This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A really special album from our hometown hero Makaya McCraven – a set that's the drummer's debut on Blue Note, and which also has him bringing that label some of the magic that he's been cooking up for International Anthem! If you know Makaya's other records, you'll know that he works in a ... CD
A hell of a record from Irreversible Entanglements – a group we already loved on previous records, but who really knock it out of the park with this fantastic set! The mix of modes here is a bit hard to put in words – as the group blend acoustic and electric elements in the best ... CD
Damn incredible work from Irreversible Entanglements – a Philly group, but one who definitely belong in the special, small universe of the International Anthem label from Chicago! This set is even more fierce, more focused than their great debut – burning with righteous energy from a ... CD
Ben Webster takes on a whole hose of Duke Ellington tunes – but in a series of late life recordings that are definitely more Webster than Duke! The tenor is strong in the lead here, and Webster blows with that great later tone of his – a mode that's soaked in all the many years he ... CD
Solo material from Hakon Kornstad – scaled down, but no less incredible material from a pivotal figure in the modern Norwegian scene – recorded over a couple dates an the warm acoustic setting of Oslo's Sofienberg Church! Here Kornstad laid down tenor and baritone sax, flute, ... CD
Herbie Mann hits the discos – but given the flute player's roots in jazz, the set's more of an electric funk outing overall! Herbie's working here with his Family of Mann group – that cool combo that features lots of work on keyboards from Pat Rebillot, who also handled the ... CD
Ostensibly simple stuff from Bill Evans, but pretty darn great – and a nice move into a more sophisticated vein than his earlier recordings! The album has him working with bassist Eddie Gomez, a hugely talented bassist that would be one of Bill's best partners during this period, and a ... CD
Early work from Doris Monteiro – a set that's much more bossa-oriented than some of her later work – and recorded in the brilliant style of the Elenco label, with backings by Hammond genius Walter Wanderley! The record's got a light lively style – with Walter's organ grooving in ... CD