Continental/Weekend (Germany), 1977. (reissue)
A tremendous little album from Joyce – a rare session originally only issued in Italy, recorded in a folksy style that's a bit different than her other work! Tracks are all pretty short – many under 2 minutes long – and feature spare guitar, percussion, and lovely vocals from ...
(Brazil LP)
Isaiah Collier & The Chosen Few
Almighty
Division 81, 2024.
Relax In/We Want Sounds (UK), (reissue)
Prestige, 1956.
Long tracks and plenty of room to move around – a perfect setting for the classic sound of the Red Garland Trio on Prestige! Despite the title, the album's not so much groovy as it is lyrically beautiful and filled with sensitivity – a key bridge between piano players of the mainstream ...
(Jazz LP)
Deep Digs, 1966.
A blistering live set from the legendary Sister Rosetta Tharpe – an artist who may be a gospel singer, but was also a huge influence on soul and rock music too – thanks to an incredible vocal range, and a way of playing the electric guitar that influenced countless others! This 1966 ...
(Gospel CD)
Elemental, 1969. 2CDs
The hippest side of Cannonball Adderley at the end of the 60s – that loose, soulful vibe he was serving up on some of his coolest records for Capitol at the time – stretched out here over some very long tracks recorded live in France! The year alone marks the record as a great one ...
(Jazz CD)
We Release Jazz (Switzerland),
Victor/Trading Places (UK), 1971. (reissue)
Far-reaching and incredibly soulful work from Mal Waldron and Gary Peacock! Both players are at the height of their powers here, and have a warmth and sense of interplay that makes the session one of the best they did alone or together during the time. The group's a trio, with Hiroshi Murakami ...
(Jazz LP)
Beverley's/Culture Factory, 1970s.
A nice set of hard to get Leslie Kong produced sides, from early in Marley's career. A dozen great numbers, early clasics from the birth of a legend's career. 12 tracks in all, including "Soul Shakedown Party", "Stop That Train", "Soul Captives", "Can't You ...
(Reggae LP)
Fontana/Universal (Japan), 1958.
An excellent live set by the Jazz Messengers – recorded in Paris in 1958, but with a hard heavy groove that's right up there with their best Blue Note work. The group at this time – Blakey, Bobby Timmons, Lee Morgan, Benny Golson, and Jymie Merritt – plays hard, heavy, and ...
(Jazz CD)
Impulse (Japan), 1966.
A rare non-Blue Note 60s date as a leader from Stanley Turrentine – recorded for Impluse when his (then) wife Shirley Scott was contracted to the label – and featuring the talents of both players on some very groovy tracks! The quartet features both Stan's tenor and Shirley's Hammond ...
(Jazz CD)
Impulse/Universal (Japan), 1965/1978.
A great lost chapter in the career of Sonny Rollins – material recorded live at MOMA in 1965, but unissued until this brief package in the late 70s! The work is right up there with Rollins' best for RCA at the time, and almost feels a bit like his live Village Vanguard material from Blue ...
(Jazz CD)
Impulse (Japan), 1963.
A real standout in the early career of trumpeter Freddie Hubbard – a very unique session that has him working with some larger arrangements in the background – blowing these magical solos over the top, while still hitting a great edge with the rest of the musicians as well! There's a ...
(Jazz CD)
Impulse (Japan), 1965.
One of Gabor Szabo's best records – a hip small combo session, featuring backup by Gary McFarland, Sadao Watanabe, Richard Davis, and Willie Rodriguez – an odd kind of lineup, but one that goes well with the offbeat grooves of the set! The overall sound has lots of touches of the ...
(Jazz CD)
Impulse (Japan), 1963.
Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels ...
(Jazz CD)
Impulse/Universal (Japan), 1964.
McCoy plays Duke, with surprisingly great results – thanks to an expanded trio format that features lots of additional percussion! McCoy's on piano, working alongside Coltrane bandmates Jimmy Garrison on bass and Elvin Jones on drums – but the real charm of the record comes from Willie ...
(Jazz CD)
Impulse/Universal (Japan), 1966.
A rare gem from Zoot Sims – very different than any of his other albums! The session features Zoot blowing over large backings arranged and conducted by Gary McFarland, a bit in the older Verve "with strings" mode, but also sparkling with a lot of the newer elements that McFarland ...
(Jazz CD)
Impulse (Japan), 1962.
A surprisingly great Shelly Manne album from the early 60s – one that follows a format that has Shelly playing in duo format ("2"), trio ("3"), and quartet ("4") – hence the title! The duo track is incredible – a spare duet with Coleman Hawkins ...
(Jazz CD)
Verve (Japan), 1964.
A tight little groover from Wynton Kelly – one of a few mid 60s gems done for Verve in a style that's harder-hitting and more focused than some of Kelly's other work! The record's got an approach that's a bit pop, but plenty darn soulful too – a style that focuses the already-great ...
(Jazz CD)
Riverside/Universal, 1956.
Simple and elegant genius from Zoot Sims – an overlooked quartet session recorded with George Handy on piano, Wilbur Ware on bass, and Osie Johnson on drums. Handy was the famous arranger for the Boyd Rayburn group in the 40s, and here he arranges the whole set – and also contributes a ...
(Jazz CD)
Prestige/Universal (Japan), 1956.
Sublime work from pianist George Wallington – and one of his best albums ever! The set's also one of the few he ever recorded as a leader outside the trio format, and has him working with a very hip quintet that features Phil Woods, Donald Byrd, Teddy Kotick, and Art Taylor – all ...
(Jazz CD)
Prestige/Universal (Japan), 1955.
Early work by one of the greatest voices on the alto sax in the 1950s – a player who worked with the deftness of other altoists of his generation, but a depth of soul usually reserved for the tenor! The setting is simple and perfect – as Phil Woods blows at the helm of a quartet that ...
(Jazz CD)
Prestige (Japan), 1967.
A fantastically beautiful album that strongly proves the old jazz adage "It's not the song, but the singer"! The "singer" in this case is alto player Sonny Criss – and the songs are a middle of the road batch of compositions, like "Sunny", "Willow Weep For ...
(Jazz CD)
Prestige/Universal (Japan), 1949/1950.
One of THE key records in the Konitz school – a full length Prestige album that brings together important material from sessions originally issued on 10" LPs! The lineup here is virtually the Konitz school – with shifting lineups that include Billy Bauer on guitar, Lenny Tristano ...
(Jazz CD)
Prestige/Universal (Japan), 1956.
One of the best records Mal Waldron ever made, and a blinding hard bop session featuring a tight quintet with knock-down-dead front horn lines! The record really follows strongly in the mode of some of Waldron's contributions to Prestige blowing sessions from the same period – but it's also ...
(Jazz CD)
Prestige/Universal (Japan), 1955.
One of Art Farmer's pivotal mid 50s sides – recorded in the company of altoist Gigi Gryce, a great player and a budding young arranger who helped Farmer really formulate the best side of his sound! The tracks are lyrically modern – but still have a nice dose of soul in them – a ...
(Jazz CD)
Jazzman (UK), (pic cover)
Blue Note, 1957.
(Part of the Blue Note Tone Poet series!) (Jazz LP)
Blue Note, 1957.
(Part of the Blue Note Tone Poet series!) (Jazz CD)
Resonance, 1953.
A beautiful set of work from this legendary pianist – material that's issued here for the very first time, but which may well top some of the most important albums in Art Tatum's catalog! As with his classic 20th Century material, the setting here is a live one – the Blue Note club in ...
(Jazz CD)
Resonance, 1959.
Mindblowing work from tenorist Sonny Rollins – a set of recordings that we'd rank right up there with his groundbreaking Village Vanguard sessions for Blue Note! As with those recordings, the setting here is live, and a trio – Sonny blowing with incredible imagination in the very open ...
(Jazz CD)
Vault/Friday Music, 1966. (reissue)
A beautiful set of modal jazz tracks – recorded by the great LA pianist Jack Wilson with a young Roy Ayers! The set is amazing, and features haunting piano and vibes interplay between Ayers and Wilson – in a style that could best be summed up as LA modern modal, but which is also ...
(Jazz LP)
Ichiko Aoba/Jun Miyake/Tatsuhisa Yamamoto/Hitoshi Watanabe
Pneuma
P-Vine (Japan), 2LP
Nederlands Jazz Archief (Netherlands),
Nederlands Jazz Archief (Netherlands),
Palm/SeriE.WOC (France), 1974. (reissue)
Reprise/Light In The Attic, Mid 1960s.
Another classic in the Lee Hazelwood/Billy Strange mode, featuring some lusty dusky production that gets a lot better work from Nancy than she could ever do on her own! Lots of Hazelwood originals, including "How Does that Grab You, Darlin?", "My Baby Cried All Night Long", ...
(Vocalists CD)
Disques Plusquereel, (reissue)
Disques Plusquereel, (reissue)
Disques Plusquereel, (reissue)
Duck Down, 2013. 2LP (reissue)
Sean Price moves in for the knockout! Includes "Genesis Of The Omega", "Bar-Barian", "Pyrex", "Price & Shining Armour" feat Ruste Juxx, "Straight Music", "Hush", "Solmon Grundy" with Ill Bill, "Frankenberry" with ...
(Hip Hop LP)
Paula/P-Vine (Japan), 1972. (reissue)
Harmony soul heaven – and the only full album from The Montclairs! The group were a sublime vocal group from the 70s – one with a sound to rival The Whatnauts or The Moments, but which also had a bit more of the super-dope touches you'd expect from their look on the cover of the record ...
(Soul LP)
Modern Harmonic, Early 70s. Gatefold
Never-issued performances from Sun Ra and his legendary Arkestra – recorded live at Slugs in New York, and featuring the group in two very different modes! Side one features "Calling Planet Earth/We'll Wait For You" – from the same performance that also gave the world the ...
(Jazz CD)
Mood Mosaic (Italy), Late 1960s/Early 1970s. 2LP
Mood Mosaic (Italy), Late 1960s/Early 1970s.
Northern Spy, 2024.
A solo record, but one that's got the sound of more things at once than you might expect – as saxophonist Josh Johnson has this great way of processing the sound from his horns, then layering them with samples and other elements too – but all in a way that's never gimmicky, and really ...
(Jazz CD)
Cellar Live (Canada), 2014.
Peter Herbolzheimer Rhythm Combination & Brass
Hip Walk
Polydor/Made In Germany (Germany), 1976. (reissue)
One of the all-time funky MPS classics! Issued on Polydor immediately after the band moved to that label – but still always grouped with their MPS albums. The mighty Peter Herbolzheimer leads a classic lineup of the Rhythm & Brass combo through a tight set of shorter funky tracks – ...
(Jazz LP)
EMI/Secret, 1978. (reissue)
A great one from X-Ray Spex – one of the strongest of the first generation punks of the 70s – a group fronted by the amazing Poly Styrene, and blessed with some incredibly catchy tunes! There's a poppy playfulness to most of these tracks, underneath the fierce, full-on energy of the ...
(Rock LP)
Cellar Live, 1972. 2CDs
Rare material from one of our favorite jazz musicians of all time – legendary Hammond hero Jack McDuff, heard here in a really wonderful setting! McDuff in the 60s was already great – an organist who played in ways that really stood out, with a sense of rhythm that was completely ...
(Jazz CD)
Brain/Made In Germany (Germany), 1979.
Tracks include "Dune" and "Shadows Of Ignorance".
(Rock CD)
Brain/Made In Germany (Germany), 1975.
Tracks include "Bayreuth Return" amd "Wahnfried 1883".
(Rock CD)
Philips/Made In Germany (Germany), 1971.
Wow, the cover alone should be more than enough to recommend this one – and the music inside definitely lives up to its promise – a fuzzy, freaky set of work from the German scene at the start of the 70s – by one of those groups who only ever recorded one album, but somehow ...
(Rock CD)
Cellar Live, 1958/1966. 2CDs
Not just jazz from the Northwest, as the set also features some California material too – brought together in this great double-length set of unissued material from this legendary jazz drummer! The set begins with Shelly Manne leading a quintet at the Monterey Jazz Festival in 1958 – ...
(Jazz CD)
Fontana/Universal (France), Late 1950s. (reissue)
Art Blakey's soundtrack to this fantastic French film is one of his best non-Blue Note albums ever – and it's got the additional bonus of featuring performances by the great French tenor star Barney Wilen! The tunes here are way more than just short scene-setting soundtrack numbers – ...
(Jazz LP)
Flying Dutchman/Real Gone, 1974. (reissue)
A real gem from Lonnie Liston Smith's early years in the studio – and a record that's perhaps a bit more "cosmic" than it is "funk" – but that's why we like it so much! The session has Lonnie stretching out a bit more than usual – borrowing some of the ...
(Jazz LP)
Flying Dutchman/Real Gone, 1973. (reissue)
One of Lonnie Liston Smith's most spiritual sessions, and the record that most clearly shows his roots with Pharoah Sanders! The vibe here is much more jazz-based than on some of Lonnie's other records for Flying Dutchman – with Smith playing as much acoustic piano as he does electric, using ...
(Jazz LP)