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Possible matches: 38
Possible matches1
CD, LP, Vinyl record album cover art
John BenderI Don't Remember Now/I Don't Want To Talk About It ... LP
Record Sluts/Superior Viaduct, 1980. New Copy (reissue)... $19.99
Wonderfully weird electronics from underground legend John Bender – a set that was recorded in Ohio at the end of the 70s, but never got the circulation of some of the bigger post-punk material of that scene! The style is very offbeat and personal – cold electronics and processed vocals, but with an earnest quality that has Bender really trying to find himself – but in a strange out-there space that's probably in the same neighborhood as Jandek or some of the more experimental work of Arthur Russell! Bender is sometimes linked to the music of Eno or Faust – but the presentation here is much more lo-fi, and much more personal as well. LP, Vinyl record album
(Limited to 1000 numbered copies – on red vinyl in unique, hand-stamped sleeves – just like the original album! Includes inserts, too.)

Possible matches2
CD, LP, Vinyl record album cover art
David BowieSpace Oddity ... LP
RCA, 1969. Very Good ... $24.99
An amazing departure for David Bowie – hardly the kind of record you would expect from his oboe-filled tunes of a few years before – and really the start of the groundbreaking, earthshaking, reinventionist era of his genius! There's a spacious, soaring quality to Space Oddity that's every bit the kind of magical music you might hope for in a set recorded at the close of the 60s – a shift into new modes, new sounds that seem to suck up all the best influences in rock from the previous few years, but fuse it into a new cosmic vision for the next decade. And while others might stumble on cliche with the weight of such a task, Bowie pulls it off brilliantly – mixing his fuzzier feelings with some of his more personal leanings – and showcasing a newly deep sense of songwriting here that's really amazing. Some tunes have the sensitivity of work on Hunky Dory, while others burn with the fire of Man Who Sold The World – all in a balance that never sounds schizophrenic at all. Titles include"Space Oddity", "Memory Of A Free Festival", "God Knows I'm Good", "Cygnet Committee", and "Unwashed & Somewhat Slightly Dazed". LP, Vinyl record album
(Orange label pressing including the lyric sleeve, but missing the poster. Cover has light wear.)

Possible matches3
CD, LP, Vinyl record album cover art
Larry Coryell & Philip CatherineSplendid ... LP
Elektra, 1978. Near Mint- ... $6.99
Acoustic duets between Larry Coryell and Philip Catherine – recorded with a style that's much more intimate and personal than some of the previous recordings by either player! Although Coryell first rose to fame at the end of the 60s with his fuzzy approach to jazz fusion, he's clearly mellowed here nicely with age – and has a nice sense of space and color, that's only further augmented by Catherine's always-great range of sounds and styles. Joachim Kuhn plays acoustic piano on one track, but all other information is from both players on 6 and 12 string acoustic guitars, plus a bit of work by Catherine on a fretless electric. Titles include "No More Booze", "Deux Xango", "Snowshadows", "One Plus Two Blues", "Father Christmas", "A Quiet Day In Spring", and "The Train & The River". LP, Vinyl record album

Possible matches4
CD, LP, Vinyl record album cover art
Wayne DavisView From Another Place ... CD
Atlantic (Japan), 1973. New Copy ... $15.99
An overlooked gem from early 70s Atlantic Records – a set from singer/pianist Wayne Davis – who was brought to the label by Roberta Flack, who also handled most of the arrangements! Davis is a lot like Flack at this early point in her career – a unique talent with a style that's all his own – somewhere in a space between soul and jazz, but deeply personal, and never content to just try to hang on anyone else's expectations! That individuality is what really makes the record great – and which also, since Davis never got the hit status as Flack, has also made it a bit hard to peg by the larger music market – who've maybe helped keep the set buried a bit over the course of time. Many of the tunes have this sort of gentle flow that's a bit like Robert's first two Atlantic albums – but a few more have some of the quirkier approach to arrangements that you'll find in Eugene McDaniel's work for the label – no surprise, maybe, as McDaniels helps out on one track. Flack also sings and plays a bit of keyboards – and titles include "Joel 2:28", "How's Mama's Baby", "I Like The Things About Me That I Once Despised", "I Love You So", and a cover of Sly Stone's "Somebody's Watching You". CD

Possible matches5
CD, LP, Vinyl record album cover art
ESP ProjectWay ... CD
Transition East, 2006. Used ... $2.99
The way is clear for this current Chicago combo – a space in jazz that's fully creative, yet never overindulgent – and which hearkens back to the best use of freedoms forged in the 60s and 70s! Instrumentation includes saxes, percussion, and bass – all coming together on two long tracks that start slowly, build organically, and have a nicely subdued sense of searching – one that clearly owes something to the legacy of Coltrane, yet which takes a bit more personal approach to his inspiration. Titles include "Open To Privacy" and "Sanctuary". CD
(Punch through barcode.)

Possible matches6
CD, LP, Vinyl record album cover art
Joao GilbertoAmoroso ... CD
Warner (Japan), 1977. New Copy ... $14.99
A warmly intimate album from Joao Gilberto – one that has the singer and guitarist in the same special space as his wonderful albums from the early 70s - a bit more sophisticated than the bossa years, but equally personal throughout! The set was co-produced by Helen Keane – who was bringing real magic to the records of pianist Bill Evans at the time – and music is by a core combo that includes American jazz musicians Ralph Grierson on keyboards and Grady Tate on drums – with some additional larger arrangements from Claus Ogerman, but used in a way that never clutters up the sound at all. Instead, Joao sounds beautiful right up front in the mix – with those sublime raspy vocals, and perfectly-placed lines on acoustic guitar – on titles that include a fabulous reading of "Estate", plus Jobim's "Wave" and "Zingaro", and the tracks "Caminha Cruzados", "Tin Tin Por Tin Tin", and "Besame Mucho". CD

Possible matches7
CD, LP, Vinyl record album cover art
HP LovecraftHP Lovecraft II ... LP
Philips, 1968. Very Good+ Gatefold ... $29.99
A wonderfully trippy group from late 60s Chicago! Like so many groups of their time, HP Lovecraft have their roots in the later years of the folk scene – where they clearly picked up a sense of free being and personal expression. Yet unlike so many other groups, who turned that energy into a warmer, sunshiney approach, Lovecraft really kept on the dark end of the spectrum – in a spacey, tripped-out mode that was very much in keeping with their name. There's almost a Love-like sense of madness to some of these tunes – but a bit less focused and baroque – and by the time of the group's second album, they were actually de-intensifying their sound a bit, creating more space and a sense of stark loneliness that's really compelling! Includes "Spin Spin Spin", "Electrollentando", "Mobius Trip", "High Flying Bird", and more. LP, Vinyl record album
(US pressing. Cover has a cutout hole and unglued bottoms eam.)

Possible matches8
CD, LP, Vinyl record album cover art
Ariel KalmaEvolutionary Music – Original Recordings 1972 to 1979 ... LP
RVNG, Mid 70s. New Copy 2LP ... $23.99 30.98
Some of the most organic electronics we've ever heard – all material pulled from the private archives of Ariel Kalma, and issued here for the first time ever! Kalma's a hell of a compelling artist – one who had both ties to the more serious world of European electronic composition in the 70s, as well as a trippier, more spiritual underground – both of which seem to factor strongly into the sounds in this set! At some level, the music is very meditative, but it's hardly new age at all – as Ariel's got a very sophisticated approach to the way he blends sounds and space – often using keyboards with reverb and echo, in minimal territory that echoes Terry Riley or La Mont Young, but which has a much more personal vibe. The range of expressions here is really great – and far more than that minimalist reference might imply – and titles include "Almora Sunrise", "Echorgan", "Sunset Inside", "Rainy Day", "Sister Echo", "Enuej Elleiv", "Les Mots De Tous Le Jours", and "Les Etoiles Sont Allumees". LP, Vinyl record album

Possible matches9
CD, LP, Vinyl record album cover art
Karin KrogGeorge Gershwin & Karin Krog ... LP
Meantime (Norway), 1974. New Copy (reissue)... $21.99
The music may be Gershwin, but Karin Krog gives it a twist that's all her own – working here with wonderful small combo backing, and putting the tunes over in a style that's spare and personal – yet never sleepy or cloying! The approach is really fresh, yet never also overly modern or gimmicky – and Krog shows once again that she's one of the best interpreters of song on either side of the Atlantic – hitting a space here that's just perfect, and which makes us love the record a heck of a lot more than we ever would have expected for a Gershwin-titled set! The group's a quartet, with some excellent tenor from Bjarne Nerem – who sounds especially great on an instrumental reading of "That Certain Feeling" – and titles include "Nice Work If You Can Get It", "Who Cares?", "Our Love Is Here To Stay", and "They All Laughed". LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
Marty PaichBroadway Bit ... CD
Warner (Japan), 1959. New Copy ... $14.99
Marty Paich takes on a host of Broadway tunes from the 50s – but as always with his best work, the result is something quite far from its roots – an amazing batch of jazzy instrumentals that owes very little to the original conception of the tunes! Paich's got an incredible ear for arrangements here – one that manages to make a large ensemble swing with even more dynamic modes than some of his 50s LA contemporaries, but never in ways that fall into some of the more hi-fi oriented tricks or gimmicks of the time. There's always great space for solo voices and personal feelings in the music – which is important, given that the lineup includes Art Pepper on alto, Bill Perkins on tenor, Jimmy Giuffre on baritone, and Stu Williamson on trumpet – not to mention the legendary Scott LaFaro on bass. Titles include "I Love Paris", "I've Grown Accustomed To Her Face", "It's All Right With Me", "Just In Time", "Lazy Afternoon", "If I Were A Bell", and " Younger Than Springtime". CD
(SHM-CD pressing!)

Possible matches11
CD, LP, Vinyl record album cover art
Houston Person & Ron CarterChemistry ... CD
High Note, 2016. New Copy ... $14.99 16.98
A brilliant late-life session from these two jazz giants – and maybe the most striking record we've heard from either player in years! The album features just the bass of Ron Carter and tenor of Houston Person – in a wonderfully stripped-down setting that really gets right to the heart of the matter, and which lets us hear both musicians at a level that's extremely up-close and personal – as they improvise with undimmed magic on a set of standards that really turn into something else entirely in their hands! Carter's a player who we've always known to take best advantage of open space like this – and Person is equally great in the format, and maybe wins us over even more than on any of his other recent dates for the label. Titles include "Bye Bye Blackbird", "Blue Monk", "Blame It On My Youth", "I Didn't Know What Time It Was", "Fools Rush In", and "Can't We Be Friends". CD

Possible matches12
CD, LP, Vinyl record album cover art
Freddie ReddUnder Paris Skies ... CD
Futura (France), 1971. New Copy ... $14.99 16.99
A beautiful later set from pianist Freddie Redd – an artist we really love for his 50s recordings, and his seminal sides for Blue Note – and one who shows us a whole new side of his talents here! The album's got a very different feel than Redd's earlier work – richer in feeling, and deeply personal – played with a sense of tone and space that are not unlike Hampton Hawes during the same stretch – but still graced with those surprising sharp edges and dark corners that always hold us rapt with Freddie's music. The tunes are all originals – proof that Redd continued strongly as a writer – and the group features Didier Levallet on bass and Didier Carlier on drums. Titles include "This Heart Is Mine", "You", "My God Is Love", and "Bleeker Street Blues". CD

Possible matches13
CD, LP, Vinyl record album cover art
Jack WilsonSomething Personal ... CD
Blue Note, 1966. Used ... $3.99
A real treasure through and through – one of the most unusual Blue Note albums you'll ever hear, and a set that's one of the best-remembered from the team of pianist Jack Wilson and vibist Roy Ayers! Long before Roy struck out on his own in the world of funky soul, he worked often in the 60s with Wilson – and the pair have this unique way of blending vibes and piano that's completely fresh, and still unmatched all these many years later! Wilson's natural lyrical style blends with Roy's modal approach to a groove – and the pair soar out in space with these long-flowing lines that make the whole album a treasure. There's no horn players at all – as with Wilson's other small combo Blue Note date – and rhythm is from Varney Barlow on drums, and either Roy Brown or Buster Williams on bass. Titles include a wonderful version of "Sernata", an unusual take on Ornette Coleman's "The Sphinx", and the wonderful Wilson originals "CFD", "Most Unsoulful Woman", and "Harbor Freeway 5pm". CD
(Out of print original CD pressing. CD has a promo stamp. Barcode has a mark.)

Possible matches14
CD, LP, Vinyl record album cover art
Lizz WrightFreedom & Surrender ... LP
Concord, 2015. New Copy 2LP Gatefold ... $15.99 24.99
Lizz Wright just keeps on growing and growing as a singer – past the jazz and soul of her roots, to a space that easily has the singer reaching out to a much greater range of ears, but all while keeping true to her style! There's definitely a jazzy heart at the core of the record – and most instrumentation is from a small combo – but the expression in Wright's vocals moves into very personal territory that's very much her own – feeling, but never overdone – catchy, but never cloying – and set up in a balance that maintains all the class and poise we've always loved in the singer. Highlights include a duet with Gregory Porter on "Right Where You Are", and a nice cover of Nick Drake's "River Man" – and other titles include "Here & Now", "Surrender", "Blessed The Brave", "Freedom", "The Game", "Lean In", "Somewhere Down The Mystic", and "Real Life Painting". LP, Vinyl record album

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Guy LafitteDefinitive Black & Blue Sessions – Corps Et Ame ... CD
Black & Blue (France), 1978. New Copy ... About May 1, 2016 (delayed)
A great 70s session from one of the best French saxophonists of the time – deep-voiced Guy Lafitte, one of the few European players to match the soul and range of American giants like Coleman Hawkins or Sonny Stitt! Lafitte's got an effortless sense of confidence on his instrument – a way of handling the tenor that makes the instrument come alive with personal expression, in a rare manner that arises with only a rare breed of player, like Sonny Rollins or Tubby Hayes. And like both of them, Lafitte's got a way of skirting the obvious – never going for the easy moment, but instead creating a rich space of his own to work from, a quality that really shines through in this set. Of course, it helps that Guy's got some of his best rhythm backing ever – from a trio that includes Hank Jones on piano, George Duvivier on bass, and JC Heard on drums. Titles include "One For The Bean", "Bonsoir Jolie Madam", "Michel", "The Way You Look Tonight", and "Body & Soul". CD features 2 bonus tracks not on the original album – "Stuffy" and "Smuggler's Cave". CD

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ VariousMidnite Spares – Australian 80s/90s Avant Pop & Outsider Electronics ... CD
Efficient Space (Australia), 1980s/1990s. New Copy ... About September 1, 2016 (delayed)
The Australian scene of the 80s may be best-remembered for some important guitar-based acts who broke big on a global level – but deeper underground, there was also a great electronic scene going on – with the kinds of sounds and styles that took off nicely from some of the best modes from the scene happening in the north of England at the start of the decade! This work is often a bit more abstract, although sometimes surprisingly tuneful – so much so that we'd hesitate to call it "cold wave" – as there's a more personal, charming feel to some of these tracks. Only a few numbers are from the start of the 90s – and all the others bear a date between 1982 and 1988 – titles that include "Trust Me" by Maria Kozic & The MK Sound, "Open Spaces" by Whadya Want", "Full Treatment" by The Couch, "Hakka Suru" by The Igniters, "Wind It Up" by Mumbo Jumbo, and "I Want My Mummy" by Foot & Mouth. CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ David BowieHunky Dory ... LP
RCA, 1971. Used ... Temporarily Out Of Stock
Quite possibly David Bowie's first complete moment of genius – an incredibly-formed album that's filled with tunes beyond definition and description! There's still some traces of the earlier madman in the mix, but the overall sound is much more rock-heavy – although not without the fuzzed-up and full-on guitars of Space Oddity or Man Who Sold the World – and often augmented with a bit of strings and softer touches that really bring out the humanity in the songs. The balance here is amazing – as is the fact that a few short years before, Bowie was singing "The Laughing Gnome", but is here one of the most sensitive songwriters of his generation. Tunes are quirky and personal, and titles include "Changes", "Oh You Pretty Things", "Andy Warhol", "Life On Mars", "Kooks", and "Queen Bitch". LP, Vinyl record album
(80s German "Best Buy Series" pressing.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ David BowieHunky Dory (180 gram pressing) ... LP
Parlophone, 1971. New Copy (reissue)... Temporarily Out Of Stock
Quite possibly David Bowie's first complete moment of genius – an incredibly-formed album that's filled with tunes beyond definition and description! There's still some traces of the earlier madman in the mix, but the overall sound is much more rock-heavy – although not without the fuzzed-up and full-on guitars of Space Oddity or Man Who Sold the World – and often augmented with a bit of strings and softer touches that really bring out the humanity in the songs. The balance here is amazing – as is the fact that a few short years before, Bowie was singing "The Laughing Gnome", but is here one of the most sensitive songwriters of his generation. Tunes are quirky and personal, and titles include "Changes", "Oh You Pretty Things", "Andy Warhol", "Life On Mars", "Kooks", and "Queen Bitch". LP, Vinyl record album

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ David BowieSpace Oddity (180 gram pressing) ... LP
Parlophone, 1969. New Copy Gatefold (reissue)... Temporarily Out Of Stock
An amazing departure for David Bowie – hardly the kind of record you would expect from his oboe-filled tunes of a few years before – and really the start of the groundbreaking, earthshaking, reinventionist era of his genius! There's a spacious, soaring quality to Space Oddity that's every bit the kind of magical music you might hope for in a set recorded at the close of the 60s – a shift into new modes, new sounds that seem to suck up all the best influences in rock from the previous few years, but fuse it into a new cosmic vision for the next decade. And while others might stumble on cliche with the weight of such a task, Bowie pulls it off brilliantly – mixing his fuzzier feelings with some of his more personal leanings – and showcasing a newly deep sense of songwriting here that's really amazing. Some tunes have the sensitivity of work on Hunky Dory, while others burn with the fire of Man Who Sold The World – all in a balance that never sounds schizophrenic at all. Titles include"Space Oddity", "Memory Of A Free Festival", "God Knows I'm Good", "Cygnet Committee", and "Unwashed & Somewhat Slightly Dazed". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Ned DohenyHard Candy ... CD
Asylum/Sony (Japan), 1976. New Copy ... Temporarily Out Of Stock
A seminal set from Ned Doheny – a lasting bit of California cool from the 70s, and a record that's every bit as refreshing as its image on the cover! The sound is tight, but never too slick – well-crafted songwriting with equally well-crafted production and studio execution – but somehow in a space that's far from the charts, too – which makes the whole thing a really great discovery in music! Ned Doheny's got a way of hitting an AOR vibe, but holding onto more personal elements too – and the vocals glide along with the music with the same charming vibe we'd find in a vintage Chris Rainbow record. Titles include "Get It Up For Love", "Each Time You Pray", "When Love Hangs In The Balance", "A Love Of Your Own", "On The Swingshift", "Sing To Me", and "If You Should Fall". CD
(Part of the great AOR City series from Japan!)
 
Partial matches: 10
Partial matches39
CD, LP, Vinyl record album cover art
Elephant 9 with Reine FiskeSilver Mountain ... CD
Rune Grammafon (Germany), 2015. New Copy ... $10.99
A group that's as heavy as its name – working here in a wonderful array of keyboard sounds from Fender Rhodes, Hammond organ, mellotron, and minimoog – all set to some nicely lumbering rhythms, and topped with guest guitar from Reine Fiske! The style's a mix of spacey moments and funky currents – yet all served up without any sort of easy retro style at all – and instead with a personality that's very much the group's own – kind of in the way the contemporary Kullrusk can take older modes and really change them up into something new and fresh. Tracks are all relatively long, and build up their sound in space, to eventually find a groove – which is then let loose almost with a sonic intensity that takes us back to classic Can, but with more jazz than rock. Titles include "Occidentali", "The Above Ground Sound", "Kungsten", "Abhartach", and "You Are The Sunshine Of My Life". CD

Partial matches40
CD, LP, Vinyl record album cover art
Samuel Jonathan JohnsonMy Music ... CD
Columbia/Dusty Groove, 1978. New Copy ... $10.99 12.98
One of our favorite 70s soul records ever – and a totally unique set as well! To our ears, Samuel Jonathan Johnson belongs in the company of Roy Ayers, Norman Connors, and other spiritual soul heavyweights – even though he only ever cut this one album for Columbia Records back in 1978! The set's got a really visionary feel – keyboards that compare with the best mellow soul lines of Donny Hathaway, and a vocal style that's got some of the range of Ronnie McNeir, mixed with a more human approach to the lyrics that makes the whole thing wonderfully personal, too. There's lots of jazzy elements on the Fender Rhodes lines – which bubble beautifully on the mellow moments, and step out boldly on the album's few groovers – making for a richness that goes way beyond the vocals, and which puts Johnson in the company of DJ Rogers or Webster Lewis. Forgive us if we keep name-dropping like that – but the set's a stunning treasure from an artist who should have gotten the same sort of recognition as all the best soul talents of the 70s. The title track – "My Music" – has an amazing bit of bubbling synth intro (and outro), cool spacey vocals by Sam, and a mellow, but tight groove that sounds a bit like something that Roy Ayers might have cooked up – and it leads off an incredible album of other titles that include "Sweet Love", "Just Us", "You", "Reason For The Reason", "Because I Love You", "What The World Needs Now Is Love", "Yesterdays & Tomorrow", and "Thank You Mother Dear". Great reissue with wonderful sound – and special liner notes by Samuel's daughter, Yolanda Johnson – a great singer in her own right too! CD
(On the Dusty Groove label.)

Partial matches41
CD, LP, Vinyl record album cover art
Biff RoseBiff Rose ... LP
Buddah, 1970. Very Good+ ... $3.99
Beautifully somber work from Biff Rose – material that's quite a bit different than his more freewheeling records on Tetragrammatron, and a lot more serious than his later joke-filled live album on Buddah! This set's got a personal, dark sort of sound that's somewhere in the territory of Randy Newman – bits of strings lurking in the background behind Biff's fragile, personal vocals – filling in the spaces quietly, and with a nice sort of sadness that underscores the gentle wit and visionary views of the songs. Rose previously showed signs of songwriting this strong on his earlier records, but it really comes to the forefront here – with a sensitivity that's really amazing, and a personality that really sets the record apart from most of Biff's contemporaries. Arrangements are by Al Gorgoni and Michael Leonard – who really help to set the tone – and titles include "Love Song", "African Lullaby/Little Monk", "The Captain", "The Promise", "Diane", "All The Fondest Wishes", "I'll Walk Away", "Nothing To Gain", and "Passing Parade". LP, Vinyl record album

Partial matches42
CD, LP, Vinyl record album cover art
✨✧ Milton WrightSpaced ... LP
Alston, 1977. New Copy (reissue)... $19.99
One of the most unique soul records you'll ever own – a tremendous little set from the mighty Milton Wright! Milton's probably best known for his first album, Friends & Buddies, but this set is arguably even greater – an even more personal, unusual session that blends wonderfully written songs, heartfelt vocals, and some really offbeat production techniques! There's a bit of an acoustic vibe to the set at times – guitar gently grooving alongside Milton's vocals – but the set also has a jazzy tinge too, with hip inflections amidst the arrangements that created a really sophisticated pattern of sounds for the record. Things start somewhat mellow, but quickly get grooving – bringing in bits of keyboards and more electric guitar to warm things up, and hitting a sublime style that's unlike anything else we can think of. Wright's vocals often have a spaced out feel that's in keeping with the album, but the album's hardly laidback – and has a great sense of focus throughout. Titles include "Be With Me", "She Can Have Anything She Wants", "Dance Have Fun", "Magic Music", "You Like To Dance", "Let's Take A Break", "All I Know Is That I Have You", and "Leave Me Alone". LP, Vinyl record album

Partial matches43
CD, LP, Vinyl record album cover art
VariousNew York Sound 2 ... CD
BGP (UK), Early 80s. New Copy ... $11.99 18.99
New York grooves from the start of the 80s – a great batch of tracks that sits nicely in the space between late 70s disco and old school hip hop! Many of these tracks are quite long – extended 12" groovers that mix electro keyboards, slapping basslines, and snapping beats with vocals that are sung, rapped, and chanted – always in a catchy groove that slinks along nicely at a midtempo pace. There's no too-fast numbers here, and the vibe is nice and laidback – one that takes full use of the space of a bigger single to let the tunes open up slowly and find the time to do their thing! Titles include "I'm The One" by Rainbow Brown, "I Had To Say It" by Millie Jackson, "King Tim III (Personality Jock)" by Fatback, "No One Can Do It" by Carol Williams, "Heobah" by Fonda Rae, "Burn Me Up" by Frisky, "Mysterious" by Twilight 22, "Magic's Message" by Mr Magic, "We Come To Jam" by Blaze, and "I Wanna Get With You" by Ritz. CD

Partial matches44
CD, LP, Vinyl record album cover art
✨✧ VariousTrue Soul – Deep Sounds From The Left Of Stax Vols 1 & 2 (4LP Box Set) ... LP
Now Again, 1960s/1970s. New Copy 4LP ... $65.99 69.98
Vols 1 & 2 of Now Again's incredible compilation series for the True Soul label – assembled with the personal participation of the label's owner, Lee Anthony – in a 4LP box set! It's rare regional funk & soul made under the mightily imposing shadows of southern labels like Stax and Hi Records – but the tunes here are straight up incredible and as ripe for discovery as any music of the era. The label was called True Soul and they don't take that moniker lightly – but it's adventurously soulful, with strains of psychedelic soul and funk, with a bit of southern swagger. In the later years, there's some 70s boogie, spacey keys and other elements. The True Soul vinyl box set includes 32 tracks on 4LPs: "Slipping Around (45 Version)", "Funky Music", "Sister Funk (Original, Full Version)" and "Follow The Rainbow (Alternate Mix)" by Thomas East, a great instrumental cover of "Come Together" and "The Thrill Is Gone" by Albert Smith, "Doing My Own Thing" and "I Don't Want It" by John Craig, "Funky Football", "Psychedelic Hot Pants (Full Version)" and more by York Wilbern's Psychedelic Six, "Hard Times" and "The Funk's Gonna Fly" by Classic Funk, "I Gotta Move With The Groove" by The Right Track, "The Real Thing" by The Conspiracy, "(It's A) "Rat Race" by The Leaders, 'Down Home Funk (Full Version)" by Larry Davis, "Get Down" and "Gigolo" by Le'Chance, "I Took Your Love (To Be True)" by Soul Mind And Body and more. The set aslo includes a 20 page full color bookle full of vintage performance, studio and promo photos, discographies, deeply felt notes by Eothen Alapatt, plus interviews conducted by Egon. A truly epic effort from Egon and Now Again! LP, Vinyl record album

Partial matches45
CD, LP, Vinyl record album cover art
✨✧ John DankworthZodiac Variations ... LP
Fontana, 1964. Used Gatefold ... Temporarily Out Of Stock
One of Dankworth's greatest albums of the 60s – recorded in both New York and London, with a mix of American and British players that includes Ronnie Scott, Bob Brookmeyer, Phil Woods, Chuck Israel, Lucky Thompson, and Kenny Wheeler. The album's a suite of tracks based on the Zodiac – and, like other albums of this nature, it oddly rises to the occasional with some wonderfully creative playing, and some of the most solid writing that Dankworth did in the 60s. (Why is it that these records work so well? Is it because the 12 sides of the Zodiac inspire such a change of moods and personalities that the musicians really get into the spirit of things?) Tracks are shortish, but quite evocative – and the soloists all get enough space to express themselves well within the scope of the piece. Titles include "Aquarius", "Pisces", "Cancer", etc. LP, Vinyl record album
(Original US mono pressing. Cover has a small split on the top seam.)

Partial matches46
CD, LP, Vinyl record album cover art
✨✧ Stephanie MillsMerciless ... LP
Casablanca, 1983. Used ... Temporarily Out Of Stock
An early 80s cooker from Stephanie Mills – not exactly "without mercy", as you might guess from the title – but instead a great slow burner that really does a great job of opening up her voice! Mills moves here in a perfect space between the late disco years and commercial 80s pop – a groove that's warm and mature, and just right for pushing Mills past some of the styles of earlier years – but also without falling into any sort of "adult contemporary" cliches! Stephanie's sound is wonderful – that crisp, distinct style that is already great on a bold number, but somehow takes on even more personality on understated tracks like these – probably thanks in part to the careful instrumental balance served up by David Wolfert's arrangements. Titles include "My Body", "Pilot Error", "Do You Love Him", "How Come U Don't Call Me Anymore", "Never Get Enough Of You", and "Eternal Love". LP, Vinyl record album
(Cover has a cutout notch.)

Partial matches47
CD, LP, Vinyl record album cover art
✨✧ FoolFool ... LP
Mercury, 1968. Used Gatefold ... Out Of Stock
It's hard to get any more tripped out than this at the end of the 60s – and this one and only album by Fool kind of out-Peppers Sgt Peppers! Fool were actually better known at the time for their work as designers – including more than a few famous covers for groups on the British scene of the 60s – but on this debut LP, they take a whole new turn by stepping into a musical vein – playing in an odd blend of folk, rock, and ethereal instrumentation that has all the baroque and filled-in spaces of their design work! The set was recorded in LA, with production by Graham Nash – and the musical accompaniment by The Magi features drifting piano, earthy percussion, and lots of other unusual instruments that are produced with weird touches that completely transform their sound. The lyrics are all very playful and sing-songy – loose and unstructured at times, but in a way that only gives the record a more personal feel overall. Titles include "Hello Little Sister", "No One Will Ever Know", "Cry For Me", "Rainbow Men", "Voice On The Wind", "Fly", "Lay It Down", and "Inside Your Mind". LP, Vinyl record album
(Original pressing.)

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CD, LP, Vinyl record album cover art
✨✧ Roy Davis JrChicago Forever ... LP
Ubiquity, 2004. New Copy 2LP ... Out Of Stock
An instant classic from Roy Davis Jr – and a record that really takes us back to the deepest days of the Chicago house scene! Roy's tunes are simple, effective, and straightforward – yet also have a cosmic burning soul that moves them past the coldness that could sometimes hold back work from Chicago. The beats are tight, but never overbearing; the keyboards are spacey, but never too noodly; and Roy's got some great vocal help on a few cuts from singers that include Terry Dexter, Khalid, and Ayro! As a side note, the album was actually recorded a year or two before release, but delayed due to personal issues in Roy's life – which further enforces the "lost classic" feel of the set, and makes us even happier to finally have it out. Titles include "My Soul Is Electric", "If You Wanna", "Strings & Things", "Wonderland", "Nu Roots", "Heavenly Father", and "U Give U Take". LP, Vinyl record album
 
 
 



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