RCA/Soul Bank (UK), 1974. 2LP (reissue)
The second smoking Live Oblivion set from Brian Auger and crew – twice as long, and maybe even twice as funky as the first! The tunes on here all really push the ten minute mark – stretching out the original Auger conception on studio sides, and featuring plenty of room for really ...
RCA/Soul Bank (UK), 1974.
The second smoking Live Oblivion set from Brian Auger and crew – twice as long, and maybe even twice as funky as the first! The tunes on here all really push the ten minute mark – stretching out the original Auger conception on studio sides, and featuring plenty of room for really ...
RCA/Soul Bank (UK), 1974.
Really hard-jamming work from keyboardist Brian Auger – the first of a 2-part live set from the US, and easily some of his greatest work on record! The tracks are all very long and stretched out here – an extrapolation of the territory Auger was already exploring on studio sides, taken ...
RCA/Soul Bank (UK), 1974.
Really hard-jamming work from keyboardist Brian Auger – the first of a 2-part live set from the US, and easily some of his greatest work on record! The tracks are all very long and stretched out here – an extrapolation of the territory Auger was already exploring on studio sides, taken ...
Bear Family (Germany),
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Gordy/Elemental, 1968. (reissue)
A pivotal moment for The Temptations – a set that has the group hitting even more of a deep soul sound than before – at a level that really sets them apart from some of the other groups on Motown at the time! There's a richer, fuller sound going on here – as the group work with ...
Motown/Elemental, 1965. (reissue)
The Supremes pay tribute to their fallen hero, Sam Cooke, with a nice set of tracks that includes "You Send Me", "Havin' A Party", "Wonderful World", "Nothing Can Change This Love", and "Cupid".
ABC/Elemental, 1971. 2LP (reissue)
BB King live in Japan – really cooking here on a concert performance that's quite different from his other live records of the time! The set's a double-length one – originally a 2LP set – and most tracks are nice and long, with lots more room for solos from BB – stretching ...
NM/P-Vine (Japan), 1999. 2LP (reissue)
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Vistone/P-Vine (Japan), 1994. (reissue)
The last album ever recorded by funky drummer Roy Porter – and a really unique set that seeks to combine his older grooves from the 70s with contemporary elements from the 90s hip hop scene! The approach is a lot better than you might expect, and has lots of the best true school elements ...
Janus/Partisan, 1974. (reissue)
Cymande hit some well-deserved heights on this massive third album – working with a complicated groove that's even more compelling than their earlier albums – in a righteous blend of heavy bass and tripped-out guitars that's unlike anything else we've ever heard! The music's a unique ...
King/Ultra Vybe (Japan), 1969.
A killer album of soul jazz piano instrumentals – produced by James Brown! The Dee Felice Trio were a groovy combo from Cincinnati, and James Brown took a shine to them at some point in the late 60s. They backed James on one record, but their big moment was this album – which had ...
Arista/BGO (UK), 1981.
Gino Vannelli still going strong well into the 80s – hitting this sweet blend of soul, rock, and crossover vibes – all in a style he virtually invented for himself in the 70s! The long perm look may have kept Gino out of crates in later years, but there's a top-quality feel to the ...
Warner/Robinsongs (UK), 1989/1993. 2 CDs
A pair of later Maze albums – back to back in a single set, and with bonus tracks too! First up is Silky Soul – a late 80s album, but one that has the smooth soul genius very much at the top of his game! Frankie's work from the 70s inspired countless imitators in the next decade ...
TK/Big Break (UK), 1972.
A landmark album from Timmy Thomas – one that mixes together electronics and soul in this wonderfully unique mellow groove – a style that's hardly ever been matched again, and which may well put this album at the same level as Shuggie Otis' classic Inspiration Information set! Timmy's ...
Tamla/Elemental, 1973. (reissue)
Fantastic solo work from Smokey Robinson – recorded a few years before his monumental Quiet Storm album, but with a very similar high level of quality! Willie Hutch co-produced the album with Smokey, and working with arrangements by Hutch and Gene Page, they transform Smokey's sound into a ...
Motown/Elemental, 1970. (reissue)
One of the last albums the Four Tops ever issued on Motown – but also one of the best, and a set that really has the group taking off in a strong new direction for the 70s! Frank Wilson's at the production helm, and the set has all these cool little twists and turns that work perfectly with ...
Janus/Partisan, 1972. (reissue)
The fantastic first album by one of the most unique funk groups of all time! A key part of the crumbling British colonial network that produced some excellent music in the postwar years, Cymande was comprised mostly of West Indians who'd emigrated to England in the 60s, eventually meeting up ...
GEC/P-Vine (Japan), 1976. (reissue)
The classic first LP by this stellar Chicago harmony group – and a monster! Heaven & Earth had a wonderful falsetto harmony sound that reminds us a lot of east coast winners like Blue Magic or The Stylistics – and like some of the best east coast groups, this group's vocals work ...
Sunshine Sound/Ultra Vybe (Japan), 1978.
A nice late 70s album you might have passed over because of the terrible cover art. "Party Freaks, Come On" was Ron Louis Smith's big dancefloor hit from the late 70's, and it's got a nice uptempo Miami funk groove to it – sort of like the stuff by Jimmy Bo Horne, or other artists ...
Konduko/Ultra Vybe (Japan), 1979.
A great bit of island funk from one of the grooviest artists to record for the TK family of labels in the 70s! Titles include "Fire Keep On Burning", "Get On Down", "That Funky Groove", "Move & Groove", and "Baboo".
Cat/Ultra Vybe (Japan), Early 1970s.
An excellent bit of southern funk – very much in the early mode of Little Beaver, but with a sound that's even harder! James Knight is The Black Knight – leading a tight little combo with a raw funky 45 sound, heavy on the horns for backing, but with James' guitar right up front in the ...
Amour/Ultra Vybe (Japan),
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Amour/Ultra Vybe (Japan), 1979.
The second album by this obscure California soul group – not as tightly funky as their first LP, but with a good focus on mellower numbers to make up for that. Four of the album's seven tracks are written by Lowrell Simon, in a smoothly grooving mode that reminds us of the later singles by ...
Alston/Ultra Vybe (Japan), 1976.
A great lost record from Clarence Reid – one of the most multi-talented artists on his scene, stepping out here with the depth and sensitivity of some of his best southern soul contemporaries of the 70s! Despite the fact that at the time of the record, Reid was simultaneously recording as ...
Atlantic/Soulmusic.com (UK),
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P-Vine (Japan), 1977/1979.
A huge musical treasure – a full unreleased album by Weldon Irvine, plus a bonus video as well! The music is from the stage play Young Gifted & Broke – a short-lived production by Weldon, and one that's done with some of the same hip modes he was bringing to his own music of the ...
Portrait/Legacy, 1985. (reissue)
Sade's second album, and while it's not totally sublime as the first, it's still a damn great set with a smooth jazzy vibe that will have you coming back again and again! Includes the lovely "The Sweetest Taboo", plus "Is It A Crime", "War Of The Hearts", "Mr ...
Portrait/Legacy, 1985. (reissue)
A damn great soul album! Sure, the record was a crossover classic that got played to death back in the 80s – but give it a listen now, and you'll be stunned to hear how fresh it sounds, and how much it reminds you of all the British soul acts that sprung up in the years after it was released. ...
Epic/Legacy, 1988. (reissue)
Another nice one from Sade – perhaps not as edgey as some of her earlier work, recorded in a slightly smoother style, but still quite nice to our ears – as Sade's always been a pleasure, no matter what the setting! Includes the nicely grooving "Nothing Can Come Between Us", ...
Boardwalk/Robinsongs (UK),
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Great Eastern/P-Vine (Japan), 1977. (reissue)
Rare Canadian funk from the 70s – played by a hip little group who've also got a jazzy flavor too! The Sidewinders are a bit like American ensemble funk acts of the time – in that they can have an upbeat, tight approach to the groove when they want – but they also have a great ...
Kitty/Lawson (Japan), 1982. (reissue)
A slinky, soulful set from the Japanese scene of the early 80s – one of those records from a time when it really seemed that jazz fusion was informing some of the best records from singers overseas – and that's definitely the case here! There's a warm jazzy glow to the record that's ...
P-Vine (Japan), (reissue)
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Ebony Sound/P-Vine (Japan), 1972. (reissue)
A masterpiece of east coast vocal group soul – one of the best independent harmony albums of the early 70s! Soul Generation had a fantastic approach – a style that was both sweet and tough at the same time, done with slight gangster/pimp touches that set them apart from some of the ...
Venture/P-Vine (Japan), Late 1960s. (reissue)
West coast harmony soul genius – a full early album of work by The Ballads – a sweet soul group who really live up to their name! The tracks here are all mellow soul with a near-perfect quality – vocals that step and slide together in a gentle, heartfelt sort of way – never ...
Sony/Legacy, 2010. (reissue)
A smoothly soulful set from Sade – with a bit more heartbreak and sometimes a bit heavier moodiness in the compositions – changing up the groove just enough on her first album in 8 years and reminding us how much we miss her in her years between albums! The first couple of tunes on the ...
Epic/Legacy, 1992. (reissue)
Sade's last LP from the early 90s before she went into her brief recording and performing hiatus. Like the preceding records, the approach is heavy on the jazz side of things, with a crisp, spare touch on the production and a wonderfully soulful feel to the songwriting. At this point she no ...
Columbia/Legacy, 2000. (reissue)
It's been 8 years since Sade's last album, but rest assured, she's still pretty much the same! Her vocals are as lovely as ever – with that indescribable floating quality that always sends us, no matter how many times we've heard her songs on the radio. The production is slightly different ...
Edsel/Demon (UK), 2LP
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Edsel/Demon (UK), 2LP
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Sound Triangle/On High, 1973. (reissue)
Some of the tightest funky 70s jamming ever – a lost gem from Ray & His Musical Court, a group that perfectly fuses JB/Horny Horns funk with beat-heavy Afro-Cuban groove! Ray and the group are one of the more obscure funky combos of the era, and it's a damn shame, because the group's ...
Crown/P-Vine (Japan), 1963. (reissue)
Titles include "Hey Miss Tina", "Stringin Along", "I Miss You So", "Nobody Wants Me", "All The Blues All The Time", and "The Wild One".
Out-Sider (Italy), 1977.
George Clinton and the P-Funk army in all their 70s glory – presented here in a live performance that was originally done for radio in Detroit! There's not much in the way of notes or personnel listed for the set, but there's definitely some long jamming passages on the set, which are likely ...
Charly (UK), 1978. 2LP
An instant classic the day it was released – and a perfect blending of the group's older freaked-out style with a slick late 70s funk sound that started showing up in the work of many other groups. "One Nation Under A Groove" is a monster cut with a hook that won't quit, and the LP ...
Charly (UK), 1978.
An instant classic the day it was released – and a perfect blending of the group's older freaked-out style with a slick late 70s funk sound that started showing up in the work of many other groups. "One Nation Under A Groove" is a monster cut with a hook that won't quit, and the LP ...