One of Ellington's greatest albums of the 60s – and a record tinged with Eastern themes and darkly angular modern arrangements. The group here features Ellington stalwarts Johnny Hodges, Paul Gonsalves, Harry Carney, Cootie Williams, Mercer Ellington, and Rufus Jones – and the players ... (Jazz) read moreCD
One of Duke Ellington's standout sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s – thanks to extended track length in the LP generation! The tunes here are older ones, but ... (Jazz) read moreCD
Crucial late work from Duke – as modern as The Whitney itself! The material was recorded live in performance at the Whitney Museum of American Art in 1972 – with Duke on piano, Joe Benjamin on bass, and Rufus Jones on drums – and it's got that angular, spare, fragile approach of ... (Jazz) read moreCD
Titles include "Portrait Of Mahalia Jackson", "Bourbon Street Jingling Jollies", "Second Line", "Portrait Of Wellman Bruad", and "Thanks For The Beautiful Land On The Delta". (Jazz) CD
Don't let the title put you off, because this certainly isn't a session of background music – and the name simply refers to the fact that the arrangements on the set really showcase the strong horn work of the Ellington orchestra! Duke's still on piano for the session, but the real strength ... (Jazz) read moreCD
Don't let the title put you off, because this certainly isn't a session of background music – and the name simply refers to the fact that the arrangements on the set really showcase the strong horn work of the Ellington orchestra! Duke's still on piano for the session, but the real strength ... (Jazz) read moreCD
A beautiful 60s album from Duke Ellington – one that features some of his more popular numbers, as you'd guess by the title – but captured in these sublime, sophisticated arrangements that really reflect the genius sound of his group during the later years! The tracks are familiar, and ... (Jazz) read moreCD
Tracks include "Supreme Being", "It's Freedom", "The Biggest and Busiest Intersection", "Meditation", "Praise God and Dance", and "The Shepherd". (Jazz) CD
Includes the songs "Come Sunday", "Don't You Know I Care", "I Didn't Know About You", "Mood To Be Woo'd", "Everything But You", "Things Ain't What They Used To Be", "I'm Just A Lucky So-And-So", "Memphis Blues", "Ro ... (Jazz) read moreCD
Excellent Duke Ellington work from the late 50s – written and recorded during a period in which he was reemerging with a stronger jazz vision than ever before! The set was written by Ellington and Strayhorn – and dedicated to the Shakespeare Festival in Stratford, Ontario – but ... (Jazz) read moreCD
Excellent Duke Ellington work from the late 50s – written and recorded during a period in which he was reemerging with a stronger jazz vision than ever before! The set was written by Ellington and Strayhorn – and dedicated to the Shakespeare Festival in Stratford, Ontario – but ... (Jazz) read moreCD
Includes the songs "East St. Louis Toodle-O", "In A Sentimental Mood", "Stompy Jones", "Prelude To A Kiss", "C Jam Blues", "Sentimental Lady", "Take The "A" Train", "Satin Doll", "In A Mellow Tone", ... (Jazz) read moreCD
Late work from Duke – a set that has that nicely mature approach to arrangements, with a group that includes Johnny Hodges on alto, Paul Gonsalves on tenor, Cootie Williams and Cat Anderson on trumpets, and Lawrence Brown on trombones. Titles include a "Johnny Hodges Medley" – ... (Jazz) read moreCD
True masterpieces from Duke Ellington – some of his greatest compositions, presented here in an early Columbia LP that offers up "uncut concert arrangements" – clearly grooming a new side of Duke for the long-playing audience! The recordings were made in 1950, with players ... (Jazz) read moreCD
With Jimmy Heath on tenor and Roland Hanna on piano – soloing in an ensemble led by Maurice Peress. Works include "New World A Comin", "Harlem", "Black Brown & Beige", and "Three Black Kings". (Jazz) CD
Duke's orchestra under the direction of Mercer, shortly after his death – with players who include Bill Easley, Ricky Ford, and Harold Ashby on tenor; Cootie Williams and Buddy Bolden on turmpets; James Spaulding and Harold Minerve on alto; and Harry Carney on baritone. (Jazz) CD
Dave Ellis on tenor saxophone, Marty Wehner on trombone, Dmitri Matheny on flugelhorn, Eric Reed and Jeff Chimenti on piano, Peter Barshay and Robert Hurst on bass, and Albert "Tootie" Heath and Deszon Claiborne on drums. (Jazz) CD
(Out of print.)
Don Ellis —
Autumn ... CD Columbia/Wounded Bird, 1968. Used ...
$14.99
An album of explosive power and imagination from Don Ellis – a set that shows him very firmly shaking off the more academic mode of earlier years, and heading into hipper, more youth-oriented directions! The group's still a bit band on most numbers – but it's one with a lean, well-craft ... (Jazz) read moreCD
Donnie & Joe Emerson —
Dreamin Wild ... CD Light In The Attic, 1979. Used ...
$12.99
Fuzzy and genuinely well-crafted private press grooves from the Emerson brothers – with crazy good hooks, some surprisingly solid musicianship – and songs that range from straight-up catchy, though fuzz-drenched rock, to funk and soul! Donnie Emerson is the lead singer, guitarist and ... (Rock) read moreCD
(Out of print, digipak case has some light wear including a very light slice on the cover.)
13 love songs from this fantastic group – titles that include "Blessed", "Flowers", "Key To My Heart", "Don't Ask My Neighbors", "God Will Take Care Of You", "Special Part", "The Movie", and "Ain't No Doubt About ... (Soul) read moreCD
A great collection of the first wave of work from late 70s Detroit harmony group Enchantment – the best of their recordings for United Artists, and a set that's put together with a real focus on the group's mellower tracks! Like The Dramatics at the time, Enchantment had a newly ... (Soul) read moreCD
Johannes Enders —
Bright Nights ... CD Enja (Germany), 1998. Used ...
Just Sold Out!
Features John Abercrombie on guitar, Randy Brecker on flugelhorn, Micheal Brecker on tenor sax, Eliane Elias on piano, Marc Johnoson on bass, and Peter Erskine on drums – plus a large horn section that include Bob Mintzer, Lew Soloff, and Lawrence Feldman. (Jazz) CD
A great bit of soulful fusion from drummer Peter Erskine – one of the few albums he made as a leader of this nature, even though his playing graced lots of other wonderful records at the time! The approach here is tight, but never too much so – smooth, but never slick – a warmly ... (Jazz) read moreCD
(Out of print, case has a cutout notch through the spine.)
A pretty wonderful ECM package that puts together 4 records by the Peter Erskine/John Taylor/Palle Danielsson trio made throughout the 1990s – You Never Know, Time Being, As It Is, and Juni – excellent work that holds up incredibly well! It's really lovely, melodic material – ... (Jazz) read moreCD
(In great shape!)
Booker Ervin —
Song Book ... CD Prestige/OJC, 1964. Used ...
Just Sold Out!
A wonderfully warm session from tenor legend Booker Ervin – maybe not as experimental as some of Booker's other dates for Prestige Records in the 60s – but a really wonderful record that fully explores the deep tones of his Texas tenor, and still lets him come off with a bit of an edge! ... (Jazz) read moreCD
One of the most consistently creative piano trios in the world today – a group who are always pushing the boundaries of their sound, strongly keeping away from familiar territory and tradition – yet always with a sense of swing and lyricism that continue to appeal to fans of more ... (Jazz) read moreCD
(Punch through barcode and clear promotional sticker on jewel case cover.)
Bill Evans' first famous appearance at the Montreux Jazz Festival – a great 60s trio session, with Eddie Gomez on bass and Jack DeJohnette on drums! The tunes are mostly relatively familiar ones, but the ensemble on the set gives them a freer and more lyrical feel than you might expect ... (Jazz) read moreCD
(1998 Verve Master Edition in tri-fold digipack sleeve.)
The Bill Evans trio with Scott LaFaro on bass and Paul Motian on drums – a near-perfect lineup that forever raised the bar for jazz piano expression! The title here is certainly apt – because even though many of the tunes are shortish, Evans has a sense of exploration in the way he's ... (Jazz) read moreCD
The Bill Evans trio with Scott LaFaro on bass and Paul Motian on drums – a near-perfect lineup that forever raised the bar for jazz piano expression! The title here is certainly apt – because even though many of the tunes are shortish, Evans has a sense of exploration in the way he's ... (Jazz) read moreCD
Bill Evans on paino, Michael Moore on bass, and Philly Joe Jones on drums. Tracks include "Gary's Theme", "Emily", "The Peacocks", "How My Heart Sings", "Song From M*A*S*H", and "Re: Person I Knew". (Jazz) CD
Lost Bill Evans material from his tremendous early run on Riverside Records – sessions recorded in 1959, but unreleased to the public for many years! The core of the record features Evans working with Paul Chambers on bass and Philly Joe Jones both rhythm players that Bill interacted with ... (Jazz) read moreCD
Includes the songs "Bill's Hit Tune", "My Foolish Heart", "Turn Out The Stars", "Like Someone In Love", "The Two Lonely People", "Laurie", "Yet Ne'er Broken", "I Do It For Your Love", and "Nardis (Excerpt)". (Jazz) CD
A brilliant return to Montreux from Bill Evans – working here with a trio that includes some killer bass work by Eddie Gomez! The set's an acoustic one – despite its appearance on electric powerhouse CTI – but Evans' work on the piano has an electricity that's all its own, ... (Jazz) read moreCD
Sublime late live work from Bill Evans – a well-recorded performance for French radio, and one that really stands out from some of the scratchier late 70s concerts on the market! Bill's working here with a sound as sensitive and picturesque as the cover image – never pushing things too ... (Jazz) read moreCD
(Out of print late 80s Japanese pressing, includes obi.)
Sublime late live work from Bill Evans – a well-recorded performance for French radio, and one that really stands out from some of the scratchier late 70s concerts on the market! Bill's working here with a sound as sensitive and picturesque as the cover image – never pushing things too ... (Jazz) read moreCD
A classic set to feature the Bill Evans Trio with the great Scott Lafaro on bass and Paul Motian on drums! Listening to the set we're reminded of what always brings us back to Evans' playing – a quality that's often described as moody, but which is really is quite spry and lively throughout ... (Jazz) read moreCD
70s work from Evans, caught not in his typical solo or trio setting, but in an all star quintet that recalls his excellent Interplay sides. Evans is joined by Harold Land, Kenny Burrell, Ray Brown and Philly Joe Jones who offset Evans' contemplative approach beautifully here. 5 numbers in all, ... (Jazz) read moreCD
A wonderful legacy of live recordings from Bill Evans – all previously unreleased, and a fantastic complement to Bill Evans' other albums recorded at the Vanguard! (Jazz) CD
(Out of print. Please note this copy is missing the 35 page booklet – everything else is in great shape.)
Three sets and three different lineups! The album opens with a duet with Eddie Gomez, just piano and bass, which expands to a trio with drummer Eliot Zigmund in the second set. The final set shifts to an entirely different lineup with regular collaborators Marc Johnson on bass and John LaBarbera ... (Jazz) read moreCD
Sublime live material from pianist Bill Evans – recorded in the very familiar setting of the Village Vanguard, with work from Eddie Gomez on bass and Marty Morrell on drums! Titles include "Since We Met", "See Saw", "Sareen Jurer", "Time Remembered", ... (Jazz) read moreCD
One of Bill Evans' landmark sessions with the young bassist Scott LaFaro – a player who made key contributions on every record he touched, then left this earth far too soon in his career! The live session's a perfect demonstration of the way that the Evans trio format not only re-worked the ... (Jazz) read moreCD
Fantastic Verve Records material from Bill Evans – a set that follows the no-nonsense trio style of his Riverside material, but which definitely shows the evolving Evans style of the 60s! The group here is a nicely mellow one – bassist Chuck Israels, whose sound is tremendous – ... (Jazz) read moreCD
An incredible album from Bill Evans – and maybe THE record you need in your collection if you're trying to understand his contribution to jazz! The album's one of Evan's first sides from the Village Vanguard – and features the legendary trio that included Scott LaFaro on bass and Paul ... (Jazz) read moreCD
A previously-unissued live date from Bill Evans – recorded in Copenhagen right at the end of the 60s, in a very hip trio that features Eddie Gomez on bass and Marty Morell on drums! There seems to be a bit more force than usual in Bill's left hand – a pulse that comes through nicely on ... (Jazz) read moreCD
(Out of print.)
Bill Evans & Eddie Gomez —
Intuition ... CD Fantasy/OJC, 1974. Used ...
$5.99
A great pairing, heard perfectly here – on titles that include "Show Type Tune", "Invitation", "Blue Serge", "Are You All The Things", and "Falling Grace". (Jazz) CD
Bill Evans & Stan Getz —
But Beautiful ... CD Milestone, 1974. Used ...
Just Sold Out!
A great pairing – one who barely recorded together, but always made magic when they did! The vibe here is different than the Evans/Getz date on Verve in the mid 60s – partly because of the live setting, but maybe also because the group is Bill's – with Eddie Gomez on bass and ... (Jazz) read moreCD
2 wonderful late 50s sessions from arranger Gil Evans – both of which we'd rank right up there with his best work with Miles Davis, or the albums under his own name for Impulse in the 60s! The first half of the CD is from the album New Bottle Old Wine – a record of swinging modern ... (Jazz) read moreCD
Fantastic early work from Gil Evans – emerging here in this early session as an already far-thinking modernist. The tracks are shorter and less ambitious than some of Evans' work on Impulse, but the group is excellent – and even in a shorter format, the conception of the work still ... (Jazz) read moreCD
Although Gil Evans is probably best remembered for his work behind Miles Davis, the albums he cut on his own are actually even more interesting, and feature a far-reaching conception of modern jazz, executed by Evans, and some of the top players of his day. This great album from 1964 features a ... (Jazz) read moreCD
Gil Evans plays an electric grand piano and is joined by a rather large set of musicians who include Masabumi Kikuchi on a variety of synthesizers, Billy Cobham on drums, Lou Soloff on trumpet, George Lewis on trombone and many others. Tracks include two Evans originals – "Copenhagen ... (Jazz) read moreCD
A pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he ... (Jazz) read moreCD
Gil Evans —
Out Of The Cool ... CD Impulse/Universal (Japan), 1961. Used ...
$11.9914.99
A pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he ... (Jazz) read moreCD
(Out of print early 90s Japanese pressing, includes obi.)
On Golden Hair Gil Evans on piano and electric piano, Laurent Cugny on keyboards, Philippe Sellam on alto saxophone, Pierre-Olivier Govin on alto saxophone and flute, Denis Barbier on flute, alto flute and piccolo flute, Bernard Francois on French horn, Bobby Rangell on alto and soprano saxophone ... (Jazz) read moreCD
Gil Evans & Lee Konitz —
Anti Heroes ... CD Verve/Remark, 1980. Used ...
$5.99
Gil Evans on piano and Lee Konitz on alto and soprano saxophones. (Jazz) CD
Gil Evans on - piano and electric piano, Lew Soloff, Hannibal Marvin Peterson, Shunzo Ohno, and Miles Evans on trumpet, George Adams on tenor saxophone, Chris Hunter on alto saxophone, Howard Johnson on tuba, baritone saxophone, and bass clarinet, Tom Malone on trombone, Hiram Bullock on guitar, ... (Jazz) read moreCD
The harder of the two Gil Evans albums on Impulse to find, and the best – really far-reaching material that has Evans coming into contact with some of the hippest jazz players of his generation! The record's got three incredible tracks written by Cecil Taylor – a very bold move for ... (Jazz) read moreCD
A later masterpiece from the duo of Tracey Thorn and Ben Watt – maybe their strongest record since their early years – and a great way of allowing their always-strong songwriting a chance to find a new sort of groove! In this case, the music is both a step back to the more acoustic ... (Rock) read moreCD
Cesaria Evora & Others —
Club Sodade ... CD BMG (France), 2003. Used ...
$4.99
Lovely stuff! The work of singer Cesara Evoria is remixed by a host of modern club talents – no surprise, as her best tracks of the past few years have been getting plenty of action on the 12" front – taking her from the world music scene into the clubs, with very surprising ... (Global Grooves) read moreCD
A bold and original statement from trumpeter Jon Faddis – a player who worked on countless large group and studio sessions over the years, but who rarely got to record as a leader! This set may well be one of Faddis' most jazz-based outings – as it features a stripped-down quartet with ... (Jazz) read moreCD
An album as lovely as its title, and John Fahey's 8th record – mostly solo guitar, but with guest drums and bass on 2 cuts – "March For Martin Luther King" and "Dance of The Inhabitants Of The Invisible City Of Bladensburg". The sound is extremely magical – ... (Folk/Country) read moreCD
One of the most open-ended Tal Farlow albums for Verve – and a wonderfully laidback set that lets him open up with that incredible tone, taking the electric guitar to a whole new place in jazz, and showing that the instrument has volumes to speak in both phrasing and tone! The group's a ... (Jazz) read moreCD
Sublime early work from the legendary Tal Farlow – the kind of sides that show by he was one of the most important jazz guitarists of the 50s! The bulk of the 2CD set features LA sessions recorded for Norman Granz during Farlow's early years at Verve – dates from 1954 and 1955 that ... (Jazz) read moreCD
One of Tal's most compelling albums of the 50s – a drummer-less trio session, recorded with Eddie Costa on piano and Vinnie Burke on bass. Tal's tone is as great as always – edgily carving out some rhythms with the trio, swinging more gently than the title might imply, in a mode that ... (Jazz) read moreCD
Tremendous guitar work from the great Tal Farlow – easily one of our favorite jazz guitarists ever, and a player with a wonderful sense of tone and timing! This early album has Tal declaring himself loudly and firmly – using a style that's got some slightly raspy edges, and which is a ... (Jazz) read moreCD
An essential Art Farmer session from the mid 50s – and a magnificent batch of hardbop tracks that we'd rank with some of our favorite work on Blue Note! The group is incredibly strong – with Hank Mobley on tenor, Kenny Drew on piano, Addison Farmer on bass, and Elvin Jones on drums ... (Jazz) read moreCD