Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Melt Yourself Down

CD (Item 101461) Modern Harmonic, 1986 — Condition: New Copy
Temporarily Out Of Stock

CD

✈
❔

One of the most obscure records in the legendary early run of sounds from saxophonist James White – a set that's a bit later than his original records for the Ze label, and which was originally only issued in Japan! White's still got all the sharp, choppy elements you'll know from his early records – but there's moments here that are also more straightforwardly funky too – maybe no surprise, given that the album features two key covers of James Brown tunes, both done in very long versions that maybe almost make James a key bridge between old school soul and some of the new funk groups to come on the New York scene. Titles include remakes of "Super Bad" and "Cold Sweat" – plus "Hell On Earth", "Melt Yourself Down", "Hot Voodoo", and "Boulevard Of Broken Dreams".  © 1996-2022, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Scritti Politti

Anomie & Bonhomie
Rough Trade, 1999. New Copy
A really surprising set from Scritti Politti – still as catchy as back in the 80s, but also tuned to a new generation too – with surprising hip hop and soul crossover work from Mos Def and Meshell Ndegeocello! Given the soulful sound of the group back at the start, and the surprisingly ... CD
XL, Early 2000s. New Copy 3CD
A massive package of music – a special set that brings together both the Kid A and Amnesiac, as well as a full record's worth of unreleased tracks! The lead albums need no introduction from us – as they're modern-day classics that really established the genius of the group in mainstream ... CD
Beat Rocket, Late 60s. New Copy
A very cool little record from a very obscure girl group of the 60s – a trio who recorded this sweet little set in a Nashville studio, then unfortunately had it packaged in one of those cheap "stock" covers that labels would sometimes use – which may be the reason why it ... CD
Glass/Troubadour, 1985. New Copy 2CD
Quite possibly the greatest moment ever from the team of Nikki Sudden and Dave Kusworth – a pair who were unlike anything else at the time, and who stand out here with an effort that's easily one of our favorite rock and roll albums of all time! Their look on the cover might make you think ... CD
Aura/Modern Harmonic, 1981. New Copy
The stunning rebirth of Nico at the start of the 80s – a set that was done many years after her previous record, The End – and one that shows the ex-Velvet Underground singer finding a whole new style for her music! Nico's still very dark and moody – as you'd guess from her ... CD
Flicknife/Troubadour, 1983. New Copy 2CD
The first magnificent pairing of Nikki Sudden and Dave Kusworth – a set that's issued under Nikki's name, but which has all the magical energy of their Jacobites recordings together! There's an instantly timeless feel going on here – almost an indie punk refiguration of the best ideas ... CD
Modern Harmonic, 1986. New Copy
Lost material from Mark Sandman – tracks recorded in between his time in Treat Her Right, and his greater fame in Morphine – served up here in the first-ever package of the recordings! The sound is nice and stark – almost the spareness of post-punk work, but with more mid 80s ... CD
Modern Harmonic, 1996. New Copy
An unusual side project from Mark Sandman of Morphine – the resurgence of a group he worked with before that bigger act, heard here in a 1996 radio performance done at the same time that Morphine was recording their Like Swimming album in Boston! The sound is very different than the bigger ... CD
Strawberry (UK), Late 60s/Early 70s. New Copy 3CD
A pair of records from UK vocal group Arrival – plus rare BBC material too! First up is the record Arrival from 1970 – a really wonderful record from this very cool UK group – a mix of gals and guys who harmonize together in a really great way – very different than a lineup ... CD
Polydor/Esoteric (UK), 1969. New Copy
Really great work from Audience – one of those groups from the prog/psych generation, but with a sound that's always a bit tough to peg – as they've got this wonderful way of mixing full-on instrumentation with gentler, more personal moments that really make this debut a treasure ... CD
Cherry Red (UK), Late 60s/Early 70s. New Copy 4CD
A massive collection of work from the legendary Bridget St John – a singer who just seems to get better and better the more we listen to her music! First up is the album Ask Me No Questions – a set with the same spare, chilling quality as Nico's first album on Verve! Like Nico, ... CD
Grapefruit (UK), 1970s. New Copy 3CD
Two rare albums and lots of bonus tracks from Complex – an obscure British group from the start of the 70s, and one who have a raw, psychedelic sound that feels a lot more like music from the decade before! The set begins with the self-released Complex album – a record that the band ... CD
 



⇑ Top