Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Drones (red vinyl pressing)

LP (Item 108181) BMG, 2022 — Condition: New Copy
Gatefold
Just Sold Out!

LP, Vinyl record album

❔
Terrace Martin is an artist who just keeps on getting deeper and deeper over the years – an already-great jazz musician, but one who's widened his scope to touch on broader currents of soul and hip hop – all of which really open up with the jazz-based energy at the core! At some level, this record might be to Martin's career what the Black Radio project was to Robert Glasper – as Terrace opens the door to all-star guests who include Kim Burrell, Leon Bridges, Ty Dolla $ign, Kendrick Lamar, Kamasi Washington, and even Glasper himself – while also finding space to serve up a few key tracks on his own, without any guests – tracks that may well be some of our favorite on the album. Titles include "Turning Poison Into Medicine", "Drones", "Leave Us Be", "Don't Let Go", "Listen", "Sick Of Cryin", "Leimert Park", "Tapped", and "Griots Of The Crenshaw District".  © 1996-2022, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Sony, Early 80s. New Copy 2LP
A great look at the fresh energy that Miles Davis was bringing to his music in the 80s – and a set that's nicely different than some of the other albums issued in the "bootleg" series – in that two thirds of the collection features unissued studio material from the dates in ... LP, Vinyl record album
Gearbox, 1963. New Copy
The young Roland Kirk at the height of his powers – recording here on the UK scene, long before he added the Rahsaan to his name – and heading up a very cool combo with the legendary Stan Tracey on piano! Stan's presence here is wonderful – as Tracey was in many ways the ... LP, Vinyl record album

Brad Mehldau

Jacob's Ladder
Nonesuch, 2022. New Copy 2LP Gatefold
To fans of the group Rush, the title of this record has a very different meaning than the common one – and, no surprise, pianist Brad Mehldau is actually referencing that song by the group here – which he performs on the record, along with some of their other work – and adds in ... LP, Vinyl record album

Minoru Muraoka & New Dimension Group

Bamboo
King/Mr Bongo (UK), Late 60s. New Copy Gatefold (reissue)
60s jazz meets Japanese bamboo flute – all in a session with a great mix of groovy and exotic touches! The record's a unique meeting of jazz and folkloric elements – done in a style that's a bit like some of the late 60s sessions of this nature on MPS, but a fair bit groovier overall ... LP, Vinyl record album

George Duke

Best Of The MPS Years
MPS (Germany), Early 70s. New Copy 2LP Gatefold
Incredible work from keyboardist George Duke – a killer collection of his earliest recordings for the MPS label – all of them great! Although Duke's probably best known for his smoother, more soul-based sides for Columbia, he got his biggest start on the MPS label in the early 70s ... LP, Vinyl record album

George Benson

Other Side Of Abbey Road
CTI/Friday Music, 1969. New Copy Gatefold (reissue)
A wonderfully wicked album – one that sold so many copies that it's sometimes hard to remember how great it is! George takes on all of Abbey Road – or just about all of it – as he runs through some of the most beautiful tracks The Beatles ever wrote, like "Golden ... LP, Vinyl record album
Zel La/Mad About Records (Portugal), 1973. New Copy (reissue)
A wicked jazz set from the UK scene of the early 70s – one that was issued on a very tiny label, and which has a vibe that's very different than some of the bigger releases of the time! There's certainly some of the influence felt from the progressive moment in music – but these guys ... LP, Vinyl record album
Workshop Jazz/Honey Pie, Early 60s. New Copy
A really great look at some of the coolest material issued by Motown in the early days of the label – tracks from a brief foray into jazz, from a time when the company was testing the waters with some very hip material from the Detroit scene! The cuts here have a nice sort of grit – ... LP, Vinyl record album
Alternative Fox (UK), 1967. New Copy
Four slices of genius from this important German jazz festival of the 60s – one of the leading showcases for the best in avant garde and experimental music! The sounds here are as stunning as the lineup – maybe even more so, as there's some nicely-unfamiliar, surprisingly collaborative ... LP, Vinyl record album
Sapporo/WRWTFWW (Switzerland), 1999. New Copy (reissue)
A smoking trio set from Japanese pianist Ryo Fukui – recorded in New York with help from Lisle Atkinson on bass and Leroy Williams on drums! The date's a bit later than some of the classics from the golden age of Japanese piano trio recordings, but has a very similar vibe – and in ... LP, Vinyl record album

Hiroshi Suzuki

Cat (180 gram pressing)
Sony/We Release Jazz (Switzerland), 1975. New Copy (reissue)
A great bit of electric jazz from the Japanese scene of the 70s – an album that easily rivals the best CTI work in the US at the time! Trombonist Hiroshi Suzuki heads up a quintet here – one that's heavy on electric piano and keyboards, played in a stretched-out sort of groove that ... LP, Vinyl record album
Blue Note, 1957. New Copy 2LP Gatefold (reissue)
John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really ... LP, Vinyl record album
 



⇑ Top