Classic 80s funk from Xavier – a group led by bassist Ernest Smith, who'd already had plenty of practice working with Isaac Hayes, The Midnight Movers, and The Coasters during their funky late 60s years! The groove here is similar to some of the other tight funk groups on Liberty at the time – especially Dayton – but Xavier's groove is a bit leaner, too – very nicely turned towards a modern dancefloor with its emphasis on bass upfront in the mix, in a mode that's often nicely placed between boogie and rollerskating jams! Ayanna Little sings lead vocals with Xavier – and the set also features some wicked keyboard work from Rahni Harris – on tracks that include "What Goes Around", "Truly Devoted", "Work That Sucker To Death", and "Love Is On The One". (Cover has light wear, a peeled mark from sticker removal, and a name in pen on the front and back.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.