Rare rocking sounds from the Louisiana scene at the end of the 50s – pulled from that magical moment when the swampy state was one of the biggest brewing grounds for new sounds at the time! This volume of the Bayou series is mostly on the rock tip – but as with other volumes and work from Louisiana in general, there's a heck of a lot of genre-crossing going on – rock that draws from blues, hillbilly, and even cajun rhythms at times – which makes for music that's a fair bit different than the sounds you might have been getting from Memphis at the time! Most of these tracks are from rare sources, too – not just obscure singles on small labels, but also some unissued master tapes – some that might have come out briefly on older compilations, and a good number of cuts appearing here for the first time ever. As usual with Ace Records, the notes and package do a great job of making sense of the whole thing – further illuminating the groove – and titles include "She's Fine" by Frankie Lowery, "Draggin The Drive Ins' by Cookie Roberts, "Baby I Don't Care" by Wiley
Jeffers, "Love Can Wait" by Johnny Bass, "Charge It" by Roy Templin & The Credit Cards, "Sweet Thing" by Cleveland Crochet & His Band Of Sugar Bees, "Let Me Come Your Way" by Burl Boykin, "Frankie & Johnny" by Zoro & The Zips, "Hey Joli" by Terry Clement, "No Money Down" by Rod Bernard, "Prisoner's Song" by Tommy Todd, and "Kruschev & The Devil" by Jay Chevalier.