Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Ofege As One – I Am OK (180 gram pressing)

LP (Item 107240) Tidal Waves, 1985 — Condition: New Copy
List Price: 26.99

Rare solo work from Melvin Ukachi – a key member of the 70s Nigerian funk group Ofege, stepping out here with a style that's a bit more lean and 80s-styled overall! There's plenty of beats and keyboards in the mix – a really catchy groove that's in the best American boogie style of the time – often with female chorus vocals behind Melvin's lead, at a level that gives a much more upbeat, optimistic sound to the music than so many albums of the 70s! Yet although the music is catchy, it's also less commercial than South African pop of the time – warmer overall, with lots of jazzy inflections on the instrumentation that keep things strongly soulful – on titles that include "We Are So Fine", "I'm OK", "Keep On Loving Him", "Wanted", "I Wanna Hide You", and "Come & Dance".  © 1996-2022, Dusty Groove, Inc.
(180 gram pressing. Limited to 500 copies.)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Souma (Netherlands), 1970s. New Copy 2LP Gatefold
A really weird and wonderful collection of work – hardly the airplane music you'd guess from the title, and certainly not in the territory of Brian Eno's Music For Airports – but instead some obscure sound library material from the 70s scene in Egypt! There's a mix of modern and ... LP, Vinyl record album

Friimen Muzic Company

Free Man (180 gram pressing)
Tidal Waves, 1976. New Copy (reissue)
Heady sounds from Friimen – a 70s combo from Nigeria, but one who have some of the deeper, more psychedelic elements of groups from farther south on the West African scene – lots of basslines and a dubby sort of vibe! At times, the feel here is almost more like Blo or Cymande (even ... LP, Vinyl record album
Gallo/Tidal Waves, 1977. New Copy (reissue)
A beautiful 70s album from Harari – a South African group who already had a long legacy in music before this set, and who really seem to come together with a style that's even more sophisticated than some of their previous albums! The cover might make the record look a bit disco, but there's ... LP, Vinyl record album
Strawberry Rain, 1976. New Copy 2LP Gatefold (reissue)
A set that's definitely a giant on the move – a heavy, hard rocker from the Indonesian scene – full of freak and fuzz, in this fantastic blend of psych elements and progressive jamming! The group are fantastic – speaking plenty with the guitar of Benny Soebardja, who also sings ... LP, Vinyl record album
Worthy, 1966. New Copy (reissue)
Rare early work from Mulatu – material recorded in America, in the years before Mulatu returned to his Ethiopian homeland, and really set the scene on fire! The style here is a mix of Latin jazz with some more exotic elements – played by a combo that features Mulatu on vibes, alongside ... LP, Vinyl record album
Rogie/Mississippi, 1960s. New Copy
SE Rogie's a hell of a guitarist – a real standout even in the legendary African scene of the 60s – and he's also kind of a one-man combo, adding in some rhythms and vocals along with his lines on the electric guitar! This set brings together a range of different singles that SE ... LP, Vinyl record album

John Berberian & The Middle Eastern Ensemble

Middle Eastern Rock (orange vinyl pressing)
Verve/Modern Harmonic, 1969. New Copy (reissue)
Don't think "rock", think "groove" – because oud player John Berberian takes his instrument into some very groovy territory here – mixing its Mid-East roots with a sweet array of modal rhythms and psychedelic elements – all of which make for an album that's ... LP, Vinyl record album

Etubom Rex Williams

Ubok Aka Inua
Philips/We Are Busy Bodies (UK), 1976. New Copy (reissue)
A fantastic 70s album from Nigerian artist Etubom Rex Williams – one that has this really unusual sound that's almost some sort of science fiction take on highlife! The rhythms and guitar interplay are familiar, but the production is oddly spacey, especially on some of the keyboards – ... LP, Vinyl record album
Philips/Domino Sound, 1973. New Copy
Rare Ethiopian material from the early 70s – ostensibly a set of wedding-related tracks, but with grooves that are every bit as great as classics in the Ethiopiques series! The songs are traditional, but given some great golden age arrangements by Getachew Degefu – who swings most of ... LP, Vinyl record album

Bacao Rhythm & Steel Band

Serpent's Mouth
Big Crown, 2018. New Copy
Funky genius from a mighty unique group – one who've drunk deep on the classic steel band sounds of the 70s, but who've also refined that groove with a contemporary funk approach too! The group's the brainchild of Bjorn Wagner – who you might know from The Mighty Mocambos – and ... LP, Vinyl record album

Salum Abdallah & Cuban Marimba Band

Ngoma Tanzania
Domino Sound, Early 60s. New Copy
Beautiful sounds from the short-lived musical legacy of Salum Abdallah and his Cuban Marimba Band – a group from Tanzania, but one who play with lots of influence from Latin Music – as you might guess from their name! And yet, unlike some of the larger, fuller Latin-influenced groups ... LP, Vinyl record album

Fela & Roy Ayers

Music Of Many Colors
Celluloid/Knitting Factory, 1980. New Copy (reissue)
One of the best soul collaborations ever! Fela and Roy Ayers team up for this whopping album that brings together the best sides of these monster soul talents of the 70s! In keeping with Fela's work, the tracks are long and Afro-tinged, with a complicated groove that grows over the length of the ... LP, Vinyl record album
 



⇑ Top