Silent Poets —
Drawing ... CD Bellissima (Japan), 1995. Used ...
$9.99
Good EP from these guys – good in that it features less of the lame vocals and raps that wreck some of their records, and instead concentrates on some of their great instrumental sounds. Plus there's some nice remix work by folks like Nobukazu Takemura and Palm Skin Productions, both of whom ... (New Grooves) read moreCD
(Includes obi. Disc has a sample stamp, tray card has a small Japanese promo sticker.)
The Silent Poets' excellent To Come album is remixed and repackaged for the US market. Typical stuff, as some of the tracks are given a bit more of a kick to make them crossover to the American market – clear proof that the folks at Warner think that US listeners aren't hip enough to ... (New Grooves) read moreCD
A beautiful take on the compositions of Milton Nasicmento – performed by guitarist Ricardo Silveira and pianist Luiz Avellar. Given the majesty and ambitious production styles often used with Nascimento's own recordings of his tunes, this stripped-down set is a very different take on the ... (Brazil) read moreCD
(Out of print, digipak has some edgewear including a peeled spot from a removed sticker.)
The lyrical genius at his best – an early record from pianist Horace Silver, but one that already has him really defining that special sort of sound that made him really stand out from his contemporaries! The difference here is hard to put in words – but there's a careful ear for an ... (Jazz) read moreCD
A killer session from Horace Silver – a record that has the legendary Blue Note pianist working with his famous quintet that includes Blue Mitchell on trumpet, Junior Cook on tenor, Gene Taylor on bass, and Louis Hayes on drums! The album's one of the group's first, and really showcases ... (Jazz) read moreCD
A classic set from Horace Silver – one in which his quintet is expanded by some great guest work from trombonist JJ Johnson! Johnson's at the height of his 60s powers here – blowing with that lean, soulful style that always made any record sparkle – and although he's only on half ... (Jazz) read moreCD
Classic Blue Note work by Horace Silver – the stuff that soul jazz legends are made of, and an album that showed he was destined to be a huge force away from the Jazz Messengers! Blue Mitchell and Junior Cook hold down the frontline with Horace – playing in a mellifluous style that ... (Jazz) read moreCD
A surprisingly great later album from Horace – with Steve Turre on trombone, Ronnie Cuber on baritone, Claudio Roditi on trumpet, and Michael Brecker on tenor. (Jazz) CD
Early 60s magic from Horace Silver – working here at the height of his youthful powers! The album's a perfect example of the sound that Silver created while at Blue Note – a lyrically melodic approach to soul jazz, but one that was able to open up the rhythms past stock riffs and ... (Jazz) read moreCD
Cool later work from Horace Silver – with some nicely complicated horn parts that remind us of his hip Blue Note projects of the 70s! Features a bit of vocals from Andy Bey – and horn solos from Red Holloway and Eddie Harris! (Jazz) CD
A hokey cover, a hokey title, but a surprisingly great little record – Horace Silver's first quintet session in many many years, and a record that comes across with a really lyrical sense of soul! And sure, the album's not one of his classics for Blue Note, but the format is quite the same ... (Jazz) read moreCD
(Digipak has a mark on the front cover from sticker removal, back cover has a magnetic security strip, mark through barcode.)
The quintessential sound of late 60s Horace Silver – on one hand still very much in the Blue Note soul jazz groove that earned him plenty of jukebox single play, but on the other hand really stretching out with a style that's a bit more righteous than before! Horace shows that he can still ... (Jazz) read moreCD
The quintessential sound of late 60s Horace Silver – on one hand still very much in the Blue Note soul jazz groove that earned him plenty of jukebox single play, but on the other hand really stretching out with a style that's a bit more righteous than before! Horace shows that he can still ... (Jazz) read moreCD
(2004 RVG pressing with a thin cutout through the case spine.)
An incredible record – the kind of album that only Blue Note could put out, and an instant classic that will sound wonderful forever! The album's truly one of the great ones – one of those Blue Notes that still makes you stop and pause when you hear it, even though you've heard it a ... (Jazz) read moreCD
A seminal, yet unusual 50s Blue Note treasure! The album brings together a number of Horace Silver's great trio recordings from the early 50's, most of them with Art Blakey on drums, showing the fluid, rumbling genius that would later make him such a great leader. But the record also includes 2 ... (Jazz) read moreCD
A seminal, yet unusual 50s Blue Note treasure! The album brings together a number of Horace Silver's great trio recordings from the early 50's, most of them with Art Blakey on drums, showing the fluid, rumbling genius that would later make him such a great leader. But the record also includes 2 ... (Jazz) read moreCD
A great Horace Silver album – and one of the rarest! The record features some top-line material that virtually defines Silver's post-Jazz Messengers sound – tracks that come out with a hard and heavy groove, yet which also have a lightness in the mix too – a sense of play and ... (Jazz) read moreCD
One of Horace Silver's greatest records ever – and the album that always makes us remember how many of his tunes are now etched in the memory of modern jazz! The album's got a slightly exotic bent that you might guess from the title – a furthering of the sound that Silver first started ... (Jazz) read moreCD
One of the few live recordings ever done by Horace Silver during his Blue Note years – a real surprise, considering what a crowd pleaser he was at the time! The set catches Horace working with that great quintet that graced most of his best early Blue Notes – with Blue Mitchell on ... (Jazz) read moreCD
One of the few live recordings ever done by Horace Silver during his Blue Note years – a real surprise, considering what a crowd pleaser he was at the time! The set catches Horace working with that great quintet that graced most of his best early Blue Notes – with Blue Mitchell on ... (Jazz) read moreCD
Two great albums from Chicago's Argo label brough together on one great CD! Norman Simmons is a wonderfully soulful piano player, of the rare kind who always seems to bring something "extra to the table"! The set's more than the usual piano trio side of the time, as Simmons contributes ... (Jazz) read moreCD
Titles include "Bridge Over Troubled Water", "El Condor Pasa", "Cecilia", "So Long Frank Lloyd Wright", "Baby Driver", "The Boxer", "The Only Living Boy In New York", "Keep The Customer Satisfied", and "Song For ... (Rock) read moreCD
Righteous and soulful! The work that Nina Simone did at Philips is among some of her best work ever – and this set features 12 great cuts that aren't always that easy to find on wax. Includes the anthemic feminist classic "Four Women", the slightly-funky "Mississippi ... (Vocalists) read moreCD
Nina's folsky, but she's also jazzy too – and the album's from a key time in which she was finding a very special way to bring the two modes together! Simone could have been a straight jazz singer if she wanted – but as records like this always remind us, she was always striving for ... (Vocalists) read moreCD
A key early moment for Nina Simone – recorded live at Newport in 1960, at a time when the festival was one of the most important showcases for groundbreaking jazz – and a perfect setting for Nina to really let loose in that righteous style that would fuel her career during the 60s! ... (Vocalists) read moreCD
Nina sings Ellington – but as always, she makes whatever she sings all her own! The album's a bit straighter than later efforts – with large backings by Stu Phillips that also feature vocals by the Malcolm Dodds Singers – but Nina also conceived the whole thing herself, as an ... (Vocalists) read moreCD
A great later set from Nina Simone – quite sensitive at times, and with a different feel than some of her 70s work – but one that's still pure Simone all the way through! There's a return-to-classic feel going here – the sort of album that Jimmy Scott and others were making in ... (Vocalists) read moreCD
A vital box set of both classic and rare Nina Simone! This is much more than just another Nina Simone hits package – and instead, a massive collection of work – one that not only features 8 previously unissued tracks, but also a full bonus DVD, which contains a never-reissued ... (Vocalists) read moreCD
An overlooked gem from Zoot Sims – a session that has him working in very laidback company with Jimmy Rowles on piano, who tipples the keys of the piano with a really timeless late nite kind of sound! The style here is a bit like that of the Rowles/Getz album The Peacocks – although a ... (Jazz) read moreCD
Way more than just a Gershwin Songbook sort of record – thanks to some tremendous blowing here by Zoot Sims, who's mellowed nicely with age, and comes up with a wonderful sound for the record! It may just be us, but there seems to be a lot more soul in Zoot's horn than ever before – ... (Jazz) read moreCD
Zoot Sims & Joe Pass —
Blues For Two ... CD Pablo/OJC, 1982. Used ...
Just Sold Out!
A nice set – just Zoot's tenor with Joe's guitar! Titles include "Blues For 2", "Dindi", "Remember", "Black & Blue", and "Takeoff". (Jazz) CD
Zoot Sims & Kenny Drew —
Flower Walts ... CD Venus (Japan), 1978. Used ...
$19.99
With Neils Pedersen on bass and Ed Thigpen on drums. (Jazz) CD
A real lost treasure for fans of Zoot Sims – a well-done live recording from the mid 50s, featuring longish tracks that have Zoot blowing with a trio led by Joe Castro! Castro's a under-acknowledge piano talent from the LA scene of the time – a player with a soulful edge on his best ... (Jazz) read moreCD
A gem of a 50s album from Frank – well-themed and swinging, with a batch of travel-related tunes that really groove nicely! Billy May handled the arrangements on this one, and he gives the record a nice jazzy finish that fits the globe-trotting tunes well – taking Frank around the ... (Vocalists) read moreCD
A real standout from Frank Sinatra's years at Reprise – an album that shows the singer working at the full height of all his vocal and emotional powers! The set's not the live album you might guess from the title – and instead, the "concert" setting means that Nelson Riddle ... (Vocalists) read moreCD
(Early pressing – disc made in Japan. Tray card is clean but a little wavy.)
A really great live set – recorded with small combo backing led by vibist Red Norvo, plus work from Jimmy Wyble on guitar, and Jerry Dodgion on flute and alto! (Vocalists) CD
(1997 Blue Note/Capitol pressing. BMG Direct edition.)
Sinatra at his lonely best – as emphasized by the cover image, which has him sitting alone at a bar, looking sadly into his drink. The album's got backings by Gordon Jenkins, a bit more flowery than some of Nelson Riddle's, but in that sad dreamy mode that Sinatra worked with on the Wee ... (Vocalists) read moreCD
Frank's first album for his own label – Reprise catalog number 1001 (originally), a number that must have made Sinatra proud! The album's got a really swinging feel that befits the title, and which follows in the best Capitol work by Nelson Riddle. Things are very jazzy and upbeat, thanks ... (Vocalists) read moreCD
A wonderfully mature album from Frank Sinatra – a set that has him coming to terms with his time in life, and expressing things with a beautiful quality that almost sets a whole new standard for his work! And in a way, the aesthetic here is almost that which would be picked up by a host of ... (Vocalists) read moreCD
Hal Singer with Charlie Shavers —
Blue Stompin ... CD Prestige/OJC, 1959. Used ...
$14.99
A killer lost session on Prestige – one that takes the two players in the lead into some sweetly soul jazz territory! Hal Singer plays tenor, and really gets room to wail here in one of his strongest American jazz-based sessions of the 60s – and Charlie Shaver's also pretty great too, ... (Jazz) read moreCD
Steve Slagle on alto and soprano saxophone and flute, Scott Colley on bass, Lawrence Fields on piano, Roman Diaz on percussion, Bill Stewart on drums, with Dave Stryker on guitar. (Jazz) CD
As you can probably guess from the title, Carol Sloane and Clark Terry recreate some of the vocal magic of Ella Fitzgerald and Louis Armstrong on Verve back in the 50s – but all in ways that are still quite fresh overall! The album's got a much more contemporary feel than you might expect ... (Vocalists) read moreCD
(Out of print, cutout notch through spine.)
Margaret Slovak —
New Wings ... CD Slovak Music Fund, 2005. Used ...
$4.99
Features Doug Smith on guitar, Dave Captein on bass and George Mitchell on piano. (Jazz) CD
Sly & The Family Stone —
Anthology ... CD Epic, Late 60s/Early 70s. Used ...
$8.99
A double length collection of Sly's classic work for Epic – featuring the best of the old days, when he was really into a groove! 20 titles: "Dance To The Music", "Everyday People", "Sing A Simple Song", "Don't Call Me N!gger, Whitey", "Stand!" ... (Soul) read moreCD
Classic funkiness from Sly & The Family Stone – an album that really pushed them to the top of their game, and exploded on the late 60s scene like a righteous funky bomb! The title cut's a mega-hit that you'll recognize right away – but the whole album's great, and is filled with ... (Soul) read moreCD
A wonderful album from Sly and crew – moving way past the straight funk approach of earlier records, into a complicated crossover soul style that's filled with warmth and righteousness! Despite the political tone implied by the "riot" in the title and the co-option of the American ... (Soul) read moreCD
Features "Ogden's Nut Gone Flake", "Long Agoes And Worlds Apart", "Song Of The Baker", "Feeling Lonely", "Lazy Sunday" and more – 16 tracks in all! (Rock) CD
Smilin' Bobby & Hidden Charms —
Big Legged Woman ... CD Wolf (Austria), 2006. Used ...
$4.99
Ches Smith on drums, Miguel Zenon on alto sax, Matt Mitchell on piano, Nick Dunston on bass, and Daniel Brevil, Fanfan Jean-Guy Rene, and Markus Schwartz on percussion – plus Sirene Dantor Rene on vocals. (Jazz) CD
Elliott Smith —
Either/Or ... CD Kill Rock Stars, 1998. Used ...
Just Sold Out!
One of the best, most influential indie singer-songwriter records of the 90s – and maybe the best ever by the late, great Elliot Smith! In the noisy indie rock early 90s, vulnerable, quietly-recorded, largely solo acoustic confessionals were not par for the course, but Elliot Smith was by no ... (Rock) read moreCD
Elliot Smith's final album, eerily beautiful and even somehow anthemic and soaring in its way, despite the melancholy lyricism. As much as any of his later albums, From A Basement On The Hill has a fleshed out live band feel on a lot of it even though Elliot handled most of the instrumentation ... (Rock) read moreCD
A classic album of raw New Orleans soul from one of the all-time greats! Huey was a key figure who bridged the gap between the rolling sound of 50s Crescent City R&B, and later funky grooves from the 60s. This album's filled with 12 original tracks by Huey – recorded by Ace Records in ... (Soul) read moreCD
A partner album of sorts to Jimmy Smith's classic Midnight Special album – recorded during the same sessions as that one, and also featuring Stanley Turrentine on tenor and Kenny Burrell on guitar! The sound here is almost even more open and stretched out – with only 4 long tracks on ... (Jazz) read moreCD
One of Jimmy Smith's biggest albums of the 60s – and a classic Verve pairing of his lean Hammond organ solos with the fuller, hard-swinging arrangements of Oliver Nelson! Nelson is working here at the height of his powers – backing Smith with a large group, but in a way that only seems ... (Jazz) read moreCD
Proof that at his start, Jimmy Smith had a greatness that knew no bounds – as the album's one of a few that Blue Note recorded in the late 50s, but never issued until many years later – even though they had already released so many amazing records from this period! The set has Jimmy ... (Jazz) read moreCD
One of Jimmy's most classic albums for Blue Note – and a key example of why his solo skills on the organ surpassed most of his contemporaries! The record's got a stripped-down trio group of Jimmy, guitarist Quentin Warren, and drummer Donald Bailey – working through mostly familiar ... (Jazz) read moreCD
Jimmy Smith on organ, Russell Malone on guitar, Reggie McBride on bass, and Harvey Mason on drums – plus guest vocals from Etta James and Dr. John, as well as guitar and vocals from BB King and Taj Mahal. (Jazz) CD
Jimmy Smith —
Fourmost ... CD Milestone, 1990. Used ...
$6.99
A sweet little quartet date – in case you couldn't tell from the title. Fourmost features Stanley Turrentine on tenor, Kenny Burrell on guitar, and Grady Tate on drums plus vocals on "My Funny Valentine". (Jazz) CD
Jimmy Smith live was a killer – especially in the early days, when this one was recorded! Back in the late 50s, when Jimmy was shocking the world with his fantastically creative approach to the organ, Blue Note cut some of the first strong-selling live albums by following Jimmy to the clubs ... (Jazz) read moreCD
Jimmy pays tribute to an earlier generation of R&B – in a hard-wailing set of soul jazz, done with backings from the legendary Oliver Nelson! A few tracks feature vocals by Jimmy, in a rough bluesy style, and others have some harmonica by Buddy Lucas – in a raspy, hard-wailing mode ... (Jazz) read moreCD
One of those hard-wailing all-star sessions that Jimmy did so well for Blue Note! The album features an amazing array of top-line players – like Tina Brooks, Lee Morgan, Curtis Fuller, Lou Donaldson, Art Blakey, and Kenny Burrell – and they all play with Smith in differing combinations ... (Jazz) read moreCD
A real stormer from Jimmy Smith – done in his first year at Blue Note, but with a sense of power and imagination that cannot be denied! It might be easy to pass up this album, because many of the tunes are standards, done in a simple trio format – but back at the time of this session, ... (Jazz) read moreCD
(Out of print, includes obi which has an old piece of clear tape.)
A great return to form for Hammond giant Jimmy Smith – heard here on an early 90s date for Blue Note, done in the same style as Jimmy's classic work for the label! The set's a live one, recorded in Japan – and the tracks have this open flow that's mighty nice – proof that Smith's ... (Jazz) read moreCD
A new star is right – because with the strength of this set, Jimmy Smith set a whole new tone for the way that the organ was used in jazz! The album's got a raw, earthy power that grabs us right away – and even though the tunes themselves are mostly familiar numbers, Jimmy's early ... (Jazz) read moreCD
Material that was recorded in the early 60s, but not issued by Blue Note until later in the decade – when they were pulling out any Jimmy Smith session they had, in order to compete with the bigger hits on Verve. The record features 8 extended tracks, with an all-star jam session lineup that ... (Jazz) read moreCD
A classic Blue Note meeting of two of the label's top talents in the early 60s – Hammond hero Jimmy Smith, and the up-and-rising Stanley Turrentine on tenor! Turrentine's simply great at this point – playing with a raspy edge on the bottom of his tone, sounding dark and mysterious ... (Jazz) read moreCD
A pair of near perfect soulful jazz organ sets from Jimmy Smith – 1967's Respect and 1968's Livin' It Up – plus the rare non album single "Mickey Mouse" as bonus track for the first time on CD! Respect is really nice jazz album from Jimmy, although one that got hidden in the ... (Jazz) read moreCD
Fantastic studio material from Jimmy's best period on Blue Note! The CD features 6 unreleased tracks – all recorded in 1958, but never issued until now, for some insanely stupid reason! The tracks feature Jimmy's usual organ/guitar/drums trio approach, augmented with some great baritone ... (Jazz) read moreCD
(1999 Connoisseur pressing. Spine has a cutout notch.)
Material recorded early in the Blue Note career of Jimmy Smith – but not issued until the mid 60s, and often overlooked at the time! The record's still in the spare trio mode of the early Jimmy Smith years – but is a bit lighter and more lyrical than before – a nice change from ... (Jazz) read moreCD
(1998 Connoisseur pressing.)
Jimmy Smith —
Standards ... CD Blue Note, Late 50s. Used ...
$4.99
Material that was never released at the time that it was recorded – half came out on a late 70s album, and the other half is here for the first time! (Jazz) CD
A really wonderful album in the Verve Records catalog of the 60s – a set that's not only a fantastic meeting between two superstar jazz musicians, with Jimmy Smith on Hammond and Wes Montgomery on guitar – but one that also takes things in a whole groovy new dimension, thanks to the ... (Jazz) read moreCD
A really wonderful album in the Verve Records catalog of the 60s – a set that's not only a fantastic meeting between two superstar jazz musicians, with Jimmy Smith on Hammond and Wes Montgomery on guitar – but one that also takes things in a whole groovy new dimension, thanks to the ... (Jazz) read moreCD
(1997 Verve Master edition in a tri-fold digipak.)
The Johnny Smith sound is a wonderful one – not just the sound that he makes with his groundbreaking work on the strings of the guitar, but also the way he records the instrument – which set a new standard in jazz guitar albums, and also helped pave the way for countless generations to ... (Jazz) read moreCD