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Live At The London Palladium

LP (Item 10945) Motown, 1977 — Condition: Very Good
2LP Gatefold
Temporarily Out Of Stock

LP, Vinyl record album

❔

This is the second of two live albums that Marvin Gaye cut during the 70s – and in many ways, it's the better one! The record features three sides of work recorded live at the London Palladium – mostly in these swirling medleys that are introduced by Marvin in a very soulful mode, then swing into well-arranged combinations of classic tunes with some excellent instrumentation. The album features a few straight cuts like "Since I Had You", "Let's Get It On", "Trouble Man", and "Come Get To This" – but the medleys are great, too, especially the one on side 2, which features kind of a mini version of the album What's Going On! But then, even after all that, side 4 opens up in a slamming studio track – the extended funky groover "Got To Give It Up", which has some great keyboards by Marvin and cool rhythm work by Jack Ashford. All very funky, and Marvin's big bid at a club cut – one that worked pretty darn well!  © 1996-2019, Dusty Groove, Inc.
(Cover has light wear.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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