This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Later than classic vintage for the Passport group, but still very much in the best spirit of their classics – far-reaching fusion, all headed by creative reedmaster Klaus Doldinger! The set's got a relatively spacious feel – lots of long tracks, with plenty of soloing by the group ... CD
A great run, with seven shows presented in sequential order, including set breaks and announcements. Players include Wycliffe Gordon on trombone, Wessell Anderson on alto and sopranino sax, Todd Williams and Victor Goines alternating on sax, Eric Reed on piano, Ben Wolfe or Reginald Veal on bass, ... CD
James Carter's first album as a leader – and a set that helped mark a place for him as one of the strongest saxophone voices of the 90s! The album has Carter's work on alto, tenor, and baritone saxes set center stage – alongside backing by a trio that features pianist Craig Taborn, but ... CD
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... CD
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new ... CD
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out ... CD
Classic 60s work from Thelonious Monk – featuring his incredible quartet with Charlie Rouse on tenor, certainly Monk's best-ever musical soulmate! The album features some newer versions of older tunes, and a few written just for the album – but the source of the material is not ... CD
A live performance by the classic quartet – with Coltrane on tenor and soprano sax, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums. Tracks include "The Inch Worm", "Everytime We Say Goodbye", and "Impressions". CD
Beautiful sounds from the team of bassist Charlie Haden and percussionist Paul Motian – a record that draws on their earlier experiments on the ECM label, but delivers a sound with a lot more bite! The real difference here is pianist Geri Allen – whose presence in the group really ... CD