantic work from Mose – cut in the early years of his rediscovery by the hippie crowd, but with a tight small combo mode that recalls his classic 50s recordings for Prestige! The group on the set's a trio – with Mose on piano and vocals, Red Mitchell on bass, and Bill Goodwin ... LP, Vinyl record album
One of the coolest records ever by Johnny Hartman! Unlike his other mellow jazz vocal albums, this one's got a swinging batch of large group backings – handled by Oliver Nelson and Jack Pleis – and one in a way that really brings out a whole new side of Johnny, a very entertaining side ... LP, Vinyl record album
Early proof that Nancy Wilson was definitely on the right track with her career – a tremendous little live date recorded without any of the schmaltz or overdone showmanship of her contemporaries! Although the setting is the Cocoanut Grove, Nancy often makes us feel like she's putting over ... LP, Vinyl record album
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... LP, Vinyl record album