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Exact matches: 12
Exact matches1
CD, LP, Vinyl record album cover art
Wynton KellyKelly Blue ... CD
Riverside/OJC, 1959. Used ... $3.99
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". CD
Also available
Kelly Blue ... LP 16.99
Kelly Blue ... LP 19.99

Exact matches2
CD, LP, Vinyl record album cover art
Wynton KellyKelly Blue ... LP
Riverside, 1959. Near Mint- ... $16.99
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". LP, Vinyl record album
(OJC pressing.)
Also available
Kelly Blue ... LP 19.99
Kelly Blue ... CD 3.99

Exact matches3
CD, LP, Vinyl record album cover art
Wynton KellyKelly Blue ... LP
Riverside/OJC, 1959. New Copy (reissue)... $19.99 21.98
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". LP, Vinyl record album
Also available
Kelly Blue ... LP 16.99
Kelly Blue ... CD 3.99

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Great ... LP
Vee Jay, 1960. Good ... $19.99
One of Wynton Kelly's greatest albums, and an all-star hardbop session that includes Lee Morgan, Wayne Shorter, Paul Chambers, and Philly Joe Jones. With Philly Joe on drums, and Morgan and Shorter, the LP almost has the feel of a classic Art Blakey session for Blue Note, but Kelly's piano gives it a feel that's a bit warmer, and more relaxed. The tracks are nearly all long, with very open room for soloing, and nice catchy hooks by the various writers – who include Kelly, Morgan, and Shorter. Titles include "Wrinkles", "Mama G", "What Know", and "Sidney". LP, Vinyl record album
(Maroon label pressing with deep groove. Cover has moderate wear. Vinyl plays with clicks & crackles.)

Exact matches5
CD, LP, Vinyl record album cover art
Wynton KellyWynton Kelly! ... LP
Vee Jay, 1961. Very Good ... $34.99
Rock-solid work from Wynton Kelly – a standout trio side from the early 60s, and one of his few dates recorded for Vee Jay Records! Kelly seems to have a bit more kick here than in the 50s – and a bit more of a down to earth quality than on his later sides for Verve – really laying back on the keys of the piano, and getting some great help from a rhythm group that features Jimmy Cobbs on drums, and either Sam Jones or Paul Chambers on bass. The tunes are mostly familiar numbers, but they're offset by a few strong Kelly originals – including "Joe's Avenue" and "Sassy" – amidst other titles that include "Love I've Found You", "Autumn Leaves", "Gone With The Wind", and "Autumn Leaves". LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has light wear.)

Exact matches6
CD, LP, Vinyl record album cover art
Wynton KellyWynton Kelly! (Side 1 – Custom Acetate) ... LP
Vee Jay, 1961. Very Good- ... $24.99
Rock-solid work from Wynton Kelly – a standout trio side from the early 60s, and one of his few dates recorded for Vee Jay Records! Kelly seems to have a bit more kick here than in the 50s – and a bit more of a down to earth quality than on his later sides for Verve – really laying back on the keys of the piano, and getting some great help from a rhythm group that features Jimmy Cobbs on drums, and either Sam Jones or Paul Chambers on bass. This acetate contains Side 1 of the full LP, with "Come Rain Or Come Shine", "Make The Man Love Me", "Autumn Leaves", and "Surrey With The Fringe On Top". LP, Vinyl record album
(RCA Custom pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery/Wynton Kelly TrioSmokin' In Seattle – Live at the Penthouse ... CD
Resonance, 1966. New Copy ... $16.99 18.99
A rare meeting of guitarist Wes Montgomery and the trio of pianist Wynton Kelly – heard here on unissued material that stands strongly next to their classic Smoking At The Half Note album on Verve! About half the tracks here just feature Kelly's trio – but that's A-Ok with us, as the group is wonderful – a luminous unit that features Ron McClure on bass and Jimmy Cobb on drums – both players who showcase the maturing style of Wynton's piano work – a great mix of lyricism that stretches out beautifully on the album's longer tracks! Montgomery joins in about a third into the set, and the tunes get even sharper and groovier – as Wes' tones ring out strongly next to the piano, often opening up Kelly with even more chromatic hues. The whole thing is very well-recorded, and beautifully remastered – and titles include "Jingles", "Sir John", "West Coast Blues", "Oleo", "Not A Tear", "What's New", "Blues In F", and "O Morro Nao Tem Vez". CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Joe Henderson with Wynton KellyStraight No Chaser ... CD
Verve, 1968. Used ... Temporarily Out Of Stock
A great counterpart to the album Four – and like that one, which comes from the same session, this one features material recorded live in 1968, but only issued here for the first time! CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyFirst Sessions – A Proper Introduction To Wynton Kelly ... CD
Proper (UK), 1951. Used ... Temporarily Out Of Stock
The full first sessions by Wynton Kelly as a leader – recorded for Blue Note records in 1951, and featuring a trio with Lee Abrams on drums and either Frank Skeete or Oscar Pettiford on bass. The tracks have a light, fluid feel that shows the depth of Kelly's work on the keys even at a young age – with some key influences from bop, but an overall sense of poise and style that was enough to challenge the bigger mainstream pianists of the time. The set comes with a nice booklet on Kelly's early years, and also features notes on all the sessions – a total of 19 tracks that include "Foolin Myself", "Blue Moon", "Fine & Dandy", "Where Or When", "Born To Be Blue", "Moonglow", "Opus Caprice", "I Found A New Baby", and "Do Nothing Till You Hear From Me". CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyFull View ... CD
Milestone/OJC, 1966. Used ... Temporarily Out Of Stock
Titles include "I Thought", "Walk On By", "Scufflin", "Autumn Leaves", "On A Clear Day", and "Born To Be Blue". With Ron McClure on bass and Jimmy Cobb on drums. CD

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyComplete Blue Note Trio Sessions ... CD
Jazz Factory/Disconforme (Spain), 1951. Used ... Out Of Stock
... CD
(Out of print.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Blue ... CD
Riverside/OJC, 1959. Used ... Out Of Stock
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks including "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". CD version adds two bonus tracks. CD
(Earlier CD pressing.)
Also available
Kelly Blue ... LP 16.99
Kelly Blue ... LP 19.99
Kelly Blue ... CD 3.99
 
Possible matches: 65
Possible matches13
CD, LP, Vinyl record album cover art
Dan NimmerKelly Blue (Japanese pressing) ... CD
Venus (Japan), 2006. Used ... $9.99
A tribute to Wynton Kelly, played by pianist Dan Nimmer – who does a pretty good job of getting at all the sides of Kelly's talents in the set! The group features John Webber on bass and Jimmy Cobb on drums – the last of whom was a contemporary of Wynton's, and would obviously have the last word on whether Nimmer's hands are in the right place. But from the sound of the set, we're guessing he'd agree that things came off pretty darn well – on tracks that include "Quick Jump", "On A Clear Day", "No Blues", "Brimsha Man", "On The Trail", "Kelly Blue", "Eleanor", "Close Your Eyes", and "Temperance". CD
(Includes obi.)

Possible matches14
CD, LP, Vinyl record album cover art
Cannonball AdderleyThings Are Getting Better ... CD
Riverside/OJC, 1958. Used ... $4.99
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". CD

Possible matches15
CD, LP, Vinyl record album cover art
Nat AdderleyMuch Brass ... CD
Riverside, 1959. Used ... $9.99
Despite the "much brass" tag in the title, this album's really just a sextet session – and not a clunky big brass ensemble one! Cannonball's brother plays with a very swingin' sextet that includes the brassy touches of Slide Hampton on trombone and Laymon Jackson on tuba. Wynton Kelly plays piano and Sam Jones is on bass, and the set grooves with a nice snapping rhythm section that keeps the brass players from getting to soppy. Nat's cornet has that pinched funky sound that he had when playing with his brother, and Hampton's trombone is as deep and soulful as always. Cuts include "Blue Concept", "Israel", "What Next?", and "Accents". All the material is very hip, and written by writers like Duke Pearson, Slide Hampton, Gigi Gryce, and Adderley. CD
(Out of print.)

Possible matches16
CD, LP, Vinyl record album cover art
Nat Adderley & The Big Sax SectionThat's Right! ... CD
Riverside, 1960. Used ... $9.99
Nat's trumpet is backed up by the "big sax section" here – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. Tracks include "Tadd", "The Old Country", "Chordnation", and "ESP". CD
(Out of print.)

Possible matches17
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersTheory Of Art (aka A Night In Tunisia – RCA) ... CD
RCA/Bluebird, 1958. Used ... $3.99
A reissue of one of Blakey's best non-Blue Note sides from the late 50s, a killer album that sports a great lineup of the Jazz Messengers that included Jackie McLean, Johnny Griffin, Bill Hardman, Sam Dockery and Spanky DeBrest. The three of them sparkle and shine with the sort of brilliance that Blakey's leadership brings to the group, and they wail their way through a 13 minute long reading of "Night In Tunisia", with excellent solos all around, and the other cuts "Theory Of Art", "Couldn't It Be You?", "Evans", and "Off The Wall". This reissue adds the bonus numbers "Social Call" and "A Night At Tony's" recorded for RCA at very nearly the same time, but with a larger group that features Wynton Kelly in place of Sam Dockery, plus the addition of Lee Morgan, Sahib Shihab, Melba Liston and Cecil Payne in the horn section. CD
(Out of print. Cutout notch through CD case and booklet.)

Possible matches18
CD, LP, Vinyl record album cover art
Betty CarterOut There With Betty Carter ... LP
Peacock, Late 50s. Very Good ... $79.99
A fantastic album by Betty Carter – and certainly her rarest – not nearly as "out there" as you might guess from the title, but still a sparkling set of modern jazz vocals! The album was recorded with arrangements by Gigi Gryce, plus some help from Melba Liston – and a all-hip cast of players that includes Kenny Dorham, Sam Jones, Sahib Shihab, Benny Golson, and Wynton Kelly – all coming together in small group formation and swinging along magically with the Betty Carter groove. Betty's voice is in fantastic form – way more swinging and free than on some of her earlier sides, in a way that points the direction towards some of the groundbreaking work she'd do on her own label two decades later! Titles include "All I've Got", "Make It Last", "Foul Play", "Babe's Blues", and "You're Driving Me Crazy". LP, Vinyl record album
(Original Peacock pressing! Cover some splitting on the top seam, but is nice overall – and vinyl is nice and clean.)

Possible matches19
CD, LP, Vinyl record album cover art
Jimmy ClevelandCleveland Style ... LP
EmArcy, Mid 50s. Very Good+ ... $16.99
Quite possibly the best of Cleveland's albums for Mercury during the 50s – a tight hardbop set of tracks recorded with a septet that includes Art Farmer on trumpet, Benny Golson on tenor, Wynton Kelly on piano, and Charlie Persip on drums. Tracks are more open-ended than on some of Cleveland's other albums, with more room for soloing. Titles include "Posterity", "A Jazz Ballad", "Jimmie's Tune", "Long Ago & Far Away", and "Goodbye Ebbets Field". LP, Vinyl record album
(Blue label EmArcy pressing with drummer logo and deep groove – a nice copy!)

Possible matches20
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz (180 gram pressing) ... LP
Atlantic, 1960. New Copy (reissue)... $18.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps (180 gram pressing – mono) ... LP
Atlantic, 1959. New Copy (reissue)... On June 16, 2017
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! LP, Vinyl record album
Also available Giant Steps (with bonus tracks) ... CD 1.99

Possible matches22
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps (with bonus tracks) ... CD
Atlantic, 1959. Used ... $1.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! CD features a wealth of bonus tracks – 5 more additional alternate takes! CD

Possible matches23
CD, LP, Vinyl record album cover art
Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 (Japanese paper sleeve edition) ... CD
Columbia/Sony (Japan), 1961. Used ... $9.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". CD
(Out of print. Includes obi!)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 ... CD
Columbia, 1961. Used ... $1.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". CD
(Out of print. Columbia Jazz Masterpiece pressing.)

Possible matches25
CD, LP, Vinyl record album cover art
Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1961. Used ... $11.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". CD
(Out of print, includes obi.)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSomeday My Prince Will Come (with bonus track) ... CD
Sony, 1961. Used ... $3.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". Includes the bonus track "Someday My Prince Will Come (alt take)". CD

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Art FarmerEarly Art ... CD
Prestige/OJC, 1954. Used ... Just Sold Out!
Art Farmer's always a delight – but he sounds especially great on this batch of early tracks, ones that have him grooving a bit harder than in later years, with a firey tone that really steps out at times. There's still plenty of Art's sweetness in the tunes, but the material is a bit more upbeat and forward, with less lyrical meandering than later, and more of an early 50s bop approach. Players include Sonny Rollins, Horace Silver, Kenny Clarke, and Wynton Kelly (the album features 2 different groups) – and titles include "Pre Amp", "Wisteria", "I'll Take Romance", "Confab In Tempo", "Soft Shoe", and "I'll Walk Alone". CD

Possible matches28
CD, LP, Vinyl record album cover art
Dizzy Gillespie, Stan Getz, Coleman Hawkins, et alSittin In ... CD
Verve, 1957. Used ... $4.99
A great little jam session from Verve – done in a style that's looser and freer than some of the JATP albums, and with a smaller group overall! Players include Stan Getz, Paul Gonsalves, and Coleman Hawkins on tenor, Dizzy Gillespie on trumpet, and Wynton Kelly on piano – plus bass by Wendell and drums from JC Heard. There's a rougher, more spontaneous quality here than even on some of the other Norman Granz jam session records – a feel that's almost more "real" overall, as if you were catching the players all working together in a club. Each side features 2 long tracks – one upbeat and one mellow – and the tenor interplay alone is worth the price of the record! Titles include long takes on "Dizzy Atmosphere" and "The Way You Look Tonight" – plus 2 additional ballad medleys! CD
(Out of print.)

Possible matches29
CD, LP, Vinyl record album cover art
✨✧ Benny GolsonModern Touch ... CD
Riverside/OJC, 1957. Used ... Just Sold Out!
The modern touch indeed! You can't get any more classic Benny Golson than this – a sublime late 50s album that features Benny with a sextet, working out amazing versions of the sorts of material that set him apart from every other jazz arranger of the time! The tracks here are complicated, yet have a rootsy soulfulness that makes them instantly compelling – and Benny's tone on tenor sax is sharp and angular, yet also has a raspiness that gives it a degree of honesty you wouldn't expect from a budding young modernist. The rest of the players – Max Roach, Paul Chambers, Wynton Kelly, JJ Johnson, and Kenny Dorham – are equally great, too – and amidst Benny's arrangements, they come together as if they'd been playing in this format for years! Titles include "Out Of The Past", "Venetian Breeze", "Reunion", "Hymn To The Orient", and "Blues On Down". CD

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Jimmy HeathOn The Trail ... CD
Riverside, 1964. Used ... $6.99
A great little record by Jimmy Heath – arguably one of his best, and a real no-nonsense session that lets him shine as the tenor star that he is! The group's a small one – with Wynton Kelly, Kenny Burrell, and Paul Chambers – and Heath's right out front, blowing up a storm, in a confident solo-happy style that sounds more like Sonny Rollins than a lot of his other work! Titles include "Cloak and Dagger", "Vanity", "Project S", and "I Should Care". CD

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Joe HendersonFour ... CD
Verve, 1968. Used ... $6.99
An unissued live session from tenor legend Joe Henderson – with hip backing by the trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! CD
(Out of print.)

Possible matches32
CD, LP, Vinyl record album cover art
Billie HolidayLady Sings the Blues ... LP
Verve, 1956. Very Good ... $11.99
Possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind Billie's vocals, which themselves are recorded cleanly and clearly throughout. One side features backing by a combo that includes Wynton Kelly on piano, Kenny Burrell on guitar, Charlie Shavers on trumpet, and Paul Quinichette on tenor – and the other features a group that includes Bobby Tucker on piano, Charlie Shavers on trumpet, Barney Kessel on guitar, and the great Willie Smith on alto sax. Titles include plenty of classics – including "God Bless The Child", "Strange Fruit", "Lady Sings The Blues", "No Good Man", "Good Morning Heartache", "I Must Have That Man", and "Trav'lin' Light". LP, Vinyl record album
(Japanese pressing.)
 
 
 



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