Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Soul Of Samba (aka Bossa Nova)

LP (Item 104293) Trio/Mr Bongo (UK), 1972 — Condition: New Copy
(reissue)
List Price: 28.99

A very cool Japanese version of this mighty groover from the great Nico Gomez! Nico's known for his harder pounding tracks that have become favorites with the funky crowd, but this stellar album shows that Nico could also work in jazzier territory when he wanted to – as the album's a wonderful batch of tunes that mix together Latin, groovy, and bossa styles! There's some very nice wordless female vocals on a few cuts, scatting along with a warm breezy feel – and other tracks feature vibes, or guitar, sax, and other strong instrumental elements – with more than enough punch to be funky at a few points. The whole thing's as groovy as groovy can be – with a sound that's past bossa, and way more than any fake easy instrumental attempt at the genre – a real peep into the mad mind of Nico Gomez, and proof that his albums are always worth tracking down! Titles include "Din Din Din", "Aquarela", "Samba De Rio", "Saudade Do Rio", "Agua", "Rio", and "O Barquinho".  © 1996-2022, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


World Circuit, 2000. New Copy
The legendary Omara Portuondo is one of those Cuban music greats from years back – and one of a handful who were finally given some larger exposure to the American market during the Buena Vista Social Club project of the late 90s! It's not as if Omara had stopped performing – but ... LP, Vinyl record album
Issste/Mr Bongo (UK), 1981. New Copy Gatefold
A wonderfully hard-to-categorize album from the start of the 80s – a Mexican record that mixes folkloric roots with electronic instrumentation – but all in a way that sounds much more ancient than you'd expect for the time! The fusion of modes here is wonderful – almost at a ... LP, Vinyl record album
Issste/Mr Bongo (UK), 1981. New Copy Gatefold
A wonderfully hard-to-categorize album from the start of the 80s – a Mexican record that mixes folkloric roots with electronic instrumentation – but all in a way that sounds much more ancient than you'd expect for the time! The fusion of modes here is wonderful – almost at a ... LP, Vinyl record album

Joey Pastrana

Let's Ball
Cotique/Get On Down, Late 60s. New Copy (reissue)
The title alone should make you want to pick this one up – as anyone with the guts to name a record Let's Ball back in the 60s really had something going! The album's one of the best of Joey Pastrana's early gems – a fierce little record that explodes with Latin Soul energy, and which ... LP, Vinyl record album

Joey Pastrana

Let's Ball
Cotique/Get On Down, Late 60s. New Copy (reissue)
The title alone should make you want to pick this one up – as anyone with the guts to name a record Let's Ball back in the 60s really had something going! The album's one of the best of Joey Pastrana's early gems – a fierce little record that explodes with Latin Soul energy, and which ... LP, Vinyl record album

Tata Vasquez

Ecstasy
La China/Jazz Room (UK), 1979. New Copy (reissue)
A rare salsa session, originally issued on a very small label – and one of the few albums we've ever seen under the leadership of Tata Vasquez! The set's got a fantastic sound throughout – very soulful lead vocals from Felix Santini, on tracks that also open up with a richly rhythmic ... LP, Vinyl record album

Tata Vasquez

Ecstasy
La China/Jazz Room (UK), 1979. New Copy (reissue)
A rare salsa session, originally issued on a very small label – and one of the few albums we've ever seen under the leadership of Tata Vasquez! The set's got a fantastic sound throughout – very soulful lead vocals from Felix Santini, on tracks that also open up with a richly rhythmic ... LP, Vinyl record album
Discos Fuentes/Vampi Soul (Spain), 1968. New Copy (reissue)
Killer Colombian work from Combo Los Yogas – a 60s group who've got a sound that's maybe more like some of the hardest grooves coming from Puerto Rico at the time! There's a wicked pre-salsa style going on here – fierce percussion and piano right from the start – definitely ... LP, Vinyl record album
Discos Fuentes/Vampi Soul (Spain), 1968. New Copy (reissue)
Killer Colombian work from Combo Los Yogas – a 60s group who've got a sound that's maybe more like some of the hardest grooves coming from Puerto Rico at the time! There's a wicked pre-salsa style going on here – fierce percussion and piano right from the start – definitely ... LP, Vinyl record album

Ebirac All Stars & Others

Ebirac All Stars (blue vinyl pressing)
Ebirac/Numero, Late 70s/Early 80s. New Copy
Fantastic salsa sounds from Chicago – a city that's never been as well-known for the music as others on the coast – but which was home to the tiny but great Ebirac label – whose work is collected on this set! The package is an imagined compilation of key cuts that were only ... LP, Vinyl record album

Ebirac All Stars & Others

Ebirac All Stars (blue vinyl pressing)
Ebirac/Numero, Late 70s/Early 80s. New Copy
Fantastic salsa sounds from Chicago – a city that's never been as well-known for the music as others on the coast – but which was home to the tiny but great Ebirac label – whose work is collected on this set! The package is an imagined compilation of key cuts that were only ... LP, Vinyl record album
Mag/Vampi Soul (Spain), 1970. New Copy (reissue)
Saxophonist Luciano Luciani moved to Peru from Italy in the 60s – and by the time of this debut set from the start of the 70s, he was very much on top of the scene – working hard here to lead his tight combo through a jumping set of cumbia grooves mixed with a few other rhythms too! ... LP, Vinyl record album
 



⇑ Top