This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Early work by singer Beverly Kenny – a great 50s jazz vocalist who never got her due, but who managed to make some pretty fine records at the time! This album's one of them, and features backings from Ralph Burns – not as dark and moody as some of his other work of the 50s, and in a ... CD
A sweetly stepping session of bluesy jazz vocals from Jeannie Cheatham – outwardly a trad-oriented record, but done here with some nice light west coast touches that really capture the best of the Concord groove of the early 80s. There's a gentle swing to the tracks that reminds us of some ... CD
One of the more compelling sessions from the left side of the Inner City jazz label of the 70s – work that's partly fusion, but with plenty of aspects that push it far from the mainstream! Leader David Friesen plays acoustic bass on the set, but he's in a group with John Stowell on electric ... CD
One of the first great non-Japanese recordings by trumpeter Terumasa Hino – a smoking little live set from Germany, done at a time when Hino was working at the height of his youthful powers! The mode here is stretched out and open – never too outside, but very exploratory – in ... CD
The first-ever album on Pacific Jazz – and a real doozy too! The record's something of a blueprint for west coast jazz of the 50s – and features Mulligan in a pianoless quartet with Chet Baker on trumpet, Chico Hamilton on drums, and Bob Whitlock on bass – running through tunes ... CD