All Categories

$



Items/page

a trip to brazil Edit search Phrase match

 
Sort by
Partial matches: 22
Partial matches1
CD, LP, Vinyl record album cover art
✨✧ Dorothy AshbyDorothy's Harp (180 gram pressing) ... LP
Cadet/Music On Vinyl (UK), 1969. New Copy (reissue)... $25.99 29.99
One of the grooviest Dorothy Ashby albums of the 60s – a set that has her already-great jazz work on harp backed by Chicago soul arrangements from Richard Evans – all in a blend that's somewhere in the territory of the Soulful Strings, but even groovier! And as an added bonus, Odell Brown even plays a bit of Fender Rhodes on the record – which sounds especially great! Both Ashby and Evans are at the height of their powers here – mixing together bits of jazz, soul, and trippier elements in a sublime late 60s Cadet Records blend – one that's carried off perfectly on the original tunes "Truth Spoken Here", "Tornado", "Cause I Need It", and "Just Had To Tell Somebody" – but which also sounds great on some of the album's cool covers too! Other titles include Brazilian numbers "Reza" and "Canto De Ossanha" – both of which are transformed in Dorothy's hands – plus "This Girl's In Love", "By the Time I Get to Phoenix", and "Windmills of Your Mind"! LP, Vinyl record album
(Limited edition of 750 – on 180 gram blue vinyl!)

Partial matches2
CD, LP, Vinyl record album cover art
VariousSecao Ritmica – Instrumental Funk From 70s Brazil ... CD
Atemoya, 1970s. New Copy ... $11.99 15.98
Fierce funk from 70s Brazil – tracks that easily challenge the same heavy vibe you'd know from American work in the funky 45 underground of the time, or even some of the bigger jazz funk releases of the decade! The artists here aren't inspired by the sound of bossa nova – and instead take keen inspiration from the American world of jazz and soul – which they then mix with occasional instrumental touches of their own region, and often use some wonderfully trippy production to put a really unique spin on the music! So even though these tracks are filled with heavy drums, riffing guitars, and killer keyboards – they've got a special sound that really sets them apart from the American music that first gave them inspiration – all of which makes for an incredibly fresh approach to funky styles. Titles include "Sultana" by Aquarius Band, "Eu Quero Levar Voce Pra Casa" by Ed Lincoln, "The King's Bounce" by Free Sound Orchestra, "Tio Macro" by Dom Salvador, "Kool & The Gang" by Cry Babies, "Metropole" by Cesar Mariano & CIA, "Rush" by Free Sound Orchestra, "Assalto" by Ze Rodrix, "Mr Funky Samba" by Banda Black Rio, and "Tipo Africa" by Brazil Very Happy Band. Also includes "Big Splash" by Som Orlando Silveira, "Ju Ju Man" by Hot Stuff Band, "Batucada Tropical" by Jose Prates, "Bridge" by We, "The Name Of The Game" by Os Tremendoes, and "Papa Jimmy" by Guilherme Coutinho. CD

Partial matches3
CD, LP, Vinyl record album cover art
VariousSecao Ritmica – Instrumental Funk From 70s Brazil ... LP
Atemoya, 1970s. New Copy ... Just Sold Out!
Fierce funk from 70s Brazil – tracks that easily challenge the same heavy vibe you'd know from American work in the funky 45 underground of the time, or even some of the bigger jazz funk releases of the decade! The artists here aren't inspired by the sound of bossa nova – and instead take keen inspiration from the American world of jazz and soul – which they then mix with occasional instrumental touches of their own region, and often use some wonderfully trippy production to put a really unique spin on the music! So even though these tracks are filled with heavy drums, riffing guitars, and killer keyboards – they've got a special sound that really sets them apart from the American music that first gave them inspiration – all of which makes for an incredibly fresh approach to funky styles. Titles include "Sultana" by Aquarius Band, "Eu Quero Levar Voce Pra Casa" by Ed Lincoln, "The King's Bounce" by Free Sound Orchestra, "Tio Macro" by Dom Salvador, "Kool & The Gang" by Cry Babies, "Metropole" by Cesar Mariano & CIA, "Rush" by Free Sound Orchestra, "Assalto" by Ze Rodrix, "Mr Funky Samba" by Banda Black Rio, and "Tipo Africa" by Brazil Very Happy Band. Bonus 7" single includes "Big Splash" by Som Orlando Silveira and "Ju Ju Man" by Hot Stuff Band. LP, Vinyl record album
Also available Secao Ritmica – Instrumental Funk From 70s Brazil ... CD 11.99

Partial matches4
CD, LP, Vinyl record album cover art
✨✧ PigbagDr Heckle & Mr Jive ... LP
Stiff/Y Records, 1981. Used ... Out Of Stock
Fast-riffing post-punk jazz from Pigbag – captured here at their lean and stripped-down best! The album's the group's first, and has them working in a flurry of spontaneous horn parts – saxes, trumpet, and trombone leaping together with a skittish energy that's kind of a jazz-based take on the frenetic grooves of more guitar-based UK groups of the same period. Rhythms are especially strong on most tracks, and given the tight vamping of the group along with the bass, there's a feel here that predates some of the more recent work on the club jazz scene – particularly the hard-wailing sound of Soil & Pimp Sessions. All tracks are instrumentals, and titles include "Getting Up", "Big Bag", "Dozo Don", "Brazil Nuts", "Brian The Snail", "As It Will Be", and "Orangutanto". LP, Vinyl record album
(UK pressing on Y Records, including the original inner sleeve. Cover has some edge wear.)

Partial matches5
CD, LP, Vinyl record album cover art
✨✧ Tim MaiaTim Maia (1970) (180 gram pressing) ... LP
Polydor (Brazil), 1970. New Copy (reissue)... Out Of Stock
The incredible first album by Tim Maia – Brazil's greatest soul star in the 70s, and for good reason too – given that Tim was one of the few who could match the depth of American soul and funk at the time! Yet the music here is way more than just a Brazilian version of American soul – as Tim brings in some rootsier elements from local musical styles, and even some of the trippier elements that were running through Brazilian music in the wake of Tropicalia – all to make for this heady brew of sounds that's completely unique, and completely wonderful all the way through! There's plenty of tracks here that would fit well alongside both familiar soul, and the modes of funky artists like Marcos Valle at the time – and the set also features work on guitar and backup vocals by Cassiano, who'd soon go onto become a Brazilian soul star on his own. Titles include the break-heavy "Padre Cicero" and "Voce Fingiu" – plus "Tributo A Booker Pittman", "Cristina No 2", "Jurema", "Flamengo", "Corone Antonio Bento", and "Primavera". LP, Vinyl record album
(Beautiful heavy vinyl pressing – with lyric insert!)

Partial matches6
CD, LP, Vinyl record album cover art
Erasmo CarlosSonhos E Memorias 1941 to 1972 ... CD
Polydor/Light In The Attic, 1972. New Copy ... $13.99 15.98
A record filled with cover images that run from Richard Nixon to Elvis Presley, to Mick Jagger, Caetano Veloso, Chairman Mao, Jorge Ben, Jimi Hendrix, and Andy Warhol – and a set whose sound definitely seems to live up to such heady company from the 20th century! Erasmo Carlos is at his inventive best here – very playfully creative, yet in a way that refines his style from his trippier years – almost a reinvention of the singer's approach for a new generation of MPB – in a manner that some of the Tropicalia artists were doing at the time. The songwriting and production are great – and if the album were in English, it may well have been a global hit (although it did pretty well at home back in Brazil!) – and titles include "Mane Joao", "Largo Da Segunda Feira", "Sabado Morto", "E Proibido Fumar", "Preciso Encontrar Um Amigo", and "Mundo Cao". CD
Also available Sonhos E Memorias 1941 to 1972 (180 gram pressing) ... LP 21.99

Partial matches7
CD, LP, Vinyl record album cover art
Erasmo CarlosSonhos E Memorias 1941 to 1972 (180 gram pressing) ... LP
Polydor/Light In The Attic, 1972. New Copy Gatefold (reissue)... $21.99 23.98
A record filled with cover images that run from Richard Nixon to Elvis Presley, to Mick Jagger, Caetano Veloso, Chairman Mao, Jorge Ben, Jimi Hendrix, and Andy Warhol – and a set whose sound definitely seems to live up to such heady company from the 20th century! Erasmo Carlos is at his inventive best here – very playfully creative, yet in a way that refines his style from his trippier years – almost a reinvention of the singer's approach for a new generation of MPB – in a manner that some of the Tropicalia artists were doing at the time. The songwriting and production are great – and if the album were in English, it may well have been a global hit (although it did pretty well at home back in Brazil!) – and titles include "Mane Joao", "Largo Da Segunda Feira", "Sabado Morto", "E Proibido Fumar", "Preciso Encontrar Um Amigo", and "Mundo Cao". LP, Vinyl record album
Also available Sonhos E Memorias 1941 to 1972 ... CD 13.99

Partial matches8
CD, LP, Vinyl record album cover art
Gal CostaGal (1969) (180 gram pressing) ... LP
Philips/Polysom (Brazil), 1969. New Copy (reissue)... $32.99
Heady heady work from the legendary Gal Costa – caught here right at her early best, smack dab in the middle of the Tropicalia years! The album's one of Gal's legendary collaborations with arranger Rogerio Duprat – and it's very much in the spirit of her other incredible session from 1969, but also features some even heavier and more tripped out guitar – in a way that really pushes the psychedelic aspect of the work! The sound here is really amazing – very fuzzy and freaky at times, in ways that make the album one of the most rocking sets of the entire Tropicalia scene, but in ways that still hang onto the quirky experimental qualities of work by Os Mutantes or Caetano Veloso. Gal's vocals really rip out amazingly at times – light years away from the sweet sound of the late 70s, and more in the frenetic, urgent style you'd expect from the politically-charged scene that spawned the set. Caetano Veloso and Gilberto Gil join Gal on a great version of "Pais Tropical", Jards Macale guest stars on the classic "Empty Boat" – and other tracks include "Tuareg", "Meu Nome E Gal", "Pulsars E Quasars", and "Cultura E Civilizaco". Essential! LP, Vinyl record album

Partial matches9
CD, LP, Vinyl record album cover art
Gilberto GilFe Na Festa ... CD
Facil (Brazil), 2010. New Copy ... $3.99
One of the freshest albums we've heard in years from Gilberto Gil – a set that seems to shake off some of the misdirections of recent records, and really get back the sharper style of his roots – while still also heading off into a new mode as well! There's a definite forro undercurrent here, especially in the rhythms – and Gil uses the style to strip things down, get a bit rootsy, and really bring up these great earthy grooves alongside his vocals – moving things towards the spirit of his late 70s music, even though things here sound totally different! Production is never too slick, and titles include "Marmundo", "Assim Sim", "Fe Na Festa", "Marla Minha", "Aprendi Com O Rei", "La Vem Ela", and "Sao Jao Carioca". CD

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Joao Gilberto/Caetano Veloso/Gilberto Gil/Maria BBrasil ... LP
Warner, 1981. Very Good+ ... $16.99
The best of Brazil, old and new – as Joao Gilberto meets up with a younger generation of Brazilian vocalists – Caetano Veloso, Gilberto Gil, and Maria Bethania – all for a wonderful session of stripped-down bossa! The work is very much in Joao's best style of the early 70s – a back to basics return, handled with even more intimacy than before – with production by Gilberto, and some beautifully understated arrangements from Johnny Mandel! Tracks are all nice and long, and allow for lots of vocal interplay between the four singers on the set. Titles include "Cordeiro De Nana", "Aquarela Do Brasil", "Milagre", and "Bahia Com H". LP, Vinyl record album

Partial matches11
CD, LP, Vinyl record album cover art
Antonio Carlos Jobim & OthersTom Masculino – Eles Cantam Antonio Carlos Jobim ... CD
Universal (Brazil), 1960s/1970s. New Copy ... $16.99
The music of Antonio Carlos Jobim opened up huge new territory for male singers in Brazil during the 60s – a way of being personal and emotive, but without any of the overdone modes of the generation before – nor some of the false bravado that was usually mixed in with the presentation of the lyrics! Instead, Jobim allowed a stripped-down, warmly poetic approach that opened up huge new territory for singers in the bossa generation and beyond – as you'll hear in this very cool collection of classic work that begins during the initial time of Jobim's first compositions, and runs through the 60s and 70s to show an array of artists who were really helping to transform his music. Titles include "Ligia" by Chico Buarque, "Eu Sei Que Vou Te Amar" by Caetano Veloso, "So Danco Samba" by Joao Donato, "Tema De Amor De Gabriela" by Ney Matogrosso, "Samba De Uma Nota So" by Baden Powell & Jimmy Pratt, "So Tinha De Ser Com Voce" by Pedro Mariano, "Olha Maria" by Emilio Santiago, "Agua De Beber" by Tamba Trio, "Dindi" by Lucio Alves, and "Ana Luiza" by MPB4. CD

Partial matches12
CD, LP, Vinyl record album cover art
Tim MaiaTim Maia (1977) ... CD
Som Livre (Brazil), 1977. New Copy ... About February 25, 2018
70s soul from Brazil – and a tremendously strong effort from the legendary Tim Maia! This record was Tim's first after an initial run on Polydor – and it shows Maia tightening up his groove even more, but still avoiding the slicker sounds of later years. There's a really focused sound here that's totally great – one that shows that Maia's work was hardly just some happy cross-cultural accident, and instead the careful work of an artist who was out to challenge the best American soul acts of the time! There's a warm little groove to most of the tracks – tripping along lightly in the vein of some of our favorite US mellow soul from the mid 70s – an approach that's mostly soul, but with some funky undercurrents – and often smooth, but never cloying or overly commercial. Titles include "Ride Twist & Roll", "Flores Belas", "Let It All Hang Out", "Sem Voce", "E Necessario", "Leva O Meu Blue", "Pense Menos", and "Musica Para Betinha". CD

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ Sergio Mendes & Brasil '66Herb Alpert Presents Sergio Mendes & Brasil '66 ... LP
A&M, 1966. Very Good ... $7.99
The start of a legend – and the very first album by Sergio Mendes' Brasil 66 group, proudly brought to the world through the godlike talents of a young Herb Alpert! Sergio was no stranger to the recording studio by the time of this set, but the record marked a real shift in his music – a change from the mostly-instrumental bossa modes he first forged back in Brazil, and a shift to warmer, sweeter pop with a nice sunny California finish – done through unique production techniques and the group's trademark two-lady lead vocals! The sound is tremendous, and is possibly heard in its purest form here – simple, focused, and given that near-perfect A&M sound through Herb's production skills. Titles include the classics "Daytripper", "Aqua De Beber", "O Pato", "Berimbau", "Mas Que Nada", and "The Joker". LP, Vinyl record album

Partial matches14
CD, LP, Vinyl record album cover art
Quinteto VioladoAte A Amazonia ... LP
Philips (Brazil), 1978. Near Mint- ... $14.99
A stunning cover – even trippier than the group's music! Titles include "Profissao De Fe", "Cancao Marginal", "Conto Do Canto", "Palavra Acesa", "Mestre Vitalino", and "Taeiras". LP, Vinyl record album
(Includes lyric insert!)

Partial matches15
CD, LP, Vinyl record album cover art
ToquinhoQue Maravilha 1966 to 1974 (A Bossa Do Toquinho/Toquinho/Botequim/Boca Da Noite) (4CD set) ... CD
RGE/Discobertas (Brazil), Late 60s/Early 70s. New Copy 4CD ... $34.99
Four early albums by Toquinho – packaged together here in a single set, and with two bonus tracks too! First up is A Bossa Do Toquinho, from 1966 – an honest to goodness actual bossa nova session from Toquinho – one that's recorded during the 60s, and not one of his bossa-revival styled sets from later years! The Toquinho here is a bit more tender and tentative than in later years – playing acoustic guitar in a setting that evokes the work of Baden Powell or Luiz Bonfa, but with a close-up style that's even more intimate and personal – even at moments when the instrumentation is slightly expanded by organ, flute, or other instrumentation. There's a great sense of melancholy running through the record – almost like Baden Powell on his best European sessions – and although spare, the record has a tremendous sense of power, one that we don't always hear in Toquinho's later work. Titles include "Ole Ola", "Da Me", "Allemande", "Antes E Depois", "Canto De Ossanha", "Zambi", "Valsa De Euridice", and "Triste Amor Que Vai Morrer". 1970's Toquinho is an album done before his famous collaborations with Vincius De Moraes, and with a very different groove! The record features guest appearances by Jorge Ben on two tracks – and much of the record seems to have Toquinho absorbing a bit of Ben's spirit – using lively samba rhythms on some of the best tracks, which creates a groove that's really unexpected – and which makes the album a real standout in his catalog! Toquinho's guitar work is wonderful in the setting – maybe even more compelling in its deftness, and no less full of feeling – and titles include a killer reading of "Que Maravilha", done with Jorge Ben, who also guests on "Carolina Carol Bela" – and other titles include a version of "Bachianinha No 1" with Paulinho Nogueira; a great cover of Ben's "Zana"; and the tracks "Evocacao A Jacob", "Chuva Na Praia De Juqui", "Evocacao De Jacob", "De Ontem Pra Hoje", and "Na Agua Negra Da Lagoa". Botequim is one of the most compelling albums from the early years of Toquinho – a set that was done in collaboration with Gianfrancesco Guarnieri, who co-wrote the songs – in a mode that's much more soaring and spacious than some of Toquinho's other work! Female vocalist Marlene sings lead on about half the tracks, with Toquinho on the others – and there's an ambitious vibe to the album that's almost in territory of Edu Lobo, especially given the brightness of the arrangements. Titles include "Dane Se", "Quem Sabe Mais", "Cancao Do Medo", "Esperando Por Voce", "Quanto Vale Uma Crianca", "Embolada No Carrapato", and "Boboeu Nao Vai Entender". Boca Da Noite is a fantastic album from Toquinho – one of the best that he cut during the 70s! This album's got a much more stripped-down sound than others – with a soulful mix of vocals and spare acoustic guitar that sounds somewhere between the early 70s work of Baden Powell and Terry Callier – and which is way different than the bossa revival work Toquinho cut with Vinicius De Moraes! There's some larger arrangements lurking at the back of most tracks – but these are kept clean, and relatively spare – so that the strongest focus is on Toquinho's voice and guitar. Titles include a sparkling remake of "Asa Branca", done with a spare style that still retains the grandiose quality of the song – plus "Sem Enredo", "Boca Da Noite", "1969, Aeroporto Do Galeo", "Noite Longa", and "Lembrando Josh White". Set also features 2 bonus tracks – "Primavera" and "So Tinha De Ser Com Voce/Vivo Sonhando". CD

Partial matches16
CD, LP, Vinyl record album cover art
✨✧ Ron Trent Vs Lono Brazil Vs Dazzle DrumsManchild (In The Promised Land) (Ron Trent full vocal, Dazzle Drum dub) ... 12-inch
BBE (UK), 2018. New Copy ... $16.99
A triple-header of talents – all working here to make a cut that really lives up to the soulful legacy of Ron Trent! The main version begins with bubbling percussion and beats, inflected by these cosmic keyboards – while a spoken lyric gives the whole thing a strong sense of knowledge as the tune unfurls! The flipside is much more percussive – definitely the "dazzle drums" promised on the label – with a more tribal groove overall! 12-inch, Vinyl record

Partial matches17
CD, LP, Vinyl record album cover art
✨✧ Stan Getz with Joao GilbertoBest Of Two Worlds (remastered edition) ... CD
Columbia, 1976. Used ... Temporarily Out Of Stock
A wonderful return to the sounds of Brazil for Stan Getz – a 70s album that reunites him with Joao Gilberto, but in a style that's somewhat different than the pair's older Verve recordings! The sound here is looser, freer – more in that breezy Brazilian mode that evolved out of the initial bossa years – and Stan's tenor sounds great in the setting, with those loose yet heartfelt lines we love so much from this period! Joao's great too – somehow even more "present" on the record than before, with that amazing ability to do so much with so little – as on some of his own great 70s recordings. Miucha contributes some English language vocals to the record alongside Joao's Portuguese ones, and Oscar Castro Neves handled the arrangements with a nicely stripped-down style that has plenty of focus on the percussion and rhythms. Titles include a sublime English language version of "Aqua De Marco (Waters Of March)", plus the tracks "Double Rainbow", "Falsa Bahiana", "Ligia", "Izaura", "Eu Vim Da Bahia", and "E Preciso Perdoar". CD
(Out of print.)

Partial matches18
CD, LP, Vinyl record album cover art
✨✧ Joao GilbertoPrado Pereira De Oliveira ... LP
WEA (Brazil), 1980. Used ... Out Of Stock
A great live recording done for Brazilian TV – and a set that's also one of the most intimate recordings that the great Joao Gilberto made during the 90s! There's a very spare, stripped-down vibe to the album – very much in the spirit of Gilberto's classic material, with an undeniable charm, and an amazing ability to do a hell of a lot with just a little – then make the whole thing seem completely effortless! Gilberto's one of the few of his generation who just seemed to get better as the years go on – as you'll hear from his beautiful work on guitar, and his always wonderful vocals. Rita Lee joins in on the track "Jou Jo Balangandas", Bebel Gilberto duets on "Chega De Saudade", and the other tracks include "Menino Do Rio", "Cuarare", "O Pato", "Canta Brasil". LP, Vinyl record album

Partial matches19
CD, LP, Vinyl record album cover art
✨✧ Rita LeeHoje E O Primeiro Dia Do Resto Da Sua Vida (180 gram pressing) ... LP
Polydor/Polysom (Brazil), 1972. New Copy Gatefold (reissue)... Out Of Stock
A tripped-out batch of hard jamming tracks from ex-Mutante Rita Lee – recorded with assistance from all the members of the group at the time, but in a mode that's quite different overall! Lee is clearly the star of the show here – singing all lyrics with a much fiercer vocal approach than on her earlier solo album – pushing things hard to keep up with the jamming keyboards of Arnaldo Baptista and guitar of Sergio Dias – both of whom are working with the energy that would show up in the Mutantes styles in the years after Lee departed. One of the most compelling aspects of the record is the structure of the tunes – less conventionally rockish overall than the direction Os Mutantes were moving towards – and still with that strong dramatic flair that Lee always provided when in the group. Titles include "Vamos Tratar Da Saude", "Amor Branco E Preto", "Superficie Do Planeta", "Teimoisia", "Tapupukitipa", "Beija Me Amor", and "Frique Como". LP, Vinyl record album

Partial matches20
CD, LP, Vinyl record album cover art
✨✧ Alceu Valenca70 (Molhado de Suor/Vivo/Espelho Cristalino/Saudade de Pernambuco) (180 gram 4LP set) ... LP
Som Livre/Polysom (Brazil), Late 70s. New Copy 4LP ... Out Of Stock
Important early work from underground Brazilian legend Alceu Valenca – four albums served up in a beautiful box set! First up is Molhado De Suor – done with a nicely northern Brazil sound that involves plenty of acoustic percussion, guitar, and nice use of flute and craviola! The style here is almost a sophistication of earlier forro modes – done in a style that has traces of the Minas Geraes approach to songwriting and production, but a simpler, earthier feel overall. It's hard to peg this one accurately, but there's a simple genius here that's immediately compelling! Titles include "Borboleta", "Punhal De Prata", "Dia Branco", "Pedras De Sal", "Chutando Pedras", "Molhando De Suor", and "Mensageira Dos Anjos". Next is Vivo – a great live presentation of the 70s genius of Alceu Valenca – one that really keeps the organic feel of his best work in the studio, while adding in some of the spontaneity and warmth of a concert! Valenca plays acoustic guitar and sings amidst a smallish group that includes Ze Ramalho on ukulele and guitars, plus added flute, bass, and percussion – all used to build up the songs slowly and earthily, with that great mix of progressive and folksy styles we love in his work. Titles include "Descida Da Ladeira", "Voce Pensa", "Sol E Chuva", "Casamento Da Raposa Com O Rouxinol", and "Pontos Cardeais". Next is Espelho Cristalino – one of the important 70s albums from Alceu Valenca – with titles that include "Agalpoado", "Espelho Cristalino", "Eu Sou Voce", "Sete Leguas", and "A Danca Das Borboletas". Last up is the incredible Saudade De Pernambuco – a fantastic late 70s album from underground Brazilian legend Alceu Valenca – and a set that follows in the same tradition of exile as earlier albums by Caetano Veloso and Gilberto Gil! The set was recorded in Paris, and has a sound that's maybe even earthier and stripped-down than some of Valenca's albums from a few years before – lots of percussion in the rhythms, entrancing guitar lines, and lyrics that are beautifully expressive, but never overdone – with a sensitivity that we find stunning, and which may make the record one of Alceu's most immediately appealing. There's a sense of sadness that lies in the music at much deeper levels than hinted at by the titles – but there's also a complexity of acoustic instrumentation and voice that creates a lightness, too – a richer, more sophisticated sound – but without any attempt to polish the music or overproduce it – a bit like Joyce at her best. Titles include "Cana Caiana", "Apoena", "Por Toda La", "Tres Galeras", "Saudade De Pernambuco", and "Como Nos Sonhos Fatais". LP, Vinyl record album
 
 
 



⇑ Top