Elis Regina : Elis (1974) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Elis (1974)

LP (Item 10014) Philips (Brazil), 1974 — Condition: Near Mint-
Gatefold
One of the real 70s classics from the legendary Elis Regina – a set of records that are so wonderful, generations of other Brazilian artists have never been able to match them for their sense of power and presence! Regina's really coming into her own with this set – finding a unique voice that's past the bossa and jazz of her 60s material, and with a deep sense of power in the vocals – but one that's never as overdone or cloying as work by Anglo singers of the time. The balance of subtle emotion with rich musical energy matches the best of work by Milton Nascimento at the time – and a great deal of thanks goes to Cesar Camargo Mariano, who's working here at the height of his powers on arrangements, and on keyboards as well. Titles include Milton Nascimento's "Travessia" and "Ponta De Areia", Ary Barroso's "Na Batucada Da Vida", Gilberto Gil's "O Compositor Me Disse" and "Amor Ate O Fim", and more by the team of Joao Boasco and Aldir Blanc.  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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