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Warne Marsh Quartet Edit search Phrase match

 
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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Warne Marsh QuartetMusic For Prancing ... LP
Mode, 1957. Near Mint- ... $33.99
One of the greatest 50s showcases for the tenor talents of Warne Marsh – a deceptively understated album that captures Warne at his most fluid and creative point! The setting is a quartet – with Ronnie Ball on piano, Red Mitchell on bass, and Stan Levey on drums – and Marsh is magnificent throughout, really blowing with a tone that is fresh and filled with modern ideas – yet never overdone, nor too willfully complex to lose the train of the tunes. The approach is almost Konitz-soulful – a wonderful distillation of ideas in the hands of one magical talent – and titles include "Ad Libido", "It's All Right With Me", "Playa Del Ray", "Autumn In New York", and "You Are Too Beautiful". LP, Vinyl record album
(Great Japanese pressing – 180 gram with obi!)
 
Possible matches: 2
Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Lennie Tristano, Lee Konitz, & Warne MarshComplete Atlantic Recordings Of Lennie Tristano, Lee Konitz, & Warne Marsh (6CD set) ... CD
Mosaic, Mid 50s. Used 6CDs ... Just Sold Out!
Some of the most sublime jazz of the 50s – featuring material from sessions for the albums Lee Konitz & Warne Marsh, Tristano, Inside Hi-Fi, The Real Konitz, Warne Marsh, New Tristano, The Lennie Tristano Quartet, and the Japanese-only album Worthwhile Konitz. Features some previously unissued tracks too! CD
(Out of print hand numbered limited edition! Includes original book, box and all CDs in their cases – all of which are in great shape!)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Warne MarshAll Music ... CD
Nessa, 1976. Used ... Temporarily Out Of Stock
A wonderful later album from 50s cool jazz saxophonist Warne Marsh – one that really has an incredible focus on his tone! With his combination of a warm full tone and cool post-Tristano phrasing, Marsh has one of the most singular voices on the tenor, and one of our favorites! This mid 70s recording has him heading up a quartet playing modern bop, with Lou Levy on piano and Jake Hanna & Fred Atwood providing the pulse underneath. Unlike a lot of other players, Marsh didn't slow down or lose it in later years and his concept sounds as fresh in these later recordings as it does on his classic sides with Konitz & Tristano. The group shines on the Tristano number "317 East 32nd" and Konitz's "Subconscious-Lee" and there's some Warsh & Levy originals too, like "Lunarcy" & "Background Music". CD fatures some alternate takes of the track "On Purpose", "A Time For Love", and "I Have A Good One For You". CD
 
 
 



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