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Exact matches: 9
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyComplete Blue Note Trio Sessions ... CD
Jazz Factory/Disconforme (Spain), 1951. Used ... $12.99
... CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Wynton KellyKelly Blue ... LP
Riverside/OJC, 1959. New Copy (reissue)... $19.99 21.98
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery/Wynton Kelly TrioSmokin' In Seattle – Live at the Penthouse ... CD
Resonance, 1966. New Copy ... About April 29, 2017
Previously unreleased! CD

Exact matches4
CD, LP, Vinyl record album cover art
Wes Montgomery/Wynton Kelly TrioSmokin' In Seattle – Live at the Penthouse (2017 Record Store Day Release) ... LP
Resonance, 1966. New Copy (reissue)... On April 22, 2017
Previously unreleased! (Note: This item is not for sale online until after the opening of business on Sunday, April 23. It is in limited supply – and by nature of the Record Store Day rules it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago on Record Store Day. It will not be pre-sold or reserved in any way. However, the day after Record Store Day we will offer up whatever we have left for sale online.) LP, Vinyl record album

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyWynton Kelly Piano ... CD
Riverside/OJC, 1958. Used ... Temporarily Out Of Stock
A surprisingly wonderful set from Wynton Kelly – really fluid and swinging, and with a unique approach on half the material! The core group of the set features Kenny Burrell on guitar, Paul Chambers on bass, and Philly Joe Jones on drums – but then Jones sits it out on the second side of the record, making for a drum-less approach that's looser and freer than we might expect from Kelly. Not necessarily Ahmad Jamal, but really nice and fresh – and with tracks that include "Action", "Dark Eyes", "Strong Man", "Ill Wind", and "Whisper Not". CD

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Blue ... LP
Riverside, 1959. Used ... Out Of Stock
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". LP, Vinyl record album
(OJC pressing.)
Also available Kelly Blue ... LP 19.99

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyUndiluted ... CD
Verve (Japan), 1965. New Copy ... Out Of Stock
A sweetly soulful set that proves that Wynton Kelly working for Verve was a heck of a great idea! There's a cohesion and direction to the session that's missing from some of Kelly's other work of the 60s – even though the format is mostly the same, with trio backing that includes Paul Chambers on bass and Jimmy Cobb on drums. The tunes skip along with a really great little groove – soulful and lyrical, but always concerned with the swing – hitting all the right notes without any hoke, and making us love Kelly more than we expected! Titles include "Swinging til The Girls Come Home", "My Ship", "Out Front", "Never", "Blues On Purpose", "If You Could See Me Now", and "Six Eight" – plus the great Latin-ized groover "Bobo", which features some nice work by an uncredited flute player! CD
(SHM-CD pressing!)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note (180 gram pressing) ... LP
Verve, 1965. New Copy Gatefold (reissue)... Out Of Stock
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(Verve Record 60th Anniversary edition!)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Sonny CrissSonny Criss Quartet Featuring Wynton Kelly (aka Sonny Criss At The Crossroads) ... CD
Fresh Sound (Spain), 1959. Used ... Out Of Stock
A new reissue of this obscure 1959 session recorded by Sonny Criss, one of our favorite alto players of all time! Criss recorded this album in Chicago, as Sonny Criss At The Crossroads, and it's one of the only jazz records ever on the Peacock label, which put out mostly gospel and blues – but it's issued here under a different title and on a different label. The style of the record is more relaxed than his mid 50's bop recordings, which tend to be a bit frenetic sometimes, and Criss solos with a maturity that approaches his classic Prestige recordings of the late 60's. He's joined by Wynton Kelly on piano (originally listed under the fake name of Joe Scott), and the Chicago rhythm section of Bob Cranshaw and Walter Perkins, both fresh from the MJT+3 – and the album's got a great tone, warm solos, and a nice vibe throughout. Tracks include "You Don't Know", "Butts Delight", "Softly", and "Sylvia". CD
 
Possible matches: 60
Possible matches10
CD, LP, Vinyl record album cover art
Dan NimmerKelly Blue (Japanese pressing) ... CD
Venus (Japan), 2006. Used ... $14.99
A tribute to Wynton Kelly, played by pianist Dan Nimmer – who does a pretty good job of getting at all the sides of Kelly's talents in the set! The group features John Webber on bass and Jimmy Cobb on drums – the last of whom was a contemporary of Wynton's, and would obviously have the last word on whether Nimmer's hands are in the right place. But from the sound of the set, we're guessing he'd agree that things came off pretty darn well – on tracks that include "Quick Jump", "On A Clear Day", "No Blues", "Brimsha Man", "On The Trail", "Kelly Blue", "Eleanor", "Close Your Eyes", and "Temperance". CD
(Includes obi.)

Possible matches11
CD, LP, Vinyl record album cover art
Lorez AlexandriaAlexandria The Great ... LP
Impulse, 1964. Very Good Gatefold ... $19.99
A beautiful album from Lorez Alexanderia – one of her two excellent sessions for Impulse! The record was cut after Lorez recorded some great sides for the Argo label – and it works off the strength of those sides, taking her unique vocal approach, forged in R&B, but smoothed by jazz, into a whole new level of expression! The backing is great – small combo, with featured musicians who include Bunk Shank and Paul Horn on reeds, and Victor Feldman and Wynton Kelly on piano – all working with moody, soulful arrangements that are a perfect accompaniment to Lorez' beautiful voice. Includes the cuts "Get Me To The Church On Time", "Satin Doll", "Show Me", "The Best Is Yet to Come", "I'm Through With Love", and 5 more! LP, Vinyl record album
(Orange & black label mono pressing, with Van Gelder stamp.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Art Blakey & The Jazz MessengersTheory Of Art (aka A Night In Tunisia – RCA) ... LP
RCA, 1958. Very Good+ ... $7.99
A reissue of one of Blakey's best non-Blue Note sides from the late 50s, a killer album that sports a great lineup of the Jazz Messengers that included Jackie McLean, Johnny Griffin, Bill Hardman, Sam Dockery and Spanky DeBrest. The three of them sparkle and shine with the sort of brilliance that Blakey's leadership brings to the group, and they wail their way through a 13 minute long reading of "Night In Tunisia", with excellent solos all around, and the other cuts "Theory Of Art", "Couldn't It Be You?", "Evans", and "Off The Wall". This reissue adds the bonus number "Social Call" recorded for RCA at very nearly the same time, but with a larger group that features Wynton Kelly in place of Sam Dockery, plus the addition of Lee Morgan, Sahib Shihab, Melba Liston and Cecil Payne in the horn section. LP, Vinyl record album
(Cover has a cutout notch & some flaking on the spine.)

Possible matches13
CD, LP, Vinyl record album cover art
John ColtraneAfrica/Brass/Coltrane Jazz ... CD
Impulse/Not Now, 1960/1961. Used 2CD ... $5.99
Quite a different album than usual for John Coltrane, but a classic one too – and a set that has the great one exploring his ideas in a set of longer tracks recorded with an expanded jazz orchestra! The format's hardly the mainstream big band of the time – as Coltrane's filled the group with very hip players – including Booker Little, Freddie Hubbard, Julian Priester, and Eric Dolphy – in addition to usual compatriots who include McCoy Tyner, Reggie Workman, and Elvin Jones. The tunes have a soaring, modal sort of pulse – one that's filled with color and light from the addition of the other horn players, but which still has plenty of space for extended, exploratory solos. Coltrane plays both tenor and soprano sax – and titles include the legendary 16 minute track "Africa", a classic reading of "Greensleeves", redone here as a modal searching spiritual track, and "Blues Minor". This 2 CD set also includes the album Coltrane Jazz. The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! CD

Possible matches14
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz (180 gram pressing) ... LP
Atlantic, 1960. New Copy (reissue)... $18.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album

Possible matches15
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps ... CD
Atlantic (Japan), 1959. Used ... $9.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! CD
(Out of print, includes obi.)
Also available Giant Steps (with bonus tracks) ... CD 1.99

Possible matches16
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps (with bonus tracks) ... CD
Atlantic, 1959. Used ... $1.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! CD features a wealth of bonus tracks – 5 more additional alternate takes! CD
Also available Giant Steps ... CD 9.99

Possible matches17
CD, LP, Vinyl record album cover art
Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 (Japanese paper sleeve edition) ... CD
Columbia/Sony (Japan), 1961. Used ... $11.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". CD
(Out of print. Includes obi!)

Possible matches18
CD, LP, Vinyl record album cover art
Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1961. Used ... $9.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". CD
(Includes obi.)
Also available In Person Saturday Night At The Blackhawk – Vol 2 (Japanese paper sleeve edition) ... CD 11.99

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1961. Used ... $11.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". CD
(Out of print, includes obi.)
Also available In Person Saturday Night At The Blackhawk – Vol 2 (Japanese paper sleeve edition) ... CD 9.99

Possible matches20
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD
Columbia (Japan), 1961. Used ... $9.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 8 tracks in all. CD
(Out of print. Includes obi!)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSomeday My Prince Will Come (180 gram vinyl – mono edition) ... LP
Columbia, 1961. Near Mint- (reissue)... $16.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSomeday My Prince Will Come (Japanese paper sleeve edition) ... CD
Sony (Japan), 1961. Used ... Just Sold Out!
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". CD
(Out of print, includes obi.)
Also available Someday My Prince Will Come (180 gram vinyl – mono edition) ... LP 16.99

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP
Columbia, 1958/1963. Near Mint- (reissue)... $16.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album
(Limited edition #2014.)

Possible matches24
CD, LP, Vinyl record album cover art
Johnny GriffinBlowing Session (aka Johnny Griffin Vol 2) (Non-RVG remaster edition) ... CD
Blue Note, 1957. Used ... $3.99
A stellar early Johnny Griffin recording for Blue Note, and one that features him in a larger group with Hank Mobley, Lee Morgan, John Coltrane, and Wynton Kelly. As the "blowing session" title might imply, this set features long tracks that let the players get in plenty of soloing (and, we might add, in a very competitive way!) The record is similar to the Prestige sessions of the same vintage and style, but recorded with a little bit more of the care and rehearsal that Blue Note provided. Cuts include "Ball Bearing" and "Smoke Stack". CD

Possible matches25
CD, LP, Vinyl record album cover art
Jimmy HeathOn The Trail ... CD
Riverside, 1964. Used ... $8.99
A great little record by Jimmy Heath – arguably one of his best, and a real no-nonsense session that lets him shine as the tenor star that he is! The group's a small one – with Wynton Kelly, Kenny Burrell, and Paul Chambers – and Heath's right out front, blowing up a storm, in a confident solo-happy style that sounds more like Sonny Rollins than a lot of his other work! Titles include "Cloak and Dagger", "Vanity", "Project S", and "I Should Care". CD

Possible matches26
CD, LP, Vinyl record album cover art
Billie HolidayLady Sings the Blues ... LP
Verve, 1956. Very Good+ ... $39.99
Possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind Billie's vocals, which themselves are recorded cleanly and clearly throughout. One side features backing by a combo that includes Wynton Kelly on piano, Kenny Burrell on guitar, Charlie Shavers on trumpet, and Paul Quinichette on tenor – and the other features a group that includes Bobby Tucker on piano, Charlie Shavers on trumpet, Barney Kessel on guitar, and the great Willie Smith on alto sax. Titles include plenty of classics – including "God Bless The Child", "Strange Fruit", "Lady Sings The Blues", "No Good Man", "Good Morning Heartache", "I Must Have That Man", and "Trav'lin' Light". LP, Vinyl record album
(MGM pressing. Cover has light wear.)

Possible matches27
CD, LP, Vinyl record album cover art
Illinois JacquetBlues – That's Me! ... CD
Prestige/OJC, 1970. Used ... $7.99
A late 60s set, but one that recalls the sweet swinging style of Prestige Records' Swingville sessions from the early part of the decade! Illinois Jacquet sounds wonderful here on tenor (and a bit of bassoon on one track!) – blowing with plenty of open space amidst a lineup that includes Tiny Grimes on guitar, Wynton Kelly on piano, Buster Williams on bass, and Oliver Jackson on drums. The approach is kind of a mix of Jacquet's mid 60s work for Argo/Cadet, with some of the late 50s non-bop swing sessions issued by Prestige – and titles include "The Galloping Latin", "Still King", "For Once In My Life", and "Every Day". CD

Possible matches28
CD, LP, Vinyl record album cover art
Roland KirkRahsaan – Complete Mercury Recordings Of Roland Kirk (11CD set) ... CD
Mercury, 1960s/1990. Used 11CDs ... $199.99
A beautiful box set, and one that's filled with amazing material by one of our favorite players of all time! Roland Kirk's work for Mercury has always been darn tough to come by on wax, and even though a number of titles have been reissued individually over the years, this box set is still the best way to approach his early and mid 60's work for Mercury and related labels. The set's got a whopping 10 CDs in all – plus a bonus CD of unreleased stuff – and it's filled with rare material, live tracks, big band tracks, and just plain ol' great hard-wailing straight ahead material by Roland. Players on the set include Jaki Byard, Benny Golson, Wynton Kelly, Roy Haynes, Andrew Hill, Elvin Jones, and Horace Parlan. Very nice, and one you won't tire of quickly! CD
(Out of print. In great condition with the original slipcase and book!)

Possible matches29
CD, LP, Vinyl record album cover art
Abbey LincolnThat's Him! ... CD
Riverside/OJC, 1957. Used ... $7.99
One of Abbey Lincoln's earliest albums – an all star session recorded with backing by Kenny Dorham, Sonny Rollins, Wynton Kelly, Paul Chambers, and Max Roach! Abbey's still pretty straight at this point – singing a variety of wispy love songs and emotional tunes – but she's also bringing a bit more feeling to the material than most singers of her generation – hinting at the sharper tones that would come just a few years later in her work! And given the strength of the sidemen alone, the album's already a cut above most jazz vocal records from the time – but really takes on a strong voice when Abbey opens up on some of the best numbers on the set. Titles include "Strong Man", "My Man", "That's Him", "Don't Explain", "I Must Have That Man", and "When A Woman Loves A Man". CD
 
 
 



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