This is it! The record that helped put disco over in a huge way, with a sound that would go on to be heavily imitated for years to come. Sweeping disco production from Hugo & Luigi arranged and conducted by Van McCoy, already a studio mainstay by this point, coupled with a set of accessible numbers paved the way towards huge mainstream appeal for tracks like "The Hustle". This album also includes the title track, "Get Dancin", "Spanish Boogie", "Turn This Mother Out" plus covers of the Ohio Players' "Fire" and AWB's "Pick Up The Pieces". LP, Vinyl record album

Van McCoy at the top of his game – stepping out strongly into the limelight with this massive disco set – after working in the background for years as one of the best arrangers, producers, and songwriters in the east coast soul scene of the 60s and 70s! The title hit is obviously the standout number here, but the rest of the record's pretty great too – lots of tight, groovy little tracks that offer up a great blend of soul and class – much more basic and stripped down than the host of "Hustle" imitators that sprung up in the latter half of the 70s. Titles include "The Hustle", "Soul Cha Cha", "The Disco Kid", "Disco Baby", "Party", "Change With The Times", and "Love Is The Answer". LP, Vinyl record album

A clear follow-up to "The Hustle" (not on this album), with a number of tracks that come close to the genius of that track, but never quite manage it altogether. Van's on lead vocals, and the record's got some good keyboard work by Paul Griffin, Richard Tee, and Leon Pendarvis. Includes the Barry White-esque "Roll With The Punches", plus "Keep On Hustlin", "The Disco Kid", "I'm Gonna Love You", "Earthquake", and "The Walk". LP, Vinyl record album

An excellent album of smooth soul tracks, and maybe Van's best record of the 70s! The record shows Van sitting at the piano in an intimate setting – ala Barry White – and it's got a similar Love Unlimited Orchestra approach, with much large backing behind Van's voice, and a very full instrumental sound. Van sings lead vocals, which aren't always that great – but he more than makes up for it with some great piano and keyboard work, and some wonderful soul songwriting and arranging that recall his best uptown moments of the late 60s. The record has a few uptempo hustle-type tracks, but they're all pretty darn great soul songs, and there's loads of great mellow soul moments woven in to make the record a nice album of ballads and groovers. Titles include "Before & After", "Wings Of Love", "My Favorite Fantasy", "That's The Story Of My Life", and "You're So Right For Me". LP, Vinyl record album

As pure a distillation of McCoy Tyner's lyrical vision as one could ever hope for – a brilliant early standout session for the pianist as a leader! McCoy is backed up here by the energetic drumming of Elvin Jones – with whom he shares a natural empathy from their many years together under Coltrane – as well as the incomparable bass of Ron Carter, and the spirited tenor of Joe Henderson – both players who make the quartet date explode with a fresh sense of imagination – the kind of work that has McCoy stepping out strongly from the shadows of The Great One, into a hip space of his own. The set glistens with 5 Tyner originals – including "Passion Dance", "Four By Five", "Contemplation" and "Search for Peace" – all of which point towards new directions in the post-Coltrane years! LP, Vinyl record album

A really mindblowing session from McCoy Tyner – perfectly titled "Expansions" to showcase the change in his style at the time! The record is one of Tyner's first larger group efforts – and is a brilliant example of the expansion of his talents in the post-Coltrane years – a searing, soaring batch of longer tunes that dance with joy, life, and a new sense of energy in jazz – carried off perfectly by a lineup that includes excellent contributions from Gary Bartz on alto, Wayne Shorter on tenor, and Woody Shaw on trumpet. The album is as spiritual and swinging as you'd expect from those players – with a sound that's more Strata East than Blue Note – and titles include "Vision", "Song of Happiness", "Smitty's Place", and "Peresina". LP, Vinyl record album

One of the hardest to find albums by this lost 60s soul jazz vibist – and all of his albums are pretty darn hard to find! The album's also perhaps his best – as Freddie takes a little more straight funky jazz approach, and loses some of the pop feel of his other albums. There's 2 different groups on here – one a bit large, and with Wally Richardson, Bernard Purdie, and Dud Bascomb; the other a groovy quintet with Joanne Brackeen on electric piano and Gene Walker on Varitone. The album includes a great cover of "Listen Here", plus "Stone Wall" and "Short Circuit". LP, Vinyl record album

The first album ever from vibist Freddie McCoy – a great player who cut a few wonderful records for Prestige during the soul jazz years of the 60s! Feddie's vibes are set in a group with a lesser-known group of Prestige players, like Gil Askey on trumpet, Tate Houston on baritone, and James Thomas on organ – and the band plays together with a traditional soul jazz/R&B groove. Tracks include "Collard Greens", "Roell", "Belly Full Of Greens", and "Feeling Good". LP, Vinyl record album

One of the freest, most exploratory albums ever recorded by John Coltrane – and a unique session done with an expanded group of some of the most important avant jazz players of his generation! The format here is similar to Ornette Coleman's Free Jazz album – in that the music is freely improvised, and spans the entire LP as a non-stop performance – one that has Coltrane in the lead, but which also features alto from Marion Brown and John Tchicai, tenor from Archie Shepp and Pharaoh Sanders, trumpet from Freddie Hubbard and Dewey Johnson – and core rhythms from McCoy Tyner on piano, drums from Elvin Jones, and double basses from Art Davis and Jimmy Garrison. The record set the format for larger improvisatory groups in years to come – but is still one of the best examples of the form! LP, Vinyl record album

A lost treasure from the legendary John Coltrane Quartet – material recorded as the soundtrack for the Canadian film Le Chat Danse Le Sac – which features new recordings of material that Coltrane had done in previous years, but really updated by the fresh version of this group! Although the music was used in the film, which was an art house hit at best, it's never been issued on record before – and in fact, its existence was something of a mystery until not that long ago – quite a surprise, given that the sessions were done at Rudy Van Gelder's studio, and have a quality level that really matches the Impulse Records best by these musicians! The tunes are almost like this amazing bridge between the mid 60s Impulse years and the Coltrane sound at the start of the decade on Atlantic – as the grooves are modal, and most music is more inside than the group was hitting by 1965 – yet still burning with that searching spirit that made them so great. The lineup, of course, features John Coltrane on tenor, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – and the whole thing is an instant key addition to the catalog of this tremendous quartet. Titles include two takes on "Naima", three takes on "Village Blues", and the tracks "Like Sonny", "Traneing In", and "Blue World". LP, Vinyl record album

Aretha Franklin's definitely growing into her role as a soul sister here – a later date for Columbia Records that hints a bit at the sounds to come on Atlantic! Backings are by Robert Mersey and Belford Hendricks – both of whom use some relatively full orchestrations and occasional backing vocals – in ways that almost translate a 60s country soul aesthetic to a leaner, cleaner sound for Aretha's strong vocals. Franklin, as always, is great – the kind of singer that really illuminates any tune she gets – even familiar numbers that seem to take on new life in her hands. The material is a bit deeper-digging than before on Columbia – less covers, and more tunes that are well-suited to Aretha's sensibilities – including a few penned by Van McCoy or Hendricks. Titles include "Until You Were Gone", "Follow Your Heart", "A Mother's Love", "I'm Losing You", "Take A Look", and "Can't You See Me". LP, Vinyl record album

A vocal group classic from back in the day – the one and only full length set issued by The Presidents – one of those east coast groups who really knew how to knock it out of the park! Van McCoy handles the production, and wrote and arranged most of the tracks too – and the record's got that careful approach he brought to all of his best late 60s indie work, but touched with some great 70s currents that really echo nicely with the generation of the Stylistics, Moments, and Delfonics! The set includes the big title cut "Years Of Love" – plus "Gotta Keep Movin", "For You", "Sweet Magic", "This Is My Dream World", and "How Can You Say You're Leavin". LP, Vinyl record album

Later Motown work from David Ruffin, but still pretty darn great – thanks to vocals that rise to the top, no matter what the tune! The album was co-produced by Van McCoy and Charles Kipps, with arrangements by McCoy – but the overall sound is light years away from some of Van's poppier albums of the time – much more in line with the kind of classy soul that we'd come to expect in Ruffin's music. There's a Philly sparkle to many of the tunes, and titles include "I Can't Stop The Rain", "Nightmare", "You're My Piece Of Mind", "Questions", "I'm Jealous", "Rode By The Place", and "Hey Woman". LP, Vinyl record album

David Ruffin at the height of his solo powers – working in that mature mix of soul and strings that made him one of the more sophisticated Motown talents of the time! The set's produced and arranged by Van McCoy – at a level that's maybe more Philly soul than the Detroit sounds of David's roots – and the singer's vocals open up beautifully as he hits a few upbeat groovers, and some especially nice midtempo tracks that really make the album shine! McCoy also wrote most of the songs, too – and titles include the classic "Walk Away From Love", one of Ruffin's sweetest numbers ever – plus the tracks "Who I Am", "Wild Honey", "Statue Of A Fool", "Heavy Love", "It Takes All Kind Of People To Make A World", "Love Can Be Hazardous To Your Health", and "The Finger Pointers". LP, Vinyl record album

A rare gem that's worth all the attention it's bound to get over the years – never-issued material from the legendary John Coltrane Quartet – an instrumental session recorded at Rudy Van Gelder's studio on the day before his famous record with singer Johnny Hartman – completely fantastic throughout! The material here shows the group really starting to stretch out – Impressions would be their next record to follow, and its spirit is certainly in place here – as Coltrane blows magnificently on tenor and soprano sax, alongside McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums. There's a few tunes that the group would fix on later, but which sound very different in this context – and there's even a few excellent numbers that didn't even receive titles at the time of recording. Tracks include "Untitled Original 11383", "Untitled Original 11386", "Slow Blues", "One Up One Down", "Vilia", "Impressions", and a short version of "Nature Boy". 2LP version features 7 more alternate takes – some very different! LP, Vinyl record album

Arranged by Van McCoy – with tracks that include "I'm Ready For A New Love", "Keep Me Baby", "Don't Pity Me", "You Never Were My Friend", "Find What You Need", and "People In Love Oughta Be Together". LP, Vinyl record album

An incredible album of deep deep soul! Recorded way before Sharon Ridley became a big club diva, this record mixes deep soul vocal stylings with some well produced Van McCoy arrangements, and backing by some crack New York players. The result is one of the best female vocal soul albums we can think of from the early 70s – and the kind of lost soul album that makes you keep tracking down rare wax! Includes the incredible cut "You Sold Me A One Way Ticket", which begins with an amazing intro, and has a hook so strong you could hang a parka on it – plus the cuts "Stay A While With Me", "I Found Him, I Loved Him, I Lost Him", and "When A Woman Falls In Love". LP, Vinyl record album

Beautiful – simply beautiful – one of the greatest Wayne Shorter albums for Blue Note, and one of our favorite jazz albums ever! The record is a masterpiece of lyrical delight – soul jazz mixed with slight touches of experimentalism – but still warm, swinging, and personal enough to captivate even the most novice jazz listener. A players are at the top of their game – and in addition to Shorter's tenor, the group features Lee Morgan on trumpet, McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums. The tracks unfold in lyrical, modal beauty in a really wonderful way that was barely ever duplicated again – and titles include "Night Dreamer", "Oriental Folk Song", "Virgo", "Charcoal Blues", "Armageddon", and "Black Nile". LP, Vinyl record album

With selections by Van McCoy, Blackbyrds, Gwen McCrae, Sugarloaf, Styx, Disco Tex & The Sex-O-Lettes, Stylistics, Hot Chocolate, Bachman-Turner Overdrive, Gloria Gaynor, Carol Douglas, Kool & The Gang, Billy Preston, George McCrae, Jim Gilstrap, Hues Corporation, Kiss, and BT Express. LP, Vinyl record album

An album that's quite different than you might expect from the title – one of the most adventurous records issued on Impulse during the life of John Coltrane! The tracks here are all quite free and far-reaching – hardly the mellow "meditations" you might expect – and more the new unbridled sense of energy that Trane was letting loose in the post-Love Supreme years. The group here features some tremendous tenor from Pharoah Sanders – joining the core lineup of McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – who himself is inspired to new heights by the addition of Rashied Ali as a second drummer. The work has a searing emotive quality that goes beyond most that Coltrane had recorded before this point – and titles include the classic "The Father The Son & The Holy Ghost", plus "Love", "Consequences", "Serenity", and "Compassion". LP, Vinyl record album

Quite an unusual session for trumpeter Freddie Hubbard – a set done during his early run of albums for Blue Note, but one that's got some much darker, more modern qualities than the rest! The music here almost verges on some of the "new thing" material of the period on the label – although is not as far outside as some of the others – and the record features two different groups – both with excellent early work from James Spaulding on alto and flute, and really unique use of euphonium from Kiane Zawadi, whose depth on the instrument really explores the darker currents of sound. In addition to Freddie's trumpet work, the set also features Joe Henderson and Hank Mobley on tenors, Harold Mabern and McCoy Tyner on pianos, and Clifford Jarvis and Pete LaRoca on drums. Big Black also adds in percussion on the cuts "Cunga Black" and "Soul Surge" – and other titles include "Outer Forces", "Blue Spirits", and "Jodo". LP, Vinyl record album

Totally great work from a young Eric Kloss – grits, gravy, and a whole lot more! About half the record has Kloss blowing with a quartet that includes Jaki Byard on piano, Richard Davis on bass, and Alan Dawson on drums – going for a style that's more towards the soulful end of Byard's modern approach – and featuring some incredibly well-crafted alto solos for his young age. The other half of the album features a strange but cool larger group – one with Teddy Charles on vibes, Billy Butler on guitar, and even some female backing vocals! The approach on these sides is like that on some of the George Braith and Freddie McCoy sides for Prestige – a great blend of groovy and funky, with a soulful undercurrent that's really sent home by Kloss' solos! A stunning album with a really unique blend of sounds – and titles that include "Repeat", "Grits & Gravy", "Gentle One", "Slow Hot Wind", and "Softly As In A Morning Sunrise". LP, Vinyl record album

Soaring soul from Melba Moore – a singer who really came into her own with this sweet 70s album! Melba always had a great voice, right from the start – but here, she's working with arrangements and production by Van McCoy – updating her sound with a bit of a clubby groove, in a way that helps Moore reach even greater heights than usual – and cross over to a big audience with ears for the growing disco sounds of the time! McCoy really knows how to pitch things right – and overall, the album's got a much deeper feel than some of his own disco work of the time – thanks, no doubt, to Melba's rich vocal approach. Titles include "So Many Mountains", "Good Love Makes Everything Alright", "The Way You Make Me Feel", "The Greatest Feeling", "Mighty Clouds Of Joy", and "Ain't No Love Lost". LP, Vinyl record album

Warm and wonderful soul from David Ruffin – key proof that the singer could keep on going strong, long after his earlier fame at Motown! The record's got a new sense of sophistication that really breaks David into new territory – a style that's nicely different than the backings Ruffin got from Van McCoy in his later Motown years – and which opens up a more mature sound, courtesy of producer Don Davis – who's casting Ruffin in the same blend of rough and smooth that worked so well for The Dramatics! There's a sophistication here that's completely sublime – a sound that's right up there with Leroy Hutson or Leon Ware – and most tunes hit a mellow or midtempo mode that's totally great! Tracks include "Chain On The Brain", "Break My Heart", "Morning Sun Looks Blue", "Let Your Love Rain Down On Me", "So Soon We Change", and "Sexy Dancer". LP, Vinyl record album

A mindblowing album from Ahmad Jamal – a fantastic start to the 70s, and a set of music that shows just how far the pianist had come in just a few short years! The album's all acoustic, but has some of that spacious flow that Jamal would bring to his work on Fender Rhodes – with an approach that's even more open in terms of song structure than his earlier trio material – as if Jamal's choosing to omit more notes than he's including – but all with a quality that still keeps the music very full and rhythmic – pulsating with a special sort of energy that's neither Bill Evans, nor McCoy Tyner – but instead this really amazing sound that's all Ahmad's own. The trio features equally wonderful work from Jamil Nasser on bass and Frank Gant on drums – and titles include "The Awakening", "I Love Music", "Patterns", "Wave", and "Dolphin Dance". LP, Vinyl record album

A mindblowing album from Ahmad Jamal – a fantastic start to the 70s, and a set of music that shows just how far the pianist had come in just a few short years! The album's all acoustic, but has some of that spacious flow that Jamal would bring to his work on Fender Rhodes – with an approach that's even more open in terms of song structure than his earlier trio material – as if Jamal's choosing to omit more notes than he's including – but all with a quality that still keeps the music very full and rhythmic – pulsating with a special sort of energy that's neither Bill Evans, nor McCoy Tyner – but instead this really amazing sound that's all Ahmad's own. The trio features equally wonderful work from Jamil Nasser on bass and Frank Gant on drums – and titles include "The Awakening", "I Love Music", "Patterns", "Wave", and "Dolphin Dance". LP, Vinyl record album

A mindblowing album from Ahmad Jamal – a fantastic start to the 70s, and a set of music that shows just how far the pianist had come in just a few short years! The album's all acoustic, but has some of that spacious flow that Jamal would bring to his work on Fender Rhodes – with an approach that's even more open in terms of song structure than his earlier trio material – as if Jamal's choosing to omit more notes than he's including – but all with a quality that still keeps the music very full and rhythmic – pulsating with a special sort of energy that's neither Bill Evans, nor McCoy Tyner – but instead this really amazing sound that's all Ahmad's own. The trio features equally wonderful work from Jamil Nasser on bass and Frank Gant on drums – and titles include "The Awakening", "I Love Music", "Patterns", "Wave", and "Dolphin Dance". LP, Vinyl record album

Sublimely spiritual work from the great John Coltrane – a live album, but one that's easily one of his most important contributions to music in the early 60s – and a set that we'd rank right up there with his best studio sides for Impulse or Atlantic Records at the time! The group here features McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – plus the very important addition of Eric Dolphy on the leadoff tune "Spiritual" – a number that features Dolphy on bass clarinet alongside Coltrane's tremendous tenor, as both players open up on extended solos that take the tune to nearly 14 minutes in length! Other numbers omit Dolphy, but are still totally great – and Coltrane picks up the soprano sax for a classic reading of "Softly As In A Morning Sunrise" – and the group shifts slightly for the freer "Chasin The Trane", a 16 minute romp done with only tenor sax, drums, and bass – the latter of which is handled here by Jimmy Garrison instead of Workman. LP, Vinyl record album

Fantastic unreleased work from the famous 1961 recordings of John Coltrane at the Village Vanguard – every bit as wonderful as the material that was issued on the core album! The group here is unusual in that Eric Dolphy joins them on alto and bass clarinet – alongside the piano of McCoy Tyner, bass of Reggie Workman or Jimmy Garrison and the drums of Elvin Jones –agumented on one track by Ahmed Abdul-Malik's oud playing. The set includes "India", "Greensleeves", "Spiritual", "Untitled Original", and "Chasin' The Trane" – all done in nice long long takes! LP, Vinyl record album

Sublimely spiritual work from the great John Coltrane – a live album, but one that's easily one of his most important contributions to music in the early 60s – and a set that we'd rank right up there with his best studio sides for Impulse or Atlantic Records at the time! The group here features McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – plus the very important addition of Eric Dolphy on the leadoff tune "Spiritual" – a number that features Dolphy on bass clarinet alongside Coltrane's tremendous tenor, as both players open up on extended solos that take the tune to nearly 14 minutes in length! Other numbers omit Dolphy, but are still totally great – and Coltrane picks up the soprano sax for a classic reading of "Softly As In A Morning Sunrise" – and the group shifts slightly for the freer "Chasin The Trane", a 16 minute romp done with only tenor sax, drums, and bass – the latter of which is handled here by Jimmy Garrison instead of Workman. LP, Vinyl record album

A lost slice of work from the mighty John Coltrane – and a set that features the equally great Eric Dolphy up on stage with Trane at the Village Gate! These never-issued recordings are every bit as wonderful as the Village Vanguard material recorded during the same year – with the group moving with boundless energy, maybe even at a level that they wouldn't show on studio recordings for a few years later – bold piano from McCoy Tyner, superb bass from Reggie Workman, and unbridled drums from Elvin Jones – all given further inspiration by the presence of Dolphy, who blows bass clarinet and flute on the record! Trane is already really taking off with the soprano sax, which gets plenty of beautiful solo space here – on tunes that include a rare live take on "Africa", plus an early reading of "Impressions", and "My Favorite Things", "When Lights Are Low", and "Greensleeves" – the latter of which is done in a sublime modal style. LP, Vinyl record album

Brilliant work as a leader from McCoy Tyner – and easily one of his most righteous albums ever – a true batch of spiritual gems that really takes the John Coltrane legacy one step further! Most numbers build with a modal vibe that's more Impulse Records than Blue Note – and players on the set include Alice Coltrane on harp, Gary Bartz on alto, Wayne Shorter on tenor and soprano sax, Ron Carter on bass, and Elvin Jones on drums – a wonderful lineup that really holds tightly to the soaring, soulful energy that Tyner spins from his piano – a mode that's never too far out or avant, yet which stretches to the skies with a heavenly vision. The whole thing's wonderful – and tracks include "Message From The Nile", "The Wanderer", "Survival Blues", and "His Blessings". LP, Vinyl record album

A wonderful live set, recorded in Paris in 1962 – and featuring the quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones. The set features three long Coltrane standards – "Impressions", "Afro Blue", and "Naima" – all done in that beautiful spiralling modal style that the group used on their classic first set of recordings at the Village Vanguard. In fact, the set's a perfect complement to that material – which we feel is some of Coltrane's strongest. LP, Vinyl record album

One of our favorite compilations of all time – a smoking batch of soulful jazz from the 60s, with a slight bit of funk and blues thrown in as well! The set's exactly what's promised in the title – jazz cuts, but with an ultra-cool mod vibe – the kind of soulful sounds that played big with the younger London crowd digging American music in the mid 60s – and also the kind of music you'd be likely to find blasting out of a backroom jukebox on the west side of Chicago! There's loads of rare single mixes of LP tracks on the set, and a number of smoking 45s from artists you might know better from more mainstream work – really hitting hard here, alongside a few special numbers from the indie underground too. Tracks are cool enough for old school hipsters – but appealing enough to bring in a new listener too – and as proof of that, we've given this one away for many years as a Christmas present. The collection features 25 tracks in all – non-stop pleasure throughout – with titles that include "Soul Shoutin" by Shirley Scott, "Tengo Tango" by Cannonball Adderley Sextet, "Whip It On Me" by Billy Hawks, "Yeh Yeh" by Mongo Santamaria, "Black Talk" by Charles Earland, "I'm Ready" by Otis Spann, "Mama Rufus" by Merced Blue Notes, "Theme From NYPD" by Johnny Hammond, "Step Out & Get It" by The Nomos, "Why Don't You Do Right" by Mark Murphy, "Collard Greens" by Freddie McCoy, "Theme From The Carpetbaggers" by Jack McDuff, "Filthy McNasty" by Eddie Jefferson, "Evil Ways" by Cal Tjader, "Kenny's Theme" by Kenny Burrell, and "Games" by Ivan Boogaloo Joe Jones. LP, Vinyl record album