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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Nothing too Broadway here – as the album's a warmly soulful set that shows a mellower side of Marvin Gaye for the 60s – the deeper, more jazz-inclined side of his vocals, which makes for a nice contrast to his bigger hits of the time! Gene Page handled most of the arrangements, so you ... LP, Vinyl record album
Great work by a Motown group who never really got their due – a quintet with some really wonderful vocal interplay, and a massive way of putting over a groove! The vocal range is really amazing – really living up to the "dynamic" in the group's name – especially on the ... LP, Vinyl record album
The second album by this legendary 70s funk combo – best known as Herbie Hancock's backing band, but sounding great here on their own. The album's much more of a solid soul effort than the first one – which was great, but felt more like Herbie had stepped out of the studio for a minute ... LP, Vinyl record album