This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Ray Mantilla is reborn, after a health crisis almost took him down – but to us, he's also returning to his roots – that rock-solid approach to Latin jazz that's made us love his records so much over the decades! And like the best of those sets, there's a mixture of complex ideas and ... CD
A tribute to the greatness of the Cannonball Adderley Quintet of the early 60s – and trumpeter Jeremy Pelt and altoist Jim Snidero take things back to the style of Cannon and brother Nat! Yet the sound here is also nicely different – older tunes, handled in a soul jazz mode, but also ... CD
Fantastic work from reedman Jim Snidero – wrapped up tight here in the frontline with trumpeter Alex Sipiagin, a pair who come off with a hell of a lot of focus and power right from the very first note! Sipiagin's horn provides this farther reach for Snidero's ideas – really pushing ... CD
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay ... CD
A great tribute to the mighty talents of Enja Records – a German label that really helped build bridges in the 70s – expanding out from its base in Munich to offer a lot of strong opportunities for American players as well! The Enja touch is a really special one – an approach ... CD
An important part of the long legacy of Enja Records – a label that was based in Germany, but also offered key opportunities for expression to Japanese musicians over the years – especially during the 70s, when Enja released represented some of the few times these musicians were heard ... CD
A legendary album from the 70s funk scene – and one of the crowning achievements of keyboard maestro Eumir Deodato! Deodato got his start during the bossa years of the 60s – where his sophisticated charts were already enough to make his career a landmark – but in the following ... CD
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, ... CD
Stone funky work from the late 60s – a landmark batch of tracks by Quincy Jones – originally recorded for the soundtrack of the first Bill Cosby show, and issued here to the public for the first time ever! The show's famous theme "Hikky-Burr" is a well-known groover with a ... CD