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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Van McCoyDisco Kid ... LP
Avco, 1975. Near Mint- ... $3.99
A clear follow-up to "The Hustle" (not on this album), with a number of tracks that come close to the genius of that track, but never quite manage it altogether. Van's on lead vocals, and the record's got some good keyboard work by Paul Griffin, Richard Tee, and Leon Pendarvis. Includes the Barry White-esque "Roll With The Punches", plus "Keep On Hustlin", "The Disco Kid", "I'm Gonna Love You", "Earthquake", and "The Walk". LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Van McCoy & The Soul City SymphonyLove Is The Answer ... LP
Avco, 1974. Very Good+ ... $5.99
Sweet stepping Van – an excellent album of instrumental grooves recorded right before his "Hustle" fame, but with a very similar feel! The sound is almost that of Sigma Philly – but things are a bit more polished, and there's more of a focus on the strings and woodwinds than the solos you'd get from a Philly instrumental album. But that's really ok with us, as the overall sound is still quite nice, and there's a few strong original cuts that really stand out in the set. Highlights include "African Symphony", "Love Is The Answer", "Funky Feet", and "Boogie Down". LP, Vinyl record album
(Cover has a cutout hole.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Van McCoyReal McCoy ... LP
H&L, 1976. Used ... Temporarily Out Of Stock
It's Hustle time all the way for Van – working here on a well-done set of smooth disco tunes that replicate the style of his big hit! Van handled all arrangements, production, and conducts the group – and the mix of strings and light disco rhythms is very much in his classic 70s mode. Titles include "Night Walk", "African Symphony", "Party", "Star Trek", "Sweet Sweet Rhythm", and "Jet Setting". LP, Vinyl record album
(Cover has some wear.)
 
Possible matches: 24
Possible matches4
CD, LP, Vinyl record album cover art
✨✧ McCoy TynerTime For Tyner ... LP
Blue Note, 1969. Used ... Temporarily Out Of Stock
Brilliant work by McCoy Tyner – an album that has him firmly stepping out of the shadow of Coltrane with a sound influenced by the rising Afro-centric style of soul jazz to emerge in the 70s! The group on the set is a quartet with Bobby Hutcherson on vibes – and the mixture of Hutcherson's vibes and Tyner's piano is extremely compelling – stretching out in long, rhythmic, modal lines that dance and light the groove no matter what the tune. The rest of the group features Herbie Lewis on bass and Freddie Waits on drums – and titles include the great original compositions "African Village", "May Street", and "Little Madimba". LP, Vinyl record album
(Liberty pressing, with Van Gelder stamp. Cover has light wear.)

Possible matches5
CD, LP, Vinyl record album cover art
Choice FourOn Top Of Clear ... LP
RCA, 1976. Very Good+ ... $6.99
Maybe the best of their mid 70s records for RCA, in a similar style tp a lot of other East Coast groups from the time who had bigger hits and more mainstream popularity, even if few of their peers were truly as wonderful as the mighty Choice Four! On Top Of Clear is a close to perfect mix of uptempo cuts and ballads, with some of the sweetest lead and harmony vocals of the 70s! Van McCoy arranged and produced, and titles includes their single "Hey, What's That Dance You're Doing", plus "Two Different Worlds", "Mysterious Lady", "Beautiful Glow", "Come Down To Earth", and "Everybody's Got A Story". LP, Vinyl record album
(Cover has a promo stamp & light wear.)
Also available On Top Of Clear (with bonus tracks) ... CD 12.99

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Choice FourOn Top Of Clear (with bonus tracks) ... CD
RCA/FTG, 1976. New Copy ... $12.99 13.98
Maybe the best of their mid 70s records for RCA, in a similar style tp a lot of other East Coast groups from the time who had bigger hits and more mainstream popularity, even if few of their peers were truly as wonderful as the mighty Choice Four! On Top Of Clear is a close to perfect mix of uptempo cuts and ballads, with some of the sweetest lead and harmony vocals of the 70s! Van McCoy arranged and produced, and titles includes their single "Hey, What's That Dance You're Doing (Tom Moulton Mix)", "Two Different Worlds", "Mysterious Lady (Tom Moulton Mix)", "Beautiful Glow", "Come Down To Earth", and "Everybody's Got A Story". 4 bonus tracks on the FTG Soul & Funk Classics edition – "A Time For Celebration" (short version and long version), plus the great, longer 12" versions of "Two Different Worlds" and "Come Down To Earth". CD
Also available On Top Of Clear ... LP 6.99

Possible matches7
CD, LP, Vinyl record album cover art
John ColtraneAscension (Version 1) ... LP
Impulse, 1965. Very Good+ Gatefold ... $99.99
This is the rare first take of Ascension, and it differs greatly from the second take, which is the more widely available one. It's designated by the fact that the recording doesn't say "Version II" on the runoff groove. One of the freest, most exploratory albums ever recorded by Coltrane – and a unique session done with an expanded group of some of the most important avant jazz players of his generation! The format here is similar to Ornette Coleman's Free Jazz album – in that the music is freely improvised, and spans the entire LP as a non-stop performance – one that has Coltrane in the lead, but which also features alto from Marion Brown and John Tchicai, tenor from Archie Shepp and Pharaoh Sanders, trumpet from Freddie Hubbard and Dewey Johnson – and core rhythms from McCoy Tyner on piano, drums from Elvin Jones, and double basses from Art Davis and Jimmy Garrison. The record set the format for larger improvisatory groups in years to come – but is still one of the best examples of the form! LP, Vinyl record album
(Stereo orange & black label pressing, with Van Gelder stamp and LW etch. Cover looks great, save for a light stain on the bottom right corner & a small center split on the top seam.)
Also available Ascension (remastered) ... CD 5.99

Possible matches8
CD, LP, Vinyl record album cover art
John ColtraneBallads ... LP
Impulse, 1962. Very Good Gatefold ... $39.99
A perennial favorite in the John Coltrane catalog – a beautiful set of standards, handled in a warm laidback style – one that shows that Trane's groundbreaking group with Jimmy Garrison on bass, Elvin Jones on drums, and McCoy Tyner on piano could still express themselves with even more direct soulfulness than usual! The album's completely solid all the way through – and although it won't change your life as much as A Love Supreme, it will show what a fantastically strong player Coltrane was, in any sort of setting! Titles include "I Wish I Knew", "What's New", "Nancy", "You Don't Know What Love Is", and "All Or Nothing At All". LP, Vinyl record album
(Orange & black label stereo pressing with Van Gelder/Stereo stamp. NOTE – Cover is stained on the bottom half, with gloss separation on the edges and a name in pen inside the gatefold)

Possible matches9
CD, LP, Vinyl record album cover art
Faith Hope & CharityFaith Hope & Charity (20th Century) ... LP
20th Century, 1978. Sealed ... $6.99
Arranged by Van McCoy – with tracks that include "I'm Ready For A New Love", "Keep Me Baby", "Don't Pity Me", "You Never Were My Friend", "Find What You Need", and "People In Love Oughta Be Together". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches10
CD, LP, Vinyl record album cover art
Freddie HubbardBlue Spirits ... LP
Blue Note, 1965. Very Good ... $79.99
Quite an unusual session for Freddie Hubbard – one of his most modernist albums for Blue Note, recorded with a larger group that includes James Spaulding on alto and flute, Joe Henderson (or Hank Mobley) on tenor, McCoy Tyner on piano, and the surprising inclusion of Kiane Zawadi on euphonium! The presence of that instrument gives the album a real "bottom" sound – taking the overall mood much more into the depths than on some of Freddie's previous sets – really earning the album its "blue spirits" tag. Big Black also plays a bit of percussion on a few tracks, and titles include "Cunga Black", "Soul Surge", and "Outer Forces". LP, Vinyl record album
(New York stereo pressing with Van Gelder stamp. Cover has split seams, and a lgiht stain on about half of the back panel.)

Possible matches11
CD, LP, Vinyl record album cover art
Walter JacksonOkeh Recordings Vol 2 – Welcome Home (with previously unreleased tracks) ... CD
Okeh/Kent (UK), Mid 60s. New Copy ... $10.99 18.99
A tremendous second step for Chicago soul legend Walter Jackson – packaged here with a huge amount of bonus tracks as well! The core album is a sublime mix of new tunes and re-imagined standards – and a set that takes Walter Jackson into even more sophisticated soul territory than before! The record is proof that the up and coming soul artists of the 60s had a key place alongside the more established mainstream acts on the other side of the fence – as Walter's working here with arranger Riley Hampton to re-cast a number of familiar tunes in his cool Iceman soul mode – changing the themes, rhythms, and inflections of the tracks for a more contemporary soul market – and also interspersing them with a few great new songs of his own! The approach is amazing – far better than even Jerry Butler or Chuck Jackson's work in a similar idiom – and the album features the sublime hit "Welcome Home", plus the Van McCoy tunes "Suddenly I'm All Alone", "Still At The Mercy Of Your Love", and "The Magic's Gone" – alongside versions of "Moon River", "Let It Be Me", "Imagination", and "My Funny Valentine". Added to the original album are 7 more rare tracks pulled from singles – some of the true gems in Jackson's 60s career for Okeh – with titles that include "Deep In The Heart Of Harlem", "Cold Cold Winter", "That's When I Come To You", "Special Love", "One Heart Lonely", "I Think It's Going To Rain Today", and "The Folks Who Live On The Hill". CD

Possible matches12
CD, LP, Vinyl record album cover art
Vivian ReedYours Until Tomorrow – The Epic Years ... CD
Columbia/Soulmusic.com (UK), Late 60s/Early 70s. New Copy ... $11.99
A much-needed look at the early work of Vivian Reed – a singer who got the chance to release a handful of full length albums in the disco generation, but one who sounds even better here right at the start of her career! The beautiful package brings together rare single sides and LP tracks that Vivian cut for Epic Records in the late 60s and early 70s – music that has the vocalist really hitting the full, deep range of her talents – in settings that maybe begin with familiar uptown soul modes, but soon step off into some even more righteous territory! A range of top-shelf talents help Reed out in the studio – as the cuts feature arrangements by Van McCoy, Jimmy Wisner, Thom Bell, Bobby Martin, and Herb Bernstein – all of whom really find a way to unlock Vivian's vocals and really let them soar. Even the familiar tunes take on a new sort of vibe here – great soulful readings that are quite different than the originals – on titles that include "Missing You", "Shape Of Things To Come", "Don't Close The Door On Me", "I Feel The Earth Move", "Lean On Me", "Mama Open The Door", "Baby Baby", "I", "Yours Until Tomorrow", "I Wanna Be Free", "Look The Other Way", "Down Here On The Ground", "Walk On My Side", and "Then I'll Be Over You". CD

Possible matches13
CD, LP, Vinyl record album cover art
David RuffinSo Soon We Change ... LP
Warner, 1979. Sealed ... $6.99
Warm and wonderful soul from David Ruffin – key proof that the singer could keep on going strong, long after his earlier fame at Motown! The record's got a new sense of sophistication that really breaks David into new territory – a style that's nicely different than the backings Ruffin got from Van McCoy in his later Motown years – and which opens up a more mature sound, courtesy of producer Don Davis – who's casting Ruffin in the same blend of rough and smooth that worked so well for The Dramatics! There's a sophistication here that's completely sublime – a sound that's right up there with Leroy Hutson or Leon Ware – and most tunes hit a mellow or midtempo mode that's totally great! Tracks include "Chain On The Brain", "Break My Heart", "Morning Sun Looks Blue", "Let Your Love Rain Down On Me", "So Soon We Change", and "Sexy Dancer". LP, Vinyl record album
(Sealed original pressing! Cover has a cutout mark.)

Possible matches14
CD, LP, Vinyl record album cover art
David RuffinWho I Am ... CD
Motown (Japan), 1975. New Copy ... $28.99
David Ruffin at the height of his solo powers – working in that mature mix of soul and strings that made him one of the more sophisticated Motown talents of the time! The set's produced and arranged by Van McCoy – at a level that's maybe more Philly soul than the Detroit sounds of David's roots – and the singer's vocals open up beautifully as he hits a few upbeat groovers, and some especially nice midtempo tracks that really make the album shine! McCoy also wrote most of the songs, too – and titles include the classic "Walk Away From Love", one of Ruffin's sweetest numbers ever – plus the tracks "Who I Am", "Wild Honey", "Statue Of A Fool", "Heavy Love", "It Takes All Kind Of People To Make A World", "Love Can Be Hazardous To Your Health", and "The Finger Pointers". CD

Possible matches15
CD, LP, Vinyl record album cover art
SoftonesSoftones ... LP
Avco, 1973. Near Mint- ... $9.99
A stellar first set from The Softones – labelmates of The Stylistics in their early years, and a group who really share a similar sense of east coast harmony soul! There's a nicely fragile approach to the group at all the best moments – a style that's better than shakey indie soul, but which is still quite personal – even amidst some really well-penned charts by Van McCoy! The strings have all these sweet and subtle touches and changes – never detracting from the vocals, but instead really underscoring the unique appeal that makes the group this great. A wonderful set to file next to your New Jersey classics by The Moments and Whanauts – with tracks that include "The First Day", "Extra Ordinary People", "Why Why Baby", "Never Let A Woman Like That Go By", and "Everybody Knew But Me". LP, Vinyl record album
(Cover has a cutout hole.)

Possible matches16
CD, LP, Vinyl record album cover art
StylisticsHeavy ... LP
Avco, 1974. Very Good+ ... $4.99
The Stylistics were never ones to fall down in the vocal department, and the production here by Hugo & Luigi is augmented by some nice arraging work by Van McCoy. Titles include "The Miracle", "Heavy Fallin' Out", "Star On A TV Show", "What's Happenin', Baby?", and "Hey Girl, Come & Get It". LP, Vinyl record album

Possible matches17
CD, LP, Vinyl record album cover art
Tommie YoungWoman Called Moses ... LP
MCA, 1978. Near Mint- ... $4.99
Tommie Young's probably best known to Dusty Groovers for her debut indie album Do You Feel The Same Way – but this is the record that probably brought her to the masses more than that one. The record's kind of an odd one – scored for a post-Roots slave film that starred Cicely Tyson, and featuring disco-infused backings by Van McCoy with vocals by Tommie. The overall feel was probably a bit weird in the film, although it comes across ok on record – even though the whole thing's light years away from Tommie's earlier album. Titles include "I Must Go", "Born Into Slavery", "A Woman Called Moses", and "Coleman's Theme". LP, Vinyl record album
(Cover ha a cut corner and a promo sticker.)

Possible matches18
CD, LP, Vinyl record album cover art
VariousEssential 60s Northern Soul – Dancefloor Classics Vol 1 ... CD
Deep Beats (UK), Late 60s. Used ... $4.99
Loads of great rare soul cuts – 23 tracks, with work by Billy Harner, Barbara Acklin, The Javells, Stella Starr, Frankie Crocker, Van McCoy, Fred Hughes, Johnny Jones, Gene Chandler, Lou Courtney, Jason Knight, Father's Angels, PP Arnold, and Kenny Bernard! CD
(Out of print.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ James GilstrapLove Talk ... LP
Roxbury, 1976. Used ... Temporarily Out Of Stock
The second album by Jim Gilstrap – a singer who did an awful lot of studio work for other folks during the 70s, and who scored a minor hit with his own "Swing Your Daddy", which was on the first album. This set's a bit more far-reaching, with arrangements by Gene Page that are kind of in a Barry White/Van McCoy expanded soul mode, which pushes Jim past the sweet soul of earlier days. Side one features the extended "Love Talk", a 13 minute number with lots of strings and grooves – not disco, but more of the baroque soul of Isaac Hayes or Barry White. Side two features three shorter cuts – two in a similar mode, "Never Stop Loving Me" and "Move Me", plus a great mellow soul remake of Todd Rundgren's "Hello It's Me". LP, Vinyl record album
(Cover has some wear & half split top & bottom seams.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Joe HendersonIn N Out ... LP
Blue Note, 1964. Used ... Temporarily Out Of Stock
A stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! There's a sharp edge here, but there's also a soulful sense of swing – that balance that Joe had more than most of his contemporaries – and which he only continued to develop as the years went on. Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". LP, Vinyl record album
(New York stereo pressing, with Van Gelder/Stereo stamp and ear. Vinyl has a mark that clicks a bit on "Serenity". Cover has a name in pen on front, some surface wear, and a half split bottom seam with clear tape remnants.)
Also available In N Out (180 gram pressing) ... LP 19.99

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Thelman Houston & Jerry ButlerTwo To One ... LP
Motown, 1978. Used ... Temporarily Out Of Stock
Features arrangements by Willie Hutch, Van McCoy, and Terry Woodford. Titles include "Find A Way", "We Owe It To Ourselves", "Never Gonna Get Enough", "If It Would End", "Chicago Send Her Home", and "Don't Pity Me". LP, Vinyl record album

Possible matches22
CD, LP, Vinyl record album cover art
Melba MooreStanding Right Here – The Anthology – The Buddah & Epic Years ... CD
Epic/Soulmusic.com (UK), Late 70s. New Copy 2CD ... Just Sold Out!
A huge run of greatness from singer Melba Moore – an artist who maybe hit her heights on the late 70s Buddah and Epic Records material featured here! Moore already had a fantastically well-developed voice by the time of these recordings – thanks to time on the stage in a number of key productions, including Hair and Purlie – but the late 70s also shows her really finding the right sort of focus for her unusual talents – maybe pulling back a bit at the right moments, and folding her strength into the overall groove of a tune – spearheaded here with excellent work from producers who include McFadden & Whitehead, Eugene McDaniels, and Van McCoy! CD1 features 17 tracks from her time at Budddah Records, CD2 features 14 more cuts recorded for Epic – and the collection also features some rare b-sides and other material from singles. Titles include "My Sensitive Passionate Man", "Standing Right Here", "I Am His Lady", "This Is It (12" mix)", "Stay Awhile", "So Many Mountains", "Good Love Makes Everything Alright (12" mix)", "You Stepped Into My Life", "Night People (12" mix)", "Next To You", "Rest Inside My Love", "You Stepped Into My Life (special disco mix)", "There's No Other Like You", "Just Another Link", "Night People (12" mix)", and "Burn (UK rmx)". CD

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ David RuffinWho I Am ... LP
Motown, 1975. Used ... Temporarily Out Of Stock
David Ruffin at the height of his solo powers – working in that mature mix of soul and strings that made him one of the more sophisticated Motown talents of the time! The set's produced and arranged by Van McCoy – at a level that's maybe more Philly soul than the Detroit sounds of David's roots – and the singer's vocals open up beautifully as he hits a few upbeat groovers, and some especially nice midtempo tracks that really make the album shine! McCoy also wrote most of the songs, too – and titles include the classic "Walk Away From Love", one of Ruffin's sweetest numbers ever – plus the tracks "Who I Am", "Wild Honey", "Statue Of A Fool", "Heavy Love", "It Takes All Kind Of People To Make A World", "Love Can Be Hazardous To Your Health", and "The Finger Pointers". LP, Vinyl record album
(Cover has light wear & a some pen.)
Also available Who I Am ... CD 28.99
 
Partial matches: 13
Partial matches28
CD, LP, Vinyl record album cover art
✨✧ Ahmad JamalAwakening ... LP
Impulse/Be With (UK), 1970. New Copy Gatefold (reissue)... $28.99 35.99
A mindblowing album from Ahmad Jamal – a fantastic start to the 70s, and a set of music that shows just how far the pianist had come in just a few short years! The album's all acoustic, but has some of that spacious flow that Jamal would bring to his work on Fender Rhodes – with an approach that's even more open in terms of song structure than his earlier trio material – as if Jamal's choosing to omit more notes than he's including – but all with a quality that still keeps the music very full and rhythmic – pulsating with a special sort of energy that's neither Bill Evans, nor McCoy Tyner – but instead this really amazing sound that's all Ahmad's own. The trio features equally wonderful work from Jamil Nasser on bass and Frank Gant on drums – and titles include "The Awakening", "I Love Music", "Patterns", "Wave", and "Dolphin Dance". LP, Vinyl record album

Partial matches29
CD, LP, Vinyl record album cover art
✨✧ John ColtraneLive At The Village Vanguard ... LP
Impulse, 1961. Very Good+ Gatefold ... $39.99
Sublimely spiritual work from the great John Coltrane – a live album, but one that's easily one of his most important contributions to music in the early 60s – and a set that we'd rank right up there with his best studio sides for Impulse or Atlantic Records at the time! The group here features McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – plus the very important addition of Eric Dolphy on the leadoff tune "Spiritual" – a number that features Dolphy on bass clarinet alongside Coltrane's tremendous tenor, as both players open up on extended solos that take the tune to nearly 14 minutes in length! Other numbers omit Dolphy, but are still totally great – and Coltrane picks up the soprano sax for a classic reading of "Softly As In A Morning Sunrise" – and the group shifts slightly for the freer "Chasin The Trane", a 16 minute romp done with only tenor sax, drums, and bass – the latter of which is handled here by Jimmy Garrison instead of Workman. LP, Vinyl record album
(Rainbow label pressing, with RVG Stereo stamp. Cover has a small gloss bubble on the spine.)

Partial matches30
CD, LP, Vinyl record album cover art
John ColtraneAscension (remastered) ... CD
Impulse, 1965. Used ... $5.99
One of the freest, most exploratory albums ever recorded by John Coltrane – and a unique session done with an expanded group of some of the most important avant jazz players of his generation! The format here is similar to Ornette Coleman's Free Jazz album – in that the music is freely improvised, and spans the entire LP as a non-stop performance – one that has Coltrane in the lead, but which also features alto from Marion Brown and John Tchicai, tenor from Archie Shepp and Pharaoh Sanders, trumpet from Freddie Hubbard and Dewey Johnson – and core rhythms from McCoy Tyner on piano, drums from Elvin Jones, and double basses from Art Davis and Jimmy Garrison. The record set the format for larger improvistory groups in years to come – but is still one of the best examples of the form! CD
(Out of print.)
Also available Ascension (Version 1) ... LP 99.99

Partial matches31
CD, LP, Vinyl record album cover art
Jon DavisHappy Juice ... CD
Posi tone, 2017. New Copy ... $11.99 15.99
Top shelf jazz trio from pianist Jon Davis – an artist who might look pretty laidback, sipping wine on the cover – but who serves up some great original material as well as key takes on some classics! Working with bassist Boris Kozlov and drummer Mark Ferber on this one, Davis earnestly sets out to pay homage to the 60s modern piano jazz genius of his five favorite players – and also manages to really show some of his own best work – a really impressive feat! The originals shine brightly – including "Happy Juice", "Slant Six", "As We Know", "Bred On Read" and "Mostly Minor" – and fit in seamlessly with the nods to classics by Bill Evans, Herbie Hancock, Chick Corea, McCoy Tyner and Keith Jarrett – including "The Two Lonely People", "Tones For Joans Bones", "Speak Like A Child", "Search For People" and "Rainbow". Wonderful stuff! CD

Partial matches32
CD, LP, Vinyl record album cover art
Mike LeDonne with Eric AlexanderGroover ... CD
Savant, 2010. Used ... $13.99
Mike LeDonne's the groover, but the whole group makes the record swing – thanks to a quartet lineup that features Eric Alexander on tenor, Peter Bernstein on guitar, and Joe Farnsworth on drums! The set cooks with that classic New Jersey soul jazz vibe that Savant's strongly carried forward after the demise of Muse Records – a kind of no-nonsense, back-to-basics groove that few labels get as right as this – plenty of room for Mike to stretch out on hard-riffing Hammond, as Alexander blows some beautiful notes, Bernstein comps along a fantastic rhythm, and Farnsworth proves once again he's one of the most rock-solid drummers around. Titles include "Blues For McCoy", "Rock With You", "Little Mary", "Bopsolete", "The Groover", "Sunday In New York", and "I'm Gonna Make You Love Me". CD
(Out of print. Barcode has a cutout hole. CD has a white promo label.)

Partial matches33
CD, LP, Vinyl record album cover art
✨✧ VariousBridge Into The New Age – Funky Afro-Centric Spiritual Sounds From Jazz's Forgotten Decade ... CD
BGP (UK), Early 70s. New Copy ... Temporarily Out Of Stock
Beautifully spiritual jazz from the post-Coltrane generation – a wealth of righteous grooves from the early 70s – brought together in one mighty collection! If you dig the work of Pharoah Sanders, Alice Coltrane, and other giants on Impulse Records, this is a great way to dig even deeper – and hear the way their late 60s legacy inspired other musicians to new heights in their own music – sounds that hit a new level of freedom in jazz, yet which are still filled with enough swing and soul to avoid some of the more avant modes of the free jazz scene! If that description sounds a bit obtuse, then just plug into the collection, and let the music do its thing – as it's got a very powerful vibe throughout – the kind of inspirational, socially conscious work that flourished best during the 70s – and which is finally getting its due all these many years later. The package is new territory for Ace/BGP, but they've done a great job as usual – picking key tracks from the era, and coming up with detailed notes on each of the long tracks. Titles include "Free Angela" by Bayete, "Bridge Into The New Age" by Azar Lawrence, "Tress Cun De O La" by Joe Henderson, "Ebony Queen" by McCoy Tyner, "Peace" by Idris Muhammad, "Mother Of The Future" by Norman Connors, "Brown Warm & Wintry" by Jack DeJohnette, "I've Known Rivers" by Gary Bartz, and "Fire" by Joe Henderson & Alice Coltrane. CD

Partial matches34
CD, LP, Vinyl record album cover art
✨✧ Michael DeaseGrace ... CD
JLP, 2010. Used ... Out Of Stock
A diverse set of jazz tunes, covered affectionately, strongly, and...well, gracefully by Michael Dease – the excellent jazz trombone player's first set as a leader! Dease works very, very well here in a number of styles by variety of great ones – clasics by McCoy Tyner, Miles Davis and John Coltrane, breezy Brazilian numbers penned by Ivan Lins and Milton Nasciemento and more. The guests include Roy Hargrove, Claudio Roditi, Mark Whitfied and Eric Alexander. Includes Jobim's "Discussao", McCoy Tyner's "Blues On The Corner", Coltrane's "26-2", Ivan Lins's "Love Dance", Herbie Hancock's "Toys", "Salt Song" by Nascimento & Lubambo and more. CD

Partial matches35
CD, LP, Vinyl record album cover art
John ColtraneJohn Coltrane Live In Paris Part 1 ... LP
BYG, 1962. Near Mint- ... $26.99
A wonderful live set, recorded in Paris in 1962 – and featuring the quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones. The set features three long Coltrane standards – "Impressions", "Afro Blue", and "Naima" – all done in that beautiful spiralling modal style that the group used on their classic first set of recordings at the Village Vanguard. In fact, the set's a perfect complement to that material – which we feel is some of Coltrane's strongest. LP, Vinyl record album
(Japanese pressing – with insert! Cover has light wear.)

Partial matches36
CD, LP, Vinyl record album cover art
Joe Henderson5 Original Albums (Our Thing/In N Out/Inner Urge/State Of The Tenor 1 & 2) (5CD set) ... CD
Blue Note (Germany), Mid 60s/Mid 80s. New Copy 5CD ... $14.99
The start of a great run of genius from Joe Henderson – plus a seminal 80s return to form – served up here on five different albums recorded for Blue Note! First up is Our Thing – a classic straight session by Joe Henderson – cut during his early years, when he was breaking out of the box with a heck of a lot of fire! Kenny Dorham's subdued lyricism complements Joe's impassioned playing over the angular, yet still-swinging rythm section of Andrew Hill, Eddie Kahn and Pete La Roca. The track "Pedro's Time" reflects Joe's fascination with Latin-flavored pieces (as evidenced by Joe's previous effort Page One, and his work on Dorham's Una Mas), while pieces like "Teeter Totter", "Our Thing" and "Back Road" play with time and structure in subtle ways. In N Out is a stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". Inner Urge is a fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". Last up are the two live Village Vanguard albums State Of The Tenor Vols 1 & 2 – a real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section – this is a unique date for Joe, and he sounds brilliant throughout! Ron Carter and Al Foster provide a crisp but elastic foundation for Henderson's burnished melodies and solos in a very spacious setting. Titles include"The Bead Game", "Soulville", "Portrait", "Beatrice", "Friday The Thirteenth", "Happy Reunion", "Loose Change", "Ask Me Now" and "Isotope". CD

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✨✧ Reggie MooreFurioso ... CD
Mainstream/Ultra Vybe (Japan), 1972. New Copy ... $13.99
We only know Reggie Moore from a handful of records – but he's a hell of a pianist, and one who definitely earns the furioso name in the title! There's a complicated mix of ideas going on in Reggie's head here – sometimes the soaring modalism of the McCoy Tyner generation, sometimes the more subtle approach of the Bill Evans scene, and at other points a more gutbucket style that has Moore exploding in ways that should have made him a stronger contender for the more soulful side of his contemporaries. Yet it's the balance between all these peaks that make Moore so unique, and the album such a charmer – as Reggie works here on acoustic piano throughout, with Hank Haynie on bass and Chip Lyles on drums. Titles include "Little Tracy", "Furioso", "Collage", "Consider Her Ways", and "Where Is The Love". CD

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VariousMod Jazz ... CD
Kent (UK), 1960s/Early 70s. New Copy ... $10.99 18.99
One of our favorite compilations of all time – a smoking batch of soulful jazz from the 60s, with a slight bit of funk and blues thrown in as well! The set's exactly what's promised in the title – jazz cuts, but with an ultra-cool mod vibe – the kind of soulful sounds that played big with the younger London crowd digging American music in the mid 60s – and also the kind of music you'd be likely to find blasting out of a backroom jukebox on the west side of Chicago! There's loads of rare single mixes of LP tracks on the set, and a number of smoking 45s from artists you might know better from more mainstream work – really hitting hard here, alongside a few special numbers from the indie underground too. Tracks are cool enough for old school hipsters – but appealing enough to bring in a new listener too – and as proof of that, we've given this one away for many years as a Christmas present. The collection features 25 tracks in all – non-stop pleasure throughout – with titles that include "Soul Shoutin" by Shirley Scott, "Tengo Tango" by Cannonball Adderley Sextet, "Whip It On Me" by Billy Hawks, "Yeh Yeh" by Mongo Santamaria, "Black Talk" by Charles Earland, "I'm Ready" by Otis Spann, "Mama Rufus" by Merced Blue Notes, "Theme From NYPD" by Johnny Hammond, "Step Out & Get It" by The Nomos, "Why Don't You Do Right" by Mark Murphy, "Collard Greens" by Freddie McCoy, "Theme From The Carpetbaggers" by Jack McDuff, "Filthy McNasty" by Eddie Jefferson, "Evil Ways" by Cal Tjader, "Kenny's Theme" by Kenny Burrell, and "Games" by Ivan Boogaloo Joe Jones. CD
Also available Mod Jazz ... LP 22.99

Partial matches39
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VariousMod Jazz ... LP
Kent (UK), 1960s/Early 70s. New Copy 2LP Gatefold ... $22.99
One of our favorite compilations of all time – a smoking batch of soulful jazz from the 60s, with a slight bit of funk and blues thrown in as well! The set's exactly what's promised in the title – jazz cuts, but with an ultra-cool mod vibe – the kind of soulful sounds that played big with the younger London crowd digging American music in the mid 60s – and also the kind of music you'd be likely to find blasting out of a backroom jukebox on the west side of Chicago! There's loads of rare single mixes of LP tracks on the set, and a number of smoking 45s from artists you might know better from more mainstream work – really hitting hard here, alongside a few special numbers from the indie underground too. Tracks are cool enough for old school hipsters – but appealing enough to bring in a new listener too – and as proof of that, we've given this one away for many years as a Christmas present. The collection features 25 tracks in all – non-stop pleasure throughout – with titles that include "Soul Shoutin" by Shirley Scott, "Tengo Tango" by Cannonball Adderley Sextet, "Whip It On Me" by Billy Hawks, "Yeh Yeh" by Mongo Santamaria, "Black Talk" by Charles Earland, "I'm Ready" by Otis Spann, "Mama Rufus" by Merced Blue Notes, "Theme From NYPD" by Johnny Hammond, "Step Out & Get It" by The Nomos, "Why Don't You Do Right" by Mark Murphy, "Collard Greens" by Freddie McCoy, "Theme From The Carpetbaggers" by Jack McDuff, "Filthy McNasty" by Eddie Jefferson, "Evil Ways" by Cal Tjader, "Kenny's Theme" by Kenny Burrell, and "Games" by Ivan Boogaloo Joe Jones. LP, Vinyl record album
Also available Mod Jazz ... CD 10.99

Partial matches40
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✨✧ Wayne Shorter5 Original Albums (Night Dreamer/Soothsayer/Etcetera/Adam's Apple/Schizophrenia) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... Out Of Stock
Five very different albums from the great Wayne Shorter – all from a time when he was really taking off with his music! Night Dreamer is one of the greatest Wayne Shorter albums for Blue Note, and one of our favorite jazz albums ever! The record is a masterpiece of lyrical delight – soul jazz mixed with slight touches of experimentalism – but still warm, swinging, and personal enough to captivate even the most novice jazz listener. A players are at the top of their game – and in addition to Shorter's tenor, the group features Lee Morgan on trumpet, McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums. The tracks unfold in lyrical, modal beauty in a really wonderful way that was barely ever duplicated again – and titles include "Night Dreamer", "Oriental Folk Song", "Virgo", "Charcoal Blues", "Armageddon", and "Black Nile". Soothsayer is a great Wayne Shorter session from the mid 60s – recorded then, but not issued until 1979, for some incredibly unexplained reason – especially given the strength of the set! The group is distinctly modern, and features Freddie Hubbard on trumpet, James Spaulding on alto, and McCoy Tyner on piano – all of who were committed to heavily pushing the boundaries of their playing at the time. Added to the mix is the youthful Tony Williams on drums, fresh from work with Miles Davis, and playing with an incredibly free hand on the kit – plus the great Ron Carter on bass. The resulting mix of tracks is a beautiful example of how these mid-60s Blue Note sessions could keep firmly in touch with modern developments in jazz, yet never lapse into the kind of sloppiness that could sometimes ruin sets like these on other labels – always with a keen sense of timing and rhythm, and a sharpness that made Blue Note's "new" newer-sounding than most. Titles include "Lost", "Angola", "The Big Push", and an amazing jazz take on Sibelius' "Valse Triste"! Etcetera has a very sharp-edged quartet sound – a bit modern and edgey at times, with sharp tenor lines from Shorter, piano from Herbie Hancock, bass from Cecil McBee, and drums from Joe Chambers. Wayne recorded the date in 1965, but the material wasn't issued by Blue Note until 15 years later – a delay that somehow made the whole thing even more of a gem, especially at a time when Shorter wasn't blowing this strongly on record. Tracks include four originals "Toy Tune", "Penelope", "Etcetera", and "Barracudas" – plus the Gil Evans number "Barracudas (General Assembly)". Adams Apple is an incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums – a wonderfully free-thinking rhythm trio! Workman's bass is especially strong, and it underpins the cuts with a throbbing pulse that takes them past any simple hardbop conventions. Every cut's a winner – and this is one album we reach for time and time again over the years! Titles include "Adam's Apple", "El Gaucho", "Footprints", and "Teru". Schizophrenia is a session from the late 60s that has Wayne Shorter pushing into a searching, spiritual groove, but one that's still filled with all the taught electricity of his earlier recordings on Blue Note! Shorter's accompanied by youthful modernists like James Spaulding on alto, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums – plus the mighty Curtis Fuller on trombone, whose instrument here proves to be the same key extra ingredient that it was on the best Art Blakey sextet sessions of the 60s. There's a tight, soulful feel here that's sublime – an Adams Apple sort of groove, but a bit fuller – and titles include the classic "Tom Thumb", plus "Playground", "Schizoprhenia", "Kryptonite", "Miyako", and "Go". CD
 
 
 



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