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Exact matches: 16
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Joe Henderson with Wynton KellyStraight No Chaser ... CD
Verve/Jazz Heritage, 1968. Used ... $9.99
A great counterpart to the album Four – and like that one, which comes from the same session, this one features material recorded live in 1968, but only issued here for the first time! CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Wynton KellyAlternate Takes Of Wynton Kelly ... LP
Vee Jay/Fun House (Japan), Late 50s. Near Mint- ... $29.99
Rare alternate tracks from the Wynton Kelly recordings for Vee Jay – not issued at the time! Features Paul Chambers on bass and Jimmy Cobb on drums – on alternate takes of "Joe's Avenue", "Char's Blues", "Autumn Leaves", and "Someday My Prince Will Come". LP, Vinyl record album
(Includes obi! Cover has some light aging.)

Exact matches3
CD, LP, Vinyl record album cover art
Wynton KellyKelly At Midnite ... LP
Vee Jay, 1960. Good+ ... $39.99
Midnite is right – as the session's a moody, mellow late nite one – just spare trio material by Wynton, played in a group that features Paul Chambers on bass and Philly Joe Jones on drums! The titles are all nice and long – and really let Kelly stretch out on the keys – working in a mode that's lyrical and soulful – on a set of titles that include include Babs Gonzales' "Weird Lullaby", plus "Skatin", "Temperance", "On Stage", and "Pot Luck". LP, Vinyl record album
(Original deep groove rainbow label pressing. Cover has light wear. Vinyl plays with some clicks & crackles.)

Exact matches4
CD, LP, Vinyl record album cover art
Wynton KellyKelly Great ... CD
Vee Jay (Spain), 1960/1997. Used ... $9.99
One of Wynton Kelly's greatest albums, and an all-star hardbop session that includes Lee Morgan, Wayne Shorter, Paul Chambers, and Philly Joe Jones. With Philly Joe on drums, and Morgan and Shorter, the LP almost has the feel of a classic Art Blakey session for Blue Note, but Kelly's piano gives it a feel that's a bit warmer, and more relaxed. The tracks are nearly all long, with very open room for soloing, and nice catchy hooks by the various writers – who include Kelly, Morgan, and Shorter. Titles include "Wrinkles", "Mama G", "What Know", and "Sidney". 24 bit remastering, too! CD
Also available Kelly Great ... LP 19.99

Exact matches5
CD, LP, Vinyl record album cover art
Wynton KellyKelly Great ... LP
Vee Jay, 1960. Good ... $19.99
One of Wynton Kelly's greatest albums, and an all-star hardbop session that includes Lee Morgan, Wayne Shorter, Paul Chambers, and Philly Joe Jones. With Philly Joe on drums, and Morgan and Shorter, the LP almost has the feel of a classic Art Blakey session for Blue Note, but Kelly's piano gives it a feel that's a bit warmer, and more relaxed. The tracks are nearly all long, with very open room for soloing, and nice catchy hooks by the various writers – who include Kelly, Morgan, and Shorter. Titles include "Wrinkles", "Mama G", "What Know", and "Sidney". LP, Vinyl record album
(Maroon label pressing with deep groove. Cover has wear, and moisture stains, with a split top seam.)
Also available Kelly Great ... CD 9.99

Exact matches6
CD, LP, Vinyl record album cover art
Wynton KellyLive At The Left Bank Jazz Society – Baltimore, 1967 ... CD
Fresh Sound (Spain), 1967. Used 2 CDs ... $29.99
A crack quartet set from 1967 – one of the famous "lost" concerts recorded by Baltimore's Left Bank Jazz Society, and especially noteworthy because it features Hank Mobley sitting in with the trio of Wynton Kelly. The tracks are nearly all over 15 minutes long – which means that Mobley and Kelly solo intensely, and with a great deal of freedom. Rhythm's by Jimmy Cobb and Cecil McBee, so things always stay right in the pocket – and titles include "Hackensack", "On Green Dolphin Street", "Milestones", and "Speak Low". CD

Exact matches7
CD, LP, Vinyl record album cover art
Wynton KellyTakin' Charge ... CD
Le Jazz, 1960/1961. Used ... $7.99
... CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
Wynton KellyWhisper Not ... LP
Jazzland, 1958. Very Good- ... $24.99
A surprisingly wonderful set from Wynton Kelly – really fluid and swinging, and with a unique approach on half the material! The core group of the set features Kenny Burrell on guitar, Paul Chambers on bass, and Philly Joe Jones on drums – but then Jones sits it out on the second side of the record, making for a drum-less approach that's looser and freer than we might expect from Kelly. Not necessarily Ahmad Jamal, but really nice and fresh – and with tracks that include "Action", "Dark Eyes", "Strong Man", "Ill Wind", and "Whisper Not". LP, Vinyl record album
(Orange label Bill Grauer Productions pressing. Cover has a split spine.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyWynton Kelly 1931 to 1971 ... LP
Epitaph, Early 60s. Very Good+ ... $4.99
A posthumous set that brings together key cuts from Wynton Kelly's early 60s run for Vee Jay Records – a relatively short time at the company overall, but one that produced some mighty fine music! Half the tracks here feature a full group that has the core rhythm section – Kelly on piano, Paul Chambers on bass, and Philly Joe Jones on drums – joined by Lee Morgan on trumpet and Wayne Shorter on tenor, for versions of "Mama G", "What Know", and "Sydney". The remaining cuts are all trio numbers – with Sam Jones on bass and Jimmy Cobb on drums – on versions of "Joe's Avenue", "Sassy", "Come Rain Or Come Shine", and "Make The Man Love Me". LP, Vinyl record album

Exact matches10
CD, LP, Vinyl record album cover art
Wynton KellyWynton Kelly! ... LP
Vee Jay, 1961. Very Good ... $14.99
Rock-solid work from Wynton Kelly – a standout trio side from the early 60s, and one of his few dates recorded for Vee Jay Records! Kelly seems to have a bit more kick here than in the 50s – and a bit more of a down to earth quality than on his later sides for Verve – really laying back on the keys of the piano, and getting some great help from a rhythm group that features Jimmy Cobbs on drums, and either Sam Jones or Paul Chambers on bass. The tunes are mostly familiar numbers, but they're offset by a few strong Kelly originals – including "Joe's Avenue" and "Sassy" – amidst other titles that include "Love I've Found You", "Autumn Leaves", "Gone With The Wind", and "Autumn Leaves". LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has light wear.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... LP
Verve, 1965. Very Good Gatefold ... $7.99
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(MGM pressing. Cover has a split top seam, some wear, and a cut corner.)

Exact matches12
CD, LP, Vinyl record album cover art
Wynton Kelly, Wilbur Ware, Philly Joe JonesCruisin' Featuring The Rhythm Sections ... LP
Jazzland, Late 50s. Good+ ... $14.99
A pretty cool-looking Jazzland album that combines tracks from 2 other earlier Riverside albums – one that we've identified as Clark Terry's Serenade To A Bus Seat, the other we're not sure of. Side 1 features Kelly, Jones, Paul Chambers, Johnny Griffin, and Clark Terry on the tunes "Stardust", "Cruisin", and "That Old Black Magic". Side 2 features Kelly, Ware, Jones, and Ernie Henry on "Soon", "Lover Man", and "Specific Gravity". All tracks are quite nice – and in that great mix of hardbop and soul jazz that Riverside was hitting towards the end of the 50s. Cool cover, too! LP, Vinyl record album
(Orange label Bill Grauer Jazzland pressing with deep groove. Cover has split seams and spine, held with clear tape at the top and bottom.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery/Wynton Kelly TrioSmokin' In Seattle – Live at the Penthouse ... CD
Resonance, 1966. New Copy ... $16.99 18.99
A rare meeting of guitarist Wes Montgomery and the trio of pianist Wynton Kelly – heard here on unissued material that stands strongly next to their classic Smoking At The Half Note album on Verve! About half the tracks here just feature Kelly's trio – but that's A-Ok with us, as the group is wonderful – a luminous unit that features Ron McClure on bass and Jimmy Cobb on drums – both players who showcase the maturing style of Wynton's piano work – a great mix of lyricism that stretches out beautifully on the album's longer tracks! Montgomery joins in about a third into the set, and the tunes get even sharper and groovier – as Wes' tones ring out strongly next to the piano, often opening up Kelly with even more chromatic hues. The whole thing is very well-recorded, and beautifully remastered – and titles include "Jingles", "Sir John", "West Coast Blues", "Oleo", "Not A Tear", "What's New", "Blues In F", and "O Morro Nao Tem Vez". CD

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Great ... CD
Vee Jay, 1960. Used ... Temporarily Out Of Stock
One of Wynton Kelly's greatest albums, and an all-star hardbop session that includes Lee Morgan, Wayne Shorter, Paul Chambers, and Philly Joe Jones. With Philly Joe on drums, and Morgan and Shorter, the LP almost has the feel of a classic Art Blakey session for Blue Note, but Kelly's piano gives it a feel that's a bit warmer, and more relaxed. The tracks are nearly all long, with very open room for soloing, and nice catchy hooks by the various writers – who include Kelly, Morgan, and Shorter. Titles include "Wrinkles", "Mama G", "What Know", and "Sidney". CD
Also available
Kelly Great ... LP 19.99
Kelly Great ... CD 9.99

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Blue ... LP
Riverside/OJC, 1959. New Copy (reissue)... Out Of Stock
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". LP, Vinyl record album

Exact matches16
CD, LP, Vinyl record album cover art
Steve LacySteve Lacy With Wynton Kelly ... LP
Status, 1964. Good+ ... $11.99
A great straight side from Steve Lacy. Lacy's melodic sensibility plays nicely over Kelly's piano, with Dennis Charles and Buell Naidlinger taking a turn at more swing based rhythm than we've heard them in in other contexts. Overall the set has wonderful tension, with Lacy's occasionally angular lines bouncing off Kelly's soulful ruminations. Half a dozen sides here: "Day Dream", "Alone Together", "Work", "Rockin' In Rhythm", "Little Girl, Your Daddy Is Calling You" and "Easy To Love". LP, Vinyl record album
(Cover has some ring & edge wear.)
 
Possible matches: 73
Possible matches17
CD, LP, Vinyl record album cover art
Lorez AlexandriaMore Of The Great Lorez Alexandria ... LP
Impulse, 1964. Very Good+ Gatefold ... $11.99
A beautiful album by one of our favorite jazz singers! Lorez Alexandria is in a perfect setting here – singing with subtly sophisticated backings that really let her take charge, and direct the songs tightly with her incredibly soulful vocals! Instrumentation is mostly in a small combo mode – with the Wynton Kelly trio at the core, augmented by a bit of guitar from Ray Crawford, and some alto sax from Paul Horn – and although the album's got an easygoing feel, it also keenly shows the tightness that's always made Lorez so great! Styles are a blend of soul and jazz, plus just a hint of bossa, heard beautifully on the album's rendition of "O Barquinho". Other tracks include "This Could Be The Start Of Something Big", "Dancing On The Ceiling", "Once", "Angel Eyes", "No More", and "That Far Away Look". LP, Vinyl record album
(Green label pressing. Cover has light wear, a cut corner, and some marker.)

Possible matches18
CD, LP, Vinyl record album cover art
Donald ByrdOff To The Races (Japanese pressing) ... CD
Blue Note (Japan), 1958. Used ... $16.99
Donald's off to the races on this one – grooving with a lean, mean sound that makes the record one of his hardest-hitting and most soulful blue note sessions of the 50s! The group features Byrd's frequent bandmate Pepper Adams on baritone sax – blowing always with a style that's a wonderful counterpoint to Byrd's trumpet work – and the rest of the group features Blue Note heavyweights Jackie McLean, Wynton Kelly, Sam Jones, and Art Taylor – the latter two of whom really make the set bristle with excitement! The set includes some great originals, like "Down Tempo", "Sudwest Funk", and "Off To The Races" – plus a nice version of Sonny Rollins' "Paul's Pal". CD
(Please note that there is some writing in pen inside the booklet.)

Possible matches19
CD, LP, Vinyl record album cover art
Conte Candoli & Lee MorganDouble Or Nothin' ... CD
Liberty/Fresh Sound (Spain), 1957. Used ... $9.99
A great reissue of one of the few albums ever cut as a leader by crack drummer Charlie Persip, though you might miss that as it's issued here under Conte Candoli and Lee Morgan's names! Morgan and Candoli share the front line on only two tracks, and the set was originally issued as one of Howard Rumsey's "Lighthouse Series" sides of the 50s – but it's a lot harder-driving and more energy-filled than most of the other Lighthouse-related sides coming out of LA at the time. Half the record features Persip's group – a set of east coasters that includes Lee Morgan, Benny Golson, and Wynton Kelly – and the other part features some of the players from that ensemble mixing it up with Candoli, drummer Stan Levey and other LA talents that include Frank Rosolino, Bob Cooper, and others. In all, the album's a great meeting of east and west coast hardbop styles – with short driving tracks that include "Reggie Of Chester", "Celedia", "Moto", "The Champ", and "Wildwood". CD

Possible matches20
CD, LP, Vinyl record album cover art
Betty CarterOut There With Betty Carter ... LP
Peacock, Late 50s. Very Good ... $59.99
A fantastic album by Betty Carter – and certainly her rarest – not nearly as "out there" as you might guess from the title, but still a sparkling set of modern jazz vocals! The album was recorded with arrangements by Gigi Gryce, plus some help from Melba Liston – and a all-hip cast of players that includes Kenny Dorham, Sam Jones, Sahib Shihab, Benny Golson, and Wynton Kelly – all coming together in small group formation and swinging along magically with the Betty Carter groove. Betty's voice is in fantastic form – way more swinging and free than on some of her earlier sides, in a way that points the direction towards some of the groundbreaking work she'd do on her own label two decades later! Titles include "All I've Got", "Make It Last", "Foul Play", "Babe's Blues", and "You're Driving Me Crazy". LP, Vinyl record album
(Original Peacock pressing! Cover some splitting on the top seam, but is nice overall – and vinyl is nice and clean.)

Possible matches21
CD, LP, Vinyl record album cover art
Paul Chambers1st Bassman ... LP
Vee Jay, 1961. Very Good ... $39.99
One of the most obscure sessions as a leader from the legendary bassman Paul Chambers – the crucial talent who really helped reinvent the role of his instrument in jazz during the 50s – and who left our planet all too soon! The record's got a vibe that's a bit different than Paul's work for Blue Note – almost more of a Prestige-styled hardbop approach – with some nice long tracks, filled with plenty of fire – and featuring a sextet that includes Tommy Turrentine on trumpet, Curtis Fuller on trombone, Yusef Lateef on tenor, and Wynton Kelly on piano. Turrentine and Fuller are beautifully smoking – as they always seemed to be at this point in their careers – and Lateef contributes a number of excellent compositions to the set, like "Bass Region", "Retrogress", and "Blessed" – all with the great mix of hardbop and more exotic themes that he could put into his best work. LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has yellowed tape on all seams and a name in marker on back.)

Possible matches22
CD, LP, Vinyl record album cover art
Paul ChambersEase It (aka Go. . .) ... LP
Vee Jay/Yes To Jazz (Portugal), Late 50s. Near Mint- ... $9.99
A rare non-Blue Note date as a leader from bassist Paul Chambers – and one of his hardest cooking dates in the studio! The session breaks out a bit from some of Chambers' more concept-based work of the time – and has him opening up strongly with an all-star group that includes Cannonball Adderley on alto sax, Freddie Hubbard on trumpet, Wynton Kelly on piano, and Philly Joe Jones on drums. The setting's a bit loose, almost a blowing session – and Chambers holds it together perfectly, almost acting as more of a sideman on the session, and letting the bigger-name soloists get plenty of space to do their thing! One of the all-time Vee Jay jazz classics – with titles that include "Just Friends", "I Got Rhythm", "Ease It", "Awful Mean", and "Julie Ann". LP, Vinyl record album
(UK pressing on Affinity.)

Possible matches23
CD, LP, Vinyl record album cover art
James Clay & David Fathead NewmanSound Of The Wide Open Spaces ... LP
Riverside, 1960. Very Good+ ... $6.99
Texas tenors locked in hard formation! The set's a wonderfully stripped-down set that has James Clay and David Fathead Newman playing head-to-head in a rootsy Texas tenor style jazz session – one that's a bit more open-ended and earthy than some of the faker tones on Newman's early work for Atlantic! The setting is nicely relaxed – New York blowing session, taken down south – and rhythm is from a trio that includes Wynton Kelly on piano, Sam Jones on bass, and Art Taylor on drums. Tracks are long, with lots of focus on the solos – and the set includes two hip compositions by Babs Gonzales – "Wide Open Spaces" and "Figger-ation" – plus the titles "Some Kinda Mean", "What's New", and "They Can't Take That Away From Me". LP, Vinyl record album
(OJC pressing. Cover has light wear & a name in marker.)

Possible matches24
CD, LP, Vinyl record album cover art
Jimmy ClevelandCleveland Style ... LP
EmArcy, Mid 50s. Very Good+ ... Just Sold Out!
Quite possibly the best of Cleveland's albums for Mercury during the 50s – a tight hardbop set of tracks recorded with a septet that includes Art Farmer on trumpet, Benny Golson on tenor, Wynton Kelly on piano, and Charlie Persip on drums. Tracks are more open-ended than on some of Cleveland's other albums, with more room for soloing. Titles include "Posterity", "A Jazz Ballad", "Jimmie's Tune", "Long Ago & Far Away", and "Goodbye Ebbets Field". LP, Vinyl record album
(Blue label EmArcy pressing with drummer logo and deep groove – a nice copy!)

Possible matches25
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz ... LP
Atlantic, 1960. Very Good ... $14.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album
(Red & green Rockefeller label pressing. Cover has some ring & edge wear.)
Also available Coltrane Jazz (180 gram pressing) ... LP 18.99

Possible matches26
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz (180 gram pressing) ... LP
Atlantic, 1960. New Copy (reissue)... $18.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album
Also available Coltrane Jazz ... LP 14.99

Possible matches27
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps (180 gram pressing – mono) ... LP
Atlantic, 1959. New Copy (reissue)... $19.99 21.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! LP, Vinyl record album

Possible matches28
CD, LP, Vinyl record album cover art
Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 ... LP
Columbia, 1961. Very Good- ... $6.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(Columbia Limited Edition pressing. Cover has some wear & splitting.)

Possible matches29
CD, LP, Vinyl record album cover art
Miles DavisManchester Concert – Complete 1960 Live At The Free Trade Hall (with bonus tracks) ... CD
Lonehill (Spain), 1960/1963. Used 2 CDs ... $13.99
Quite an interesting slice of Miles Davis – live material from the brief time when Sonny Stitt was working with the Davis group in 1960! The pairing of Miles & Sonny has been heard a bit more famously (although still relatively obscurely) on a similar live set from Sweden, recorded around the same time – but this batch of tracks is from an even rarer date in Manchester – cut at the Free Trade Hall, on September 27, 1960. Stitt's working here with the group that included Paul Chambers, Wynton Kelly, and Jimmy Cobb on rhythm – and the tracks are mostly longish, with a few shorter numbers that are often focused most strongly on Miles' presence as lead soloist. Titles include "All Blues", "All Of You", "Walkin", "Autumn Leaves", "So What", "Stardust", and 2 takes of "Four". Added to these numbers are 3 more bonus tracks from a 1963 St Louis date that features George Coleman on tenor, with the Davis quintet that included Herbie Hancock, Ron Carter, and Tony Williams. These tracks are all quite long, and include "I Thought About You", "All Blues", and "Seven Steps To Heaven". CD
(Out of print.)

Possible matches30
CD, LP, Vinyl record album cover art
Miles DavisSomeday My Prince Will Come (with bonus track) ... CD
Sony, 1961. Used ... $1.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". Includes the bonus track "Someday My Prince Will Come (alt take)". CD

Possible matches31
CD, LP, Vinyl record album cover art
Miles Davis & John ColtraneLegendary 1960 European Tour (3CD set) ... CD
Jazz Plot, 1960. Used 3CD ... $9.99
With Wynton Kelly, Paul Chambers, and Jimmy Cobb. CD
(Condition note: flaw causes skip on Disc 3, Track 2. Slipcase has a scratch on the back and moderate wear. Out of print.)

Possible matches32
CD, LP, Vinyl record album cover art
Miles Davis featuring John ColtraneMiles Davis Quintet With John Coltrane Live In Zurich (with bonus tracks) ... CD
Gambit (Spain), 1958/1960. Used ... $11.99
Key material from the Miles Davis Quintet with John Coltrane – recorded on their famous 1960 European tour, and paired here with some other material from an earlier date! The first 5 tracks on the set feature Davis and Coltrane working with Wynton Kelly, Paul Chambers, and Jimmy Cobb – on a live date from Zurich in April of 1960. Tracks are all quite long, with key Davis and Coltrane solo touches – and include "Fran Dance", "If I Were A Bell", So What", and "All Blues". The last 4 tracks on the CD are from a Cafe Bohemia date in 1958 – and feature a slightly different lineup that includes Bill Evans on piano and Philly Joe Jones on drums – performing shorter, lighter takes on "Walkin", "Four", "Bye Bye Blackbird", and "Two Bass Hit". CD

Possible matches33
CD, LP, Vinyl record album cover art
Miles Davis Quintet With John Coltrane1960 German Concerts ... CD
Jazzlips, 1960. Used ... $11.99
With Wynton Kelly, Paul Chambers, and Jimmy Cobb. CD
(Out of print.)

Possible matches34
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport ... CD
Columbia/Legacy, 1958/1963. Used 2 CDs ... $5.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". CD
(Out of print.)

Possible matches35
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport ... LP
Columbia, 1958/1963. Very Good+ ... $12.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album
(70s pressing. Cover has a name in pen.)

Possible matches36
CD, LP, Vinyl record album cover art
✨✧ Dizzy GillespieChamp ... CD
Savoy/Jazz Heritage, 1951/1952. Used ... $2.99
A nice little collection of some of Dizzy Gillespie's best bop material for Savoy – tunes that were originally recorded as 78rpm singles – then issued together on this classic album of all-star players! The tunes are short, catchy, and often very grooving – that mix of whimsy and modernism that made Dizzy stand out from the start – handled by a few different groups of players, with musicians who include Milt Jackson on vibes, John Coltrane on tenor, Wynton Kelly on piano, and Percy Heath on bass. Titles include "Tin Tin Deo", "Star Dust", "The Bluest Blues", "The Champ", "Birk's Works", "Caravan", "Time On My Hands", and "Ooh Shoo Be Doo Bee". CD
(Out of print.)
 
 
 



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