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Exact matches: 5
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Luiz BonfaBlack Orpheus Impressions ... LP
Dot, Late 60s. Very Good ... $6.99
A groovy blend of bossa themes and some of the lighter pop treatments that Bonfa often received – not really a problem for us, as the approach always filled out his sound a bit more, and made for some catchy tunes with a very groovy style! Tracks include "Bahia Soul", "Dois Amores", "Song Of The Hills", "Dreamy", "Samba De Orfeu", "Na Paz Do Amor", and "Rancho De Orfeu" – and arrangements are by Deodato, Bonfa, and Arnold Goland. LP, Vinyl record album
(Cover has some wear on the spine.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Luiz BonfaBrazilian Scene ... CD
Philips/Verve (Japan), 1965. New Copy ... $14.99
A great little session from Luiz Bonfa – one that features a hip core combo mixed with slightly larger backings – all in a groove that really stands out from other mainstream bossa albums of the 60s! Bonfa's acoustic guitar is set up here with Jerome Richardson on flute, Don Payne on bass, and Helcio Milito on drums – all working in a sound that's lightly touched with occasional bits of strings or woodwinds from Hal Mooney – never too much to over-sweeten the music, and often in ways that underscore the bluer, sadder tones in the music. Bonfa contributed to me great original tunes to the record that really stand out – numbers that include "Avocado", "Moonlight In Rio", "Embolada", "Her Face", "Dream Girl", "Sambalero", and "Zomba" – all of which make the record stand out from other familiar bossa tunes of the time. CD
(Part of the Bossa Nova 60th Celebration series!)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Luiz BonfaLuiz Bonfa – Composer Of Black Orpheus Plays & Sings Bossa Nova ... CD
Verve/Universal (Japan), 1962. New Copy ... $14.99
One of the earliest of the classic Verve bossa nova sessions of the 60s – and a wonderful showcase for the talents of guitarist Luiz Bonfa! Most of Bonfa's previous recordings were done in a very spare or solo mode – and this set makes a nice change by adding in some larger orchestrations – yet still handled with great bossa sensitivity by Oscar Castro Neves and Lalo Schifrin – themselves very big up-and-coming talents at the time! The sound is bright and breezy, as you'd expect from Verve at this time – and Bonfa's a lot livelier than usual, and even sings on a number of cuts – with a charming quality that's a bit like Joao Gilberto. Titles include "Bossa Nova Cha Cha", "Sambalamento", "Vem So", "Samba De Duas Notas", "Domingo A Noite", "Quebra Mar", and "Adeus". CD
(Part of the Bossa Nova 60th Celebration series!)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Antonio Carlos Jobim & Luiz BonfaBlack Orpheus – Original Soundtrack ... CD
Verve, Early 60s. Used ... Out Of Stock
One of the all time great ones! This mad bit of music was composed for the film by Luiz Bonfa and Antonio Carlos Jobim, and it's a crazy mix of batucada, samba, and a bit of bossa nova. The soundtrack takes all of the musical bits, and it mixes them up into an insane collage of sound effects, speaking, and music. It sounds incredible, and it's even more spooky than the movie. With loads of classics that you'll recognize – but done in a crazy crazy way – like "Felicidade", "O Nosso Amor", and "Manha De Carnaval". Plus, this CD also includes a 13-minute medley of tracks from the score, performed by Bola Sete at the 1966 Monterey Jazz Fest! CD
(Out of print.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Luiz BonfaIntrospection/The New Face Of Luiz Bonfa ... CD
RCA/Five Four, 1970/1971. New Copy ... Out Of Stock
Great guitar from Luiz Bonfa – two albums that have the bossa legend moving way past his roots! Introspection has Bonfa recording in New York – a superb solo guitar session that has him playing the instrument as a "miniature orchestra", shading in a rich array of colors, tones, and harmonic spaces through his expert manipulation of the strings. There's still a bit of his earlier bossa phrasing in the record – but it mostly shows Bonfa as a richly talented individual on his instrument, moving past simple instrumental modes into virtuoso territory! Titles include "Adventure In Space", "Reflections", "Enchanted Mirror", "Concerto For Guitar", and "Rain". New Face Of Luiz Bonfa is a wickedly wonderful record from Luiz Bonfa – one that has his bossa-inflected guitar style supported by larger arrangements by Marty Manning. The feel is kind of bossa meets 60s easy meets early CTI – as Manning's work reminds us a lot of the larger orchestrations penned by Don Sebesky or Claus Ogerman at the end of the 60s, a perfect foil for the tighter guitar work of Bonfa – making the album one of the best showcases of his style from the time! Tracks include "Helicopter 274", "Window Girl", "Peixe Bom", "Salvador", and "Africana" – and the record sounds like a lost 70s Italian soundtrack! CD
 
Possible matches: 10
Possible matches6
CD, LP, Vinyl record album cover art
Stan Getz5 Original Albums Vol 2 (Jazz Samba/Jazz Samba Encore/With Laurindo Almeida/Getz Gilberto/Getz Gilberto 2) (5CD set) ... CD
Verve (Germany), Mid 60s. New Copy 5CD ... $19.99
An insane collection of music – five albums that perfectly showcase the bossa nova genius of Stan Getz! First up is Jazz Samba – one of those records that no home should be without – not only a pivotal album in the growth of bossa nova in the 60s – but a set that also really helped set the career of tenorist Stan Getz on fire! The real credit here might almost go to guitarist Charlie Byrd – as Byrd was a big early proponent of bossa nova rhythms, and had already been experimenting with them on his records of the time – yet also gets a key extra "umph" here in the presence of Stan's tenor – a bold, rich, soulful sound that really helps give the music a lot of direction – in ways that still resonate strongly all these many years later! Getz is completely sublime – a master of tone and timing throughout – and perfectly fit to these tunes. Rhythms are mostly from Byrd's trio, augmented with some extra percussion – and titles include the classic "Desafinado", plus "E Luxo So", "Samba Dees Days", "Samba Triste", "O Pato", "Samba De Uma Nota So", and "Baia". Jazz Samba Encore is hardly an "encore" of the first Stan Getz Jazz Samba album – as this set's got a slightly different feel, and lots of great elements that make it really unique! This time around, Brazilian musician Luiz Bonfa is on guitar – already a skilled proponent of the bossa by the time of the record, and arguably one of the few who really got it going back home in Rio. Stan's tenor sounds wonderful – as carefully and soufully blown as on the first set, but also with some new colors and tones too. Bonfa's wife Maria Toledo sings a bit on the record – hinting at Stan's work to come with Astrud Gilberto (this album was cut right before the Getz/Gilberto collaboration) – and the record also features added work on piano and guitar from the great Antonio Carlos Jobim – more than enough proof that the album's got a pure bossa pedigree! Titles include "Menina Flor", "Ebony Samba", "Saudade Vem Correndo", "Sambalero", "Samba De Duas Notas", and "Mania De Maria". With Laurindo Almeida is one of the best of the Stan Getz bossa nova sessions – and a record that features the great Laurindo Almeida on guitar – playing with more virtuosity than either Charlie Byrd or Joao Gilberto did on their collaborations with Getz! The record's got a driving rhythm section, with lots of long tracks, and nice laid-back solos by both Getz and Almeida – who's getting in some of his few jazz licks of the 60s here, working in a groove similar to that of his earlier sides with Bud Shank, but which sounds almost even better in the languid company of Getz. Cuts include "Outra Vez", "Winter Moon", "Maracatu-Too", and "Samba Da Sahra". Getz Gilberto is a landmark record – both in 60s jazz and bossa nova – and a set that not only bridged worlds of music, but set the tone for so many other albums to come! By the time of this 1964 set, Stan Getz had already issued a few bossa nova experiments on Verve – but this pairing with guitarist Joao Gilberto really pushed the format over the top – thanks in part to the vocals of Gilberto's lovely wife Astrud, who'd never sung in the studio before this famous recording! The record created a sound that was copied endlessly, and which catapulted Astrud to unbelievable fame worldwide – even though she was only included in the session at the last minute, because Joao couldn't sing in English – and the mix of Stan's tenor and Joao's guitar is wonderful – and backed throughout by this light, lilting bossa nova rhythms. Titles include the classic recording of "Girl From Ipanema", plus loads of other bossa classics like "Desafinado", "Cocovado", "O Grande Amor", and "Vivo Sonhando". Getz Gilberto 2 is a very different record than the first collaboration between Stan Getz & Joao Gilberto – but that's also one of the things that makes it great! The album's more of a split LP than a shared one – as side one features a live performance from the great mid 60s Stan Getz quartet that featured Gary Burton on vibes – a wonderfully cool combo that was very under-documented on record, and which makes a key appearance here. The combination of Burton's vibes and Stan's tenor is pure genius – a sound that's got all the subtle hues and cool colors of the Getz bossa recordings, but which is quite different overall. Stan's tone is amazing on these tunes – and titles include "Here's That Rainy Day", "Tonight I Shall Sleep With A Smile On My Face", "Grandfather's Waltz", and "Stan's Blues". Side two features Joao Gilberto without Stan – playing in a very groovy trio that's more straight bossa than most of his other US recordings – cool small combo grooving that's totally great! The lineup features Gilberto on guitar and vocals, Keeter Betts on bass, and Helcio Milito on drums – all working in a sweetly grooving mode on titles that include "Samba De Minha Terra", "Meditation", "Bim Bom", "Rosa Moreno", and "O Pato". CD

Possible matches7
CD, LP, Vinyl record album cover art
Stan GetzBossa Nova Years (Jazz Samba/Jazz Samba Encore/Big Band Bossa Nova/Getz Gilberto/With Laurindo Almeida) (5CD set) ... CD
Verve, Mid 60s. New Copy 5CDs ... $44.99 49.99
America's greatest contribution to the bossa nova in the 60s – served up here in a nicely priced 5CD set! The package features all the key albums recorded by Stan Getz in 1962 and 1963 – some of the most important bossa jazz recordings in the US at the time, and all records that have gone onto shape the sound of the music for many years to come! All sessions feature Stan Getz in the lead, paired with a special partner – either guitarists Charlie Byrd, Joao Gilberto, Luiz Bonfa, or Laurindo Almeida – or arranger Gary McFarland, and vocalist Astrud Gilberto, who makes a key initial appearance on the last album here. The set features all 5 albums presented with the original track lineups – no bonus cuts – as individual LP sleeve editions inside a larger box. Albums include Jazz Samba, Jazz Samba Encore, Big Band Bossa Nova, Stan Getz With Guest Artist Laurindo Almeida, and Getz/Gilberto. CD

Possible matches8
CD, LP, Vinyl record album cover art
Joao Gilberto & OthersJoao Gilberto & The Stylists Of The Bossa Sing Antonio Carlos Jobim ... CD
El (UK), Late 50s/Early 60s. New Copy 2CD ... $12.99
Seminal sounds from the earliest years of bossa nova – a big 59 track package that brings together important early recordings by Joao Gilberto, as well as some other key bossa interpreters of his generation too! The set begins with Joao's early recordings of compositions by Antonio Carlos Jobim – the artist/composer whose influence is a huge part of this package, too – as many of the songs here were penned by Jobim, and the set also features a few of his recordings, too – as well as both Brazilian and American interpretations of many bossa classics from the start of the 60s! The 2CD set is overflowing with interesting material – the kind of well-chosen cuts that always make the El Records selections so great – and titles include "O Nosso Amor" and "Este Seu Olhar" by Joao Gilberto, "Por Causa De Voce" by Lucio Alves, "As Praias Desertas" by Lenita Bruno, "Eurydice" by Luiz Bonfa, "Sucedeu Assim"b y Sylvia Telles, "Arpoador" by Radames Gnattali, "Samba De Uma Nota So" by Tamba Trio, "Estrada Do Sol" by Agostinho Dos Santos, "Eu Preciso De Voce" by Norma Benguell, "Desafinado" by Laurindo Almeida, "Chega De Saudade" by Elizeth Cardoso, "Amor Sem Adeus" by Dick Farney, "No More Blues" by Jon Hendricks, "Sem Voice" by Alaide Costa, "O Amor Em Paz" by Os Caroicas, "O Homem" by Antonio Carlos Jobim and Vinicius De Moraes, "Eu Nao Existo Sem Voce" by Lucio Alves and Sylvia Telles, and "Samba De Uma Nota So" by Leny Adrade. CD

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Hugo LuizBossa Hugo ... CD
Paladium/Ultra Vybe (Japan), 1965. New Copy ... $13.99
An overlooked album of bossa guitar from Hugo Luiz – maybe the only record we've ever seen by the musician, and a set that we'd rank right up there with our 60s favorites from Luiz Bonfa or Baden Powell! Yet there's also a difference here that nicely sets Hugo apart – a richness in tone that might come from his particular choice of guitar, or partly the very warm recording style – which captures all the resonance of his instrument in a beautiful way! There's just light rhythm backings on all tracks – a bit of percussion and bass – leaving Luiz to shade in most of the sound. Cuts include "Con Alma", "Days of Wine & Roses", "Tempo Feliz", "Tema Para Lili", "Primavera", "Minha Namorada", and "Canto De Ossanha". CD
(Part of the Brasilian Music Love Affair series!)

Possible matches10
CD, LP, Vinyl record album cover art
Modern Jazz QuartetSheriff ... LP
Atlantic, 1963. Very Good ... $4.99
A moody early 60s set by the MJQ for Atlantic. Overall the group rolls and swings in a bit rougher mode than they do on their brighter efforts, but they still hit the sweet spot and swing when the mood fits! The record works best when Milt Jackson's vibes are let loose, as on the playful reading of "Mean To Me", and John Lewis's piano sets the mood as in "Carnival" (the Luiz Bonfa tune). Other tracks include Lewis's "The Sheriff", "In A Crowd", "Donnie's Theme" and "Natural Affection", plus "Bachianas Brasileiras". LP, Vinyl record album
(Blue & green label pressing. Cover has light wear.)

Possible matches11
CD, LP, Vinyl record album cover art
Bola SeteBossa Nova ... LP
Fantasy, 1962. Very Good- ... $14.99
A classic groover from Brazilian guitarist Bola Sete – a date that was issued in the 60s with a title to cash in on the growing bossa craze in the US – and which stands as one of Sete's best for Fantasy Records! The sound is very much in keeping with some of the guitar-driven bossa of the time – work by Luiz Bonfa or Charlie Byrd, particularly in the way that Sete's spare acoustic guitar is mixed in with some lively percussion, plus bass from Ben Tucker and drums from Dave Bailey. Those two players really help the album find a nice little groove – and the whole thing dances along nicely, with tracks that include "Wagging Along", "Ash Wednesday", "Samba In The Perrotaoquei", "Brazilian Bossa Galore", "Without You", "My Different World", "Sweet Thing", and "Dilemma". LP, Vinyl record album
(Red label 60s pressing with deep groove.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ VariousBossa Nova At Carnegie Hall ... CD
Audio Fidelity/Ubatuqui (Spain), 1962. Used ... $8.99
Essential reissue of the legendary 1962 Bossa Nova concert at Carnegie Hall. The concert is legendary not only because it was a bit of a disaster (according to legend, just about nobody got paid!), but also because it brought together a huge amount of Brazilian talent on one stage, and premiered their music to a rabid U.S. audience. The recording has a stunning live feel, and it preserves all the acoustics of Carnegie Hall, complete with lively crowd response. Oscar Castro Neves backs up most of the singers – including Sergio Ricardo, Carmen Costa, Carlos Lyra, Ana Lucia, and Chico Feitoso – and the LP has other instrumental performances by Joao Gilberto, Milton Banana, Roberto Menescal, Luiz Bonfa, and Sergio Mendes. Great stuff, and with 14 tracks, including "O Barquinho", "Influencia Do Jazz", "Outra Vez", "Zelao", "Nao Faz Assim", "Sound Of Bossa Nova New York", and "Passarinho". A bossa classic, let loose again at a nice reissue price with much better sound than before! CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ VariousVinicius De Moraes – Modernism & Bossa Nova ... CD
El (UK), Late 50s/Early 60s. New Copy ... Out Of Stock
A set that really lives up to its title – especially considering that the music here is virtually the blueprint for the emergence of the modern in Brazilian music during the bossa generation! The collection features a range of different tunes from poet Vinicius De Moraes – an important early collaborator of Antonio Carlos Jobim, and one of the key architects of the bossa sound and spirit during the late 50s! The passage of tracks in the set really shows the evolution of the music – as it begins with more ambitious stage work done by the pair, then moves into a range of beautiful vocal numbers that illustrate all the subtle power of bossa lyricism at its best. Titles include "Um Nome Mulher" by Roberto Pava, "Eu Na Existo Sem Voce" by Silvia Telles & Lucio Alves, "Love & Peace" by Jon Hendricks, "Lamento No Morro Solo" by Luiz Bonfa, "Samba Em Preludio" by Agostinho Dos Santos & Rosana Toledo, "Aqua De Beber" by Ana Lucia, "Valsa De Euridice" by Lenita Bruno, "Chega De Saudade" by Os Cariocas, and "Valsa Do Amor De Nos Dois" by Elza Laranjeira. CD

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ ToquinhoQue Maravilha 1966 to 1974 (A Bossa Do Toquinho/Toquinho/Botequim/Boca Da Noite) (4CD set) ... CD
RGE/Discobertas (Brazil), Late 60s/Early 70s. New Copy 4CD ... Out Of Stock
Four early albums by Toquinho – packaged together here in a single set, and with two bonus tracks too! First up is A Bossa Do Toquinho, from 1966 – an honest to goodness actual bossa nova session from Toquinho – one that's recorded during the 60s, and not one of his bossa-revival styled sets from later years! The Toquinho here is a bit more tender and tentative than in later years – playing acoustic guitar in a setting that evokes the work of Baden Powell or Luiz Bonfa, but with a close-up style that's even more intimate and personal – even at moments when the instrumentation is slightly expanded by organ, flute, or other instrumentation. There's a great sense of melancholy running through the record – almost like Baden Powell on his best European sessions – and although spare, the record has a tremendous sense of power, one that we don't always hear in Toquinho's later work. Titles include "Ole Ola", "Da Me", "Allemande", "Antes E Depois", "Canto De Ossanha", "Zambi", "Valsa De Euridice", and "Triste Amor Que Vai Morrer". 1970's Toquinho is an album done before his famous collaborations with Vincius De Moraes, and with a very different groove! The record features guest appearances by Jorge Ben on two tracks – and much of the record seems to have Toquinho absorbing a bit of Ben's spirit – using lively samba rhythms on some of the best tracks, which creates a groove that's really unexpected – and which makes the album a real standout in his catalog! Toquinho's guitar work is wonderful in the setting – maybe even more compelling in its deftness, and no less full of feeling – and titles include a killer reading of "Que Maravilha", done with Jorge Ben, who also guests on "Carolina Carol Bela" – and other titles include a version of "Bachianinha No 1" with Paulinho Nogueira; a great cover of Ben's "Zana"; and the tracks "Evocacao A Jacob", "Chuva Na Praia De Juqui", "Evocacao De Jacob", "De Ontem Pra Hoje", and "Na Agua Negra Da Lagoa". Botequim is one of the most compelling albums from the early years of Toquinho – a set that was done in collaboration with Gianfrancesco Guarnieri, who co-wrote the songs – in a mode that's much more soaring and spacious than some of Toquinho's other work! Female vocalist Marlene sings lead on about half the tracks, with Toquinho on the others – and there's an ambitious vibe to the album that's almost in territory of Edu Lobo, especially given the brightness of the arrangements. Titles include "Dane Se", "Quem Sabe Mais", "Cancao Do Medo", "Esperando Por Voce", "Quanto Vale Uma Crianca", "Embolada No Carrapato", and "Boboeu Nao Vai Entender". Boca Da Noite is a fantastic album from Toquinho – one of the best that he cut during the 70s! This album's got a much more stripped-down sound than others – with a soulful mix of vocals and spare acoustic guitar that sounds somewhere between the early 70s work of Baden Powell and Terry Callier – and which is way different than the bossa revival work Toquinho cut with Vinicius De Moraes! There's some larger arrangements lurking at the back of most tracks – but these are kept clean, and relatively spare – so that the strongest focus is on Toquinho's voice and guitar. Titles include a sparkling remake of "Asa Branca", done with a spare style that still retains the grandiose quality of the song – plus "Sem Enredo", "Boca Da Noite", "1969, Aeroporto Do Galeo", "Noite Longa", and "Lembrando Josh White". Set also features 2 bonus tracks – "Primavera" and "So Tinha De Ser Com Voce/Vivo Sonhando". CD

Possible matches15
CD, LP, Vinyl record album cover art
VariousBresil Instrumental – Solistes Et Virtuoses Bresiliens 1949 to 1962 (3CD set) ... CD
Fremeaux & Associates (France), Late 40s/1950s/Early 60s. New Copy 3CD ... $19.99 29.98
A really wonderful survey of Brazilian instrumental modes at mid-century – a set that moves between choro, samba, and early bossa styles – and also opens up into some other genres as well! The focus here is on key instrumentalists – players with a strong ability to improvise and solo, often in smaller group settings, on shorter tracks that really make them focus on serving up a lot of personality in a very tight space! As with other titles on the Fremeaux label, the package is a wonderful combination of history and listening pleasure – packed with a whopping 63 tracks in all – titles that include "Magoado" by Dilermando Reis, "Chorando Baixinho" by Abel Ferreira, "Monotonia" by Paulo Moura, "Primeiro Amor" by Radames Gnattali, "Grauna" by Jacob Do Bandolim, "Pedacinho Do Ceu" by Waldir Azevedo, "Insonia" by Baden Powell, "Espinha De Bacalhau" by Severino Araujo, "Melancolia" by Luiz Americano, "Luzes Do Rio" by Luis Bonfa, "Encabulado" by Jose Menezes, and "Dinora" by Altamiro Carrilho. CD
 
 
 



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