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Possible matches: 1
Possible matches1
CD, LP, Vinyl record album cover art
✨✧ Luiz HenriqueBarra Limpa ... LP
Verve, 1967. Used Gatefold ... Temporarily Out Of Stock
Incredible work from Luiz Henrique – one of our favorite singers of the 60s bossa era, heard here with some completely sublime arrangements! Luiz has a bit more jazz in his voice than some of his contemporaries – a great ability to sing both regular lyrics and wordless scatting – the latter of which is often heard to great effect fleshing out the tunes on this sweet mid 60s set for Verve! The style of the record is a bit simpler than some of the other Verve bossa sides from the time – with backings that are heavy on accordion from Sivuca, who himself sings a bit on the set, with that harmonica-like tone of his – plus guitar from Luiz, and a bit of bass and drums – all hanging beautifully in air with a wonderfully breezy sound throughout! Henrique sings some lyrics in English, and some in Portuguese – and titles include "Listen To Me", "Reza", "Mas Que Nada", "Or Moro", "If You Want To Be a Lover", and "Trip to Brazil". LP, Vinyl record album
(White label promo. Cover has light wear.)
 
Partial matches: 38
Partial matches2
CD, LP, Vinyl record album cover art
Tim MaiaTim Maia (1970) (180 gram pressing) ... LP
Polydor (Brazil), 1970. New Copy (reissue)... $32.99 39.99
The incredible first album by Tim Maia – Brazil's greatest soul star in the 70s, and for good reason too – given that Tim was one of the few who could match the depth of American soul and funk at the time! Yet the music here is way more than just a Brazilian version of American soul – as Tim brings in some rootsier elements from local musical styles, and even some of the trippier elements that were running through Brazilian music in the wake of Tropicalia – all to make for this heady brew of sounds that's completely unique, and completely wonderful all the way through! There's plenty of tracks here that would fit well alongside both familiar soul, and the modes of funky artists like Marcos Valle at the time – and the set also features work on guitar and backup vocals by Cassiano, who'd soon go onto become a Brazilian soul star on his own. Titles include the break-heavy "Padre Cicero" and "Voce Fingiu" – plus "Tributo A Booker Pittman", "Cristina No 2", "Jurema", "Flamengo", "Corone Antonio Bento", and "Primavera". LP, Vinyl record album
(Beautiful heavy vinyl pressing – with lyric insert!)

Partial matches3
CD, LP, Vinyl record album cover art
VariousSecao Ritmica – Instrumental Funk From 70s Brazil ... CD
Atemoya, 1970s. New Copy ... $11.99 15.98
Fierce funk from 70s Brazil – tracks that easily challenge the same heavy vibe you'd know from American work in the funky 45 underground of the time, or even some of the bigger jazz funk releases of the decade! The artists here aren't inspired by the sound of bossa nova – and instead take keen inspiration from the American world of jazz and soul – which they then mix with occasional instrumental touches of their own region, and often use some wonderfully trippy production to put a really unique spin on the music! So even though these tracks are filled with heavy drums, riffing guitars, and killer keyboards – they've got a special sound that really sets them apart from the American music that first gave them inspiration – all of which makes for an incredibly fresh approach to funky styles. Titles include "Sultana" by Aquarius Band, "Eu Quero Levar Voce Pra Casa" by Ed Lincoln, "The King's Bounce" by Free Sound Orchestra, "Tio Macro" by Dom Salvador, "Kool & The Gang" by Cry Babies, "Metropole" by Cesar Mariano & CIA, "Rush" by Free Sound Orchestra, "Assalto" by Ze Rodrix, "Mr Funky Samba" by Banda Black Rio, and "Tipo Africa" by Brazil Very Happy Band. Also includes "Big Splash" by Som Orlando Silveira, "Ju Ju Man" by Hot Stuff Band, "Batucada Tropical" by Jose Prates, "Bridge" by We, "The Name Of The Game" by Os Tremendoes, and "Papa Jimmy" by Guilherme Coutinho. CD

Partial matches4
CD, LP, Vinyl record album cover art
✨✧ VariousSecao Ritmica – Instrumental Funk From 70s Brazil ... LP
Atemoya, 1970s. New Copy ... Temporarily Out Of Stock
Fierce funk from 70s Brazil – tracks that easily challenge the same heavy vibe you'd know from American work in the funky 45 underground of the time, or even some of the bigger jazz funk releases of the decade! The artists here aren't inspired by the sound of bossa nova – and instead take keen inspiration from the American world of jazz and soul – which they then mix with occasional instrumental touches of their own region, and often use some wonderfully trippy production to put a really unique spin on the music! So even though these tracks are filled with heavy drums, riffing guitars, and killer keyboards – they've got a special sound that really sets them apart from the American music that first gave them inspiration – all of which makes for an incredibly fresh approach to funky styles. Titles include "Sultana" by Aquarius Band, "Eu Quero Levar Voce Pra Casa" by Ed Lincoln, "The King's Bounce" by Free Sound Orchestra, "Tio Macro" by Dom Salvador, "Kool & The Gang" by Cry Babies, "Metropole" by Cesar Mariano & CIA, "Rush" by Free Sound Orchestra, "Assalto" by Ze Rodrix, "Mr Funky Samba" by Banda Black Rio, and "Tipo Africa" by Brazil Very Happy Band. Bonus 7" single includes "Big Splash" by Som Orlando Silveira and "Ju Ju Man" by Hot Stuff Band. LP, Vinyl record album
Also available Secao Ritmica – Instrumental Funk From 70s Brazil ... CD 11.99

Partial matches5
CD, LP, Vinyl record album cover art
✨✧ Tim MaiaTim Maia (1970) ... LP
Polydor/Oficial Arquivos, 1970. New Copy ... Out Of Stock
The incredible first album by Tim Maia – Brazil's greatest soul star in the 70s, and for good reason too – given that Tim was one of the few who could match the depth of American soul and funk at the time! Yet the music here is way more than just a Brazilian version of American soul – as Tim brings in some rootsier elements from local musical styles, and even some of the trippier elements that were running through Brazilian music in the wake of Tropicalia – all to make for this heady brew of sounds that's completely unique, and completely wonderful all the way through! There's plenty of tracks here that would fit well alongside both familiar soul, and the modes of funky artists like Marcos Valle at the time – and the set also features work on guitar and backup vocals by Cassiano, who'd soon go onto become a Brazilian soul star on his own. Titles include the break-heavy "Padre Cicero" and "Voce Fingiu" – plus "Tributo A Booker Pittman", "Cristina No 2", "Jurema", "Flamengo", "Corone Antonio Bento", and "Primavera". LP, Vinyl record album
Also available Tim Maia (1970) (180 gram pressing) ... LP 32.99

Partial matches6
CD, LP, Vinyl record album cover art
✨✧ Tim MaiaTim Maia (1970) (CD & book) ... CD
Polydor/Abril Cultural (Brazil), 1970. New Copy ... Out Of Stock
The incredible first album by Tim Maia – Brazil's greatest soul star in the 70s, and for good reason too – given that Tim was one of the few who could match the depth of American soul and funk at the time! Yet the music here is way more than just a Brazilian version of American soul – as Tim brings in some rootsier elements from local musical styles, and even some of the trippier elements that were running through Brazilian music in the wake of Tropicalia – all to make for this heady brew of sounds that's completely unique, and completely wonderful all the way through! There's plenty of tracks here that would fit well alongside both familiar soul, and the modes of funky artists like Marcos Valle at the time – and the set also features work on guitar and backup vocals by Cassiano, who'd soon go onto become a Brazilian soul star on his own. Titles include the break-heavy "Padre Cicero" and "Voce Fingiu" – plus "Tributo A Booker Pittman", "Cristina No 2", "Jurema", "Flamengo", "Corone Antonio Bento", and "Primavera". Amazing package, too – comes in a hardcover book-style jacket, with a bonus 45 page book that also includes full color images, with lots of vintage photos, plus notes on the record in Portuguese! The whole thing's sort of an update of the old Abril Cultural style of the 70s – brought into the CD generation. CD
Also available Tim Maia (1970) (180 gram pressing) ... LP 32.99

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ El KintoEl Kinto – Complete Collection ... CD
Lion, Late 60s. New Copy ... Out Of Stock
An incredible collection of work by El Kinto – a short-lived but crucially important group in the Uruguay rock scene of the late 60s – finally given their due in this overstuffed deluxe CD package! El Kinto were a seminal link between the beat group sounds of the earlier South American scene, and some of the headier, tripper work to come in the psychedelic years – and their music was an unusual blend of local roots and more ambitious rock – served up in styles that were somewhat different than the candombe music of other artists on the scene. Core rock instrumentation was often augmented by a bit of Latin percussion – used in a way that created a nicely earthy feel at the bottom of most of the tunes, which was in contrast to the cleaner, but also somewhat spare use of guitars on the top. There's a criss-crossing sensibility here that's not unlike Brazilian Tropicalia at times – although clearly not as politically motivated, nor as culturally radical – and what really blows us away about these tunes is the overall sense of sound – a simple, but extremely effective placement of all the simplest elements, to create music without easy comparison (even though we've been trying for the last few lines!) Group members include percussionist Ruben Rada and South American rock legend Eduardo Mateo – and the package features 16 tracks by El Kinto – plus 6 more by related artists The Knights, Aldo Y Daniel, and Roberta Lee. Titles include "Jose", "Mejor Me Voy", "Estoy Sin Ti", "Muy Lejos Te Vas", "Esa Tristeza", "Don Pascual", "Damelo", "Pippo", "Yo Volvere Por Ti", "Como El Brillo Del Sol", "La Felicita", and "Penas De Sal". CD

Partial matches8
CD, LP, Vinyl record album cover art
Erasmo CarlosSonhos E Memorias 1941 to 1972 ... CD
Polydor/Light In The Attic, 1972. New Copy ... $13.99 15.98
A record filled with cover images that run from Richard Nixon to Elvis Presley, to Mick Jagger, Caetano Veloso, Chairman Mao, Jorge Ben, Jimi Hendrix, and Andy Warhol – and a set whose sound definitely seems to live up to such heady company from the 20th century! Erasmo Carlos is at his inventive best here – very playfully creative, yet in a way that refines his style from his trippier years – almost a reinvention of the singer's approach for a new generation of MPB – in a manner that some of the Tropicalia artists were doing at the time. The songwriting and production are great – and if the album were in English, it may well have been a global hit (although it did pretty well at home back in Brazil!) – and titles include "Mane Joao", "Largo Da Segunda Feira", "Sabado Morto", "E Proibido Fumar", "Preciso Encontrar Um Amigo", and "Mundo Cao". CD

Partial matches9
CD, LP, Vinyl record album cover art
Beth CarvalhoMundo Melhor ... CD
BMG/RCA (Brazil), 1976. Used ... $7.99
Beth Carvalho was one of the leading lights of the new samba generation of the 70s – and this great little album is a good illustration of the lady at her best! Beth can hit a lively groove with the best of them, but also bring a bit more expression to her voice as well – sometimes almost reaching territory of her more sophisticated partners in the MPB generation – but never losing sight of the lightly tripping qualities that make her samba so great! Core instrumentation comes from cavaquinho, 7 string guitar, and lots more percussion – arranged by Ivan Paulo and Rildo Hora, on titles that include "Antes Ele Do Que Eu", "Te Segura", "Salario Minimo", "Meu Escudo", "Divina E A Musica", "Mundo Melhor", and "Quero Alegria". CD
(Out of print.)

Partial matches10
CD, LP, Vinyl record album cover art
Clarke Boland Big Band/Mitchell-Ruff DuoJazz Is Universal/After This Message ... CD
Collectables, 1962/1966. Used ... $2.99
One of the killer early albums by the CBBB is paired with a nutty one by the Mitchell-Ruff Duo! Jazz Is Universal is one of the best pre-MPS sides by the Clarke-Boland outfit, and it features a slightly more stripped down version of the group than you'll hear on later records. The swing's still nicely in place, though – and the record features the usual great mix of European and American soloists, like Sahib Shihab, Carl Drewo, Zoot Sims, Jimmy Deuchar, and Benny Bailey. Titles include "Volutes", "The Styx", "Los Bravos", and "Box 703" – all from the highly imaginative pen of Francy Boland! And speaking of imaginative, the strange combo of Dwike Mitchell, pianist, and Willie Ruff, bass & French horn, is joined by Brazilian drummer Helcio Milito (of the Tamba Trio) in this lively set of soulful instrumentals that mix up virtuosity and humor, in a way that's similar to some of the jazzier work by the Young Holt Trio. Titles on that set include "The Prank", "Chou Chou", "Young Soul", and "Improvisation On Solo For Unaccompanied Bass". 15 cuts in all, with over 70 minutes of music – and in a nice package, too! CD

Partial matches11
CD, LP, Vinyl record album cover art
Gal CostaGal (1969) (180 gram pressing) ... LP
Philips/Polysom (Brazil), 1969. New Copy (reissue)... $32.99
Heady heady work from the legendary Gal Costa – caught here right at her early best, smack dab in the middle of the Tropicalia years! The album's one of Gal's legendary collaborations with arranger Rogerio Duprat – and it's very much in the spirit of her other incredible session from 1969, but also features some even heavier and more tripped out guitar – in a way that really pushes the psychedelic aspect of the work! The sound here is really amazing – very fuzzy and freaky at times, in ways that make the album one of the most rocking sets of the entire Tropicalia scene, but in ways that still hang onto the quirky experimental qualities of work by Os Mutantes or Caetano Veloso. Gal's vocals really rip out amazingly at times – light years away from the sweet sound of the late 70s, and more in the frenetic, urgent style you'd expect from the politically-charged scene that spawned the set. Caetano Veloso and Gilberto Gil join Gal on a great version of "Pais Tropical", Jards Macale guest stars on the classic "Empty Boat" – and other tracks include "Tuareg", "Meu Nome E Gal", "Pulsars E Quasars", and "Cultura E Civilizaco". Essential! LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
Stan Getz with Joao GilbertoBest Of Two Worlds ... LP
Columbia, 1976. Very Good- ... $4.99
A wonderful return to the sounds of Brazil for Stan Getz – a 70s album that reunites him with Joao Gilberto, but in a style that's somewhat different than the pair's older Verve recordings! The sound here is looser, freer – more in that breezy Brazilian mode that evolved out of the initial bossa years – and Stan's tenor sounds great in the setting, with those loose yet heartfelt lines we love so much from this period! Joao's great too – somehow even more "present" on the record than before, with that amazing ability to do so much with so little – as on some of his own great 70s recordings. Miucha contributes some English language vocals to the record alongside Joao's Portuguese ones, and Oscar Castro Neves handled the arrangements with a nicely stripped-down style that has plenty of focus on the percussion and rhythms. Titles include a sublime English language version of "Aqua De Marco (Waters Of March)", plus the tracks "Double Rainbow", "Falsa Bahiana", "Ligia", "Izaura", "Eu Vim Da Bahia", and "E Preciso Perdoar". LP, Vinyl record album

Partial matches13
CD, LP, Vinyl record album cover art
Gilberto GilFe Na Festa ... CD
Facil (Brazil), 2010. New Copy ... $3.99
One of the freshest albums we've heard in years from Gilberto Gil – a set that seems to shake off some of the misdirections of recent records, and really get back the sharper style of his roots – while still also heading off into a new mode as well! There's a definite forro undercurrent here, especially in the rhythms – and Gil uses the style to strip things down, get a bit rootsy, and really bring up these great earthy grooves alongside his vocals – moving things towards the spirit of his late 70s music, even though things here sound totally different! Production is never too slick, and titles include "Marmundo", "Assim Sim", "Fe Na Festa", "Marla Minha", "Aprendi Com O Rei", "La Vem Ela", and "Sao Jao Carioca". CD

Partial matches14
CD, LP, Vinyl record album cover art
Joao Gilberto/Caetano Veloso/Gilberto Gil/Maria BBrasil (photo cover) ... LP
Warner, 1981. Near Mint- ... $19.99
The best of Brazil, old and new – as Joao Gilberto meets up with a younger generation of Brazilian vocalists – Caetano Veloso, Gilberto Gil, and Maria Bethania – all for a wonderful session of stripped-down bossa! The work is very much in Joao's best style of the early 70s – a back to basics return, handled with even more intimacy than before – with production by Gilberto, and some beautifully understated arrangements from Johnny Mandel! Tracks are all nice and long, and allow for lots of vocal interplay between the four singers on the set. Titles include "Cordeiro De Nana", "Aquarela Do Brasil", "Milagre", and "Bahia Com H". LP, Vinyl record album
(Dutch pressing.)

Partial matches15
CD, LP, Vinyl record album cover art
Luiz Gonzaga Jr (Gonzaguinha)Alo Alo Brasil ... LP
EMI (Brazil), 1983. Very Good+ ... $9.99
This one's awash in keyboard work by Jota Moraes – smooth, but not slick, in a style that's a bit more stripped down and less ambitious than some of Luiz's other work – yet done in a way that actually still sounds pretty great. Overall, the record's a bit more intimate, a bit more laidback than some of his others – mature and well-written songs, handled with a really nice vocal style. Titles include "Memoria", "Nave Especial", "Feliz", "Todo Boato Tem Um Fundo Musical", "Se Eu Quiser Viver", and "Alo Alo Brasil". LP, Vinyl record album
(In the nice envelope style sleeve with the heavy inner sleeve. Vinyl has a short click in one spot, but the rest is great.)

Partial matches16
CD, LP, Vinyl record album cover art
Antonio Carlos Jobim & OthersTom Masculino – Eles Cantam Antonio Carlos Jobim ... CD
Universal (Brazil), 1960s/1970s. New Copy ... $16.99
The music of Antonio Carlos Jobim opened up huge new territory for male singers in Brazil during the 60s – a way of being personal and emotive, but without any of the overdone modes of the generation before – nor some of the false bravado that was usually mixed in with the presentation of the lyrics! Instead, Jobim allowed a stripped-down, warmly poetic approach that opened up huge new territory for singers in the bossa generation and beyond – as you'll hear in this very cool collection of classic work that begins during the initial time of Jobim's first compositions, and runs through the 60s and 70s to show an array of artists who were really helping to transform his music. Titles include "Ligia" by Chico Buarque, "Eu Sei Que Vou Te Amar" by Caetano Veloso, "So Danco Samba" by Joao Donato, "Tema De Amor De Gabriela" by Ney Matogrosso, "Samba De Uma Nota So" by Baden Powell & Jimmy Pratt, "So Tinha De Ser Com Voce" by Pedro Mariano, "Olha Maria" by Emilio Santiago, "Agua De Beber" by Tamba Trio, "Dindi" by Lucio Alves, and "Ana Luiza" by MPB4. CD

Partial matches17
CD, LP, Vinyl record album cover art
Rita LeeHoje E O Primeiro Dia Do Resto Da Sua Vida (180 gram pressing) ... LP
Polydor/Polysom (Brazil), 1972. New Copy Gatefold (reissue)... $32.99
A tripped-out batch of hard jamming tracks from ex-Mutante Rita Lee – recorded with assistance from all the members of the group at the time, but in a mode that's quite different overall! Lee is clearly the star of the show here – singing all lyrics with a much fiercer vocal approach than on her earlier solo album – pushing things hard to keep up with the jamming keyboards of Arnaldo Baptista and guitar of Sergio Dias – both of whom are working with the energy that would show up in the Mutantes styles in the years after Lee departed. One of the most compelling aspects of the record is the structure of the tunes – less conventionally rockish overall than the direction Os Mutantes were moving towards – and still with that strong dramatic flair that Lee always provided when in the group. Titles include "Vamos Tratar Da Saude", "Amor Branco E Preto", "Superficie Do Planeta", "Teimoisia", "Tapupukitipa", "Beija Me Amor", and "Frique Como". LP, Vinyl record album

Partial matches18
CD, LP, Vinyl record album cover art
Sergio Mendes & Brasil '66Herb Alpert Presents Sergio Mendes & Brasil '66 (180 gram vinyl) ... LP
A&M/Speakers Corner (Germany), 1966. Sealed ... $29.99
The start of a legend – and the very first album by Sergio Mendes' Brasil 66 group, proudly brought to the world through the godlike talents of a young Herb Alpert! Sergio was no stranger to the recording studio by the time of this set, but the record marked a real shift in his music – a change from the mostly-instrumental bossa modes he first forged back in Brazil, and a shift to warmer, sweeter pop with a nice sunny California finish – done through unique production techniques and the group's trademark two-lady lead vocals! The sound is tremendous, and is possibly heard in its purest form here – simple, focused, and given that near-perfect A&M sound through Herb's production skills. Titles include the classics "Daytripper", "Aqua De Beber", "O Pato", "Berimbau", "Mas Que Nada", and "The Joker". LP, Vinyl record album

Partial matches19
CD, LP, Vinyl record album cover art
Quarteto NovoQuarteto Novo ... CD
Odeon/EMI (Brazil), 1967. Used ... $9.99
A landmark album that changed a generation of Brazilian musicians – a sublime instrumental collaboration between Airto, Hermeto Pascoal, and 2 other great musicians of their generation! The sound is quite unique – almost a modern recasting of older rootsy modes – taken into the complicated jazzy territory of Airto and Pascoal's best work of the early 70s, but done in an even more stripped down mode! Airto plays percussion, Pascoal plays flute, Geraldo Vandre handles guitar, and Theo De Barros is also in the group – and there's a groove that's impossible to describe accurately, but which you'll instantly recognize as archetypal! Includes the legendary tracks "Misturada" and "Vim de Santana" – plus "Sintese", "Canta Maria", "Canto Geral", and "O Ovo". CD
(Out of print.)

Partial matches20
CD, LP, Vinyl record album cover art
Ze RamalhoZe Ramalho De Paraiba ... CD
Discobertas (Brazil), Mid 70s. Used 2CD ... $9.99
Vintage live work from this legendary Brazilian rocker – a series of different concerts, all brought together in a very cool 2CD package! The set features material from the shows Atlantida (1973), Um Dia Antes Da Vida (1976), Tres Aboios Diferentes (1974), and Coletiva De Musica Paraibana (1976) – plus one more track from a 1977 show – all with Ze Ramalho on vocals and guitar, working in relatively stripped-down settings with deeply personal inflections! The collection's a great contrast to some of his more produced studio albums – and titles include "O Monte Olimpia", "Avohai", "A Arvore", "Puxa Puxa", "Brejo Do Cruz", "Jacarepagua Blues", "Taxi Lunar", and "Aboio Eletronico". CD

Partial matches21
CD, LP, Vinyl record album cover art
ToquinhoQue Maravilha 1966 to 1974 (A Bossa Do Toquinho/Toquinho/Botequim/Boca Da Noite) (4CD set) ... CD
RGE/Discobertas (Brazil), Late 60s/Early 70s. New Copy 4CD ... $34.99
Four early albums by Toquinho – packaged together here in a single set, and with two bonus tracks too! First up is A Bossa Do Toquinho, from 1966 – an honest to goodness actual bossa nova session from Toquinho – one that's recorded during the 60s, and not one of his bossa-revival styled sets from later years! The Toquinho here is a bit more tender and tentative than in later years – playing acoustic guitar in a setting that evokes the work of Baden Powell or Luiz Bonfa, but with a close-up style that's even more intimate and personal – even at moments when the instrumentation is slightly expanded by organ, flute, or other instrumentation. There's a great sense of melancholy running through the record – almost like Baden Powell on his best European sessions – and although spare, the record has a tremendous sense of power, one that we don't always hear in Toquinho's later work. Titles include "Ole Ola", "Da Me", "Allemande", "Antes E Depois", "Canto De Ossanha", "Zambi", "Valsa De Euridice", and "Triste Amor Que Vai Morrer". 1970's Toquinho is an album done before his famous collaborations with Vincius De Moraes, and with a very different groove! The record features guest appearances by Jorge Ben on two tracks – and much of the record seems to have Toquinho absorbing a bit of Ben's spirit – using lively samba rhythms on some of the best tracks, which creates a groove that's really unexpected – and which makes the album a real standout in his catalog! Toquinho's guitar work is wonderful in the setting – maybe even more compelling in its deftness, and no less full of feeling – and titles include a killer reading of "Que Maravilha", done with Jorge Ben, who also guests on "Carolina Carol Bela" – and other titles include a version of "Bachianinha No 1" with Paulinho Nogueira; a great cover of Ben's "Zana"; and the tracks "Evocacao A Jacob", "Chuva Na Praia De Juqui", "Evocacao De Jacob", "De Ontem Pra Hoje", and "Na Agua Negra Da Lagoa". Botequim is one of the most compelling albums from the early years of Toquinho – a set that was done in collaboration with Gianfrancesco Guarnieri, who co-wrote the songs – in a mode that's much more soaring and spacious than some of Toquinho's other work! Female vocalist Marlene sings lead on about half the tracks, with Toquinho on the others – and there's an ambitious vibe to the album that's almost in territory of Edu Lobo, especially given the brightness of the arrangements. Titles include "Dane Se", "Quem Sabe Mais", "Cancao Do Medo", "Esperando Por Voce", "Quanto Vale Uma Crianca", "Embolada No Carrapato", and "Boboeu Nao Vai Entender". Boca Da Noite is a fantastic album from Toquinho – one of the best that he cut during the 70s! This album's got a much more stripped-down sound than others – with a soulful mix of vocals and spare acoustic guitar that sounds somewhere between the early 70s work of Baden Powell and Terry Callier – and which is way different than the bossa revival work Toquinho cut with Vinicius De Moraes! There's some larger arrangements lurking at the back of most tracks – but these are kept clean, and relatively spare – so that the strongest focus is on Toquinho's voice and guitar. Titles include a sparkling remake of "Asa Branca", done with a spare style that still retains the grandiose quality of the song – plus "Sem Enredo", "Boca Da Noite", "1969, Aeroporto Do Galeo", "Noite Longa", and "Lembrando Josh White". Set also features 2 bonus tracks – "Primavera" and "So Tinha De Ser Com Voce/Vivo Sonhando". CD
 
 
 



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