This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Alto saxophonist Jim Snidero has a hell of a rhythm section on this recent live date – Orrin Evans on piano, Peter Washington on bass, and Joe Farnsworth on drums – a trio who really set things on fire, right from the very first note! It's great to hear the three players working ... CD
Twin alto frenzy from the team of Richie Cole and Hank Crawford – a set that has lots of the sharp edges that you'd expect from Cole's 70s classics on Muse! Not all of the material is bossa – although there are a few nice samba-styled groovers – as other cuts have the boppish ... CD
Wonderful work from Caesar Frazier – the organist who cut some fantastic records for the Westbound/Eastbound label in the 70s – and who's slowly been returning to the fold with recent gems like this! Frazier plays the Hammond B3 throughout – and works in a combo that's tight and ... CD
The final run of shows from Bill Evans, recorded at San Francisco's Keystone Korner just days before his passing. The group is a trio – with Marc Johnson on bass and Joe LaBarbera on drums – and together they work through a wide ranging set list of standards and originals by Evans. ... CD
For decades now, Ray Mantilla's been one of the few cats who can effortlessly fuse together Latin rhythms and jazz – creating the kind of music that's completely satisfying to fans of both styles, but all without ever resorting to any sort of easy cliches or overdone modes! Mantilla's the ... CD
A haunting tribute to the late John Coltrane – not just a "friend" of McCoy Tyner, but a key musical partner back in the 60s! The album's a solo piano effort – extremely intimate, but still played with that long-flowing majesty we always love in McCoy – and two of the ... CD
An overlooked Sonny Rollins set from the early 80s – one that has him recording with a fair bit of guitar, but still staying very much in his best form as an improviser! The group here features both Bobby Broom on electric guitar, and Yoshiaki Masuo on acoustic and electric – both ... CD
A 2LP collection of material originally recorded for radio on acetates, then transferred to tape in 1961 and released as 2 albums on the Jazzland label in the early 60s. The sides are noteworthy in that they offer some important early performances by Navarro – working with the Tadd Dameron ... CD
Two of Randy's Weston's earliest albums – both recorded in the mid 50s, and briefly (and rarely) issued on the Riverside label. The album's feature Weston playing in a very spare setting – as only 5 of the tracks feature a trio (with Art Blakey on drums and Sam Gill on bass), and ... CD