Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Boom – Italian Jazz Soundtracks At Their Finest 1959 to 1969

CD (Item 108995) Sugar/Decca, Late 50s/1960s — Condition: New Copy
Temporarily Out Of Stock

CD

✈
❔

A really fantastic collection – one that gets at the full range of jazz-based sounds in Italian soundtracks during the 60s – served up here on a set of tracks that go way past the obvious! This isn't a "best of" set – and instead, it digs very deeply, and even features some unissued material – brought together in an array of tracks that are a complete delight, even to our ears – which have been trained on Italian soundtrack reissues for decades! Most of the music here is from that key point when Italian scoring was moving from larger orchestras to smaller combos – most right before the groovy/mod years, and taking advantage of the very strong rising tide of top-shelf jazz soloists on the Italian scene – players who are far too many to mention here, but who really help ensure that the work is fantastic! Imagine the best jazz-based soundtracks from Hollywood and France in the late 50s – then imagine work better than that, and that's what you'll get here – on a huge selection of 33 tracks by artists who include Francesco De Masi, Piero Umiliani, Luis Bacalov, Marcelli Gigante, Luiz Bonfa, Piero Piccioni, Ivan Vandor, Aldo Piga, Carlo Savina, Carlo Rustichelli, and others.  © 1996-2022, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


CAM/Sugar, 1974. New Copy
A gem of a record from the legendary Nino Rota – one of his best scores for director Federico Fellini – a bit later than some of their 60s classics, but equally great! The music is filled with Rota's trademark interweaving of dominant themes and lighter moments – the kind of ... CD
Sugar/Decca, 1980. New Copy
A cool change from the usual from Ennio Morricone – a later soundtrack, and one that features some surprisingly jazzy tracks! Part of the set features the more standard Morricone orchestrations you might expect – some really great tracks that have offbeat larger arrangements that are ... CD

Luis Bacalov

La Strega In Amore
CAM/Sugar (Italy), 1966. New Copy
A wonderful early soundtrack from Luis Bacalov – much jazzier than some of his later work, with a vibe that's right up there with some of the more jazz-based work of the Italian scene in the earlier part of the 60s! There's a cool wordless vocal from Nora Orlandi on a few tracks, and nice ... CD

Daniele Patucchi

Il Sorriso Del Ragno
Sugar/Chris' Soundtrack Corner (Germany), 1971. New Copy
A record that's as sunny and slinky as you might guess from the cover – but one that's got a few surprises along the way! Daniele Patucchi can really deliver the goods with a sexy 70s soundtrack – and he's very much in his element here, as he mixes muted horns with warm basslines and ... CD

Carlo Savina

Ingrid Sulla Strada
Sugar/Chris' Soundtrack Corner (Germany), 1973. New Copy
A soundtrack with a beautiful mix of modes from Carlo Savina – some cuts that have sweet 70s keyboard lines over a laidback groove, others that use strings in ways that are both dark and slinky, and one or two more that throw in some surprising melodies to the mix! This is the first time ... CD

Daniele Patucchi

Sans Sommation
Sugar/Chris' Soundtrack Corner (Germany), 1973. New Copy
A record with a stark-looking cover, but one that hides a lot of warm within – a set of very well-done 70s tracks from Italian composer Daniele Patucchi, who has a great way of mixing a central theme with some funkier moments that have a nice cop/crime sort of groove! The main theme is great ... CD
Sugar/Chris' Soundtrack Corner (Germany), 1973. New Copy (reissue)
A fantastic funky soundtrack from Riz Ortolani – quite different than some of his bigger hits of the 60s, and full of heavy basslines and lots of great drums! The style here is in the best cop/crime mode of the time – but has even more blacksploitation grit at the bottom than the usual ... CD
Ace (UK), Late 60s/Early 70s. New Copy
Our favorite chapter in the long and storied career of film score legend John Barry – music from a moment when he'd moved past the fame of his earlier James Bond soundtracks, and started hitting territory that was even more mindblowing overall! Barry was already great with Bond, and as those ... CD
Cinevox/Quartet (Spain), 1977. New Copy
The great Luis Bacalov is one of the longtime masters of Italian cinema scoring – an artist who's done everything from 60s westerns to more contemporary sentimental films – and who turns out some really nice sounds for this obscure thriller from the 70s! The main theme of the film has ... CD
Quartet (Spain), 1982/1993. New Copy 3CD
A mighty hefty package – one that features expanded soundtracks for the final three Pink Panther films in the original run, plus bonus tracks too! First up is Trail Of The Pink Panther – a mighty nice Henry Mancini soundtrack – penned for the final Pink Panther film to star Peter ... CD
Quartet (Spain), 1971. New Copy
The cover's creepy enough – and the music is too – an instrumentally complicated score – one that features heavy guitars one minute, then strings, then stark, spare instrumentation the next – including weird bass bits and electric harpsichord passages that are very nice! ... CD
Quartet (Spain), 1972. New Copy 2CD
Beautiful grooves from the legendary Piero Piccioni – a set that's a great follow-up to some of his famous 60s work – touched with a few more sexy 70s touches than before, but in a way that's still extremely groovy! There's lots of electric piano lines on the set – almost a ... CD
 



⇑ Top