Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Journey To The One (180 gram pressing)

LP (Item 109694) Theresa/Pure Pleasure (UK), 1980 — Condition: New Copy
2LP Gatefold
List Price: 59.99
A stunning little record from Pharoah Sanders – a double-length set that has all the soul and spirit of his Impulse Records classics, but with a very different vibe! There's a sense of focus here that's tremendous – as if Sanders has found a way to take the energy of his side-long performances and hone them to a level that's maybe even more expressive in its economy – maybe a streamlining of spiritual jazz for the new decade, but not at a level that tries to sound commercial or mainstream at all. Sanders is joined here by a host of equally well-voiced players who really match his energy – Joe Bonner and John Hicks on piano, Eddie Henderson on flugelhorn, Ray Drummond on bass, and Idris Muhammad on drums – and the set also features a bit of great work on koto from Yoko Ito Gates as well. Titles include the classic "You've Got To Have Freedom" – a fantastic soaring anthem of joy – plus "After The Rain", "Soledad", "Greetings To Idris", "Doktor Pitt", "Think About The One", "Bedria", and "Yemenja".  © 1996-2022, Dusty Groove, Inc.
(Limited edition 180 gram pressing!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Timeless/Music On Vinyl (Netherlands), 1987. New Copy 2LP (reissue)
A brilliant 80s set from Pharoah Sanders – a record that has him a much more understated setting than some of his other albums from the time – but one that's maybe even more soulful and searching overall! The great one plays blistering tenor right from the start – in a quartet ... LP, Vinyl record album

Pharoah Sanders

Rejoice (180 gram pressing)
Theresa/Pure Pleasure (UK), 1981. New Copy 2LP Gatefold (reissue)
Fantastic 80s work from Pharoah Sanders – with a vibe that's a perfect extension of his classic work for the Impulse label! The album has Pharoah working with an amazing group – Bobby Hutcherson on vibes, John Hicks and Joe Bonner on piano, Art Davis on bass, and either Elvin Jones or ... LP, Vinyl record album
Transversales Disques (France), 1975. New Copy Gatefold
A gem of a record from the legendary Pharoah Sanders – a set that's recorded right at the tail end of his famous years for Impulse Records, and which has all the best qualities of his last few records for that label! The vibe here is a lot like Elevation or Love Is In Us All – a return ... LP, Vinyl record album
Warner/Speakers Corner (Germany), 1976. New Copy (reissue)
Seminal 70s work from one of the most righteous jazz musicians ever! On this set, Alice Coltrane moves past the rawer spiritual sound of her Impulse albums – working with a more focused vision and an approach to jazz that takes her way past the identity of just being "Mrs Coltrane" ... LP, Vinyl record album

Billy Harper/Stanley Cowell/Sonny Fortune/Reggie Workman/Billy Hrt

Great Friends (180 gram pressing)
Black & Blue/Pure Pleasure (UK), 1986. New Copy 2LP Gatefold
A spiritual soul jazz supergroup – featuring some of our favorite players of the Strata East 70s scene! This obscure recording was made in the mid 80s, but it's got the feel of the best 70s work by Harper, Fortune, and Cowell – a richly expressive session built around original ... LP, Vinyl record album
Wenha/Pure Pleasure (UK), 1980. New Copy (reissue)
Great later work from Wendell Harrison – a set that has the Tribe Records giant of the 70s taking the sound of the Detroit underground into a whole new vibe! The record takes the spiritual post-Coltrane jazz of Harrison's earlier days, and infuses it with some warmer, electric modes – a ... LP, Vinyl record album

Pharoah Sanders

Oh Lord, Let Me Do No Wrong
Doctor Jazz, 1987. New Copy (reissue)
Later work by Pharoah Sanders – and an overlooked set that's filled with some pretty nice material! The group features electric piano by Donald Smith and acoustic piano by William Henderson – and the groove is a mixture of spiritual soul jazz with a few more standard numbers that differ ... LP, Vinyl record album
Strata East/Pure Pleasure (UK), 1973. New Copy (reissue)
A rare non-Impulse Records album from the early days of Pharoah Sanders – but a set that ranks right up there with his classics for that legendary label! The album's one of the classics in Strata East's Dolphy Series – and it's a uniquely collaborative session from 1969, one that has ... LP, Vinyl record album
Strata East/Pure Pleasure (UK), 1975. New Copy (reissue)
One of the first albums as a leader from pianist John Hicks – a record that really set the tone for countless great sides to come – and which follows on years of great work with Art Blakey, Lee Morgan, Hank Mobley, Charles Tolliver, and other soulful jazz giants! This set was Hicks' ... LP, Vinyl record album
Strata East/Pure Pleasure (UK), 1976. New Copy Gatefold (reissue)
One of the greatest records ever recorded by pianist Stanley Cowell – a leading light on the legendary Strata East label! The album's one of Cowell's most searching, spiritual sets ever – and one of his few to feature a larger ensemble, working with all the righteous currents of the ... LP, Vinyl record album
Strata East/Pure Pleasure (UK), 1973. New Copy (reissue)
One of the most spiritual recordings put out by the Strata East label – and the album that put tenor giant Billy Harper on the map! Harper leads a hip group here – one that features George Cables on piano, Reggie Workman on bass, Jimmy Owens on trumpet, and Julian Priester on trombone ... LP, Vinyl record album
Atlantic/Pure Pleasure (UK), 1965. New Copy (reissue)
We can never get enough of Eddie Harris – and a record like this is a great reason why! Despite all the many different settings Eddie worked in at Atlantic, he still always stayed true to his roots – and a record like this is a perfect example of that – no electric horn, no funk, ... LP, Vinyl record album
 



⇑ Top