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Piero Umiliani Library Music Vol 1 (13CD set)

CD (Item 103535) Cinedelic (Italy), 1970s/Early 80s — Condition: New Copy
13CDs
Temporarily Out Of Stock

CD

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A stunning collection of work from the legendary Piero Umiliani – material that represents his rare sound library recordings, done after an initial rise to fame in the world of Italian soundtracks during the 60s! These recordings draw on all the musical genius and studio techniques that Piero perfected during his work on film – but the albums were all issued only as non-commercial sound library records, and never saw much circulation at the time – even though most of the sounds within are even more revolutionary that Umiliani's soundtracks! Much of the material was done in his famous Sound Workshop – and styles run from groovy, to experimental, to electronic, funk, and psychedelic – served up in different modes, depending on the nature of the album projects. Albums were originally issued on small labels that include Luito, Omega, Rovi, and Omicron – and this first volume features 13 full albums, each with original artwork – records that include Percussioni Ed Effetti Speciali, Underground, Temi Ritmici E Dinamici, Nuove Arie Romantiche, Classica Per L'Umo D'Oggi, Mondo Inquieto, Motivi Allegri E Distensivi, Discomusic, Tensione, Film Concerto, Panorama Italiano, Album Di Viaggio, and Suspence Elettronica.  © 1996-2022, Dusty Groove, Inc.
(A beautiful set – comes in a wood box, with LP-styled sleeves and a booklet of notes – numbered edition of 500 copies!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Piero Umiliani

Continente Nero
Omicron/Dialogo (Italy), 1975. New Copy
A second sound library trip to Africa by Italian sound library maestro Piero Umiliani – and one that's even groovier than the first! The music here follows a similar pattern – mixing elements of 70s sound library rhythms with some older exotic modes – a blend of electric and ... CD
Four Flies (Italy), 1970s/Early 80s. New Copy
Weird and wonderful sounds from a very electric man – the mighty Piero Umiliani, an Italian composer who first rose to fame for a set of groundbreaking film scores in the 60s – then moved into even more experimental sound library work in the following decade! This set has Piero working ... CD

Piero Umiliani

Psichedelica
Omicron/Schema (Italy), 1971. New Copy Gatefold
Not the sort of psychedelic music you'd expect from an American rock band of the late 60s – and instead, a stunning set of funky genius from Italian soundtrack maestro Piero Umiliani! The record's actually a precursor to Umiliani's famous global score for Sweden Heaven & Hell (Svezia ... CD
Sonorama (Germany), Late 70s. New Copy
CD...$6.99 18.99
Big deal, indeed – as this excellent set looks at a really under-tapped source of sound library funk from the 70s – a small British company who was turning out glorious grooves in the same classic years as KPM or DeWolfe! The players here are mostly British, and many are more obscure ... CD
Buried Treasure (UK), Mid 60s. New Copy
CD...$4.99 14.99
Sublime sound cues from BBC maestro John Baker – a wonderful blend of jazzy moments and weird electronic sounds – often used together at the same time! The feel here is as hip as the hippest Brit TV of the 60s – some very righteous grooves that would have made great records on ... CD
Sonoton/Buried Treasure (UK), Late 60s/1970s/Early 80s. New Copy
One of the coolest sound library sets we've ever heard – and a collection that really lives up to its title! There's plenty of fuzz in the mix here – on both the guitars and keyboards – but the tunes are never trippy, as they're almost always funky – very forward-moving, ... CD

Jean-Pierre Decerf

Space Oddities 1975 to 1978
Born Bad (France), Late 70s. New Copy
Spacey sounds from the enigmatic Jean Pierre Decerf – a lesser-known sound library artist from the 70s scene in France, but one who's finally getting his due! Decerf has a style that really lives up to the title of the collection – working with lots of keyboards and electronics in a ... CD

Hirokazu Tanaka

Lost Tapes
Super Fuji Discs (Japan), Late 80s/Early 90s. New Copy
The cover here gives you a good idea of what you're in for – rare material from Japanese electronic composer Hirokazu Tanaka – best known for his work on the scores of important Nintendo games – most of of it from the glory days of the cassette, and pulled from Tanaka's archives! ... CD
KPM/Vocalion (UK), 1970s. New Copy
A treasure trove of Brit sound library work – most of it from the legendary KPM 1000 Series, plus assorted bits from the Conroy label as well! The work here leans heavily towards funky jazz – those fuzzy, hard-driving tunes that always made KPM sides a key choice for action films and ... CD

Bruno Spoerri

Teddy Bear/Lilith
Finders Keepers/Cache Cache (UK), 1978. New Copy
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Two rare soundtracks from the quirky Bruno Spoerri – both of them a very cool blend of jazzy reeds and lots of electric touches! Teddy Bear is from the early 80s, and is one of the later records we've heard from Spoerri – a set that definitely bears the pedigree of its time, through ... CD

Nino Nardini/Eddie Warner/Roger Roger

Studio Ganaro – Space Oddities 1972 to 1982
Born Bad (France), 1970s/Early 80s. New Copy
Mad electronic sounds from a trio of older French studio talents – Nino Nardini, Eddie Warner, and Roger Roger – all sound library giants from a previous generation, working here in some sweet electric modes for the 70s! If there's one thing that seemed to mark the best sound library ... CD
ATA (UK), 2021. New Copy
A great contemporary take on the vintage sound library mode – one that has a host of artists from the UK's ATA Records label turning out a sweet set of instrumentals for this really wonderful collection! ATA stands for All Things Analogue – and there's definitely an old school vibe to ... CD
 



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