Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Black Mountain Shadow

LP (Item 105005) HMV (Japan), 2022 — Condition: New Copy
(reissue)
❔
Heavy funk with plenty of jazz – a really wonderful album from the Japanese scene, and one that mixes lead trumpet from "Coal Man" Sekitanjin with all these great keyboards and other funky bits! The style's a bit like some of the mid 70s work on CTI/Kudo records – with the bright lines of the leader soaring over some combo backings that feature riffing guitar, funky drums, and some great basslines – all held together with keyboard parts that are every bit as great as the trumpet! Given the lead element, there's a vibe here that's a bit like some of the Don Ellis soundtrack material of the 70s – or maybe even a feel as if Freddie Hubbard were scoring a blacksploitation flick – on a set of 8 instrumentals that are all pretty darn great.  © 1996-2022, Dusty Groove, Inc.
(Excellent Japanese pressing – heavy cover and obi!)

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


East World/Think (Japan), 1987. New Copy (reissue)
Sophisticated fusion from Japanese reedman Toshiyuki Honda – a set that's kind of an extension of the straighter sounds he'd crafted a few years before! The album has almost a soundtrack-like feel at times – and comes off like a suite of tracks that blends core combo instrumentation ... LP, Vinyl record album

Jiro Inagaki/Akira Ishakawa/Tan Tan/Eddie Ban

Funk Party (2002 Japan Record Day Release)
Sony (Japan), 1975. New Copy (reissue)
A heavy funk party from the Japanese jazz scene of the 70s – and a set that hits a lot harder than some of the smoother fusion of the time! There's a grit here that hearkens back to some of the best American jazz funk at the start of the decade – a nice edge that you often don't find ... LP, Vinyl record album

Kousuke Ichihara

Now Sound 75
Victor (Japan), 1975. New Copy (reissue)
A beautiful little record, and one that really lives up to the "now sound" promise of its title – as it takes older Japanese folk melodies, and updates them for a fuller funky style that's very much the spirit of 1975! Instrumentation is full of jazzy keyboards and saxophone solos ... LP, Vinyl record album
Venus (Japan), 2007. New Copy (reissue)
A fitting title for this one – because Eric Alexander is one of our favorite things in jazz – and albums like this are the reason why! Alexander's tenor is in very sharp-edged formation here – working with a familiar quartet of David Hazeltine on piano, John Webber on bass, and ... LP, Vinyl record album
Dogtown/Aguirre (Belgium), 1972. New Copy (reissue)
A rare early session from vibist Khan Jamal – recorded with his Philly-based Creative Arts Ensemble collective! The group follows strongly in the spirit of similar combos from Chicago and St Louis – particularly the latter – and Jamal's group is working here in a mode that's ... LP, Vinyl record album
Planets/BBE (UK), 1977. New Copy Gatefold (reissue)
One of those really special piano albums from the Japanese jazz scene of the 70s – a record that's overflowing with new ideas and imagination, all captured with a really wonderful ear for sound as well! Masaru Imada plays a Bosendorfer grand, which has a really resonant quality, even when he' ... LP, Vinyl record album

Yasuhiro Kohno Trio + One

Song Of Island
AS Cap/BBE (UK), 1985. New Copy 2LP Gatefold (reissue)
The trio of pianist Yasuhiro Kohno work here with a really wonderful "+ One" – the vibes of Mashiro Kanno, who really adds a heck of a lot to the long-flowing grace of the tunes in the set! The album's a live one, but it's got all the warmth and creative intimacy of the best ... LP, Vinyl record album

Sam Sanders & Visions

Gift Of Love (180 gram pressing)
African Lady/Mad About Records (Portugal), 1983. New Copy (reissue)
A really beautiful album of spiritual soul jazz – featuring the Visions group of tenorist Sam Sanders, an ensemble that worked in Detroit for many years, but rarely made it out of the Motor City! This album's a fantastic demonstration of Sanders' talent and power – wonderfully ... LP, Vinyl record album

Ayanda Sikade

Umakhulu
Afrosynth (Netherlands), 2022. New Copy 2LP (reissue)
Drummer Ayanda Sikade is a hell of a force on the contemporary jazz scene in South Africa – and here, he steps out with a voice that's all his own – drawing a bit on the older legacy of his nation's jazz, while also bringing in some of the more spiritual currents of the global ... LP, Vinyl record album

Don Rendell/Ian Carr Quintet

Shades Of Blue (180 gram pressing)
Columbia/Jazzman (UK), 1965. New Copy (reissue)
The debut of a legendary British jazz group – one who not only gave that nation's scene a fresh voice in music, but who also really set the tone for many other acts to come! After a stretch when the London scene was doing a great job of matching American efforts in bop and swing, players ... LP, Vinyl record album

Michel Pilz/Peter Kowald/Paul Lovens

Carpathes
FMP/Cien Fuegos (Germany), 1976. New Copy (reissue)
A fantastic showcase for the reed work of Michel Pilz – playing bass clarinet here in a killer FMP trio with Peter Kowald on bass and Paul Lovens on drums! Pilz handles the instrument at a level that's unlike anyone else we can think of – especially in the historical run up to the ... LP, Vinyl record album

Corky McClerkin

Searchin For The Soul
WinCor/Mad About Records (Portugal), 1983. New Copy (reissue)
A classic set of soul jazz from Chicago – a rare indie date recorded in the early 80s, but with a tight and swinging feel that's more 70s jazz funk than you might think! Corky's on Yamaha keyboards, and he's backed by a hip group of Chicago players that includes Curtis Prince on drums, Artee ... LP, Vinyl record album
 



⇑ Top