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Live At The London Palladium
LP (Item 10945) Motown, 1977 — Condition: Very Good+ 2LP Gatefold
$19.99 ...
LP, Vinyl record album
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Marvin Gaye — Live At the London Palladium ... CD 9.99
Marvin Gaye — Live At the London Palladium ... CD 8.99
Marvin Gaye — Live At the London Palladium ... CD 9.99
Marvin Gaye — Live At the London Palladium ... CD 8.99
This is the second of two live albums that Marvin Gaye cut during the 70s – and in many ways, it's the better one! The record features three sides of work recorded live at the London Palladium – mostly in these swirling medleys that are introduced by Marvin in a very soulful mode, then swing into well-arranged combinations of classic tunes with some excellent instrumentation. The album features a few straight cuts like "Since I Had You", "Let's Get It On", "Trouble Man", and "Come Get To This" – but the medleys are great, too, especially the one on side 2, which features kind of a mini version of the album What's Going On! But then, even after all that, side 4 opens up in a slamming studio track – the extended funky groover "Got To Give It Up", which has some great keyboards by Marvin and cool rhythm work by Jack Ashford. All very funky, and Marvin's big bid at a club cut – one that worked pretty darn well! © 1996-2023, Dusty Groove, Inc.
(Cover has ring & edge wear and an unlgued seam.)
(Cover has ring & edge wear and an unlgued seam.)
Very Good + (plus)
- Vinyl should be very clean, but can have less luster than near mint.
- Should still shine under a light, but one or two marks may show up when tilted.
- Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
- This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
- May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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