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Exact matches: 11
Exact matches1
CD, LP, Vinyl record album cover art
Wynton KellyIt's All Right! ... CD
Verve, 1964. Used ... $6.99
A tight little groover from Wynton Kelly – one of a few mid 60s gems done for Verve in a style that's harder-hitting and more focused than some of Kelly's other work! The record's got an approach that's a bit pop, but plenty darn soulful too – a style that focuses the already-great Kelly approach to the keys, and brings it into territory explored by Ramsey Lewis and Ray Bryant – kicking up the rhythms with lots of playful touches, including extra guitar by Kenny Burrell and conga from Candido, and even an added steel band on one number! The record's got a few mellower ballads that recall the lyrical Kelly mode of the past – but most is upbeat and very grooving – with titles that include "South Seas", "Not A Tear", "It's All Right", "Kelly Roll", "Moving Up", and "Escapade". CD
(Out of print Verve Elite pressing – in the original slipcover too.)
Also available It's All Right! (Japanese pressing) ... CD 4.99

Exact matches2
CD, LP, Vinyl record album cover art
Wynton KellyIt's All Right! (Japanese pressing) ... CD
Verve (Japan), 1964. Used ... $4.99
A tight little groover from Wynton Kelly – one of a few mid 60s gems done for Verve in a style that's harder-hitting and more focused than some of Kelly's other work! The record's got an approach that's a bit pop, but plenty darn soulful too – a style that focuses the already-great Kelly approach to the keys, and brings it into territory explored by Ramsey Lewis and Ray Bryant – kicking up the rhythms with lots of playful touches, including extra guitar by Kenny Burrell and conga from Candido, and even an added steel band on one number! The record's got a few mellower ballads that recall the lyrical Kelly mode of the past – but most is upbeat and very grooving – with titles that include "South Seas", "Not A Tear", "It's All Right", "Kelly Roll", "Moving Up", "Escapade", and bonus track "One For Joan". CD
(Out of print Japanese pressing.)
Also available It's All Right! ... CD 6.99

Exact matches3
CD, LP, Vinyl record album cover art
Wynton KellyKelly Blue ... LP
Riverside, 1959. Very Good ... $9.99
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". LP, Vinyl record album
(OJC pressing.)

Exact matches4
CD, LP, Vinyl record album cover art
Wynton KellyNew Faces New Sounds – Piano Interpretations By Wynton Kelly (Japanese pressing) ... LP
Blue Note (Japan), 1951. Near Mint- ... $29.99
A rare early 10" session by Wynton Kelly – who's working here in a trio format with Oscar Pettiford on bass and Lee Abrams on drums! The tracks are intimate and introspective, with Kelly holding back his bop chops a bit to break out in other moods on the keyboard – definitely the "new sounds" promised by the cover, as the set's sharp enough to be considered with the best Blue Note piano work from the time. The cover is an excellent Gil Melle abstract design – and titles include "Moonlight In Vermont", "Good Bye", "Born To Be Blue", and "Blue Moon". LP, Vinyl record album

Exact matches5
CD, LP, Vinyl record album cover art
Wynton KellyUndiluted ... CD
Verve (Japan), 1965. New Copy ... $14.99
A sweetly soulful set that proves that Wynton Kelly working for Verve was a heck of a great idea! There's a cohesion and direction to the session that's missing from some of Kelly's other work of the 60s – even though the format is mostly the same, with trio backing that includes Paul Chambers on bass and Jimmy Cobb on drums. The tunes skip along with a really great little groove – soulful and lyrical, but always concerned with the swing – hitting all the right notes without any hoke, and making us love Kelly more than we expected! Titles include "Swinging til The Girls Come Home", "My Ship", "Out Front", "Never", "Blues On Purpose", "If You Could See Me Now", and "Six Eight" – plus the great Latin-ized groover "Bobo", which features some nice work by an uncredited flute player! CD
(SHM-CD pressing!)

Exact matches6
CD, LP, Vinyl record album cover art
Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... CD
Verve, 1965. Used ... $2.99
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". CD
(CRC music club pressing.)
Also available Smokin' At The Half Note (180 gram pressing) ... LP 14.99

Exact matches7
CD, LP, Vinyl record album cover art
Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note (180 gram pressing) ... LP
Verve, 1965. New Copy Gatefold (reissue)... $14.99 24.99
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(Verve Record 60th Anniversary edition!)
Also available Smokin' At The Half Note ... CD 2.99

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Great ... LP
Vee Jay, 1960. Used ... Temporarily Out Of Stock
One of Wynton Kelly's greatest albums, and an all-star hardbop session that includes Lee Morgan, Wayne Shorter, Paul Chambers, and Philly Joe Jones. With Philly Joe on drums, and Morgan and Shorter, the LP almost has the feel of a classic Art Blakey session for Blue Note, but Kelly's piano gives it a feel that's a bit warmer, and more relaxed. The tracks are nearly all long, with very open room for soloing, and nice catchy hooks by the various writers – who include Kelly, Morgan, and Shorter. Titles include "Wrinkles", "Mama G", "What Know", and "Sidney". LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has some wear.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyWynton Kelly Trio – Complete Vee Jay Studio Recordings (Wynton Kelly At Midnite/Wynton Kelly/Go) ... CD
Vee Jay/Lonehill (Spain), Late 50s/Early 60s. Used 2CD ... Temporarily Out Of Stock
The complete trio recordings by Wynton Kelly for Vee Jay – pulled from 3 different albums, and also including a host of alternate takes as well! One of the main albums here is Kelly At Midnite – a moody, mellow late nite session – just spare trio material by Wynton, played in a group that features Paul Chambers on bass and Philly Joe Jones on drums! The titles are all nice and long – and really let Kelly stretch out on the keys – working in a mode that's lyrical and soulful – on a set of titles that include include Babs Gonzales' "Weird Lullaby", plus "Skatin", "Temperance", "On Stage", and "Pot Luck". Next up is the self-titled Wynton Kelly album for the label – straight-ahead trio material from Wynton, played by a trio that includes Jimmy Cobbs on drums, and either Sam Jones or Paul Chambers on bass. The tunes aren't anything special, but Kelly brings a nice mix of soul jazz and lyricism to the recording, serving up some nicely crafted moments in small doses. Titles include "Joe's Avenue", "Sassy", "Love, I've Found You", and "Autumn Leaves". Added to these titles is 1 more from the Paul Chambers album Go – a session that mostly features horns, but which also includes a trio track with Chambers and Cobb – "Dear Ann". 2CD set also features 13 more alternate takes – a total of 29 tracks in all! CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Blue ... CD
Riverside/OJC, 1959. Used ... Out Of Stock
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". CD
(BMG Direct pressing.)
Also available Kelly Blue ... LP 9.99

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyPiano Interpretations By Wynton Kelly ... CD
Blue Note, 1951. Used ... Out Of Stock
A rare early 10" session by Wynton Kelly – who's working here in a trio format with Oscar Pettiford on bass and Lee Abrams on drums! The tracks are intimate and introspective, with Kelly holding back his bop chops a bit to break out in other moods on the keyboard – definitely the "new sounds" promised by the cover, as the set's sharp enough to be considered with the best Blue Note piano work from the time. The cover is an excellent Gil Melle abstract design – and titles include "Moonlight In Vermont", "Good Bye", "Born To Be Blue", and "Blue Moon". CD
(Original CD pressing, not a CDr.)
 
Possible matches: 63
Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Paul Chambers1st Bassman ... LP
Vee Jay, 1961. Very Good ... $39.99
One of the most obscure sessions as a leader from the legendary bassman Paul Chambers – the crucial talent who really helped reinvent the role of his instrument in jazz during the 50s – and who left our planet all too soon! The record's got a vibe that's a bit different than Paul's work for Blue Note – almost more of a Prestige-styled hardbop approach – with some nice long tracks, filled with plenty of fire – and featuring a sextet that includes Tommy Turrentine on trumpet, Curtis Fuller on trombone, Yusef Lateef on tenor, and Wynton Kelly on piano. Turrentine and Fuller are beautifully smoking – as they always seemed to be at this point in their careers – and Lateef contributes a number of excellent compositions to the set, like "Bass Region", "Retrogress", and "Blessed" – all with the great mix of hardbop and more exotic themes that he could put into his best work. LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has a vintage price sticker and personnel sticker on back.)

Possible matches13
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz (Jazz Heritage pressing) ... CD
Atlantic/Jazz Heritage, 1960. Used ... $3.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! CD features 4 more bonus alternate takes too! CD

Possible matches14
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps (with bonus tracks) ... CD
Atlantic, 1959. Used ... $1.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! CD features a wealth of bonus tracks – 5 more additional alternate takes! CD

Possible matches15
CD, LP, Vinyl record album cover art
Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 (Japanese paper sleeve edition) ... CD
Columbia/Sony (Japan), 1961. Used ... $9.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". CD
(Master Sound Japanese pressing. Includes obi.)

Possible matches16
CD, LP, Vinyl record album cover art
Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1961. Used ... $11.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". CD
(Includes obi.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Dizzy GillespieDizzy Gillespie At Newport ... LP
Verve, 1957. Good+ ... Just Sold Out!
One of the best albums ever in Verve's classic set of recordings from the 1957 Newport Jazz Festival – a set that captures the Dizzy Gillespie group of the decade in top live formation! The ensemble here is plenty hip – with a young Lee Morgan joining Dizzy on trumpet, and a host of other great players who include Melba Liston and Al Grey on trombones, Benny Golson and Billy Mitchell on saxes, and rhythm from the trio of Wynton Kelly on piano, Paul West on bass, and Charlie Persip on drums! Although big, the band often had the sharper groove of a small combo – and even when hitting some older moments from Gillespie's earlier years, they still kept a modern edge in their approach – thanks to arrangements by AK Salim, Tadd Dameron, Benny Golson, Quincy Jones, and Dizzy himself. Titles include "School Days", "I Remember Clifford", "Manteca", "Dizzy's Blues", "Cool Breeze", and "Doodlin". LP, Vinyl record album
(UK pressing on Columbia. Cover has wear and aging. Vinyl plays with clicks & crackles.)

Possible matches18
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy In Greece ... LP
Verve, 1956. Very Good+ ... $14.99
Dizzy's in Greece, looking very cool in a fez on the cover – and really wailing hard with a larger group that includes Billy Mitchell, Charlie Persip, Lee Morgan, Wynton Kelly, and Phil Woods! The mode here is still quite boppish, despite the larger size of the ensemble – but Dizzy also manages to bring in some of those wonderfully rich colors that were coming into his later work – a tonal depth that's completely amazing, and which pushed Gillespie way past his simple roots of the 40s, into a space that made him one of the most expressive jazz leaders of the 50s. The horn charts alone are totally great – and Dizzy's got a wonderful talent for letting the key soloists step out with a really strong voice in the set – and although short, the tunes have an incredible reach overall. Titles include "Tin Tin Deo", "Yesterdays", "Groovin' High", "Hey Pete", "Arnnie's Dance", and "Groovin' for Nat". LP, Vinyl record album
(UK pressing on Columbia. Cover has some splitting on the bottom seam and discoloration from age on back.)

Possible matches19
CD, LP, Vinyl record album cover art
Dizzy GillespieSchool Days ... LP
Regent/Savoy, 1951. Very Good ... $14.99
A bebop classic from Dizzy Gillespie – a full album comprised of some famous 78s recorded for the Savoy label at the start of the 50s – the kind of hard-grooving material that made Diz a fan favorite right from the start! There's some nice use of vocals in the mix – not just from Dizzy, but also from Joe Carroll as well – an overlooked vocalese genius from the early days of bebop – not as well-known as Eddie Jefferson or King Pleasure, but working here in a very similar spirit! Diz sings with Joe a bit too, and other players include JJ Johnson on trombone, Milt Jackson on vibes, Bill Graham on alto and baritone sax, and Wynton Kelly on piano. Cuts include "Bopsie's Blues", "School Days", "We Love To Boogie", "Umbrella Man", "I Couldn't Beat The Rap", "Pop's Confession", and "Lady Be Good". LP, Vinyl record album
(Original Regent pressing with a deep groove and RVG etching – nice ande clean! Very edge of vinyl has a very tiny chip, but it's far from the first groove.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Johnny GriffinIntroducing Johnny Griffin ... LP
Blue Note, 1956. Fair ... Just Sold Out!
If you've ever needed a definition of hardbop, this is it! The set's a crack quartet session for Blue Note, recorded in the mid 50s by a young Johnny Griffin – fresh in from Chicago, and playing with tons of fire and loads of imagination! Wynton Kelly's on piano and Max Roach is on drums – and the excitement never stops as the group rolls their way through the tightly-crafted tunes on the set. And don't mistake the session as just a head-blowing album with no creativity – because the whole thing's incredibly precise, and the real charm is the way in which the razor-sharp group manages to twist and turn so deftly – yet still always plays with creative imagination and thoughtful solos! Cuts include "Mil Dew", "Chicago Calling", "These Foolish Things", The Boy Next Door", "Lover Man" and "It's Alright With Me". LP, Vinyl record album
(Lexington Ave deep groove pressing! FAIR CONDITION. Cover has some wear an ink stamp in one corner, writing on the back and a split bottom seam. Vinyl plays with clicks & crackles.)

Possible matches21
CD, LP, Vinyl record album cover art
Jimmy HeathNice People (with bonus tracks) ... CD
Riverside/OJC, 1959. Used ... $4.99
A nice little collection of some classic hard bop from Jimmy Heath, with a few of the sides of some the stuff he recorded with larger ensembles thrown in for good measure, pulled together in the 80s, once the OJC family of labels came under the Fantasy umbrella. Heath's Riverside recordings of the late 50s and early 60s is some of our favorite material on the label, recording with a soulful, hip edge and fiery hard bop energy. This collection pulls numbers from The Thumper, Really Big!, The Quota, Triple Threat, Swamp Seed and On The Trail, and feature a host of top notch players, including Nat Adderley, Curtis Fuller, Wynton Kelly, Paul Chambers, Pat Patrick, Cannonball Adderley, Julius Watkins, Freddie Hubbard, Cedar Walton, and brothers Percy and Albert Heath. Tracks include "Nice People", "Who Needs It?", "The Picture Of Heath", "Down Shift", "Lowland Lullaby", "Dew & Mud", "Wall To Wall" and "All The Things You Are". CD includes two bonus tracks "Goodbye" & "Swamp Seed". CD
(Out of print.)

Possible matches22
CD, LP, Vinyl record album cover art
Jimmy HeathThumper ... LP
Riverside, 1959. Very Good- ... $24.99
A definite thumper from the young Jimmy Heath – proof that he was always one of the hippest cats in his scene, even at the start! The record's ostensibly a blowing session with a handful of like-minded hardboppers from the late 50s – but as usual for Heath, the overall sound is something deeper in the end – way more than just some simple solo moments over straight rhythms, and instead a record that really takes off with a well-arranged sense of energy! Even at this early date, Jimmy's showing a great talent for putting a group together – and he works the sextet with an feeling that hints strongly at soul jazz modes to emerge in the 60s – especially the deeper-toned styles of some of the groups in which Heath would work as a sideman later on in the decade. Players here include Nat Adderley on cornet, Curtis Fuller on trombone, Wynton Kelly on piano, Paul Chambers on bass, and Albert Tootie Heath on drums – but 2 of the album's tracks feature Jimmy alone with the rhythm section. Titles include "For Minors Only", "Who Needs It?", "Don't You Know I Care", "Two Tees", "The Thumper", "Newkeep", "For All We Know", "I Can Make You Love Me", and "Nice People". LP, Vinyl record album
(Original small blue label Bill Grauer pressing with deep groove. Cover has wide masking tape on all seams.)

Possible matches23
CD, LP, Vinyl record album cover art
Billie Holiday5 Original Albums (Lady Sings The Blues/Body & Soul/Songs For Distingue Lovers/Stay With Me/All Or Nothing At All) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... $14.99
5 late albums from Billie Holiday – all collected in one sweet set, in tiny LP-styled sleeves, too! First up is Lady Sings The Blues – possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind Billie's vocals, which themselves are recorded cleanly and clearly throughout. One side features backing by a combo that includes Wynton Kelly on piano, Kenny Burrell on guitar, Charlie Shavers on trumpet, and Paul Quinichette on tenor – and the other features a group that includes Bobby Tucker on piano, Charlie Shavers on trumpet, Barney Kessel on guitar, and the great Willie Smith on alto sax. Titles include plenty of classics – including "God Bless The Child", "Strange Fruit", "Lady Sings The Blues", "No Good Man", "Good Morning Heartache", "I Must Have That Man", and "Trav'lin' Light". Body & Soul is a great late small combo session by Billie – recorded in Hollywood with a group that includes Harry Edison, Ben Webster, Jimmy Rowles, Barney Kessel, Red Mitchell, and Alvin Stoller. The songs are short and swinging – with Billie at the top of her form on familiar standards like "Comes Love", "Darn That Dream", "Body & Soul", "They Can't Take That Away From Me", and "Embraceable You". A few tracks crack the 5 minute mark, making for some nice solos from Webster and Edison! Songs For Distingue Lovers is classic Verve work by Billie – and an album that probably brought the word "distingue" into the vocabulary of more people than any other use! (And in fact, probably also caused a lot more trouble with mispronunciation than any other Billie Holiday album title!) The tracks are slightly longer than usual – familiar songs like "Day In Day Out", "Stars Fell On Alabama", "A Foggy Day", and "Just One Of Those Things" – all given the amazing Holiday take, in a way that opens them up with more emotion than you might have thought possible! On Stay With Me, Billie sings in a warm relaxed setting, with great small combo backing, and piano by Mal Waldron. The record is one of the best we could recommend on the label – and it includes lots of nice tracks like "Everything Happens To Me", "I Wished On The Moon", and "Say It Isn't So". All Or Nothing At All is beautiful Billie from the last years of her life. The material was recorded in 1956 and 1957 in Hollywood, featuring Barney Kessel, Ben Wesbster, Harry Edison, and Jimmy Rowles – all grooving nicely in small group formation. The tracks have a wonderfully fragile quality – and although standards, are still some of Billie's nicest work for Verve. Titles include "April In Paris", "All Or Nothing At All", "We'll Be Together Again", and "But Not For Me". Great David Stone Martin cover, too! CD

Possible matches24
CD, LP, Vinyl record album cover art
Billie HolidayLady Sings the Blues ... CD
Verve, 1956. Used ... $3.99
Possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind Billie's vocals, which themselves are recorded cleanly and clearly throughout. One side features backing by a combo that includes Wynton Kelly on piano, Kenny Burrell on guitar, Charlie Shavers on trumpet, and Paul Quinichette on tenor – and the other features a group that includes Bobby Tucker on piano, Charlie Shavers on trumpet, Barney Kessel on guitar, and the great Willie Smith on alto sax. Titles include plenty of classics – including "God Bless The Child", "Strange Fruit", "Lady Sings The Blues", "No Good Man", "Good Morning Heartache", "I Must Have That Man", and "Trav'lin' Light". CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
Billie HolidayLady Sings the Blues ... LP
Verve, 1956. Good+ ... $19.99
Possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind Billie's vocals, which themselves are recorded cleanly and clearly throughout. One side features backing by a combo that includes Wynton Kelly on piano, Kenny Burrell on guitar, Charlie Shavers on trumpet, and Paul Quinichette on tenor – and the other features a group that includes Bobby Tucker on piano, Charlie Shavers on trumpet, Barney Kessel on guitar, and the great Willie Smith on alto sax. Titles include plenty of classics – including "God Bless The Child", "Strange Fruit", "Lady Sings The Blues", "No Good Man", "Good Morning Heartache", "I Must Have That Man", and "Trav'lin' Light". LP, Vinyl record album
(MGM pressing. Cover has light wear.)

Possible matches26
CD, LP, Vinyl record album cover art
Philly Joe JonesPhilly Joe's Beat/Philly & Elvin Jones Together! ... CD
Atlantic/Collectables, Early 60s. Used ... $9.99
Stunning! 2 of Philly Joe's best albums on one CD – and both of them are hard as heck to find in any other format! Philly Joe's beat is a beautiful bit of modernist hardbop. Philly Joe pounds away with his usual clarity and groove, but the real treat is an unexpected appearance by the great Bill Barron, who plays tenor on the session. Barron's tenor is amazingly precise, and filled with far-reaching concepts, economically trimmed to fit into some nice tight solos. Tracks on this one include "Muse Rapture", "Lori", "Got To Take Another Chance", and "Lori". The second LP features Philly Joe playing with the other (or one other) great Jones drummer, Elvin. The two of them create an amazing two-drum rhythm line, which serves as the base for solos by Hank Mobley, Blue Mitchell, Curtis Fuller, and Wynton Kelly. The album's a screamer, with some of the most fantastic non-Blue Note work ever by Mobley. Titles include "Le Roi", "Beau-Ty", and "Brown Sugar". Great stuff all 'round, and a super deal at this price! CD
(Out of print.)

Possible matches27
CD, LP, Vinyl record album cover art
Johnny LytleLoop/New & Groovy ... CD
BGP (UK), 1966. New Copy ... $11.99 18.99
Killer set that combines both of Johnny's rare albums cut for the tiny Tuba label in the mid 60s! The records both have a great funky vibes sound, with lots of tight drumming, and soulful bubbling organ grooves. These are very sought after in their original pressings, and both LPs usually fetch upwards of $40 when we get them in – and they fly right out the door as soon as they hit the web. Loop is the rarer of Johnny Lytle's two albums for the obscure Tuba label from Detroit. Johnny's classic trio, with Peppy Hinnant on organ, is backed by a larger group that features Wynton Kelly on piano and Willie Rodriguez on conga. New and Groovy is very nicely stripped down - and the focus of the album is on down-and-dirty groovers, perfect for the jazzy stepper set that still digs Lytle loads! Loads of short groovy steppin jazz vibes cuts, like "The Loop", "The Man", "The Snapper", "Selim", and way way more! CD

Possible matches28
CD, LP, Vinyl record album cover art
Hank MobleySoul Station ... LP
Blue Note, 1960. Near Mint- ... $39.99
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". LP, Vinyl record album
(Recent reissue pressing.)

Possible matches29
CD, LP, Vinyl record album cover art
Hank MobleyWorkout ... LP
Blue Note, 1962. Very Good ... $34.99
One of the greatest albums ever from Blue Note tenor giant Hank Mobley – a set that really explodes in all the new directions Hank was taking in the 60s! Mobley in the 50s was already the stuff of legend – a tremendous soloist on tenor, and every bit his own man – firmly focused forward with a voice that was already tremendous – but which was turned towards a lot of new ideas with records like this! Both Mobley's phrasing and rhythmic construction are different here than a few years before – still every bit as soulful as ever, but able to open up with richer imagination, especially on the strong original tunes on the set. The group's great – a quintet that offers up both guitar from Grant Green and piano from Wynton Kelly – and rhythm is by the mighty team of Paul Chambers on bass and Philly Joe Jones on drums. Tracks are longish, with plenty of room for solos – and titles include "Smokin", "Greasin Easy", "Workout", and "Uh Huh". LP, Vinyl record album
(Liberty/UA pressing. Vinyl has a mark that clicks a bit on "Smokin".)
Also available Workout (RVG remaster edition) ... CD 5.99

Possible matches30
CD, LP, Vinyl record album cover art
Hank MobleyWorkout (RVG remaster edition) ... CD
Blue Note, 1962. Used ... $5.99
One of the greatest albums ever from Blue Note tenor giant Hank Mobley – a set that really explodes in all the new directions Hank was taking in the 60s! Mobley in the 50s was already the stuff of legend – a tremendous soloist on tenor, and every bit his own man – firmly focused forward with a voice that was already tremendous – but which was turned towards a lot of new ideas with records like this! Both Mobley's phrasing and rhythmic construction are different here than a few years before – still every bit as soulful as ever, but able to open up with richer imagination, especially on the strong original tunes on the set. The group's great – a quintet that offers up both guitar from Grant Green and piano from Wynton Kelly – and rhythm is by the mighty team of Paul Chambers on bass and Philly Joe Jones on drums. Tracks are longish, with plenty of room for solos – and titles include "Smokin", "Greasin Easy", "Workout", and "Uh Huh". CD also features the bonus track "Three Coins In The Fountain". CD
Also available Workout ... LP 34.99

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Thelonius Monk, Bill Evans, Bobby Timmons & OthersSoul Of Jazz Piano ... LP
Riverside, 1950s/1960s. Near Mint- ... $29.99
A sampler of some of the finest bop and post bop piano players in the Riverside stable, mostly playing in trio settings, but with a few solo pieces. On side one Monk performs a solo version of "Pannonica" from Thelonius Alone In San Francisco, Wynton Kelly performs a trio reading of "Old clothes" from Kelly Blue with Paul Chambers and Jimmy Cobb, Billy Taylor plays "Warming Up" with Henry Grimes and Ray Mosca from the LP of the same title and Victor Feldman performs "Bloke's Blues" alongside Sam Jones and Louis Hayes off Merry Olde Soul. The second side ofthe album features Bobby Timmons in a trio with Sam Jones and Jimmy Cobb on "Pretty Memory" from Easy Does It, Bill Evans performs "Peace Piece" solo from Everybody Digs Bill Evans, Barry Harris plays "Lolita" with Sam Jones and Louis Hayes off Barry Harris At The Jazz Workshop, and Dick Morgan turns in "See What I Mean?" from the album of the same title with Keter Betts and Bertell Knox. LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo & deep groove.)
 
 
 



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