Various : WaJazz – Japanese Jazz Spectacle Vol 1 – Deep, Heavy, & Beautiful Jazz From Japan 1968 to 1984 (180 gram pressing) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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WaJazz – Japanese Jazz Spectacle Vol 1 – Deep, Heavy, & Beautiful Jazz From Japan 1968 to 1984 (180 gram pressing)
LP (Item 108558) 180g (UK), Late 60s/1970s/Early 80s — Condition: New Copy
There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs.
These are the grades that we use and what they mean for items that are not new copies.
Used Vinyl Grades
These are the stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these are described in the item notes. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally,
all of our records are graded visually;
considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Sealed
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Near Mint
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Good
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Fair
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to our standards.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the notes.
Poor
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the notes.
Used CD Grade
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Used Book Grade
We use the all-encompassing grade "Used Book" for all non-new books.
You can expect each volume to be clean and free of markings, tears or major defects unless mentioned in the notes just like we do with LPs and CDs. Used books may show some signs of handling or age. Specific issues with the condition like remainder marks, stickers, underlining, or other defects are described in the notes.
Used Grade
We use the all-encompassing grade "Used" for miscellaneous non-new items. Specific condition details
are described in the notes.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
A world of music we never would have discovered otherwise – served up here in a surprisingly rich array of sounds from the Ukraine – and definitely not the sort of music you might expect, as there's a number of jazzy and funky numbers in the collection! There's not one real style or ... LP, Vinyl record album
A great set of work from a space between the genres – music that's often by rock groups, but who have a very soulful sort of sound – serving up tunes that are sometimes their own take on soul hits of the time, sometimes original material – and always with the sort of funk and soul ... LP, Vinyl record album
Great grooves from this always-wonderful series – a long-running lineup that has a fantastic way of delivering super-rare tracks in a uniquely delightful mix of funky rock and psychedelic soul! There's plenty of heavy drums and great guitar lines on the set – mixed with blue-eyed soul ... LP, Vinyl record album
The groovier side of the Trio Records label from Japan – an imprint best known for its work in the jazz field at the time – but one that also turned out some great funky numbers as well! Trio's got a great reputation for straight and avant jazz classics from the time – but the ... LP, Vinyl record album
Japanese club music from the disco years onward – but a set that's got a very universal appeal in the rhythms! The vocals are mostly in Japanese, but the arrangements, production, and instrumentation here resonate strongly with the best that New York or Philly had to offer during the disco ... LP, Vinyl record album
A fantastic entry in this really groovy series – and one that's filled with even more surprises than the first two volumes! It's been quite awhile since Light In The Attic gave us those sets – and the time's been well-used to dig up a much later batch of tracks from the world of ... LP, Vinyl record album
The funkier side of the TK Records label from the 70s – a company best known for some big disco and pop hits of the time, but one who also recorded some mighty funky nuggets too! TK had some killer players working in its Miami studios, so that even when the artist in the front might change, ... LP, Vinyl record album
Maybe the greatest entry in this long-running series so far – but that's because the MPS/Saba imprint is maybe one of our favorite jazz labels of all time! Right from the start, the German company had an ear for really creative, groundbreaking experiments in jazz – mixing cultures, ... LP, Vinyl record album
A set that steps out with a Curtis Mayfield reference in the title, but which goes into much heavier territory all – black rock, often mixed with a bit of funk, in the best tradition of some of the Hendrix-inspired groups who rose up at the start of the 70s! If you know the trippy ... LP, Vinyl record album
A fantastic look at the righteous current of energy that swept through American music at the end of the 60s – that huge wave of knowledge and political inspiration that still stands as one of our favorite moments in jazz and soul! The Civil Rights generation had gotten some things ... LP, Vinyl record album
That's a mighty sexy cover on the front – and the grooves inside definitely have the flavor to match! The work here is from the obscure French disco underground – a European scene that never got the same exposure as German or Italian work for clubs – which makes the whole package ... LP, Vinyl record album
A legendary compilation series – one that brought the music of James Brown's record label to millions of years in the 80s – almost reigniting interest in People Records and his production efforts in the process! People was a short-lived imprint during the early 70s – a place ... LP, Vinyl record album