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Exact matches: 10
Exact matches1
CD, LP, Vinyl record album cover art
Wynton KellyKelly Great ... LP
Vee Jay, 1960. Very Good+ ... $19.99
One of Wynton Kelly's greatest albums, and an all-star hardbop session that includes Lee Morgan, Wayne Shorter, Paul Chambers, and Philly Joe Jones. With Philly Joe on drums, and Morgan and Shorter, the LP almost has the feel of a classic Art Blakey session for Blue Note, but Kelly's piano gives it a feel that's a bit warmer, and more relaxed. The tracks are nearly all long, with very open room for soloing, and nice catchy hooks by the various writers – who include Kelly, Morgan, and Shorter. Titles include "Wrinkles", "Mama G", "What Know", and "Sidney". LP, Vinyl record album
(Early 80s Japanese pressing. Cover has wide clear tape on the spine and some stains at the bottom on back.)

Exact matches2
CD, LP, Vinyl record album cover art
Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... CD
Verve, 1965. Used ... $3.99
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Joe Henderson with Wynton KellyStraight No Chaser ... CD
Verve, 1968. Used ... Temporarily Out Of Stock
A great counterpart to the album Four – and like that one, which comes from the same session, this one features material recorded live in 1968, but only issued here for the first time! CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly At Midnite ... LP
Vee Jay, 1960. Used ... Temporarily Out Of Stock
Midnite is right – as the session's a moody, mellow late nite one – just spare trio material by Wynton, played in a group that features Paul Chambers on bass and Philly Joe Jones on drums! The titles are all nice and long – and really let Kelly stretch out on the keys – working in a mode that's lyrical and soulful – on a set of titles that include include Babs Gonzales' "Weird Lullaby", plus "Skatin", "Temperance", "On Stage", and "Pot Luck". LP, Vinyl record album
(Original deep groove rainbow label pressing – nice and clean overall, with some light surface marks. Cover is nice.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Blue ... CD
Riverside/OJC, 1959. Used ... Temporarily Out Of Stock
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". CD
(BMG Direct pressing.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery & Wynton KellyUnissued 1965 Half Note Broadcasts ... CD
Jazz On Jazz, 1965. Used ... Temporarily Out Of Stock
CD

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyComin' In The Back Door ... LP
Verve, 1963. Used ... Out Of Stock
A real cooker of a set – and one that features Wynton's piano over some great larger backings from Claus Ogerman! The style of the set is really wonderful – as Wynton plays with a core smaller group that includes Kenny Burrell on guitar, plus regulars Paul Chambers on bass and Jimmy Cobb on drums – all of whom make more than ample space for Ogerman to come into the mix and fill up the tunes with some sweetly grooving 60s backings – often using electric bass to punch up the bottom, and rollick things around in a stepping style that's a nice mainstream take on the soul jazz groove that Kelly virtually helped invent! A few tracks are more in a small combo mode, but even those manage a pretty darn smoking groove – and overall, the album's got a lot more depth than even some of Kelly's best for the Vee Jay label from previous years! Titles include the bossa groover "Cesar & Cleopatra" – plus "Quiet Village", "If That's The Way You Want It", "Comin' In The Back Door", and "Theme From Burke's Law". LP, Vinyl record album
(Cover has a stained and delaminated corner.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Wynton Kelly/Kenny DrewWynton Kelly Trio/Kenny Drew Trio (Piano Interpretations/New Faces New Sounds) ... LP
Blue Note (Japan), Early 50s. Used ... Out Of Stock
A special Japanese-only 12" LP – one that brings together two different 10" releases on Blue Note from the early 50s! First up is a rare early 10" session by Wynton Kelly – who's working here in a trio format with Oscar Pettiford on bass and Lee Abrams on drums! The tracks are intimate and introspective, with Kelly holding back his bop chops a bit to break out in other moods on the keyboard – definitely the "new sounds" promised by the cover, as the set's sharp enough to be considered with the best Blue Note piano work from the time. The cover is an excellent Gil Melle abstract design – and titles include "Moonlight In Vermont", "Good Bye", "Born To Be Blue", and "Blue Moon". Next is New Faces New Sounds from the Kenny Drew Trio – classic trio material from Kenny – played with a lot more lyricism than some of his bop-era contemporaries, but done so in the company of a swinging rhythm section that features Art Blakey and Curley Russel! Titles include "Gloria", "Be My Love", "Yesterdays", and "Drew's Blues". LP, Vinyl record album
(King pressing, with obi!)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyIt's All Right! (plus bonus track) ... CD
Verve (Japan), 1964. New Copy ... Out Of Stock
A tight little groover from Wynton Kelly – one of a few mid 60s gems done for Verve in a style that's harder-hitting and more focused than some of Kelly's other work! The record's got an approach that's a bit pop, but plenty darn soulful too – a style that focuses the already-great Kelly approach to the keys, and brings it into territory explored by Ramsey Lewis and Ray Bryant – kicking up the rhythms with lots of playful touches, including extra guitar by Kenny Burrell and conga from Candido, and even an added steel band on one number! The record's got a few mellower ballads that recall the lyrical Kelly mode of the past – but most is upbeat and very grooving – with titles that include "South Seas", "Not A Tear", "It's All Right", "Kelly Roll", "Moving Up", and "Escapade". CD features one bonus track – "One For Joan". CD

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly At Midnight ... CD
Vee Jay, 1960. Used ... Out Of Stock
Midnite is right – as the session's a moody, mellow late nite one – just spare trio material by Wynton, played in a group that features Paul Chambers on bass and Philly Joe Jones on drums! The titles are all nice and long – and really let Kelly stretch out on the keys – working in a mode that's lyrical and soulful – on a set of titles that include include Babs Gonzales' "Weird Lullaby", plus "Skatin", "Temperance", "On Stage", and "Pot Luck". CD
 
Possible matches: 84
Possible matches11
CD, LP, Vinyl record album cover art
Pepper Adams & Jimmy KnepperPepper-Knepper Quintet ... LP
Metrojazz, Late 50s. Very Good ... $34.99
A gem of a session from both players – and one of the long-lost sides on the short-lived Metrojazz label from MGM! Adams and Knepper head up a soulful group that features Wynton Kelly on piano (and a bit of organ!), Doug Watkins on bass, and Elvin Jones on drums. The real charm, though, is from Adams' solos, which are in that perfect gutbuckety mode that he could hit when he wanted to – a deep, dark drink the best tone the bari could offer, never getting clumsy at all, thanks to some lively rhythm playing. Titles include "Minor Catastrophe", "Riverside Drive", "Primrose Path", and "Adams In The Apple". LP, Vinyl record album
(Original pressing with deep groove. Cover has split seams held with clear tape on top, and masking tape on the bottom.)

Possible matches12
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In Chicago ... LP
Mercury, 1959. Very Good+ ... $19.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
(Early 80s Japanese pressing.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThings Are Getting Better ... CD
Riverside/OJC, 1958. Used ... $4.99
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". CD
Also available Things Are Getting Better ... LP 13.99

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThings Are Getting Better ... LP
Riverside, 1958. Very Good- ... $13.99
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album
(Black label Bill Grauer Productions pressing with the microphone logo and deep groove. Cover is heavily stained on the bottom half, with delamination, peeling and a split seam. Label has a peeled spot.)
Also available Things Are Getting Better ... CD 4.99

Possible matches15
CD, LP, Vinyl record album cover art
Lorez AlexandriaAlexandria The Great ... CD
Impulse (Japan), 1964. New Copy ... $13.99
A beautiful album from Lorez Alexanderia – one of her two excellent sessions for Impulse! The record was cut after Lorez recorded some great sides for the Argo label – and it works off the strength of those sides, taking her unique vocal approach, forged in R&B, but smoothed by jazz, into a whole new level of expression! The backing is great – small combo, with featured musicians who include Bunk Shank and Paul Horn on reeds, and Victor Feldman and Wynton Kelly on piano – all working with moody, soulful arrangements that are a perfect accompaniment to Lorez' beautiful voice. Includes the cuts "Get Me To The Church On Time", "Satin Doll", "Show Me", "The Best Is Yet to Come", "I'm Through With Love", and 5 more! CD

Possible matches16
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersTheory Of Art (aka A Night In Tunisia – RCA) ... LP
RCA, 1958. Sealed ... $16.99
A reissue of one of Blakey's best non-Blue Note sides from the late 50s, a killer album that sports a great lineup of the Jazz Messengers that included Jackie McLean, Johnny Griffin, Bill Hardman, Sam Dockery and Spanky DeBrest. The three of them sparkle and shine with the sort of brilliance that Blakey's leadership brings to the group, and they wail their way through a 13 minute long reading of "Night In Tunisia", with excellent solos all around, and the other cuts "Theory Of Art", "Couldn't It Be You?", "Evans", and "Off The Wall". This reissue adds the bonus number "Social Call" recorded for RCA at very nearly the same time, but with a larger group that features Wynton Kelly in place of Sam Dockery, plus the addition of Lee Morgan, Sahib Shihab, Melba Liston and Cecil Payne in the horn section. LP, Vinyl record album
(Cover has a cutout notch.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Paul ChambersGo ... LP
Vee Jay, 1959. Very Good- ... $9.99
A rare non-Blue Note date as a leader from bassist Paul Chambers – and one of his hardest cooking dates in the studio! The session breaks out a bit from some of Chambers' more concept-based work of the time – and has him opening up strongly with an all-star group that includes Cannonball Adderley on alto sax, Freddie Hubbard on trumpet, Wynton Kelly on piano, and Philly Joe Jones on drums. The setting's a bit loose, almost a blowing session – and Chambers holds it together perfectly, almost acting as more of a sideman on the session, and letting the bigger-name soloists get plenty of space to do their thing! One of the all-time Vee Jay jazz classics – with titles that include "Just Friends", "I Got Rhythm", "Ease It", "Awful Mean", and "Julie Ann". LP, Vinyl record album
(70s black label pressing.)

Possible matches18
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... CD
Columbia, 1961. Used 2 CDs ... $4.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 2CD set features the full concert in one package – including material issued on the More From Carnegie Hall record – 11 tracks in all. CD
Also available Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD 11.99

Possible matches19
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD
Columbia (Japan), 1961. Used ... $11.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 8 tracks in all. CD
(90s Japanese pressing. Obi is included, but it has a tear and some tape.)
Also available Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... CD 4.99

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Quintet – Live In Zurich 1960 ... CD
Jazz Unlimited (Denmark), 1960. Used ... $8.99
Key material from the Miles Davis Quintet with John Coltrane – recorded on their famous 1960 European tour, and paired here with some other material from an earlier date! The first 5 tracks on the set feature Davis and Coltrane working with Wynton Kelly, Paul Chambers, and Jimmy Cobb – on a live date from Zurich in April of 1960. Tracks are all quite long, with key Davis and Coltrane solo touches – and include "Fran Dance", "If I Were A Bell", So What", and "All Blues". CD
(Out of print.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSomeday My Prince Will Come ... LP
Columbia, 1961. Very Good ... $16.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(70s pressing. Cover has some wear.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Miles Davis & John ColtraneMiles Davis & John Coltrane – Konserthuset, Stockholm, March 22, 1960 ... CD
Giants Of Jazz (Sweden), 1960. Used ... $18.99
Fantastic (and now out-of-print) double album set of a stunning live performance by Trane and Miles, recorded in Sweden in 1960. The tracks are all long, with backing by the rhythm section of Wynton Kelly, Paul Chambers, and Jimmy Cobb. Highlights include "Green Dolphin Street", "Fran-Dance", and "So What". Even if you've got most of the studio recordings with Miles and Trane, this session's a key addition to any collection of their work, and features stunning performances that are strikingly different from their studio work of the time. CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport ... CD
Columbia/Legacy, 1958/1963. Used 2CD ... $9.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". CD
(Out of print.)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport ... LP
Columbia, 1958/1963. Very Good+ ... $9.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album
(70s pressing.)

Possible matches25
CD, LP, Vinyl record album cover art
Dizzy GillespieSchool Days ... LP
Regent/Savoy, 1951. Very Good ... $14.99
A bebop classic from Dizzy Gillespie – a full album comprised of some famous 78s recorded for the Savoy label at the start of the 50s – the kind of hard-grooving material that made Diz a fan favorite right from the start! There's some nice use of vocals in the mix – not just from Dizzy, but also from Joe Carroll as well – an overlooked vocalese genius from the early days of bebop – not as well-known as Eddie Jefferson or King Pleasure, but working here in a very similar spirit! Diz sings with Joe a bit too, and other players include JJ Johnson on trombone, Milt Jackson on vibes, Bill Graham on alto and baritone sax, and Wynton Kelly on piano. Cuts include "Bopsie's Blues", "School Days", "We Love To Boogie", "Umbrella Man", "I Couldn't Beat The Rap", "Pop's Confession", and "Lady Be Good". LP, Vinyl record album
(Original Regent pressing with a deep groove and RVG etching. Cover has small seam splits.)

Possible matches26
CD, LP, Vinyl record album cover art
Dizzy Gillespie & Stuff SmithDizzy Gillespie & Stuff Smith ... LP
Verve, Mid 50s. Near Mint- ... $36.99
Diz meets the great jazz violinist in one of his few sets for Verve from the 50's. Wynton Kelly's on piano, and the groove is pretty laid-back, with the nice sort of long swing-oriented tracks that you'd find on some of the best Verve sessions from the time. Cuts include "Rio Pakistan", "Purple Sounds", and "Russian Lullaby". LP, Vinyl record album
(Verve pressing, with the trumpeter logo and the deep groove! Vinyl and cover are in great shape – save for a split along the top of the cover.)

Possible matches27
CD, LP, Vinyl record album cover art
Benny GolsonBenny Golson Quartets (Free/Turning Point) ... CD
Poll Winners Records, 1962. Used ... $8.99
2 LPs of Benny Golson quartet sessions – 1962's Turning Point and Free – back-to-back on CD! First up is Turning Point, a beautiful album showcasing the tenor stylings of Golson in an intimate setting with Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Golson plays two originals, plus standards, and his tone is fantastic throughout! This is one of the few efforts from the period that really shows him in an open-ended jazz vein, without a focus on his arrangements – which are excellent! Titles include "Turning Point", "Stella By Starlight", "Three Little Words", "Alone Together" and "Dear Kathy". Next up is Free – another great one! The material has a beautifully confident tone, with Golson's tenor cutting, changing, and swinging perfectly in lines that are masterfully crafted, yet full of raw emotion. This quartet includes Tommy Flanagan on piano, Ron Carter on bass, and Arthur Taylor on drums – and titles inlcude "Sock Cha-Cha", "Shades Of Stein", "Just By Myself", "My Romance" and "Just In Time". CD also includes the bonus track "Impromptune" – cut in 1960 with Cedar Walton, Tommy Willams and Albert Tootie Heath. CD

Possible matches28
CD, LP, Vinyl record album cover art
Benny GolsonBenny Golson's New York Scene ... CD
Contemporary/OJC, 1958. Used ... $6.99
An excellent album recorded during the height of Benny Golson's powers as an arranger and tenor soloist! Benny leads two groups – a quintet and a nontet – both of which feature players that include Art Farmer, Wynton Kelly, Sahib Shihab, Gigi Gryce, and Paul Chambers – working with arrangements by Golson and Gryce that are very much in the spirit of Benny's classic The Modern Touch album – with a similar blend of tight conception and soulfully confident solo work! Titles include sharp arrangements of many Golson originals – like "Step Lightly", "Whisper Not", "Blues It", and "Just By Myself" – plus a good reading of Gryce's "Capri". CD

Possible matches29
CD, LP, Vinyl record album cover art
Paul GonsalvesGettin' Together ... CD
Jazzland/OJC, 1960. Used ... $7.99
Hard edged jazz stuff, featuring the great tenorist in a spare (and rare) setting away from Duke Ellington's band. Wynton Kelly, Jimmy Cobb, Nat Adderley, and Sam Jones lay down a nice soulful groove with a deep bottom, and Gonsalves plays with warmth and imagination throughout. The set includes two of Babs Gonzales' great compositions: "Low Gravy" and "Gettin' Together". CD
Also available Gettin' Together ... LP 14.99

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Paul GonsalvesGettin' Together ... LP
Jazzland, 1960. Very Good- ... $14.99
Hard edged jazz stuff, featuring the great tenorist in a spare (and rare) setting away from Duke Ellington's band. Wynton Kelly, Jimmy Cobb, Nat Adderley, and Sam Jones lay down a nice soulful groove with a deep bottom, and Gonsalves plays with warmth and imagination throughout. The set includes two of Babs Gonzales' great compositions: "Low Gravy" and "Gettin' Together". LP, Vinyl record album
(Orange label pressing with deep groove. Cover has discoloration from age, splitting on the top seam, and a small stain on back.)
Also available Gettin' Together ... CD 7.99
 
 
 



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