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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Possibly the strongest album ever recorded by mellow-voiced jazz vocalist Earl Coleman – a singer with a deeper style that's very much in the classic Billy Eckstine mode, but which swings a bit more freely in a small combo! The set's got a nicely open style – with longer tracks than ... LP, Vinyl record album
Seminal work from one of the hippest jazz singers ever – a session that showed the world that Eddie Jefferson was firmly back in business during the 60s! The set's got a really rollicking feel, and a bit more influence from soul than the bop of Eddie's roots – with elements of gospel ... LP, Vinyl record album
It's always something nice when Etta Jones makes a record – but this one is especially so, thanks to some intimate small group backing from players who include Oliver Nelson, Lem Winchester, Wally Richardson, and Richard Wyands! The style is relatively intimate throughout – more late ... LP, Vinyl record album
A beautiful album of heartfelt vocal tracks by a young Etta Jones – featuring arrangements by Oliver Nelson that rank among the best sort that he was penning for vocalists of this sort during the 60s. Etta's got a nice mix of material here, and although some of the tracks are a bit well-known ... LP, Vinyl record album
An early album by Shirley, and a haunting batch of lonely songs of lost love that has Shirley singing with her trio of Joe Benjamin and Herb Lovelle. The material's very much in keeping with the "classic" sound that's been so popular during her recent revival, and the record stands as ... LP, Vinyl record album
The closest thing Sammy D ever came to cutting a bossa album – and a lovely batch of fragile tunes that feature no other instrumentation save for the guitar of Laurindo Almeida. Almeida plays acoustic guitar on the album, in a gentle style that supports Sam's rich voice as it works through a ... LP, Vinyl record album
One of the greatest albums ever cut by Swedish vocalist Monica Zetterlund – a landmark album that has her singing with the Bill Evans Trio! The album was recorded in 1964, with a spare sound that's quite different from most of Monica's other work. As usual, her vocals are wonderfully cool ... LP, Vinyl record album
Sarah Vaughan takes on the work of Duke Ellington – almost presented here in a style that's similar to some of the Songbook albums on Verve from the 50s! Billy Byers handles most of the arrangements here – especially on the larger group numbers – but some tracks are also in a ... LP, Vinyl record album
A great cooker from the glory days of Ernestine Anderson on Concord Records – a time when the singer was rediscovered, and revamped in a bit of a bluesy mode – reaching a wide new audience at the time! Her vocals really shine at this point in her career, as she lets loose with a bit ... LP, Vinyl record album