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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Blue ... LP
Riverside, 1959. Good ... $16.99
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". LP, Vinyl record album
(Small blue label Bill Grauer pressing with deep groove. Cover has a split spine & top seam with some marker. Vinyl plays with clicks & crackles.)

Exact matches2
CD, LP, Vinyl record album cover art
Wynton KellyWynton Kelly! ... LP
Vee Jay, 1961. Very Good ... $29.99
Rock-solid work from Wynton Kelly – a standout trio side from the early 60s, and one of his few dates recorded for Vee Jay Records! Kelly seems to have a bit more kick here than in the 50s – and a bit more of a down to earth quality than on his later sides for Verve – really laying back on the keys of the piano, and getting some great help from a rhythm group that features Jimmy Cobbs on drums, and either Sam Jones or Paul Chambers on bass. The tunes are mostly familiar numbers, but they're offset by a few strong Kelly originals – including "Joe's Avenue" and "Sassy" – amidst other titles that include "Love I've Found You", "Autumn Leaves", "Gone With The Wind", and "Autumn Leaves". LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has light wear.)

Exact matches3
CD, LP, Vinyl record album cover art
Wynton KellyWynton Kelly! (Side 1 – Custom Acetate) ... LP
Vee Jay, 1961. Very Good- ... $14.99
Rock-solid work from Wynton Kelly – a standout trio side from the early 60s, and one of his few dates recorded for Vee Jay Records! Kelly seems to have a bit more kick here than in the 50s – and a bit more of a down to earth quality than on his later sides for Verve – really laying back on the keys of the piano, and getting some great help from a rhythm group that features Jimmy Cobbs on drums, and either Sam Jones or Paul Chambers on bass. This acetate contains Side 1 of the full LP, with "Come Rain Or Come Shine", "Make The Man Love Me", "Autumn Leaves", and "Surrey With The Fringe On Top". LP, Vinyl record album
(RCA Custom pressing.)

Exact matches4
CD, LP, Vinyl record album cover art
Wes Montgomery/Wynton Kelly TrioSmokin' In Seattle – Live at the Penthouse ... CD
Resonance, 1966. New Copy ... $16.99 18.99
A rare meeting of guitarist Wes Montgomery and the trio of pianist Wynton Kelly – heard here on unissued material that stands strongly next to their classic Smoking At The Half Note album on Verve! About half the tracks here just feature Kelly's trio – but that's A-Ok with us, as the group is wonderful – a luminous unit that features Ron McClure on bass and Jimmy Cobb on drums – both players who showcase the maturing style of Wynton's piano work – a great mix of lyricism that stretches out beautifully on the album's longer tracks! Montgomery joins in about a third into the set, and the tunes get even sharper and groovier – as Wes' tones ring out strongly next to the piano, often opening up Kelly with even more chromatic hues. The whole thing is very well-recorded, and beautifully remastered – and titles include "Jingles", "Sir John", "West Coast Blues", "Oleo", "Not A Tear", "What's New", "Blues In F", and "O Morro Nao Tem Vez". CD

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Blue ... LP
Riverside/OJC, 1959. New Copy (reissue)... Temporarily Out Of Stock
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". LP, Vinyl record album
Also available Kelly Blue ... LP 16.99

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Great ... LP
Vee Jay, 1960. Used ... Temporarily Out Of Stock
One of Wynton Kelly's greatest albums, and an all-star hardbop session that includes Lee Morgan, Wayne Shorter, Paul Chambers, and Philly Joe Jones. With Philly Joe on drums, and Morgan and Shorter, the LP almost has the feel of a classic Art Blakey session for Blue Note, but Kelly's piano gives it a feel that's a bit warmer, and more relaxed. The tracks are nearly all long, with very open room for soloing, and nice catchy hooks by the various writers – who include Kelly, Morgan, and Shorter. Titles include "Wrinkles", "Mama G", "What Know", and "Sidney". LP, Vinyl record album
(Maroon label pressing with deep groove. Cover has moderate wear. Vinyl plays with clicks & crackles.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... LP
Verve, 1965. Used Gatefold ... Temporarily Out Of Stock
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(180 gram Speakers Corner pressing.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Blue ... CD
Riverside/OJC, 1959. Used ... Out Of Stock
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". CD
Also available Kelly Blue ... LP 16.99
 
Possible matches: 68
Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdOff To The Races (Japanese pressing) ... CD
Blue Note (Japan), 1958. Used ... $20.99
Donald's off to the races on this one – grooving with a lean, mean sound that makes the record one of his hardest-hitting and most soulful blue note sessions of the 50s! The group features Byrd's frequent bandmate Pepper Adams on baritone sax – blowing always with a style that's a wonderful counterpoint to Byrd's trumpet work – and the rest of the group features Blue Note heavyweights Jackie McLean, Wynton Kelly, Sam Jones, and Art Taylor – the latter two of whom really make the set bristle with excitement! The set includes some great originals, like "Down Tempo", "Sudwest Funk", and "Off To The Races" – plus a nice version of Sonny Rollins' "Paul's Pal". CD
(Please note that there is some writing in pen inside the booklet.)

Possible matches10
CD, LP, Vinyl record album cover art
Betty CarterOut There With Betty Carter ... LP
Peacock, Late 50s. Very Good ... $69.99
A fantastic album by Betty Carter – and certainly her rarest – not nearly as "out there" as you might guess from the title, but still a sparkling set of modern jazz vocals! The album was recorded with arrangements by Gigi Gryce, plus some help from Melba Liston – and a all-hip cast of players that includes Kenny Dorham, Sam Jones, Sahib Shihab, Benny Golson, and Wynton Kelly – all coming together in small group formation and swinging along magically with the Betty Carter groove. Betty's voice is in fantastic form – way more swinging and free than on some of her earlier sides, in a way that points the direction towards some of the groundbreaking work she'd do on her own label two decades later! Titles include "All I've Got", "Make It Last", "Foul Play", "Babe's Blues", and "You're Driving Me Crazy". LP, Vinyl record album
(Original Peacock pressing! Cover some splitting on the top seam, but is nice overall – and vinyl is nice and clean.)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Paul ChambersGo ... LP
Vee Jay, 1959. Very Good+ ... $16.99
A rare non-Blue Note date as a leader from bassist Paul Chambers – and one of his hardest cooking dates in the studio! The session breaks out a bit from some of Chambers' more concept-based work of the time – and has him opening up strongly with an all-star group that includes Cannonball Adderley on alto sax, Freddie Hubbard on trumpet, Wynton Kelly on piano, and Philly Joe Jones on drums. The setting's a bit loose, almost a blowing session – and Chambers holds it together perfectly, almost acting as more of a sideman on the session, and letting the bigger-name soloists get plenty of space to do their thing! One of the all-time Vee Jay jazz classics – with titles that include "Just Friends", "I Got Rhythm", "Ease It", "Awful Mean", and "Julie Ann". LP, Vinyl record album
(70s black label pressing.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ James Clay & David Fathead NewmanSound Of The Wide Open Spaces ... CD
Riverside/OJC, 1960. Used ... Just Sold Out!
Texas tenors locked in hard formation! The set's a wonderfully stripped-down set that has James Clay and David Fathead Newman playing head-to-head in a rootsy Texas tenor style jazz session – one that's a bit more open-ended and earthy than some of the faker tones on Newman's early work for Atlantic! The setting is nicely relaxed – New York blowing session, taken down south – and rhythm is from a trio that includes Wynton Kelly on piano, Sam Jones on bass, and Art Taylor on drums. Tracks are long, with lots of focus on the solos – and the set includes two hip compositions by Babs Gonzales – "Wide Open Spaces" and "Figger-ation" – plus the titles "Some Kinda Mean", "What's New", and "They Can't Take That Away From Me". CD
Also available Sound Of The Wide Open Spaces ... LP 8.99

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ James Clay & David Fathead NewmanSound Of The Wide Open Spaces ... LP
Riverside, 1960. Very Good+ ... $8.99
Texas tenors locked in hard formation! The set's a wonderfully stripped-down set that has James Clay and David Fathead Newman playing head-to-head in a rootsy Texas tenor style jazz session – one that's a bit more open-ended and earthy than some of the faker tones on Newman's early work for Atlantic! The setting is nicely relaxed – New York blowing session, taken down south – and rhythm is from a trio that includes Wynton Kelly on piano, Sam Jones on bass, and Art Taylor on drums. Tracks are long, with lots of focus on the solos – and the set includes two hip compositions by Babs Gonzales – "Wide Open Spaces" and "Figger-ation" – plus the titles "Some Kinda Mean", "What's New", and "They Can't Take That Away From Me". LP, Vinyl record album
(OJC pressing. Cover has light wear & a name in marker.)

Possible matches14
CD, LP, Vinyl record album cover art
Jimmy ClevelandCleveland Style ... LP
EmArcy, Mid 50s. Very Good+ ... $11.99
Quite possibly the best of Cleveland's albums for Mercury during the 50s – a tight hardbop set of tracks recorded with a septet that includes Art Farmer on trumpet, Benny Golson on tenor, Wynton Kelly on piano, and Charlie Persip on drums. Tracks are more open-ended than on some of Cleveland's other albums, with more room for soloing. Titles include "Posterity", "A Jazz Ballad", "Jimmie's Tune", "Long Ago & Far Away", and "Goodbye Ebbets Field". LP, Vinyl record album
(Blue label EmArcy pressing with drummer logo and deep groove – a nice copy!)

Possible matches15
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz (180 gram pressing) ... LP
Atlantic, 1960. New Copy (reissue)... $18.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ John ColtraneGiant Steps ... LP
Atlantic, 1959. Sealed ... $19.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! LP, Vinyl record album
(Columbia House pressing with barcode.)
Also available Giant Steps (with bonus tracks) ... CD 1.99

Possible matches17
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps (with bonus tracks) ... CD
Atlantic, 1959. Used ... $1.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! CD features a wealth of bonus tracks – 5 more additional alternate takes! CD
Also available Giant Steps ... LP 19.99

Possible matches18
CD, LP, Vinyl record album cover art
John ColtraneTrane – The Atlantic Collection ... LP
Atlantic, Early 60s. New Copy ... $17.99 19.99
A set that brings together some of the best moments from John Coltrane's years on Atlantic Records – the time after he first burst into fame in the Miles Davis Quintet, and before he started to soar to the skies on his Impulse Recordings! Although these tracks may be a bit more straight ahead, they still are years ahead of their time – and have had an influence that's continued to move listeners and musicians for decades – as you'll hear on the sublime "Naima", the standard "Giant Steps", the soaring "Equinox", and the original 45 single version of the modal jazz gem "My Favorite Things". Some of the tracks feature Trane's group with McCoy Tyner on piano, while others have Wynton Kelly or Tommy Flanagan on the keys – and other titles include "Like Sonny", "Cousin Mary", "Central Park West", "My Shining Hour", and "Mr Syms". LP, Vinyl record album

Possible matches19
CD, LP, Vinyl record album cover art
Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 ... LP
Columbia, 1961. Very Good- ... $9.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(Columbia Limited Edition pressing. Cover has some wear & splitting.)

Possible matches20
CD, LP, Vinyl record album cover art
Miles DavisManchester Concert – Complete 1960 Live At The Free Trade Hall (with bonus tracks) ... CD
Lonehill (Spain), 1960/1963. Used 2 CDs ... $16.99
Quite an interesting slice of Miles Davis – live material from the brief time when Sonny Stitt was working with the Davis group in 1960! The pairing of Miles & Sonny has been heard a bit more famously (although still relatively obscurely) on a similar live set from Sweden, recorded around the same time – but this batch of tracks is from an even rarer date in Manchester – cut at the Free Trade Hall, on September 27, 1960. Stitt's working here with the group that included Paul Chambers, Wynton Kelly, and Jimmy Cobb on rhythm – and the tracks are mostly longish, with a few shorter numbers that are often focused most strongly on Miles' presence as lead soloist. Titles include "All Blues", "All Of You", "Walkin", "Autumn Leaves", "So What", "Stardust", and 2 takes of "Four". Added to these numbers are 3 more bonus tracks from a 1963 St Louis date that features George Coleman on tenor, with the Davis quintet that included Herbie Hancock, Ron Carter, and Tony Williams. These tracks are all quite long, and include "I Thought About You", "All Blues", and "Seven Steps To Heaven". CD
(Out of print.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSomeday My Prince Will Come (with bonus track) ... CD
Sony, 1961. Used ... $3.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". Includes the bonus track "Someday My Prince Will Come (alt take)". CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Miles Davis featuring John ColtraneMiles Davis Quintet With John Coltrane Live In Zurich (with bonus tracks) ... CD
Gambit (Spain), 1958/1960. Used ... $14.99
Key material from the Miles Davis Quintet with John Coltrane – recorded on their famous 1960 European tour, and paired here with some other material from an earlier date! The first 5 tracks on the set feature Davis and Coltrane working with Wynton Kelly, Paul Chambers, and Jimmy Cobb – on a live date from Zurich in April of 1960. Tracks are all quite long, with key Davis and Coltrane solo touches – and include "Fran Dance", "If I Were A Bell", So What", and "All Blues". The last 4 tracks on the CD are from a Cafe Bohemia date in 1958 – and feature a slightly different lineup that includes Bill Evans on piano and Philly Joe Jones on drums – performing shorter, lighter takes on "Walkin", "Four", "Bye Bye Blackbird", and "Two Bass Hit". CD

Possible matches23
CD, LP, Vinyl record album cover art
Miles Davis Quintet With John Coltrane1960 German Concerts ... CD
Jazzlips, 1960. Used ... $14.99
With Wynton Kelly, Paul Chambers, and Jimmy Cobb. CD
(Out of print.)

Possible matches24
CD, LP, Vinyl record album cover art
Art FarmerEarly Art ... LP
Prestige, Early 50s. Good+ ... Just Sold Out!
Art Farmer's always a delight – but he sounds especially great on this batch of early tracks, ones that have him grooving a bit harder than in later years, with a firey tone that really steps out at times. There's still plenty of Art's sweetness in the tunes, but the material is a bit more upbeat and forward, with less lyrical meandering than later, and more of an early 50s bop approach. Players include Sonny Rollins, Horace Silver, Kenny Clarke, and Wynton Kelly (the album features 2 different groups) – and titles include "Pre Amp", "Wisteria", "I'll Take Romance", "Confab In Tempo", "Soft Shoe", and "I'll Walk Alone". LP, Vinyl record album
(Orange label Status pressing. Label has tape over the spindle hole.)

Possible matches25
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie At Newport ... CD
Verve, 1957. Used ... $2.99
An excellent live set – featuring great work by some of Dizzy's best sidemen of the late 50's! The ensemble is razor sharp, in that hip post-bop way that Dizzy was developing in the 50s, before moving into his Latin groove years of the early 60s. Benny Golson, Billy Mitchell, and Wynton Kelly all get a chance to solo nicely, and the tracks include renditions of "Manteca", "Dizzy's Blues", "Cool Breeze", and "Doodlin". CD
(Out of print.)

Possible matches26
CD, LP, Vinyl record album cover art
Dizzy Gillespie & Stuff SmithDizzy Gillespie & Stuff Smith (bonus tracks) ... CD
Verve/Poll Winners Records, Mid 50s. Used ... $7.99
Diz meets the great jazz violinist in one of his few sets for Verve from the 50's. Wynton Kelly's on piano, and the groove is pretty laid-back, with the nice sort of long swing-oriented tracks that you'd find on some of the best Verve sessions from the time. Cuts include "Rio Pakistan", "Purple Sounds", and "Russian Lullaby". This edition includes a whopping 12 bonus tracks! CD

Possible matches27
CD, LP, Vinyl record album cover art
Benny GolsonModern Touch ... LP
Riverside, 1957. Good+ ... $19.99
The modern touch indeed! You can't get any more classic Benny Golson than this – a sublime late 50s album that features Benny with a sextet, working out amazing versions of the sorts of material that set him apart from every other jazz arranger of the time! The tracks here are complicated, yet have a rootsy soulfulness that makes them instantly compelling – and Benny's tone on tenor sax is sharp and angular, yet also has a raspiness that gives it a degree of honesty you wouldn't expect from a budding young modernist. The rest of the players – Max Roach, Paul Chambers, Wynton Kelly, JJ Johnson, and Kenny Dorham – are equally great, too – and amidst Benny's arrangements, they come together as if they'd been playing in this format for years! Titles include "Out Of The Past", "Venetian Breeze", "Reunion", "Hymn To The Orient", and "Blues On Down". LP, Vinyl record album
(Small blue label with silver text, microphone logo, and deep groove. Cover has wear & aging with masking tape along all seams.)

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Johnny GriffinIntroducing Johnny Griffin ... CD
Blue Note, 1956. Used ... $3.99
If you've ever needed a definition of hardbop, this is it! The set's a crack quartet session for Blue Note, recorded in the mid 50s by a young Johnny Griffin – fresh in from Chicago, and playing with tons of fire and loads of imagination! Wynton Kelly's on piano and Max Roach is on drums – and the excitement never stops as the group rolls their way through the tightly-crafted tunes on the set. And don't mistake the session as just a head-blowing album with no creativity – because the whole thing's incredibly precise, and the real charm is the way in which the razor-sharp group manages to twist and turn so deftly – yet still always plays with creative imagination and thoughtful solos! Cuts include "Mil Dew", "Chicago Calling", "These Foolish Things", The Boy Next Door", "Lover Man" and "It's Alright With Me". CD
(Out of print.)
 
 
 



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