All Categories — All Formats




Items/page

Wynton KellyEdit search

 

Sort by
Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
Wynton KellyBlues On Purpose ... LP
Xanadu, 1965. Very Good+ ... $9.99
LP, Vinyl record album
(Cover has some wear and a mark from sticker removal.)

Exact matches2
CD, LP, Vinyl record album cover art
Wynton KellyKelly At Midnight ... CD
Vee Jay, 1960. Used ... $5.99
Midnite is right – as the session's a moody, mellow late nite one – just spare trio material by Wynton, played in a group that features Paul Chambers on bass and Philly Joe Jones on drums! The titles are all nice and long – and really let Kelly stretch out on the keys – working in a mode that's lyrical and soulful – on a set of titles that include include Babs Gonzales' "Weird Lullaby", plus "Skatin", "Temperance", "On Stage", and "Pot Luck". CD

Exact matches3
CD, LP, Vinyl record album cover art
Wynton KellyKelly Blue ... CD
Riverside/OJC, 1959. Used ... $3.99
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". CD
(Small cutout notch through spine.)

Exact matches4
CD, LP, Vinyl record album cover art
Wynton KellyKelly Great ... LP
Vee Jay, 1960. Very Good+ ... $19.99
One of Wynton Kelly's greatest albums, and an all-star hardbop session that includes Lee Morgan, Wayne Shorter, Paul Chambers, and Philly Joe Jones. With Philly Joe on drums, and Morgan and Shorter, the LP almost has the feel of a classic Art Blakey session for Blue Note, but Kelly's piano gives it a feel that's a bit warmer, and more relaxed. The tracks are nearly all long, with very open room for soloing, and nice catchy hooks by the various writers – who include Kelly, Morgan, and Shorter. Titles include "Wrinkles", "Mama G", "What Know", and "Sidney". LP, Vinyl record album
(Early 80s Japanese pressing. Cover has wide clear tape on the spine and some stains at the bottom on back.)

Exact matches5
CD, LP, Vinyl record album cover art
Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... LP
Verve, 1965. Very Good+ Gatefold ... $14.99
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(MGM pressing.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyWynton Kelly! ... LP
Vee Jay, 1961. Used ... Out Of Stock
Rock-solid work from Wynton Kelly – a standout trio side from the early 60s, and one of his few dates recorded for Vee Jay Records! Kelly seems to have a bit more kick here than in the 50s – and a bit more of a down to earth quality than on his later sides for Verve – really laying back on the keys of the piano, and getting some great help from a rhythm group that features Jimmy Cobbs on drums, and either Sam Jones or Paul Chambers on bass. The tunes are mostly familiar numbers, but they're offset by a few strong Kelly originals – including "Joe's Avenue" and "Sassy" – amidst other titles that include "Love I've Found You", "Autumn Leaves", "Gone With The Wind", and "Autumn Leaves". LP, Vinyl record album
(Rainbow label mono pressing with deep groove.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyIt's All Right! (plus bonus track) ... CD
Verve (Japan), 1964. New Copy ... Out Of Stock
A tight little groover from Wynton Kelly – one of a few mid 60s gems done for Verve in a style that's harder-hitting and more focused than some of Kelly's other work! The record's got an approach that's a bit pop, but plenty darn soulful too – a style that focuses the already-great Kelly approach to the keys, and brings it into territory explored by Ramsey Lewis and Ray Bryant – kicking up the rhythms with lots of playful touches, including extra guitar by Kenny Burrell and conga from Candido, and even an added steel band on one number! The record's got a few mellower ballads that recall the lyrical Kelly mode of the past – but most is upbeat and very grooving – with titles that include "South Seas", "Not A Tear", "It's All Right", "Kelly Roll", "Moving Up", and "Escapade". CD features one bonus track – "One For Joan". CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyTakin' Charge ... CD
Le Jazz, 1960/1961. Used ... Out Of Stock
CD
(Out of print.)
 
Possible matches: 72
Possible matches9
CD, LP, Vinyl record album cover art
Pepper Adams & Jimmy KnepperPepper-Knepper Quintet ... LP
Metrojazz, Late 50s. Very Good ... $34.99
A gem of a session from both players – and one of the long-lost sides on the short-lived Metrojazz label from MGM! Adams and Knepper head up a soulful group that features Wynton Kelly on piano (and a bit of organ!), Doug Watkins on bass, and Elvin Jones on drums. The real charm, though, is from Adams' solos, which are in that perfect gutbuckety mode that he could hit when he wanted to – a deep, dark drink the best tone the bari could offer, never getting clumsy at all, thanks to some lively rhythm playing. Titles include "Minor Catastrophe", "Riverside Drive", "Primrose Path", and "Adams In The Apple". LP, Vinyl record album
(Original pressing with deep groove. Cover has split seams held with clear tape on top, and masking tape on the bottom.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... CD
Limelight/EmArcy, 1959. Used ... $8.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD
(Out of print.)

Possible matches11
CD, LP, Vinyl record album cover art
Lorez AlexandriaAlexandria The Great ... CD
Impulse (Japan), 1964. New Copy ... $13.99
A beautiful album from Lorez Alexanderia – one of her two excellent sessions for Impulse! The record was cut after Lorez recorded some great sides for the Argo label – and it works off the strength of those sides, taking her unique vocal approach, forged in R&B, but smoothed by jazz, into a whole new level of expression! The backing is great – small combo, with featured musicians who include Bunk Shank and Paul Horn on reeds, and Victor Feldman and Wynton Kelly on piano – all working with moody, soulful arrangements that are a perfect accompaniment to Lorez' beautiful voice. Includes the cuts "Get Me To The Church On Time", "Satin Doll", "Show Me", "The Best Is Yet to Come", "I'm Through With Love", and 5 more! CD

Possible matches12
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersTheory Of Art (aka A Night In Tunisia – RCA) ... LP
RCA, 1958. Sealed ... $16.99
A reissue of one of Blakey's best non-Blue Note sides from the late 50s, a killer album that sports a great lineup of the Jazz Messengers that included Jackie McLean, Johnny Griffin, Bill Hardman, Sam Dockery and Spanky DeBrest. The three of them sparkle and shine with the sort of brilliance that Blakey's leadership brings to the group, and they wail their way through a 13 minute long reading of "Night In Tunisia", with excellent solos all around, and the other cuts "Theory Of Art", "Couldn't It Be You?", "Evans", and "Off The Wall". This reissue adds the bonus number "Social Call" recorded for RCA at very nearly the same time, but with a larger group that features Wynton Kelly in place of Sam Dockery, plus the addition of Lee Morgan, Sahib Shihab, Melba Liston and Cecil Payne in the horn section. LP, Vinyl record album
(Cover has a cutout notch.)

Possible matches13
CD, LP, Vinyl record album cover art
Jimmy ClevelandCleveland Style ... LP
EmArcy, Mid 50s. Very Good+ ... $11.99
Quite possibly the best of Cleveland's albums for Mercury during the 50s – a tight hardbop set of tracks recorded with a septet that includes Art Farmer on trumpet, Benny Golson on tenor, Wynton Kelly on piano, and Charlie Persip on drums. Tracks are more open-ended than on some of Cleveland's other albums, with more room for soloing. Titles include "Posterity", "A Jazz Ballad", "Jimmie's Tune", "Long Ago & Far Away", and "Goodbye Ebbets Field". LP, Vinyl record album
(Blue label EmArcy pressing with drummer logo and deep groove.)

Possible matches14
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz ... LP
Atlantic, 1960. Near Mint- ... $8.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album
(Recent reissue pressing.)

Possible matches15
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps ... LP
Atlantic, 1959. Very Good ... $34.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! LP, Vinyl record album
(Red & green label pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP
Columbia, 1961. Very Good ... $9.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! LP, Vinyl record album
(2 eye pressing. Cover has light wear.)
Also available Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD 13.99

Possible matches17
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD
Columbia (Japan), 1961. Used ... $13.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 8 tracks in all. CD
(90s Japanese pressing.)
Also available Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP 9.99

Possible matches18
CD, LP, Vinyl record album cover art
Miles DavisSomeday My Prince Will Come ... LP
Columbia, 1961. Very Good ... $23.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(6 eye pressing. Cover has some wear, and a bit of pen on the back.)

Possible matches19
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP
Columbia, 1958/1963. New Copy (reissue)... $19.99 24.98
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Art FarmerFarmer's Market (2LP reissue) ... LP
Prestige, Late 50s. Very Good+ 2LP Gatefold ... $9.99
One of the nice Prestige 2-fer's issued in the 70s collecting great hard bop sides by Art Farmer. While we really dig Art's contemplative playing on the Untied Artists and Argo sides, he's displaying a more fire-y approach on these sessions, recording alongside a number of other greats playing at the top of their form, including Hank Mobley, Horace Silver, Gigi Gryce, Kenny Drew, Wynton Kelly, and others. 17 tracks in all, recorded between July 1953 and November 1956: 'Soft Shoe:, "Confab In Tempo", "I'll Take Romance", "Wisteria", "Work Of Art", "Mau Mau", "Wildwood", "Evening In Paris", 'Elephant Walk", "A Night At Tony's", "Blue Concept", "Evening In Casablanca", "Forecast", "I've Never Been In Love Before", "Alone Together", "With Prestige" and "Farmer's Market". LP, Vinyl record album
(Cover has splitting on the top seams.)

Possible matches21
CD, LP, Vinyl record album cover art
Curtis FullerAll Star Sextets ... LP
Savoy, 1959. Near Mint- 2LP Gatefold ... $13.99
Outstanding early work from Curtis Fuller, leading a smoking small group through bop and hard bop numbers in a modernist mode like some of the best Jazztet sides Art Farmer and Benny Golson would go on to cut a few years later. Golson's featured here alongside Fuller in the front line, with either Lee Morgan or Thad Jones on trumpet, and the group filled out with a batch of top notch sidemen in the rhythm section as the title implies: Wynton Kelly, Paul Chambers, Charlie Persip, Mcoy Tyner, Jimmy Garrison and Dave Bailey. Some of the best bop sides issued on Savoy, and among the hardest to find, too! Includes "It's All Right With Me", "Arabia", "I'll Walk Alone", "Judy's Dilemma", "Wheatleigh Hall", "Kachin", "Bang Bang", "Imagination", "Blues De Funk" and "Lido Road". LP, Vinyl record album
(Cover has a promo sticker, a cut corner, a small peeled spot from price sticker removal, and some light wear.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Dizzy GillespieChamp – 1951/1952 ... LP
Savoy/Musidisc (France), Early 50s. Near Mint- ... $3.99
A nice little collection of some of Dizzy Gillespie's best bop material for Savoy – tunes that were originally recorded as 78rpm singles – then issued together on this classic album of all-star players! The tunes are short, catchy, and often very grooving – that mix of whimsy and modernism that made Dizzy stand out from the start – handled by a few different groups of players, with musicians who include Milt Jackson on vibes, John Coltrane on tenor, Wynton Kelly on piano, and Percy Heath on bass. Titles include "Tin Tin Deo", "Star Dust", "The Bluest Blues", "The Champ", "Birk's Works", "Caravan", "Time On My Hands", and "Ooh Shoo Be Doo Bee". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches23
CD, LP, Vinyl record album cover art
Dizzy GillespieSchool Days ... LP
Regent/Savoy, 1951. Very Good ... $19.99
A bebop classic from Dizzy Gillespie – a full album comprised of some famous 78s recorded for the Savoy label at the start of the 50s – the kind of hard-grooving material that made Diz a fan favorite right from the start! There's some nice use of vocals in the mix – not just from Dizzy, but also from Joe Carroll as well – an overlooked vocalese genius from the early days of bebop – not as well-known as Eddie Jefferson or King Pleasure, but working here in a very similar spirit! Diz sings with Joe a bit too, and other players include JJ Johnson on trombone, Milt Jackson on vibes, Bill Graham on alto and baritone sax, and Wynton Kelly on piano. Cuts include "Bopsie's Blues", "School Days", "We Love To Boogie", "Umbrella Man", "I Couldn't Beat The Rap", "Pop's Confession", and "Lady Be Good". LP, Vinyl record album
(Original Regent pressing with a deep groove and RVG etching. Cover has small seam splits.)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Dizzy Gillespie & Stuff SmithDizzy Gillespie & Stuff Smith ... LP
Verve, Mid 50s. Near Mint- ... $36.99
Diz meets the great jazz violinist in one of his few sets for Verve from the 50's. Wynton Kelly's on piano, and the groove is pretty laid-back, with the nice sort of long swing-oriented tracks that you'd find on some of the best Verve sessions from the time. Cuts include "Rio Pakistan", "Purple Sounds", and "Russian Lullaby". LP, Vinyl record album
(Verve pressing, with the trumpeter logo and the deep groove! Vinyl and cover are in great shape – save for a split along the top of the cover.)

Possible matches25
CD, LP, Vinyl record album cover art
Benny GolsonBenny Golson Quartet (Turning Point/Free) ... CD
Mercury/Fresh Sound (Spain), 1962. Used ... $9.99
2 LPs of Benny Golson quartet sessions – 1962's Turning Point and Free – back-to-back on CD! First up is Turning Point, a beautiful album showcasing the tenor stylings of Golson in an intimate setting with Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Golson plays two originals, plus standards, and his tone is fantastic throughout! This is one of the few efforts from the period that really shows him in an open-ended jazz vein, without a focus on his arrangements – which are excellent! Titles include "Turning Point", "Stella By Starlight", "Three Little Words", "Alone Together" and "Dear Kathy". Next up is Free – another great one! The material has a beautifully confident tone, with Golson's tenor cutting, changing, and swinging perfectly in lines that are masterfully crafted, yet full of raw emotion. This quartet includes Tommy Flanagan on piano, Ron Carter on bass, and Arthur Taylor on drums – and titles inlcude "Sock Cha-Cha", "Shades Of Stein", "Just By Myself", "My Romance" and "Just In Time". CD

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Benny GolsonBenny Golson Quartets (Free/Turning Point) ... CD
Poll Winners Records, 1962. Used ... $8.99
2 LPs of Benny Golson quartet sessions – 1962's Turning Point and Free – back-to-back on CD! First up is Turning Point, a beautiful album showcasing the tenor stylings of Golson in an intimate setting with Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Golson plays two originals, plus standards, and his tone is fantastic throughout! This is one of the few efforts from the period that really shows him in an open-ended jazz vein, without a focus on his arrangements – which are excellent! Titles include "Turning Point", "Stella By Starlight", "Three Little Words", "Alone Together" and "Dear Kathy". Next up is Free – another great one! The material has a beautifully confident tone, with Golson's tenor cutting, changing, and swinging perfectly in lines that are masterfully crafted, yet full of raw emotion. This quartet includes Tommy Flanagan on piano, Ron Carter on bass, and Arthur Taylor on drums – and titles inlcude "Sock Cha-Cha", "Shades Of Stein", "Just By Myself", "My Romance" and "Just In Time". CD also includes the bonus track "Impromptune" – cut in 1960 with Cedar Walton, Tommy Willams and Albert Tootie Heath. CD

Possible matches27
CD, LP, Vinyl record album cover art
Benny GolsonBenny Golson's New York Scene ... CD
Contemporary/OJC, 1958. Used ... $6.99
An excellent album recorded during the height of Benny Golson's powers as an arranger and tenor soloist! Benny leads two groups – a quintet and a nontet – both of which feature players that include Art Farmer, Wynton Kelly, Sahib Shihab, Gigi Gryce, and Paul Chambers – working with arrangements by Golson and Gryce that are very much in the spirit of Benny's classic The Modern Touch album – with a similar blend of tight conception and soulfully confident solo work! Titles include sharp arrangements of many Golson originals – like "Step Lightly", "Whisper Not", "Blues It", and "Just By Myself" – plus a good reading of Gryce's "Capri". CD

Possible matches28
CD, LP, Vinyl record album cover art
Dexter GordonJumpin Blues ... LP
Prestige, 1970. Very Good ... $4.99
An unusual one from the Dexter's early 70s years – a US session cut with a tighter format than some of Gordon's imports, in a mode that kind of recalls his best Blue Note work of the 60s! The group on the set features Wynton Kelly on piano, Sam Jones on bass, and Roy Brooks on drums – and the tunes have a focus that's really great – still dominated by Dex's tone on tenor, but nicely compacted and recorded with a raspy sort of edge. Titles include "Evergreenish", "Star Eyes", "Straight No Chaser", "If You Could See Me Now", and "Jumpin Blues". LP, Vinyl record album
(Original green label pressing.)
 
 
 



⇑ Top