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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Classic work from Jimmy Smith – a smokin' quartet session from the early 60's, one that sports a rare appearance by Percy France on tenor on most of the tracks! France has a great raw sound that gives the session a nice little edge – and the rest of the group features Kenny Burrell on ... LP, Vinyl record album
One of the greatest Blue Note funky jazz sets of the late 60s – an all-out soul fest headed up by funky Lou Donaldson, and featuring some incredible work on drums from Idris Muhammad – who was still calling himself Leo Morris at this point! Muhammad's work on the drums is fantastic ... LP, Vinyl record album
A landmark album by Donald Byrd – the first one where he really started to click with jazz-funk producer Larry Mizell! Mizell and Byrd had worked together previously on the Black Byrd album – a soaring bit of futuristic jazz funk that took Byrd's career to a whole new level – but ... LP, Vinyl record album
A masterpiece from Gene Harris – an album that's probably been his biggest influence on the sound of soul in the 21st Century, and for good reason too! The set moves way beyond both Harris' acoustic piano roots in the Three Sounds, and his other electric sides of the 70s – into sublime ... LP, Vinyl record album
A stone killer from funky flute player Bobbi Humphrey – one of her early albums for Blue Note Records, and a set that's a perfect summation of the best sides of her talents! The album's got a slightly different feel than Bobbi's work with Larry Mizell – yet still sports a similar ... LP, Vinyl record album
Funky mid 70s Herbie – one his funkiest of the era! Herbie plays a host of kool keyboards (like Fender Rhodes, Arp, Hohner Clavinet, etc), and he's joined by a group that includes just about all of the Headhunters (Paul Jackson and Mike Clark in the rhythm section), as well as Wah Wah Watson ... LP, Vinyl record album
An excellent example of the massive groove that Ray Bryant set up during his 60s years at Cadet – a simple soul jazz trio style, but augmented with dual horn backing – which makes for a tightly stepping sound that's all-soulful, all the way! Bryant's left hand is nice and hard on the ... LP, Vinyl record album
A sweet sweet groover from Barney Kessel – his own hip take on the soundtrack for Hair – all those wonderful songs originally penned by the great Galt MacDermot! Barney's got an extra-trippy feel on some of the best cuts – a wider sound on his guitar, which rings out nicely ... LP, Vinyl record album
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from ... LP, Vinyl record album