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Exact matches: 14
Exact matches1
CD, LP, Vinyl record album cover art
Wynton KellyIt's All Right! ... LP
Verve, 1964. Very Good Gatefold ... $14.99
A tight little groover from Wynton Kelly – one of a few mid 60s gems done for Verve in a style that's harder-hitting and more focused than some of Kelly's other work! The record's got an approach that's a bit pop, but plenty darn soulful too – a style that focuses the already-great Kelly approach to the keys, and brings it into territory explored by Ramsey Lewis and Ray Bryant – kicking up the rhythms with lots of playful touches, including extra guitar by Kenny Burrell and conga from Candido, and even an added steel band on one number! The record's got a few mellower ballads that recall the lyrical Kelly mode of the past – but most is upbeat and very grooving – with titles that include "South Seas", "Not A Tear", "It's All Right", "Kelly Roll", "Moving Up", and "Escapade". LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Wynton KellyKelly Great ... LP
Vee Jay, 1960. Good ... $9.99
One of Wynton Kelly's greatest albums, and an all-star hardbop session that includes Lee Morgan, Wayne Shorter, Paul Chambers, and Philly Joe Jones. With Philly Joe on drums, and Morgan and Shorter, the LP almost has the feel of a classic Art Blakey session for Blue Note, but Kelly's piano gives it a feel that's a bit warmer, and more relaxed. The tracks are nearly all long, with very open room for soloing, and nice catchy hooks by the various writers – who include Kelly, Morgan, and Shorter. Titles include "Wrinkles", "Mama G", "What Know", and "Sidney". LP, Vinyl record album
(Rainbow label pressing. Cover has a creased corner.)

Exact matches3
CD, LP, Vinyl record album cover art
Wynton KellySomeday My Prince Will Come ... CD
Vee Jay, 1961. Used ... $18.99
We're not sure if this was ever issued as a discrete album under this title or not – although the notes seem to indicate that that was the case. But to our record-collecting ears, the album seems to contain mostly material from the album that was originally titled Kelly At Midnight. The session dates from 1961, and features Kelly in a trio with Jimmy Cobb and Paul Chambers – grooving on soul jazz versions of tracks like "Someday My Prince Will Come", "Gone With The Wind", "Sassy", and "On Stage". The CD also features a quintet number with Lee Morgan and Wayne Shorter – titled "Wrinkles", and a great little 8 minute tune that ranks with his best work of the time. Lots of bonus material – 15 tracks in all! CD
(Out of print first CD pressing.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyUndiluted ... LP
Verve, 1965. Near Mint- Gatefold ... $19.99
A sweetly soulful set that proves that Wynton Kelly working for Verve was a heck of a great idea! There's a cohesion and direction to the session that's missing from some of Kelly's other work of the 60s – even though the format is mostly the same, with trio backing that includes Paul Chambers on bass and Jimmy Cobb on drums. The tunes skip along with a really great little groove – soulful and lyrical, but always concerned with the swing – hitting all the right notes without any hoke, and making us love Kelly more than we expected! Titles include "Swinging til The Girls Come Home", "My Ship", "Out Front", "Never", "Blues On Purpose", "If You Could See Me Now", and "Six Eight" – plus the great Latin-ized groover "Bobo", which features some nice work by an uncredited flute player! LP, Vinyl record album
(Japanese pressing.)

Exact matches5
CD, LP, Vinyl record album cover art
Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note (SHMCD pressing) ... CD
Verve (Japan), 1965. Used ... $19.99
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". CD
(SHMCD pressing, includes obi.)

Exact matches6
CD, LP, Vinyl record album cover art
Wynton KellyBlues On Purpose ... CD
Xanadu, 1965. Used ... Just Sold Out!
CD
(Out of print.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Blue ... CD
Riverside/OJC, 1959. Used ... Temporarily Out Of Stock
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyPiano Interpretations By Wynton Kelly (2LP expanded version) ... LP
Vee Jay (Japan), 1951. Used 2LP Gatefold ... Temporarily Out Of Stock
A rare early session by Wynton Kelly – who's working here in a trio format with Oscar Pettiford on bass and Lee Abrams on drums! The tracks are intimate and introspective, with Kelly holding back his bop chops a bit to break out in other moods on the keyboard – definitely the "new sounds" promised by the cover, as the set's sharp enough to be considered with the best Blue Note piano work from the time. The cover is an excellent Gil Melle abstract design – and titles include "Moonlight In Vermont", "Good Bye", "Born To Be Blue", and "Blue Moon". Plus, this Japanese-only 12" LP version features a greatly expanded track list – with a number of tunes from another 10" LP, plus a few unissued cuts! 19 tracks in all. LP, Vinyl record album
(Includes the original insert. Cover has a light stain on one corner, with a bit of stuck-on paper on back.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Wynton KellySmokin' ... LP
Trip/Vee Jay, Late 50s/Early 60s. Used 2LP ... Temporarily Out Of Stock
2LP set that brings together Kelly's recordings for Vee Jay from the late 50s and early 60s – featuring mostly trio material, with the likes of Paul Chambers and Philly Joe Jones, plus a few quintet tracks, cut with Lee Morgan and Wayne Shorter added in. Titles include "Pot Luck", "Skatin", "Temperance", "Weird Lullaby", and "Wrinkles". LP, Vinyl record album
(Cover has a partially split top seam.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... CD
Verve, 1965. Used ... Temporarily Out Of Stock
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". CD
(CRC music club pressing.)
Also available Smokin' At The Half Note (SHMCD pressing) ... CD 19.99

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... LP
Verve, 1965. Used Gatefold ... Temporarily Out Of Stock
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(Cover has a cut corner.)
Also available Smokin' At The Half Note (SHMCD pressing) ... CD 19.99

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note Vol 2 ... CD
Verve (Japan), 1965. Used ... Temporarily Out Of Stock
CD
(Out of print.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Wynton Kelly & Cecil PayneWynton Kelly & Cecil Payne Live ... CD
Collectables, 1960s. Used ... Out Of Stock
CD
(Out of print.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly's Memories ... LP
Vee Jay/RVC (Japan), Late 50s. Used ... Out Of Stock
A unique Japanese-only album – featuring rare Vee Jay material from pianist Wynton Kelly! LP, Vinyl record album
(Includes obi.)
 
Possible matches: 88
Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyAfrican Waltz ... LP
Riverside, 1961. Very Good+ ... $9.99
Pretty darn hip stuff – and with some great soloing by Cannonball! The record features Adderley's alto fronting a large group conducted by Ernie Wilkins, and featuring a host of hip players like Melba Liston, Oliver Nelson, Jerome Richardson, Ray Barretto, Sam Jones, and Wynton Kelly. The title track is a beautiful reading of Galt MacDermott's "African Waltz" – and other tracks include "Blue Brass Groove", "Something Different", "The Uptown", and "Letter From Home". Wilkins outdoes himself on this one, really providing some strong swinging arrangements that work well with the complicated groove of the project – and in a way, the record feels more like Randy Weston or Melba Liston's at the helm. LP, Vinyl record album
(OJC pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Takes Charge ... LP
Riverside, 1959. Very Good+ ... $22.99
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with in his time with Miles Davis – plus occasional guest rhythm work by Albert and Percy Heath. The set's strong and straight ahead – a good bridge between Cannon's early Mercury recordings, and his later albums for Riverside and Capitol – tightly crafted solos with a good deal of soul, Adderley holding down all the horn work on the record. Titles include "If This Isn't Love", "Serenata", "Poor Butterfly", "I Remember You", and "I've Told Ev'ry Little Star". CD also features 2 bonus alternate tracks! LP, Vinyl record album
(Dutch pressing. Cover has light wear.)

Possible matches17
CD, LP, Vinyl record album cover art
Cannonball AdderleyThings Are Getting Better ... LP
Riverside, 1958. Very Good+ ... $14.99
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album
(OJC pressing.)

Possible matches18
CD, LP, Vinyl record album cover art
Cannonball Adderley QuintetCannonbal Adderley Quintet Plus ... LP
Riverside, 1962. Very Good- ... $4.99
An all-star set from Cannonball Adderley – a hip standout in his pre-Capitol years for Riverside! The "plus" in the title is pianist Wynton Kelly – who works with the group wonderfully on 4 of the album's 6 tracks – bringing in a slightly different feel on the keys than you might get from some of Cannon's other albums – slightly lyrical at points, in a really great way. Rhythm is from the rock-solid team of Sam Jones on bass and Louis Hayes on drums – and of course Nat Adderley's also in the group on cornet, and Victor Feldman rounds out the ensemble on vibes, but also plays piano on the tracks that don't feature Kelly. There's a strong undercurrent of Adderley's Riverside soul jazz vibe on the set – and titles include "Arriving Soon", "New Delhi", "Winetone", "Well You Needn't", "Star Eyes", and "Lisa". LP, Vinyl record album
(Blue label Bill Grauer pressing. Cover has split seams and a split spine.)

Possible matches19
CD, LP, Vinyl record album cover art
Lorez AlexandriaAlexandria The Great ... CD
Impulse (Japan), 1964. New Copy ... $13.99
A beautiful album from Lorez Alexanderia – one of her two excellent sessions for Impulse! The record was cut after Lorez recorded some great sides for the Argo label – and it works off the strength of those sides, taking her unique vocal approach, forged in R&B, but smoothed by jazz, into a whole new level of expression! The backing is great – small combo, with featured musicians who include Bunk Shank and Paul Horn on reeds, and Victor Feldman and Wynton Kelly on piano – all working with moody, soulful arrangements that are a perfect accompaniment to Lorez' beautiful voice. Includes the cuts "Get Me To The Church On Time", "Satin Doll", "Show Me", "The Best Is Yet to Come", "I'm Through With Love", and 5 more! CD

Possible matches20
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersTheory Of Art (aka A Night In Tunisia – RCA) ... CD
RCA/Bluebird, 1958. Used ... $5.99
A reissue of one of Blakey's best non-Blue Note sides from the late 50s, a killer album that sports a great lineup of the Jazz Messengers that included Jackie McLean, Johnny Griffin, Bill Hardman, Sam Dockery and Spanky DeBrest. The three of them sparkle and shine with the sort of brilliance that Blakey's leadership brings to the group, and they wail their way through a 13 minute long reading of "Night In Tunisia", with excellent solos all around, and the other cuts "Theory Of Art", "Couldn't It Be You?", "Evans", and "Off The Wall". This reissue adds the bonus numbers "Social Call" and "A Night At Tony's" recorded for RCA at very nearly the same time, but with a larger group that features Wynton Kelly in place of Sam Dockery, plus the addition of Lee Morgan, Sahib Shihab, Melba Liston and Cecil Payne in the horn section. CD
(Out of print.)

Possible matches21
CD, LP, Vinyl record album cover art
Paul Chambers1st Bassman ... LP
Vee Jay, 1961. Near Mint- ... $29.99
One of the most obscure sessions as a leader from the legendary bassman Paul Chambers – the crucial talent who really helped reinvent the role of his instrument in jazz during the 50s – and who left our planet all too soon! The record's got a vibe that's a bit different than Paul's work for Blue Note – almost more of a Prestige-styled hardbop approach – with some nice long tracks, filled with plenty of fire – and featuring a sextet that includes Tommy Turrentine on trumpet, Curtis Fuller on trombone, Yusef Lateef on tenor, and Wynton Kelly on piano. Turrentine and Fuller are beautifully smoking – as they always seemed to be at this point in their careers – and Lateef contributes a number of excellent compositions to the set, like "Bass Region", "Retrogress", and "Blessed" – all with the great mix of hardbop and more exotic themes that he could put into his best work. LP, Vinyl record album
(Japanese pressing – with obi!)

Possible matches22
CD, LP, Vinyl record album cover art
James Clay & David Fathead NewmanSound Of The Wide Open Spaces ... LP
Riverside, 1960. Near Mint- ... $6.99
Texas tenors locked in hard formation! The set's a wonderfully stripped-down set that has James Clay and David Fathead Newman playing head-to-head in a rootsy Texas tenor style jazz session – one that's a bit more open-ended and earthy than some of the faker tones on Newman's early work for Atlantic! The setting is nicely relaxed – New York blowing session, taken down south – and rhythm is from a trio that includes Wynton Kelly on piano, Sam Jones on bass, and Art Taylor on drums. Tracks are long, with lots of focus on the solos – and the set includes two hip compositions by Babs Gonzales – "Wide Open Spaces" and "Figger-ation" – plus the titles "Some Kinda Mean", "What's New", and "They Can't Take That Away From Me". LP, Vinyl record album
(OJC pressing.)

Possible matches23
CD, LP, Vinyl record album cover art
Jimmy ClevelandCleveland Style ... LP
EmArcy, Mid 50s. Very Good ... $9.99
Quite possibly the best of Cleveland's albums for Mercury during the 50s – a tight hardbop set of tracks recorded with a septet that includes Art Farmer on trumpet, Benny Golson on tenor, Wynton Kelly on piano, and Charlie Persip on drums. Tracks are more open-ended than on some of Cleveland's other albums, with more room for soloing. Titles include "Posterity", "A Jazz Ballad", "Jimmie's Tune", "Long Ago & Far Away", and "Goodbye Ebbets Field". LP, Vinyl record album
(Black label Mercury pressing, with deep groove. Cover has some pen on back.)

Possible matches24
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz (Japanese pressing) ... CD
Atlantic (Japan), 1960. Used ... $11.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! CD features 4 more bonus alternate takes too! CD
(Includes obi.)

Possible matches25
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps ... LP
Atlantic, 1959. Very Good+ ... $39.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! LP, Vinyl record album
(Red & green label pressing. Cover has light flaking at the bottom.)
Also available Giant Steps (with bonus tracks) ... CD 1.99

Possible matches26
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps (bonus tracks) (Atlantic Jazz Gallery pressing) ... CD
Atlantic/Rhino, 1959. Used ... $4.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! CD features a wealth of bonus tracks – 8 additional alternate takes! CD
(Digipack has some wear.)

Possible matches27
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps (with bonus tracks) ... CD
Atlantic, 1959. Used ... $1.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! CD features a wealth of bonus tracks – 5 more additional alternate takes! CD
Also available Giant Steps ... LP 39.99

Possible matches28
CD, LP, Vinyl record album cover art
Miles DavisBallads ... LP
Columbia, Early 60s. Near Mint- ... $7.99
Early 60s material, compiled here in a well-annotated package from the mid 80s. Players include Hank Mobley, George Coleman, Victor Feldman, Wynton Kelly, and orchestral backings from Gil Evans. Titles include "Song #2", "Baby Won't You Please Come Home", "Wait Till You See Her", "Corcovado", and "I Fall In Love Too Easily". LP, Vinyl record album
(80s pressing. Cover has a promo stamp.)

Possible matches29
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 ... LP
Columbia, 1961. Very Good- ... $14.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(6 eye pressing. Cover has a peeled spot at the opening, and a spot of tape on the back.)

Possible matches30
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP
Columbia, 1961. Sealed ... $11.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! LP, Vinyl record album
(Recent 180 gram pressing!)

Possible matches31
CD, LP, Vinyl record album cover art
Miles DavisSomeday My Prince Will Come ... LP
Columbia, 1961. Very Good ... $29.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(6 eye pressing.)

Possible matches32
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport ... LP
Columbia, 1958/1963. Very Good+ ... $19.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album
(360 stereo pressing.)

Possible matches33
CD, LP, Vinyl record album cover art
Dizzy Gillespie & Stuff SmithDizzy Gillespie & Stuff Smith ... LP
Verve, Mid 50s. Very Good ... $14.99
Diz meets the great jazz violinist in one of his few sets for Verve from the 50's. Wynton Kelly's on piano, and the groove is pretty laid-back, with the nice sort of long swing-oriented tracks that you'd find on some of the best Verve sessions from the time. Cuts include "Rio Pakistan", "Purple Sounds", and "Russian Lullaby". LP, Vinyl record album
(Verve pressing, with the trumpeter logo and the deep groove. Cover has a split top seam and spine.)

Possible matches34
CD, LP, Vinyl record album cover art
Dizzy Gillespie, Stan Getz, & OthersSittin In ... LP
Verve, 1957. Near Mint- ... $26.99
A great little jam session from Verve – done in a style that's looser and freer than some of the JATP albums, and with a smaller group overall! Players include Stan Getz, Paul Gonsalves, and Coleman Hawkins on tenor, Dizzy Gillespie on trumpet, and Wynton Kelly on piano – plus bass by Wendell and drums from JC Heard. There's a rougher, more spontaneous quality here than even on some of the other Norman Granz jam session records – a feel that's almost more "real" overall, as if you were catching the players all working together in a club. Each side features 2 long tracks – one upbeat and one mellow – and the tenor interplay alone is worth the price of the record! Titles include long takes on "Dizzy Atmosphere" and "The Way You Look Tonight" – plus 2 additional ballad medleys! LP, Vinyl record album
(Nice Japanese presing, with obi!)
 
 
 



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