This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A core performance by the trio of drummer Cindy Blackman – but one that's augmented by two guest players – hence the title! Most of the energy of the record comes from relatively tight, fierce interplay between Blackman's drums, the bass of Santi Debriano, and guitar of Dave Fiuczynski ... CD
Steve Lacy on soprano saxophone, JJ Avenel on bass, John Betsch on drums, Sam Kelly on percussion, Bobby Few on piano, Steve Potts on saxophone, Glen Ferris on trombone, and Irene Aebi and La Velle on vocals. CD
Classic early live material from the Dave Brubeck Quartet – already humming along nicely with some great alto sax from Paul Desmond! The group's in fine form here – a bit more relaxed and open than on their Columbia recordings – with plenty of creative piano lines from Dave, ... CD
Charlie Parker takes on the music of Cole Porter – with results that make for some of his most classic moments at Verve! Parker's horn is as hard-bitten as always, but it's also working here in a slightly lyrical vibe – one that brings out the warmth that Charlie could have at just the ... CD
One of the most free-wheeling Sonny Rollins albums of the 60s – an album that features some very long, extended tracks that really break out from some of the straighter moments of Sonny's mid-60s recordings! The title track is an incredible 20 minute workout – one that almost feels ... CD
An expanded version of the first album to carry the Jazz At The Philharmonic formula into the studio – and a record that virtually coined the term "jam session" for 50s jazz! Norman Granz repeats the style he'd done so well in a live setting – and brings together a host of ... CD
Remixed versions of older Jorge Ben tracks – given a sound here that almost seems as if they're trying to push his work on the US R&B market. Most tracks are listed as being the "groove" version – and the beats are pumped up, the production's slicked down, and there's a ... CD
Classic 6-song ep reminding us just how dope Ice Cube was in his heyday. About half the tracks feature classic Bomb Squad production, incing "Jackin' For Beats", the original, and still the best, track about stealing other MC's samples (featuring samples from LL, PE, EPMD, and more). ... CD