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Exact matches: 26
Exact matches1
CD, LP, Vinyl record album cover art
Milt Jackson & Wes MontgomeryBags Meets Wes! ... LP
Riverside, 1961. Sealed ... $24.99
A beautiful combination we'd like to hear more of – one that comes from the meeting of Milt Jackson's vibes and the guitar of Wes Montgomery – both recorded here in easygoing brilliance! The session's a nice break from the usual sound of both players at the time – and although Wes played a bit with vibes when working in The Montgomery Brothers, the Jackson approach here is a bit different – more soulful, and a bit more driven on by the rhythm section of Wynton Kelly, Sam Jones, and Philly Joe Jones. Titles include the originals "SKJ", "Blue Roz", "Jingles", and "Sam Sack" – plus versions of "Stairway To The Stars" and "Delilah". LP, Vinyl record album
(Sealed 180 gram virgin vinyl pressing marketed by Acoustic Sounds & pressed at RTI!)

Exact matches2
CD, LP, Vinyl record album cover art
Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... LP
Verve, 1965. Very Good+ Gatefold ... $14.99
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(MGM pressing.)

Exact matches3
CD, LP, Vinyl record album cover art
Mastersounds with Wes MontgomeryKismet – Jazz Milestone Series ... LP
World Pacific, Late 50s. Near Mint- Gatefold ... $6.99
The last session that The Mastersounds ever cut as a group – and a strangely compelling montage of tracks from the musical Kismet. Brothers Buddy and Monk Montgomery are joined here by brother Wes – then an emerging star on guitar, and a strong addition to the set, one who expands the sound past the usual exotic chamber groove laid down by the combo. Titles include "Fate", "Olive Tree", "This Is My Beloved", "Not Since Nineveh", and "Stranger In Paradise". LP, Vinyl record album
(Cover has light ring wear.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Wes MontgomeryComplete Live At Jorgies ... CD
Definitive (Spain), 1961/1963. Used ... $9.99
An excellent addition to any collection of Wes Montgomery's work – a CD of live material from his early years, recorded in a style that really enriches an understanding of his work! 6 tracks on the CD feature a group with Billy Hart, Buddy Montgomery, and Monk Montgomery – grooving with Wes in that soulful easy mode that the latter two used often in their Mastersounds group. The sound is great, and really well recorded – and Wes has a super-dope tone on the best cuts, one that really points the way towards his later work. The other 4 tracks on the set are a bit rawer, but still great – and feature Wes with Billy Taylor, Grady Tate, and Ben Tucker – working in a straighter soulbop mode, with Joe Williams on 2 tracks. Another interesting feature is Wes' voice as he introduces the cuts – talking in a tone that really surprised us! Titles include "Starlight", "Summertime", "All Of You", "Heartstrings", "Round Midnight", and "Back To Bach To Bock". CD
(Out of print.)

Exact matches5
CD, LP, Vinyl record album cover art
Wes MontgomeryDay In The Life ... LP
CTI/A&M, 1967. Near Mint- Gatefold ... $6.99
Mindblowing! This is when Wes Montgomery really starts to get interesting to us – when he's working with a top-line arranger like Don Sebesky, crafting some incredibly compelling chords over lightly jazzy arrangements and soaring strings, in a whole new mode of expression that would go onto transform a generation of guitar players! And sure, this album sold a gazillion copies – but we'll be honest in saying that we think it's loads more complex and mature than some of Wes' straight jazz sides from earlier years – light years away from the small combo dates of the early years, both in conception and sound. Titles include "Day In The Life", "Watch What Happens", "California Nights", "Windy", "Trust In Me", and "The Joker". LP, Vinyl record album

Exact matches6
CD, LP, Vinyl record album cover art
Wes MontgomeryFull House ... LP
Riverside, 1962. Very Good ... $8.99
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely cooking feel throughout – even when they're more gentle ones – and the record's a good reminder that outside of the studio, Wes could sometimes play with a bit more force on the strings – raspily hitting notes that explode off the guitar with tremendous precision and a good deel of feeling. Titles include the Montgomery originals "Full House", "SOS", and "Cariba", plus the tunes"Blue N Boogie" and "Come Rain Or Come Shine". LP, Vinyl record album
(OJC pressing, missing obi.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Wes MontgomeryGoin Out Of My Head ... LP
Verve, 1965. Near Mint- Gatefold ... $9.99
One of Wes Montgomery's grooviest albums on Verve – a set that features his smooth chromatic work on guitar set to lively arrangements from Oliver Nelson! Nelson gives the set more of a "punch" than some of Montgomery's other Verve records – and the style uses a tight brace of brass and woodwinds as the backdrop for Montgomery's moody solo work. The tracks have a nice edgey quality, but also maintain a smooth stepping quality as well – and Wes' tone, as always, is sublime! Titles include "Golden Earrings", "Twisted Blues", "O Morro", "Boss City", and "Naptown Blues". LP, Vinyl record album
(80s Japanese pressing.)

Exact matches8
CD, LP, Vinyl record album cover art
Wes MontgomeryIn The Beginning – Early Recordings from 1949 to 1958 ... CD
Resonance, Late 40s/1950s. New Copy 2 CDs ... $22.99 24.98
An incredible look at the very young Wes Montgomery – rare early recordings done before his breakthrough material for the Riverside label in the late 50s – but already showing Wes as one of the freshest talents of his generation on guitar! The bulk of the material features Montgomery in live settings, mostly in his home turf of Indianapolis – but the collection also features a never-heard studio session from 1955 – recorded for Epic Records with Quincy Jones as the producer! The live tracks are wonderful – full of fire, but never roughshod or gritty – already showing that masterful Montgomery approach to the guitar in full effect – shining in the company of contemporaries who include Monk Montgomery on bass, Buddy Montgomery or Richie Crabtree on piano, Gene Morris or Alonzo Pookie Johnson on tenor, and Sonny Johnson on drums. It's especially great to hear tenor with Montgomery – an instrument that didn't always figure in his early sessions – and the quality of Alonzo's playing is especially great on the Epic studio sides too. There's a huge amount of information in the package to illuminate the music – plenty of notes, photos, and more – and titles include "Six Bridges To Cross", "Ralph's New Blues", "Soft Winds", "King Trotter", "All The Things You Are", "Wes' Tune", "Leila", "Far Wes", "Going Down To Big Mary's", "Brazil", "Four", "Smooth Evening", and "Carlena's Blues". CD
Also available In The Beginning – Early Recordings from 1949 to 1958 (3LP 180 gram pressing set) ... LP 69.99

Exact matches9
CD, LP, Vinyl record album cover art
Wes MontgomeryIn The Beginning – Early Recordings from 1949 to 1958 (3LP 180 gram pressing set) ... LP
Resonance, Late 40s/1950s. New Copy 3 LPs ... $69.99 75.98
An incredible look at the very young Wes Montgomery – rare early recordings done before his breakthrough material for the Riverside label in the late 50s – but already showing Wes as one of the freshest talents of his generation on guitar! The bulk of the material features Montgomery in live settings, mostly in his home turf of Indianapolis – but the collection also features a never-heard studio session from 1955 – recorded for Epic Records with Quincy Jones as the producer! The live tracks are wonderful – full of fire, but never roughshod or gritty – already showing that masterful Montgomery approach to the guitar in full effect – shining in the company of contemporaries who include Monk Montgomery on bass, Buddy Montgomery or Richie Crabtree on piano, Gene Morris or Alonzo Pookie Johnson on tenor, and Sonny Johnson on drums. It's especially great to hear tenor with Montgomery – an instrument that didn't always figure in his early sessions – and the quality of Alonzo's playing is especially great on the Epic studio sides too. There's a huge amount of information in the package to illuminate the music – plenty of notes, photos, and more – and titles include "Six Bridges To Cross", "Ralph's New Blues", "Soft Winds", "King Trotter", "All The Things You Are", "Wes' Tune", "Leila", "Far Wes", "Going Down To Big Mary's", "Brazil", "Four", "Smooth Evening", and "Carlena's Blues". LP, Vinyl record album
(Hand numbered pressing of 1500 copies.)
Also available In The Beginning – Early Recordings from 1949 to 1958 ... CD 22.99

Exact matches10
CD, LP, Vinyl record album cover art
Wes MontgomeryIncredible Jazz Guitar Of Wes Montgomery (24 bit remaster) ... CD
Riverside, 1960. Used ... $7.99
They're not kidding with the title of this one – because although the record was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy Heath on bass, and Albert Heath on drums – all of whom lay back and mostly let Wes take center stage – sparkling on a number of original tunes that include "West Coast Blues", "Mister Walker", and "D Natural Blues". Other tracks include a great fast take on Sonny Rollins' "Airegin", plus "In Your Own Sweet Way" and "Polka Dots & Moonbeams". CD

Exact matches11
CD, LP, Vinyl record album cover art
Wes MontgomeryRoad Song ... LP
A&M/CTI, 1968. Very Good+ Gatefold ... $5.99
Late work from Wes – recorded in the sublime CTI format that was really breaking down boundaries at the end of his career! Don Sebesky scored these great backings for the set – jazzy and easily swinging, featuring players like Herbie Hancock, Hank Jones, Grady Tate, Ray Barretto, Stan Webb, and strings – and Wes solos over the top in an incredibly laidback, warmly chromatic style. Titles include "I'll Be Back", "Road Song", "Yesterday", "Serene", "Green Leaves Of Summer", and "Fly Me To The Moon". LP, Vinyl record album
(Cover has some wear and stains.)

Exact matches12
CD, LP, Vinyl record album cover art
Wes MontgomerySo Much Guitar! ... CD
Riverside/Universal (Japan), 1961. Used ... $19.99
So much guitar – but never too much, given that Wes was the real master of sound and space, even at this early point in his career! The album's one that tries to break Montgomery from some of his smaller combo albums for Riverside, and pair him with a few bigger names – Hank Jones on piano, Ron Carter on bass, Lex Humphries on drums, and Ray Barretto on congas – who gives the album that bottom "kick" sort of groove that was used often on soul jazz sessions from the time. The tune's lope around leanly and cleanly, giving plenty of focus on Wes' work on guitar – and titles include "Twisted Blues", "Repetition", "Somethin' Like Bags", and "While We're Young", which is a solo track by Wes. CD
(Out of print. Includes obi.)

Exact matches13
CD, LP, Vinyl record album cover art
Wes MontgomeryTequila ... LP
Verve, 1966. Very Good Gatefold ... $7.99
A classic from Wes Montgomery – and exactly the kind of record that made him a legend in the 60s! The set's one of Wes' collaborations with arranger Claus Ogerman – a key talent who was really on the rise at the time, and who understood how to perfectly balance Montgomery's unique sound on the guitar with larger arrangements in the back. There's a slightly Latin feel to some of the rhythms, as you might guess from the title – but it's very slight, and more there just to give the tracks a bit of a slink, in the classic full-on production way that Wes was using for his best Verve and A&M work in the late 60s. Titles include the classic groover "Bumpin On Sunset", plus the cuts "The Big Hurt", "Midnight Mood", "The Thumb", and "What The World Needs Now". LP, Vinyl record album
(80s Japanese pressing, with obi.)

Exact matches14
CD, LP, Vinyl record album cover art
Wes Montgomery/Jon Hendricks/MastersoundsGood Git-Together (plus Kismet – A Jazz Interpretation By The Mastersounds) ... CD
Pacific Jazz/Lonehill (Spain), 1958/1959. Used ... $8.99
An obscure set of tracks – but some really wonderful material from the catalog of Pacific Jazz Records! The CD's title clearly showcases the presence of Wes Montgomery on the sides – but Wes was actually more of a sideman on these tracks, and the real credit for the greatness goes to the leaders! The first 10 tracks on the CD are from the album Good Git Together by Jon Hendricks – a rare early non-LHR session by the jazz vocalist – one cut in a very different style than his more famous group vocalese work. Hendricks is laidback, open, and very soulful – working with Wes, Buddy, and Monk Montgomery – as well as Cannonball and Nat Adderley, Pony Poindexter, and Gildo Mahones – all coming together in a "git together" session that features some of Hendricks' best vocals on record! The session features great readings of Hendricks originals that include "Minor Catastrophe", "I'll Die Happy", and "I'm Gonna Shout" – as well as Gigi Gryce's "Music In The Air" and "Social Call", plus a great take on Randy Weston's "Pretty Strange" and Gildo Mahones' "The Shouter". Next up on the set are 8 more tracks from a jazz version of Kismet – recorded by The Mastersounds group which featured Buddy Montgomery on vibes and Monk Montgomery on bass – joined here by Wes on guitar! The source of the tunes is a musical, but the presentation is all jazz – and the group craft some real magic in their exotic style, with tracks that include "Fate", "Olive Tree", "Not Since Nineveh", and "Gesticulate & Rhymes Have I". CD

Exact matches15
CD, LP, Vinyl record album cover art
Project G5 (Tal Farlow/Herb Ellis/Jimmy Raney)Tribute To Wes Montgomery ... CD
Evidence, 1992. Used ... $8.99
CD

Exact matches16
CD, LP, Vinyl record album cover art
Project G7 (Kenny Burrell, Kevin Eubanks)Tribute To Wes Montgomery Vol 1 ... CD
Evidence, 1992. Used ... $6.99
CD
(Punch through barcode.)

Exact matches17
CD, LP, Vinyl record album cover art
Billy Taylor with Wes Montgomery & Joe WilliamsGrand Night For Swinging (Japanese paper sleeve edition) ... CD
Navy Swings/SSJ (Japan), 1964. New Copy ... $15.99
Pianist Billy Taylor, working here in a really unique setting – a broadcast performance that has guitarist Wes Montgomery joining the trio for the whole session – plus vocals from Joe Williams on the second half! The core groove is great enough – given that Ben Tucker is on bass and Grady Tate is on drums – and the use of Wes' guitar next to Taylor's punctuated piano lines makes for a really great sound – a bit different than you'd hear on albums by either player as a leader. Adding in Williams really makes things special – especially since Joe didn't often work with a small group like this – and titles include "Capricious", "A Bientot", "The More I See You", "Freedom", "Paraphrase", "Until I Met You", "I Won't Cry Anymore", "All My Life", and "Alone Together". CD

Exact matches18
CD, LP, Vinyl record album cover art
Wes MontgomerySo Much Guitar! ... LP
Riverside/OJC, 1961. New Copy (reissue)... On July 24, 2015
So much guitar – but never too much, given that Wes was the real master of sound and space, even at this early point in his career! The album's one that tries to break Montgomery from some of his smaller combo albums for Riverside, and pair him with a few bigger names – Hank Jones on piano, Ron Carter on bass, Lex Humphries on drums, and Ray Barretto on congas – who gives the album that bottom "kick" sort of groove that was used often on soul jazz sessions from the time. The tune's lope around leanly and cleanly, giving plenty of focus on Wes' work on guitar – and titles include "Twisted Blues", "Repetition", "Somethin' Like Bags", and "While We're Young", which is a solo track by Wes. LP, Vinyl record album
Also available So Much Guitar! ... CD 19.99

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Wes MontgomeryBest Of Wes Montgomery (Verve) ... LP
Verve, Mid 60s. Used Gatefold ... Temporarily Out Of Stock
A collection of sides cut in the mid 60s by Wes during his association with Verve. Culled from the albums Movin' Wes, Bumpin', Goin' Out Of My Head and Tequila, these numbers all feature the larger arrangements that gave those albums a richer sound than his small group recordings, though Wes' soulful playing shines over top. Arrangements are by Oliver Nelson, Johnny Pate, Claus Ogerman and Don Sebesky and the tracks are 'Tequila", "Movin' Wes (part 1)", "End Of A Love Affair", "Naptown Blues", "Con Alma", "Goin' Out of My Head", "How Insensitive (Insensatez)", "The Shadow Of Your Smile", "Caravan" and "Bumpin' On Sunset". LP, Vinyl record album
(Cover has splitting on the top seam.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Wes MontgomeryDown Here On The Ground ... CD
CTI/Rebound, 1968. Used ... Temporarily Out Of Stock
Super-dope work from the great Wes Montgomery – set to excellent early CTI arrangements from Don Sebesky and Deodato! The groove is nice and airy – with Wes' guitar floating over the top, yet still present enough to ring out loud and clear on all the tightly plucked notes – and the arrangements are never constricting or confining, and instead have a very open vision that really lets Montgomery's sound soar! Herbie Hancock's on piano, and Mike Mainieri adds some nice touches on vibes – and the balance of sounds, tones, and colors is simply sublime. Titles include the amazing title cut "Down Here On The Ground" – the start of a whole new generation in jazz – plus "Wind Song", "The Fox", "Goin On To Detroit", "Up & At It", and "When I Look In Your Eyes". CD
 
Possible matches: 15
Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyWork Song ... LP
Riverside, 1960. Good ... $9.99
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record, Nat was making plenty big waves in the combo of brother Cannonball – but this set has him stepping out strongly as a leader – borrowing Bobby Timmons, Sam Jones, and Louis Hayes from Cannon's group – and also adding in Wes Montgomery on guitar and additional bass and cello work from Keeter Betts and Percy Heath. The tracks are all tight as a drum – and the record features seminal versions of "Work Song" and "Sack O Woe" – as well as the numbers "Scrambled Eggs", "Pretty Memory", and "Fallout" – all great! LP, Vinyl record album
(Black label Bill Grauer Productions pressing, with a microphone logo and deep groove. Cover has a split top seam, partially split spine and some peeling along the bottom.)

Possible matches28
CD, LP, Vinyl record album cover art
Kenny BurrellBlues – The Common Ground ... LP
Verve, 1967. Very Good+ ... $9.99
Not "blues" like you might expect from the title – but a hip batch of tracks that has Kenny soloing over arrangements by Don Sebesky, playing in a warmly chromatic mode that's similar to the work that Wes Montgomery also cut with Sebesky. The tracks all have a nicely angular quality – Kenny taking care of the frontline solos with ease, and Sebesky letting the band fall behind him in broad washes of color, tone, and mood. Titles include "Sausalito Nights", "Were You There", "Burning Spear", "Angel Eyes", "The Preacher", and "The Common Ground". LP, Vinyl record album
(In nice shape.)

Possible matches29
CD, LP, Vinyl record album cover art
Jackie Edwards & SoulmakersVamp/Let Me Love You ... 7-inch
Daran, Early 70s. Near Mint- ... $24.99
Excellent trippy instrumentals from Chicago! "The Vamp" has some great chromatic guitar – a bit like Cal Green, with touches of Wes Montgomery – over a hard rolling organ on the beat groove. Tasty stuff – the kind of single that would blow the speakers off your jukebox, if you let it! "Let Me Love You" has more of that great guitar and organ – a bit dreamier, but still pretty damn nice! 7-inch, Vinyl record

Possible matches30
CD, LP, Vinyl record album cover art
Calvin KeysStandard Keys ... CD
Life Force Jazz, 1992. New Copy ... $8.99 15.99
Incredible work from guitarist Calvin Keys – a record that's quite different from his 70s recordings for the Black Jazz label, or his recent funkier sets for Wide Hive – but which is a stunning set from a straight jazz basis! The album's recorded live, and features Keys' guitar in a very mellow trio format – one that has Calvin really taking the lead strongly, and often playing unaccompanied for larger parts of the tracks. The tunes are all quite long, and Calvin's work on the strings is nothing short of amazing – more sensitive, soulful, and precise than we ever would have expected from his other records – on a level that, because of his hollow-body sound, almost makes him come across like a gentler version of Wes Montgomery. Titles include "Marella", "Abdullah", "Blues On The Corner", "Once I Loved", and "Little Sunflower". CD

Possible matches31
CD, LP, Vinyl record album cover art
O'Donel LevyDawn Of A New Day ... LP
Groove Merchant, 1973. Good+ ... $9.99
Totally wicked guitar work from the mighty O'Donel Levy – easily one of the hippest talents to ever work for the Groove Merchant label! Levy's got a sound here that's a bit like Wes Montgomery on some of his late 60s sides, but also a fair bit funkier overall – a style that's steeped in soul and schooled on advancements in the 70s generation of funk fusion and blacksploitation soundtracks. Backings are relatively large – arranged by Manny Album, with players who include Charles Covington on organ and electric piano and Cecil Bridgewater on trumpet. Tracks include covers like "I Wanna Be Where You Are", "People Make the World Go Round", and "Maiden Voyage" – plus some nice originals, like "Dawn Of A New Day" and "Baa Waa". LP, Vinyl record album
(Cover has a cutout hole and a small split in the top seam.)

Possible matches32
CD, LP, Vinyl record album cover art
✨✧ O'Donel LevySimba ... LP
Groove Merchant, 1973. Very Good ... $29.99
Super-dope stuff throughout – and maybe the best album ever by this legendary 70s guitar player! O'Donel Levy's got this tremendous sound that comes from playing an electric hollow body – in a tone that takes the best bits of Grant Green and Wes Montgomery, and strips them down for a hipper, badder 70s sort of mode. The album's got some great blackploitation-esque arrangements by Manny Albam, and O'Donel's groove is nice and lean as he snakes over the top of the record in some very soulful solos! Lots of cool grooves, and titles include "Joni", "Nigerian Knights", "Bad, Bad, Simba" and "Sad, Sad, Simba". LP, Vinyl record album
(Cover has two cutout holes, a split top seam, splitting on the bottom seam, and adhesive remnants. Labels have marker.)

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ MastersoundsJazz Showcase – Introducing The Mastersounds ... LP
World Pacific, 1957. Very Good ... $14.99
A wonderful record – the first of only a few from this unique group that featured Buddy Montgomery on vibes, Monk Montgomery on electric bass, Richie Crabtree on piano, and Benny Barth on drums! The lineup's a bit like that of the Modern Jazz Quartet in the 50s, but the sound is something different entirely – much more fluid, and often a bit more upbeat too – kind of a soul jazz take on the instrumental lineup, given some great added "bottom", thanks to Monk's use of Fender bass! The tracks have an almost Horace Silver-like mix of soul jazz and exotica – shimmering one minute, soulful the next – and titles include "Water's Edge", "Drum Tune", "The Queen & I", "Dexter's Deck", and "Wes' Tune". LP, Vinyl record album
(Blue label pressing with deep groove. Cover has light wear, a small spot from an old sticker, and a center split in the bottom seam.)

Possible matches34
CD, LP, Vinyl record album cover art
Monk MontgomeryReality (with bonus track) ... CD
Philadelphia International/Big Break (UK), 1974. New Copy ... $9.99
A really sweet set from bassist Monk Montgomery – the Indy jazz legend who first made big waves with his brothers Wes and Buddy in the 50s – still sounding great here on a funky album for Philly International! The album's mostly instrumental, but done in the same great groove as the label's big soul hits of the time – a mode that really works well for the grounding that Monk's bass solos bring to the whole thing – "singing" in this voice that's nice and deep, and which really comes as a surprise! Bobby Martin produced, and also helped Monk with the arrangements – and while the album's definitely got a jazzy vibe, it works equally well as a 70s funky soul instrumental set. Titles include an excellent funky instrumental called "Bump De Bump", plus Bill Cosby's "I Love You Camille", and the tracks "Reality", "Close Your Face", "Girl Talk", "Little Os", and "Sippin & Tippin". CD features a bonus single version of "Reality". CD

Possible matches35
CD, LP, Vinyl record album cover art
Montgomery BrothersGroove Yard ... LP
Riverside, 1961. Near Mint- ... $14.99
Ah for the genius of the Montgomery Brothers – a sweet combo from the Indy scene that featured Wes Montgomery alongside brothers Monk and Buddy! Wes is on guitar, natch, Buddy plays piano, Monk bass, and Bobby Thomas joins the group on drums – all grooving in a style that's a bit like some of Wes' early small group albums from the same time. But given Monk and Buddy's playful and often melodic approach to rhythm, there's an added sound going on here – one that's subtly exotic, and very much like the pair's work in The Mastersounds. The tracks are all around 5 minutes long, with good ensemble playing, and tight short solos – and titles include "Back To Back", "Doujie", "Just For Now", and "Groove Yard". LP, Vinyl record album
(OJC pressing, still in the shrink, with factory sticker.)

Possible matches36
CD, LP, Vinyl record album cover art
Fred Woodard1715 ... CD
Ujam, 2001. Used ... $1.99
Mostly trio work here from guitarist Fred Woodard, but a set that features guest tenor and trombone on one number too! Woodard always shines in a trio setting – managing to do a lot in the open space, with a confident groove that echoes traditions of Grant Green or Wes Montgomery – and the rhythms are often gentle enough to allow Fred's groove on guitar to lead most of the proceedings. Other players include Herman Hampton on bass, Peter Barr on drums, Kurtis Rivers on tenor, and Andre Hayward on trombone – on titles that include "Surfin The Changes", "Stretching/Rebirth Of Slick", "1715", "Besame Mucho", "Now", and "Miss Ann's Tempo". CD

Possible matches37
CD, LP, Vinyl record album cover art
Oliver Nelson, Jimmy Smith, Johnny Hodges, etcLeonard Feather's Encyclopedia Of Jazz In The 60s Vol 1 – The Blues ... LP
Verve, Mid 60s. Near Mint- Gatefold ... Just Sold Out!
Looks like a compilation, but a set that features some great material! Side one features Oliver Nelson directing a special group with JJ Johnson on trombone, Nat Adderley and Clark Terry on trumpets, Phil Woods and Jerome Richardson on reeds, and Hank Jones on piano – on titles that include "St Louis Blues", "I Remember Bird", and "John Brown's Blues". Jimmy Smith and Wes Montgomery jam on "OGD", Johnny Hodges and Earl Hines play "C Jam Blues", and Count Basie swings "Blues For Eileen". LP, Vinyl record album
(Cover has some wear, a bit of peeling from sticker removal, and small pieces of clear tape on the bottom seams.)

Possible matches38
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley & The Poll Winners ... CD
Riverside/Capitol, 1960. Used ... Temporarily Out Of Stock
Cannon's left his usual soul jazz combo for this album – and he's recording on the west coast with an all-star group that includes Wes Montgomery on guitar, Victor Feldman on vibes and piano, Ray Brown on bass, and Louis Hayes on drums. The sound's a bit different than usual – with a strong focus on the solos of the big stars, and less on the tight grooving of the group – but that doesn't stop it from being a great set, and Cannon blows in a way that reminds us of his classic Mercury sides. Titles include "The Chant", "Azule Serape", "Never Will I Marry", and "Au Prive". CD

Possible matches39
CD, LP, Vinyl record album cover art
✨✧ Kenny BurrellGod Bless The Child ... LP
CTI, 1971. Used Gatefold ... Temporarily Out Of Stock
A stone classic from Kenny Burrell – a record that brought the guitarist to a whole new audience, with a wonderful sound that's a perfect summation of CTI at its best! The vibe here is perfect – spare, airy guitar lines from Burrell – playing with a freer style than usual, although with all of the deep soul of before – in ways that are a bit like the early Wes Montgomery material for CTI, but taken to the next level with a more sophisticated set of backdrops too! Don Sebesky handled arrangements, Freddie Hubbard solos alongside Kenny, and many track shave some mighty nice electric piano, too. Titles include funky track "Love Is The Answer", and mellower tunes "Child Is Born", "Do What You Gotta Do", and "Be Yourself". LP, Vinyl record album
(Cover has some light wear.)

Possible matches40
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyWork Song ... CD
Riverside, 1960. New Copy ... Out Of Stock
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record, Nat was making plenty big waves in the combo of brother Cannonball – but this set has him stepping out strongly as a leader – borrowing Bobby Timmons, Sam Jones, and Louis Hayes from Cannon's group – and also adding in Wes Montgomery on guitar and additional bass and cello work from Keeter Betts and Percy Heath. The tracks are all tight as a drum – and the record features seminal versions of "Work Song" and "Sack O Woe" – as well as the numbers "Scrambled Eggs", "Pretty Memory", and "Fallout" – all great! CD
(CD case has a small cutout hole.)
Also available Work Song ... LP 9.99

Possible matches41
CD, LP, Vinyl record album cover art
✨✧ Les McCannInvitation To Openness – The Jazz & Soul Photography Of Les McCann 1960 to 1980 (hardcover) ... Book
Fantagraphics, 2015. New Copy ... Out Of Stock
An incredible lost side of the many talents of the great Les McCann – the ultra-hip pianist, singer, and jazz composer who we've loved for years! This book showcases McCann's lesser-known skills as a photographer – a subtle shutterbug who would often take pictures in the same spaces he was performing – gaining backstage access to other musicians, and also shooting them in performance as well – all with a sensitivity that goes far beyond the usual music journalist photographs! The candid shots are especially wonderful – and capture various musical legends in ways we've never seen before – often a bit tuned-down, and much more down to earth than you might expect. The heavy book features a wealth of subjects – including Stevie Wonder, Sonny Rollins, Tina Turner, Ben Webster, Grover Washington Jr, Donald Byrd, Muhammad Ali, Average White Band, James Coburn, John Coltrane, Bill Cosby, Paul Desmond, Angie Dickenson, Eugene McDaniels, Wes Montgomery, Jimmy Smith, Pops Staples, Wilson Pickett, Lou Rawls, Jesse Jackson, Quincy Jones, Aretha Franklin, Redd Foxx, Duke Ellington, Dexter Gordon, Dizzy Gillespie, and dozens more. 200 pages, hardcover, oversized, and filled with black and white images! Book
 
Partial matches: 2
Partial matches42
CD, LP, Vinyl record album cover art
Hampton HawesGreen Leaves Of Summer ... LP
Contemporary, 1964. Very Good+ ... $24.99
With Monk Montgomery on bass and Steve Ellington on drums – and titles that include "Ill Wind", "St Thomas", "Vierd Blues", "Secret Love", "Blue Skies", and "GK Blues". LP, Vinyl record album
(White label promo. Cover has some splitting on the spine & top seam.)

Partial matches43
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonCruisin The Bird ... LP
Landmark, 1988. New Copy ... $4.99
An incredible record from Bobby Hutcherson – easily one of his best of the 80s, and with some great touches that recall his best 70s work! The album title might fool you into thinking that Bobby's working in Charlier Parker territory here – but he's not, and is instead grooving in a mellow and soulful west coast mode – working with a totally great group that includes Ralph Moore on tenor and soprano sax, Buddy Montgomery on piano, Rufus Reid on bass, and Victor Lewis on drums. The whole album's a magical picture of tone, color, and light – but the especially standout track is "Sierra" – a totally killer number that has these arch angles and edges that rival the best sounds heard on Hutcherson's Montara album! Other titles include "On The Delta", "Crusisin The Bird", "Imminent Treasures", and "All Or Nothing At All". LP, Vinyl record album
(Original pressing – in limited supply!)
 
 
 



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