One of Ray Barretto's hardest-hitting salsa albums of the 70s – a raw set of grooves that's got Ray moving away from the playfulness of the Latin Soul years, into a more righteous mode that's easily guessed at from the title of the set! The vibe here is very straightforward – with Ray coming down hard on conga, and working with a group that features Adalberto Santiago on lead vocals, plus Orestes Vilato on timbales, Andy Gonzalez on bass, and Luis Cruz on piano. The sound is spare and raw – and titles include the wonderfully echoey tune "O Elefante", with some great elephant-like work on trumpet – plus "Con El Cimarron", "Se Traba", "Arrepientete", and "Te Traigo Mi Son". (Original multi-color label pressing! Cover has light wear and a bit of splitting on the top seam.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.