All Categories — All Formats




Items/page
Search:

Wynton Kelly

 

Sort by
Exact matches: 6
Exact matches1
CD, LP, Vinyl record album cover art
Wynton KellyIt's All Right! (plus bonus track) ... CD CD format
Verve (Japan), 1964. New Copy ... $13.99
A tight little groover from Wynton Kelly – one of a few mid 60s gems done for Verve in a style that's harder-hitting and more focused than some of Kelly's other work! The record's got an approach that's a bit pop, but plenty darn soulful too – a style that focuses the already-great Kelly approach to the keys, and brings it into territory explored by Ramsey Lewis and Ray Bryant – kicking up the rhythms with lots of playful touches, including extra guitar by Kenny Burrell and conga from Candido, and even an added steel band on one number! The record's got a few mellower ballads that recall the lyrical Kelly mode of the past – but most is upbeat and very grooving – with titles that include "South Seas", "Not A Tear", "It's All Right", "Kelly Roll", "Moving Up", and "Escapade". CD features one bonus track – "One For Joan". CD

Exact matches2
CD, LP, Vinyl record album cover art
Wynton KellyKelly Blue ... CD CD format
Riverside/OJC, 1959. Used ... $4.99
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". CD

Exact matches3
CD, LP, Vinyl record album cover art
Wynton Kelly, Wilbur Ware, Philly Joe JonesCruisin' Featuring The Rhythm Sections ... LP LP format
Jazzland, Late 50s. Very Good- ... $14.99
A pretty cool-looking Jazzland album that combines tracks from 2 other earlier Riverside albums – one that we've identified as Clark Terry's Serenade To A Bus Seat, the other we're not sure of. Side 1 features Kelly, Jones, Paul Chambers, Johnny Griffin, and Clark Terry on the tunes "Stardust", "Cruisin", and "That Old Black Magic". Side 2 features Kelly, Ware, Jones, and Ernie Henry on "Soon", "Lover Man", and "Specific Gravity". All tracks are quite nice – and in that great mix of hardbop and soul jazz that Riverside was hitting towards the end of the 50s. Cool cover, too! LP, Vinyl record album
(Orange label Bill Grauer Jazzland pressing with deep groove. Labels have an ink ame stamp. Cover has wear, a partially split spine, and numerous ink name stamps.)

Exact matches4
CD, LP, Vinyl record album cover art
New Wynton KellyWynton Kelly Trio – Complete Vee Jay Studio Recordings (Wynton Kelly At Midnite/Wynton Kelly/Go) ... CD CD format
Vee Jay/Phoenix (Spain), Late 50s/Early 60s. Used 2 CDs ... Temporarily Out Of Stock
The complete trio recordings by Wynton Kelly for Vee Jay – pulled from 3 different albums, and also including a host of alternate takes as well! One of the main albums here is Kelly At Midnite – a moody, mellow late nite session – just spare trio material by Wynton, played in a group that features Paul Chambers on bass and Philly Joe Jones on drums! The titles are all nice and long – and really let Kelly stretch out on the keys – working in a mode that's lyrical and soulful – on a set of titles that include include Babs Gonzales' "Weird Lullaby", plus "Skatin", "Temperance", "On Stage", and "Pot Luck". Next up is the self-titled Wynton Kelly album for the label – straight-ahead trio material from Wynton, played by a trio that includes Jimmy Cobbs on drums, and either Sam Jones or Paul Chambers on bass. The tunes aren't anything special, but Kelly brings a nice mix of soul jazz and lyricism to the recording, serving up some nicely crafted moments in small doses. Titles include "Joe's Avenue", "Sassy", "Love, I've Found You", and "Autumn Leaves". Added to these titles is 1 more from the Paul Chambers album Go – a session that mostly features horns, but which also includes a trio track with Chambers and Cobb – "Dear Ann". 2CD set also features 13 more alternate takes – a total of 29 tracks in all! CD

Exact matches5
CD, LP, Vinyl record album cover art
New Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... LP LP format
Verve, 1965. Used Gatefold ... Temporarily Out Of Stock
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(Cover has some wear, a split top seam, and some letters in marker on the inside gatefold.)

Exact matches6
CD, LP, Vinyl record album cover art
New Wynton KellyWynton Kelly Piano ... LP LP format
Riverside, 1958. Used ... Out Of Stock
A surprisingly wonderful set from Wynton Kelly – really fluid and swinging, and with a unique approach on half the material! The core group of the set features Kenny Burrell on guitar, Paul Chambers on bass, and Philly Joe Jones on drums – but then Jones sits it out on the second side of the record, making for a drum-less approach that's looser and freer than we might expect from Kelly. Not necessarily Ahmad Jamal, but really nice and fresh – and with tracks that include "Action", "Dark Eyes", "Strong Man", "Ill Wind", and "Whisper Not". LP, Vinyl record album
(Blue label with silver print, microphone logo, and deep groove. Vinyl has some marks, and plays with a few clicks. Cover has a few spots of wear in two corners, but is decent overall.)
 
Possible matches: 59
Possible matches7
CD, LP, Vinyl record album cover art
New Cannonball AdderleyAfrican Waltz ... LP LP format
Riverside, 1961. Very Good+ ... $7.99
Pretty darn hip stuff – and with some great soloing by Cannonball! The record features Adderley's alto fronting a large group conducted by Ernie Wilkins, and featuring a host of hip players like Melba Liston, Oliver Nelson, Jerome Richardson, Ray Barretto, Sam Jones, and Wynton Kelly. The title track is a beautiful reading of Galt MacDermott's "African Waltz" – and other tracks include "Blue Brass Groove", "Something Different", "The Uptown", and "Letter From Home". Wilkins outdoes himself on this one, really providing some strong swinging arrangements that work well with the complicated groove of the project – and in a way, the record feels more like Randy Weston or Melba Liston's at the helm. LP, Vinyl record album
(Blue label Bill Grauer productions pressing with deep groove and microphone logo. Cover has some edge wear, peeled spots from sticker removal on front, and a name in marker on back.)

Possible matches8
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In Chicago ... CD CD format
EmArcy/Universal (Japan), 1959. New Copy ... $13.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD

Possible matches9
CD, LP, Vinyl record album cover art
Nat AdderleyMuch Brass ... LP LP format
Riverside, 1959. Very Good- ... $11.99
Despite the "much brass" tag in the title, this album's really just a sextet session – and not a clunky big brass ensemble one. Cannonball's brother plays with a very swingin' sextet that includes the brassy touches of Slide Hampton on trombone and Laymon Jackson on tuba. Wynton Kelly plays piano and Sam Jones is on bass, and the set grooves with a nice snapping rhythm section that keeps the brass players from getting to soppy. Nat's cornet has that pinched funky sound that he had when playing with his brother, and Hampton's trombone is as deep and soulful as always. Cuts include "Blue Concept", "Israel", "What Next?", and "Accents". All the material is very hip, and written by writers like Duke Pearson, Slide Hampton, Gigi Gryce, and Adderley. LP, Vinyl record album
(Small blue label Bill Grauer pressing with microphone logo and deep groove. Cover has some wear, a split top seam, a partially split spine, a sticker, a bit of sticker residue, and some pen.)

Possible matches10
CD, LP, Vinyl record album cover art
Jimmy ClevelandCleveland Style ... LP LP format
EmArcy, Mid 50s. Very Good+ ... $24.99
Quite possibly the best of Cleveland's albums for Mercury during the 50s – a tight hardbop set of tracks recorded with a septet that includes Art Farmer on trumpet, Benny Golson on tenor, Wynton Kelly on piano, and Charlie Persip on drums. Tracks are more open-ended than on some of Cleveland's other albums, with more room for soloing. Titles include "Posterity", "A Jazz Ballad", "Jimmie's Tune", "Long Ago & Far Away", and "Goodbye Ebbets Field". LP, Vinyl record album
(Blue label EmArcy pressing with drummer logo and deep groove.)

Possible matches11
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz ... LP LP format
Atlantic, 1960. New Copy (reissue)... $9.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
New Miles DavisBallads ... LP LP format
Columbia, Early 60s. Near Mint- ... $7.99
Early 60s material, compiled here in a well-annotated package from the mid 80s. Players include Hank Mobley, George Coleman, Victor Feldman, Wynton Kelly, and orchestral backings from Gil Evans. Titles include "Song #2", "Baby Won't You Please Come Home", "Wait Till You See Her", "Corcovado", and "I Fall In Love Too Easily". LP, Vinyl record album
(80s pressing.)

Possible matches13
CD, LP, Vinyl record album cover art
Miles DavisFree Trade Hall, Manchester, England 1960 ... CD CD format
Magnetic (France), 1960. Used ... $6.99
Quite an interesting slice of Miles Davis – live material from the brief time when Sonny Stitt was working with the Davis group in 1960! The pairing of Miles & Sonny has been heard a bit more famously (although still relatively obscurely) on a similar live set from Sweden, recorded around the same time – but this batch of tracks is from an even rarer date in Manchester – cut at the Free Trade Hall, on September 27, 1960. Stitt's working here with the group that included Paul Chambers, Wynton Kelly, and Jimmy Cobb on rhythm – and the tracks are mostly longish, with a few shorter numbers that are often focused most strongly on Miles' presence as lead soloist. Titles include "All Blues", "All Of You", "Walkin" and 2 takes of "Four". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
New Miles DavisSomeday My Prince Will Come ... LP LP format
Columbia, 1961. Very Good ... $19.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(6 eye mono pressing. Cover is lightly stained and wrinkled on the open half, with a split bottom seam, and some splitting on the top seam.)
Also available Someday My Prince Will Come (180 gram vinyl – mono edition) ... LP 24.99

Possible matches15
CD, LP, Vinyl record album cover art
Miles DavisSomeday My Prince Will Come (180 gram vinyl – mono edition) ... LP LP format
Columbia, 1961. New Copy (reissue)... $24.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
Also available Someday My Prince Will Come ... LP 19.99

Possible matches16
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP LP format
Columbia, 1958/1963. New Copy (reissue)... $19.99 24.98
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album

Possible matches17
CD, LP, Vinyl record album cover art
New Curtis FullerAll Star Sextets ... LP LP format
Savoy, 1959. Near Mint- 2LP Gatefold ... $16.99
Outstanding early work from Curtis Fuller, leading a smoking small group through bop and hard bop numbers in a modernist mode like some of the best Jazztet sides Art Farmer and Benny Golson would go on to cut a few years later. Golson's featured here alongside Fuller in the front line, with either Lee Morgan or Thad Jones on trumpet, and the group filled out with a batch of top notch sidemen in the rhythm section as the title implies: Wynton Kelly, Paul Chambers, Charlie Persip, Mcoy Tyner, Jimmy Garrison and Dave Bailey. Some of the best bop sides issued on Savoy, and among the hardest to find, too! Includes "It's All Right With Me", "Arabia", "I'll Walk Alone", "Judy's Dilemma", "Wheatleigh Hall", "Kachin", "Bang Bang", "Imagination", "Blues De Funk" and "Lido Road". LP, Vinyl record album
(Cover has some marker on back.)

Possible matches18
CD, LP, Vinyl record album cover art
Dizzy Gillespie, Stan Getz, Coleman Hawkins, et alSittin In ... CD CD format
Verve, 1957. Used ... $4.99
A great little jam session from Verve – done in a style that's looser and freer than some of the JATP albums, and with a smaller group overall! Players include Stan Getz, Paul Gonsalves, and Coleman Hawkins on tenor, Dizzy Gillespie on trumpet, and Wynton Kelly on piano – plus bass by Wendell and drums from JC Heard. There's a rougher, more spontaneous quality here than even on some of the other Norman Granz jam session records – a feel that's almost more "real" overall, as if you were catching the players all working together in a club. Each side features 2 long tracks – one upbeat and one mellow – and the tenor interplay alone is worth the price of the record! Titles include long takes on "Dizzy Atmosphere" and "The Way You Look Tonight" – plus 2 additional ballad medleys! CD

Possible matches19
CD, LP, Vinyl record album cover art
Johnny LytleLoop/New & Groovy ... CD CD format
BGP (UK), 1966. Used ... $11.99
Killer set that combines both of Johnny's rare albums cut for the tiny Tuba label in the mid 60s! The records both have a great funky vibes sound, with lots of tight drumming, and soulful bubbling organ grooves. These are very sought after in their original pressings, and both LPs usually fetch upwards of $40 when we get them in – and they fly right out the door as soon as they hit the web. Loop is the rarer of Johnny Lytle's two albums for the obscure Tuba label from Detroit. Johnny's classic trio, with Peppy Hinnant on organ, is backed by a larger group that features Wynton Kelly on piano and Willie Rodriguez on conga. New and Groovy is very nicely stripped down - and the focus of the album is on down-and-dirty groovers, perfect for the jazzy stepper set that still digs Lytle loads! Loads of short groovy steppin jazz vibes cuts, like "The Loop", "The Man", "The Snapper", "Selim", and way way more! CD

Possible matches20
CD, LP, Vinyl record album cover art
New Hank MobleyAnother Workout ... CD CD format
Blue Note, 1961/1985. Used ... $4.99
A rare second chapter to Mobley's famous Workout album – recorded in the early 60s, but not issued until the mid 80s – and even then, only momentarily on vinyl! The session's a great one – a quartet outing with a structure that's similar to Hank's classic Soul Station record, but which is a bit more fluid and free-thinking overall! The long tracks give Mobley plenty of room to open up on his solos – really commanding the record with his deeply soulful tone and strong sense of timing. Other players include Wynton Kelly on piano, Paul Chambers on bass, and Philly Joe Jones on drums (plus Grant Green on one track) – and titles include "Out Of Joe's Bag", "I Should Care", "Getting & Jettin", "Hank's Other Soul", and "Three Coins In A Fountain". CD
(Out of print first CD pressing.)

Possible matches21
CD, LP, Vinyl record album cover art
Hank MobleySoul Station (75th Anniversary Edition) ... LP LP format
Blue Note, 1960. New Copy (reissue)... $16.99 19.99
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". LP, Vinyl record album
Also available
Soul Station (Japanese paper sleeve edition) ... CD 24.99
Soul Station (75th Anniversary Edition) ... LP 13.99

Possible matches22
CD, LP, Vinyl record album cover art
Hank MobleySoul Station (75th Anniversary Edition) ... LP LP format
Blue Note, 1960. Very Good+ (reissue)... $13.99
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". LP, Vinyl record album
(Cover has a crease on one corner.)
Also available
Soul Station (Japanese paper sleeve edition) ... CD 24.99
Soul Station (75th Anniversary Edition) ... LP 16.99

Possible matches23
CD, LP, Vinyl record album cover art
Hank MobleySoul Station (Japanese paper sleeve edition) ... CD CD format
Blue Note (Japan), 1960. Used ... $24.99
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". CD
(Out of print. Includes obi!)
Also available
Soul Station (75th Anniversary Edition) ... LP 16.99
Soul Station (75th Anniversary Edition) ... LP 13.99

Possible matches24
CD, LP, Vinyl record album cover art
Wes MontgomeryWillow Weep For Me ... LP LP format
Verve, 1965/1968. Very Good- ... $2.99
A strange little record – a posthumous album that took older Wes Montgomery sides and souped them up a bit after his death! The core material here is quartet recordings done in 1965 – Montgomery's guitar in a hip group with Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – other material recorded at the same time as the Smokin At The Half Note set, discovered later by Verve, and augmented with fuller backings from Claus Ogerman for this record in 1968. In contrast to some of Wes' other albums of this nature, the core combo grooving was done first, which then ends up directing Ogerman's arrangements – and not the other way around – making for a really unique mix of sounds, especially on some of the longer tracks. Titles include "Four On Six", "Oh You Crazy Moon", "Willow Weep For Me", "Misty", "Impressions", and "Portrait Of Jennie". LP, Vinyl record album

Possible matches25
CD, LP, Vinyl record album cover art
Lee MorganHere's Lee Morgan ... LP LP format
Vee Jay, 1960. Very Good+ ... $49.99
An excellent early session from a young Lee Morgan – a set that we'd rank right up there with his best Blue Note material of the time! The set's from a time when Lee's trumpet was a key force in the Jazz Messengers – and there's definitely a Messengers vibe going on here, thanks to drums from Art Blakey – who works in a quintet alongside Clifford Jordan on tenor, Wynton Kelly on piano, and Paul Chambers on bass. Jordan's tenor has a nice sharp edge – and like some of the Wayne Shorter sessions for Vee Jay, there's a nice sense of darkness here that's a bit different than some of Morgan's usual moments. Titles include "Terrible T", "Mogie", "Bess", and Wayne Shorter's "Running Brook". LP, Vinyl record album
(Rainbow label pressing. Cover has a stereo sticker, and a light name in pencil on the front, and in pen on the back.)

Possible matches26
CD, LP, Vinyl record album cover art
Charlie Persip & His Jazz StatesmenDouble Or Nothin ... CD CD format
Liberty (Japan), 1957. Used ... $11.99
One of the few albums ever cut as a leader by crack drummer Charlie Persip – and a great record that you might have missed because Howard Rumsey's name is bigger on the cover than Charlie's! The album's one of Rumsey's "Lighthouse Series" sides of the 50s – but it's a lot harder-driving and more energy-filled than most of the other Lighthouse-related sides coming out of LA at the time. Half the record features Charlie's group – a set of east coasters that includes Lee Morgan, Benny Golson, and Wynton Kelly – and the other part features some of the players from that ensemble mixing it up with drummer Stan Levey and other LA talents that include Frank Rosolino, Conte Candoli, Bob Cooper, and others. In all, the album's a great meeting of east and west coast hardbop styles – with short driving tracks that include "Reggie Of Chester", "Celedia", "Moto", "The Champ", and "Wildwood". CD
(Includes obi.)
 
 
 



Top