This is the second of two live albums that Marvin Gaye cut during the 70s – and in many ways, it's the better one! The record features three sides of work recorded live at the London Palladium – mostly in these swirling medleys that are introduced by Marvin in a very soulful mode, then swing into well-arranged combinations of classic tunes with some excellent instrumentation. The album features a few straight cuts like "Since I Had You", "Let's Get It On", "Trouble Man", and "Come Get To This" – but the medleys are great, too, especially the one on side 2, which features kind of a mini version of the album What's Going On! But then, even after all that, side 4 opens up in a slamming studio track – the extended funky groover "Got To Give It Up", which has some great keyboards by Marvin and cool rhythm work by Jack Ashford. All very funky, and Marvin's big bid at a club cut – one that worked pretty darn well! © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.