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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Late 70s James, and a little bit more up-tempo and clubby funky, but still some decent stuff from The Godfather. Includes "Don't Stop the Funk", "Let the Funk Flow", "Stone Cold Drag", and "Are We Really Dancing". LP, Vinyl record album
Smooth jazzy soul from this massively overlooked group from the 70s! Although many know their bigger recordings on Sussex, these Polydor sides are much more appealing to us, and have a nice jazzy soul sound that's similar to work of groups like Side Effect – with a mixture of harmony soul ... LP, Vinyl record album
Sweet silky harmony soul from the trio of Harry Ray, Billy Brown, and Al Goodman – the group's first album under a new name – after some previous indie work as The Moments! The album's got the group really stepping up with a rich new sound – drawing on all the best elements of ... LP, Vinyl record album
James Brown gets even better than before – working here in the setting of a blacksploitation soundtracks – which makes the album a doubly funky outing from the 70s! James is a master throughout – beating Isaac Hayes and Curtis Mayfield at their own games – as he works with ... LP, Vinyl record album
One of the best records by this great little modern soul trio who should have gone onto bigger and better things. The session's got a strong mellow groove, typical of some of the non-hit soul coming out of labels like Polydor and Capitol at the end of the 70s – and tracks include "Stares ... LP, Vinyl record album
A nice one from Irene – a bit heavier on the soul tip than some of her earlier work, with strong arrangements by Horace Ott that have a slightly southern feel to them. The cut "The World Needs What I Need" is a great one – and other tracks include "Words", "A ... LP, Vinyl record album
A masterpiece of funky soul – and one of the greatest albums of the early 70s! It all comes together on this one – funk, soul, politics, and production – and the record is still one of the clearest examples of James Brown's genius that you'll ever find! Recorded during the same ... LP, Vinyl record album
A popping funky disco album cut decades before the French would be responsible for reviving the sound of classic disco. It's easy to see where the late 90s disco house revival in Paris got their inspiration on slamming drawn out club tracks like the classic "Jungle DJ" with everything ... LP, Vinyl record album
Classic New Orleans funk featuring backing from the "New Orleans Project" that includes the Gaturs' Willie Tee, Earl Turbinton, and other Crescent City session stalwarts like Larry Panna and Julius Farmer. Includes lots of tracks that rocked the rare groove scene in the 80's, including ... LP, Vinyl record album
A great Memphis sound from the second greatest instrumental group on Stax next to Booker T & The MGs – heard here on a massive record that really pushes The Mar-Keys to the next level! On previous records, the combo always had a sound that was a bit brighter than Booker and his group ... LP, Vinyl record album
Classic stuff by Otis – and a very appropriately titled album! The record's from the prime mid 60s years of Redding's recorded output – before Atlantic started pumping out everything he ever recorded, and when the folks at Stax were using all their talent to put together a well-conceive ... LP, Vinyl record album