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Round Trip – The Complete Ornette Coleman On Blue Note (At The Golden Circle/Empty Foxhole/New York Is Now/Love Call/New & Old Gospel) (6LP set – 180 gram pressing)

LP (Item 104136) Blue Note, Late 60s — Condition: New Copy
6LP
List Price: 229.98
A tremendous package of work from Ornette Coleman – five albums issued under his own name, and one collaboration with Jackie McLean too! First up are At The Golden Circle Vols 1 & 2 – important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was recorded in Stockholm – in the tradition of European live performances that saw Coleman grow so strongly in the mid 60s – and the tracks are long, free, and full of improvised moments – with Ornette adding in trumpet and violin next to his familiar alto – in a trio with David Izenzon on bass and Charles Moffett on drums – both fantastic players who can be loose at the right moments, and bring things back at others. Tracks are long and unbridled – with less of the rhythmic changes that you'd hear in work by the classic quartet, and more of a full-on fierce soloing mode. Titles include "Snowflakes & Sunshine", "Morning Song", "Faces & Places", "Dee Dee", "Dawn", "The Riddle", and "Antiques". Next is Empty Foxhole – one of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from Charlie Haden on bass, able to match Coleman's energy with effortless ease, and really getting a lot of room to leave his mark on the music – plus the very young (10!) Denardo Coleman, who plays drums here with this stark, simple style that's not only completely unique, but which also leaves a lot of open room left for Haden and Ornette to really stretch out. Ornette plays his usual alto, plus trumpet and violin – and titles include "Good Old Days", "The Empty Foxhole", "Zig Zag", and "Freeway Express". Next is New York Is Now – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York downtown scene in years to come! Ornette's at his most late 60s unbridled here – freer than before, and working with a lineup that includes Jimmy Garrison on bass and Elvin Jones on drums – still no piano at all – plus great work from Dewey Redman on tenor, who really burst into new prominence with this album. Ornette plays a bit of violin alongside alto sax – and tracks include "Toy Dance", "Round Trip", "Broad Way Blues", and "We Now Interrupt For A Commercial". Then comes Love Call – a really great late 60s session from Ornette Coleman – one that shows is increasing expansion in sounds and styles, and which also offers a bridge between avant jazz generations too! That bridge comes in the presence of Jimmy Garrison on bass and Elvin Jones on drums – a surprising Coltrane rhythm duo, working here with Ornette's mindblowing work on alto sax, and tenor from a young Dewey Redman – already a crucially intense player here next to Coleman, as both are set free in a group without any piano – that Ornette melding of rhythm and melody, but with a very different vibe than the Atlantic years! Coleman blows trumpet on one tune – and titles include "Love Call", "Airborne", "Check Out Time", and "Open To The Public". The set also includes the album New & Old Gospel – one of Jackie McLean's last "new thing" albums for Blue Note – and a very unique record that features Ornette Coleman on trumpet! The sound here is stark and hard – slight hints of the soulfulness that the "gospel" in the title might imply, mixed with the angular exploratory sound that McLean had been forging at Blue Note during the mid 60s – a wonderful balance that really gives the record a lot of bite! The album's easily one of the most "out" that McLean ever recorded, and the group also includes Lamont Johnson on piano, Scott Holt on bass, and Billy Higgins on drums – all pushing themselves in the company of the avant jazz giants. Tracks include the extended "Lifeline" suite, which takes up all of side one – plus "Old Gospel" and "Strange As It Seems".  © 1996-2022, Dusty Groove, Inc.
(Fantastic Tone Poet package – a slipcover featuring 6 albums all done in the heavy vinyl/cover of the series – plus a booklet of notes too!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


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