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Exact matches: 5
Exact matches1
CD, LP, Vinyl record album cover art
Luiz BonfaLuiz Bonfa ... LP
Dot, Mid 60s. Near Mint- ... $9.99
A pretty great little album from Bonfa – always one of the more corruptible bossa players, working here in a groovy set of pop arrangements by Deodato with a lively American twist! Some tunes are fast-driving bossa numbers with good jazz accompaniment, others have backing vocals in a wordless 60s style, and others are mellow and gentle. The best of these latter ones is "Oba Oba", which has great duet vocals by Pat Kirby and Bonfa – and other titles include "Coffee Beans", "Gentle Rain", "Batuque", "Summer Summer Wind", "Be Still", and "Love Birds". LP, Vinyl record album
(Deep groove pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
Luiz BonfaO Violao E O Samba ... CD
Odeon/EMI (Brazil), 1962. Used ... $11.99
An early gem from Luiz Bonfa – one of the first really strong albums from this master of Brazilian guitar! The music is quite lively, without the sleepy quality that you find on some of Bonfa's other records – and Luiz' guitar is backed by a nice little combo that really keeps up to his speed – not entirely bossa jazz, but still with a similar feel! Tracks have a lively rhythm, with occasional vocals, and some nice flute solos from time to time – and the whole thing sounds a bit like an early Baden Powell session – with a clarity and brilliance throughout. Titles include "Amor Em Brasilia", "Amor De Solidao", "Murmurio", "Inquietacao", "Voce Chegou Sorrindo", and "Saudade De Bahia". CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
Luiz Bonfa/Eumir DeodatoGentle Rain ... LP
Mercury, 1965. Near Mint- ... $16.99
A dreamy little soundtrack to this lesser-known film – but a real bossa classic from the 60s, featuring original tunes by Luiz Bonfa and orchestrations by Deodato! The sound of the set is really wonderful – sometimes fragile, sometimes full – with a juxtaposition that beautifully links American soundtrack modes of the 60s and some of the bossa innovations associated with Bonfa and Deodato. Deodato's orchestrations are possibly the best side of the set – often light and airy with a similar approach to his Os Gatos work – but served up here in shorter snippets that allow a lot of variation on color and theme throughout the record. Album includes classic readings of "The Gentle Rain", "O Ganso", and "Non Stop To Brazil" – plus the tracks "Judy's Story", "Please Help Me One More Time", "Copa Beach", "It's Tempting", "Saturday In Rio", and "Across A Table". LP, Vinyl record album
(Red label pressing with deep groove. Cover has some surface wear, a small cutout hole, and a lightly bent corner with a tear.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Luiz BonfaSanctuary ... LP
RCA, 1971. Used ... Temporarily Out Of Stock
A pretty darn nice set of tracks that has Luiz mellow moody guitar augmented by some breezy easy arrangements by Pete Spargo. The overall feel is less bossa than it is mellow pop instrumental – but there's a wonderfully airy quality on the best tracks, with guitar, piano, and some wordless vocals floating around very nicely. Titles include "Xavente", "Non Stop To Brazil", "Sanctuary", "Tijuca", "Giselle", and "On The Sand". LP, Vinyl record album
(Cover has some ring & edge wear.)

Exact matches5
CD, LP, Vinyl record album cover art
Carlos Barbosa-LimaPlays The Music Of Luiz Bonfa & Cole Porter ... LP
Concord, 1984. Near Mint- ... $9.99
... LP, Vinyl record album
(Cover has a promo stamp, index label, and call letters in marker on both sides.)
 
Possible matches: 7
Possible matches6
CD, LP, Vinyl record album cover art
Stan Getz5 Original Albums Vol 2 (Jazz Samba/Jazz Samba Encore/With Laurindo Almeida/Getz Gilberto/Getz Gilberto 2) (5CD set) ... CD
Verve (Germany), Mid 60s. New Copy 5CD ... $19.99
An insane collection of music – five albums that perfectly showcase the bossa nova genius of Stan Getz! First up is Jazz Samba – one of those records that no home should be without – not only a pivotal album in the growth of bossa nova in the 60s – but a set that also really helped set the career of tenorist Stan Getz on fire! The real credit here might almost go to guitarist Charlie Byrd – as Byrd was a big early proponent of bossa nova rhythms, and had already been experimenting with them on his records of the time – yet also gets a key extra "umph" here in the presence of Stan's tenor – a bold, rich, soulful sound that really helps give the music a lot of direction – in ways that still resonate strongly all these many years later! Getz is completely sublime – a master of tone and timing throughout – and perfectly fit to these tunes. Rhythms are mostly from Byrd's trio, augmented with some extra percussion – and titles include the classic "Desafinado", plus "E Luxo So", "Samba Dees Days", "Samba Triste", "O Pato", "Samba De Uma Nota So", and "Baia". Jazz Samba Encore is hardly an "encore" of the first Stan Getz Jazz Samba album – as this set's got a slightly different feel, and lots of great elements that make it really unique! This time around, Brazilian musician Luiz Bonfa is on guitar – already a skilled proponent of the bossa by the time of the record, and arguably one of the few who really got it going back home in Rio. Stan's tenor sounds wonderful – as carefully and soufully blown as on the first set, but also with some new colors and tones too. Bonfa's wife Maria Toledo sings a bit on the record – hinting at Stan's work to come with Astrud Gilberto (this album was cut right before the Getz/Gilberto collaboration) – and the record also features added work on piano and guitar from the great Antonio Carlos Jobim – more than enough proof that the album's got a pure bossa pedigree! Titles include "Menina Flor", "Ebony Samba", "Saudade Vem Correndo", "Sambalero", "Samba De Duas Notas", and "Mania De Maria". With Laurindo Almeida is one of the best of the Stan Getz bossa nova sessions – and a record that features the great Laurindo Almeida on guitar – playing with more virtuosity than either Charlie Byrd or Joao Gilberto did on their collaborations with Getz! The record's got a driving rhythm section, with lots of long tracks, and nice laid-back solos by both Getz and Almeida – who's getting in some of his few jazz licks of the 60s here, working in a groove similar to that of his earlier sides with Bud Shank, but which sounds almost even better in the languid company of Getz. Cuts include "Outra Vez", "Winter Moon", "Maracatu-Too", and "Samba Da Sahra". Getz Gilberto is a landmark record – both in 60s jazz and bossa nova – and a set that not only bridged worlds of music, but set the tone for so many other albums to come! By the time of this 1964 set, Stan Getz had already issued a few bossa nova experiments on Verve – but this pairing with guitarist Joao Gilberto really pushed the format over the top – thanks in part to the vocals of Gilberto's lovely wife Astrud, who'd never sung in the studio before this famous recording! The record created a sound that was copied endlessly, and which catapulted Astrud to unbelievable fame worldwide – even though she was only included in the session at the last minute, because Joao couldn't sing in English – and the mix of Stan's tenor and Joao's guitar is wonderful – and backed throughout by this light, lilting bossa nova rhythms. Titles include the classic recording of "Girl From Ipanema", plus loads of other bossa classics like "Desafinado", "Cocovado", "O Grande Amor", and "Vivo Sonhando". Getz Gilberto 2 is a very different record than the first collaboration between Stan Getz & Joao Gilberto – but that's also one of the things that makes it great! The album's more of a split LP than a shared one – as side one features a live performance from the great mid 60s Stan Getz quartet that featured Gary Burton on vibes – a wonderfully cool combo that was very under-documented on record, and which makes a key appearance here. The combination of Burton's vibes and Stan's tenor is pure genius – a sound that's got all the subtle hues and cool colors of the Getz bossa recordings, but which is quite different overall. Stan's tone is amazing on these tunes – and titles include "Here's That Rainy Day", "Tonight I Shall Sleep With A Smile On My Face", "Grandfather's Waltz", and "Stan's Blues". Side two features Joao Gilberto without Stan – playing in a very groovy trio that's more straight bossa than most of his other US recordings – cool small combo grooving that's totally great! The lineup features Gilberto on guitar and vocals, Keeter Betts on bass, and Helcio Milito on drums – all working in a sweetly grooving mode on titles that include "Samba De Minha Terra", "Meditation", "Bim Bom", "Rosa Moreno", and "O Pato". CD

Possible matches7
CD, LP, Vinyl record album cover art
Joao GilbertoJoao Gilberto – The Legend/Antiques & Curios (Chega De Saudade/O Amor O Sorriso E A Flor/Joao Gilberto/rare tracks) ... CD
El (UK), Late 50s/Early 60s. New Copy 2CDs ... $8.99 13.99
A beautiful collection of work from the legendary Joao Gilberto – some of the most important bossa nova recordings ever, plus a fair bit of rarities as well! The first CD in the set features three full early albums from Gilberto – Chega De Saudade, O Amor O Sorriso E A Flor, and Joao Gilberto – each a masterpiece in understatement – with breathy vocals and light guitar from the maestro, plus light percussion and orchestrations that never overwhelm at all – but simply hang their in air, and shade the songs with these really gentle hues and colors. The second CD features lots of rare material – including work from the film Copacabana Palace, with Gilberto, Norma Benguell, Luiz Bonfa, and others – and early recordings from Elizete Cardoso, Os Cariocas, and Joao himself. The set features 64 tracks in all, packaged in two groovy record sleeves with a booklet inside a slipcover! CD

Possible matches8
CD, LP, Vinyl record album cover art
Modern Jazz QuartetSheriff ... CD
Atlantic/Wounded Bird, 1963. Used ... $5.99
A moody early 60s set by the great MJQ for Atlantic – for the first time on CD! Overall the group rolls and swings in a bit rougher mode than they do on their brighter efforts, but they still hit the sweet spot and swing when the mood fits! The record works best when Milt Jackson's vibes are let loose, as on the playful reading of "Mean To Me", and John Lewis's piano sets the mood as in "Carnival" (the Luiz Bonfa tune). Other tracks include Lewis's "The Sheriff", "In A Crowd", "Donnie's Theme" and "Natural Affection", plus "Bachianas Brasileiras". CD

Possible matches9
CD, LP, Vinyl record album cover art
ToquinhoQue Maravilha 1966 to 1974 (A Bossa Do Toquinho/Toquinho/Botequim/Boca Da Noite) (4CD set) ... CD
RGE/Discobertas (Brazil), Late 60s/Early 70s. New Copy 4CD ... $34.99
Four early albums by Toquinho – packaged together here in a single set, and with two bonus tracks too! First up is A Bossa Do Toquinho, from 1966 – an honest to goodness actual bossa nova session from Toquinho – one that's recorded during the 60s, and not one of his bossa-revival styled sets from later years! The Toquinho here is a bit more tender and tentative than in later years – playing acoustic guitar in a setting that evokes the work of Baden Powell or Luiz Bonfa, but with a close-up style that's even more intimate and personal – even at moments when the instrumentation is slightly expanded by organ, flute, or other instrumentation. There's a great sense of melancholy running through the record – almost like Baden Powell on his best European sessions – and although spare, the record has a tremendous sense of power, one that we don't always hear in Toquinho's later work. Titles include "Ole Ola", "Da Me", "Allemande", "Antes E Depois", "Canto De Ossanha", "Zambi", "Valsa De Euridice", and "Triste Amor Que Vai Morrer". 1970's Toquinho is an album done before his famous collaborations with Vincius De Moraes, and with a very different groove! The record features guest appearances by Jorge Ben on two tracks – and much of the record seems to have Toquinho absorbing a bit of Ben's spirit – using lively samba rhythms on some of the best tracks, which creates a groove that's really unexpected – and which makes the album a real standout in his catalog! Toquinho's guitar work is wonderful in the setting – maybe even more compelling in its deftness, and no less full of feeling – and titles include a killer reading of "Que Maravilha", done with Jorge Ben, who also guests on "Carolina Carol Bela" – and other titles include a version of "Bachianinha No 1" with Paulinho Nogueira; a great cover of Ben's "Zana"; and the tracks "Evocacao A Jacob", "Chuva Na Praia De Juqui", "Evocacao De Jacob", "De Ontem Pra Hoje", and "Na Agua Negra Da Lagoa". Botequim is one of the most compelling albums from the early years of Toquinho – a set that was done in collaboration with Gianfrancesco Guarnieri, who co-wrote the songs – in a mode that's much more soaring and spacious than some of Toquinho's other work! Female vocalist Marlene sings lead on about half the tracks, with Toquinho on the others – and there's an ambitious vibe to the album that's almost in territory of Edu Lobo, especially given the brightness of the arrangements. Titles include "Dane Se", "Quem Sabe Mais", "Cancao Do Medo", "Esperando Por Voce", "Quanto Vale Uma Crianca", "Embolada No Carrapato", and "Boboeu Nao Vai Entender". Boca Da Noite is a fantastic album from Toquinho – one of the best that he cut during the 70s! This album's got a much more stripped-down sound than others – with a soulful mix of vocals and spare acoustic guitar that sounds somewhere between the early 70s work of Baden Powell and Terry Callier – and which is way different than the bossa revival work Toquinho cut with Vinicius De Moraes! There's some larger arrangements lurking at the back of most tracks – but these are kept clean, and relatively spare – so that the strongest focus is on Toquinho's voice and guitar. Titles include a sparkling remake of "Asa Branca", done with a spare style that still retains the grandiose quality of the song – plus "Sem Enredo", "Boca Da Noite", "1969, Aeroporto Do Galeo", "Noite Longa", and "Lembrando Josh White". Set also features 2 bonus tracks – "Primavera" and "So Tinha De Ser Com Voce/Vivo Sonhando". CD

Possible matches10
CD, LP, Vinyl record album cover art
VariousBossa Nova At Carnegie Hall ... LP
Audio Fidelity, 1962. Near Mint- ... $23.99
The legendary 1962 Bossa Nova concert at Carnegie Hall. The concert is legendary not only because it was a bit of a disaster (according to legend, just about nobody got paid!), but also because it brought together a huge amount of Brazilian talent on one stage, and premiered their music to a rabid U.S. audience. The recording has a stunning live feel, and it preserves all the acoustics of Carnegie Hall, complete with lively crowd response. Oscar Castro Neves backs up most of the singers – including Sergio Ricardo, Carmen Costa, Carlos Lyra, Ana Lucia, and Chico Feitoso – and the LP has other instrumental performances by Joao Gilberto, Milton Banana, Roberto Menescal, Luiz Bonfa, and Sergio Mendes. Great stuff, and with 15 tracks, including "O Barquinho", "Influencia Do Jazz", "Outra Vez", "Zelao", "Nao Faz Assim", "Bossa Nova Em Nova York", and "Passarinho". A bossa classic! This version has a much higher sound quality than the reissue that was floating about a couple of years ago. LP, Vinyl record album
(80s Brazilian pressing.)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Joao Gilberto & OthersJoao Gilberto & The Stylists Of The Bossa Sing Antonio Carlos Jobim ... CD
El (UK), Late 50s/Early 60s. New Copy 2CD ... Temporarily Out Of Stock
Seminal sounds from the earliest years of bossa nova – a big 59 track package that brings together important early recordings by Joao Gilberto, as well as some other key bossa interpreters of his generation too! The set begins with Joao's early recordings of compositions by Antonio Carlos Jobim – the artist/composer whose influence is a huge part of this package, too – as many of the songs here were penned by Jobim, and the set also features a few of his recordings, too – as well as both Brazilian and American interpretations of many bossa classics from the start of the 60s! The 2CD set is overflowing with interesting material – the kind of well-chosen cuts that always make the El Records selections so great – and titles include "O Nosso Amor" and "Este Seu Olhar" by Joao Gilberto, "Por Causa De Voce" by Lucio Alves, "As Praias Desertas" by Lenita Bruno, "Eurydice" by Luiz Bonfa, "Sucedeu Assim"b y Sylvia Telles, "Arpoador" by Radames Gnattali, "Samba De Uma Nota So" by Tamba Trio, "Estrada Do Sol" by Agostinho Dos Santos, "Eu Preciso De Voce" by Norma Benguell, "Desafinado" by Laurindo Almeida, "Chega De Saudade" by Elizeth Cardoso, "Amor Sem Adeus" by Dick Farney, "No More Blues" by Jon Hendricks, "Sem Voice" by Alaide Costa, "O Amor Em Paz" by Os Caroicas, "O Homem" by Antonio Carlos Jobim and Vinicius De Moraes, "Eu Nao Existo Sem Voce" by Lucio Alves and Sylvia Telles, and "Samba De Uma Nota So" by Leny Adrade. CD

Possible matches12
CD, LP, Vinyl record album cover art
VariousBresil Instrumental – Solistes Et Virtuoses Bresiliens 1949 to 1962 (3CD set) ... CD
Fremeaux & Associates (France), Late 40s/1950s/Early 60s. New Copy 3CD ... $18.99 29.98
A really wonderful survey of Brazilian instrumental modes at mid-century – a set that moves between choro, samba, and early bossa styles – and also opens up into some other genres as well! The focus here is on key instrumentalists – players with a strong ability to improvise and solo, often in smaller group settings, on shorter tracks that really make them focus on serving up a lot of personality in a very tight space! As with other titles on the Fremeaux label, the package is a wonderful combination of history and listening pleasure – packed with a whopping 63 tracks in all – titles that include "Magoado" by Dilermando Reis, "Chorando Baixinho" by Abel Ferreira, "Monotonia" by Paulo Moura, "Primeiro Amor" by Radames Gnattali, "Grauna" by Jacob Do Bandolim, "Pedacinho Do Ceu" by Waldir Azevedo, "Insonia" by Baden Powell, "Espinha De Bacalhau" by Severino Araujo, "Melancolia" by Luiz Americano, "Luzes Do Rio" by Luis Bonfa, "Encabulado" by Jose Menezes, and "Dinora" by Altamiro Carrilho. CD
 
 
 



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